Corals as Living Geology. In Conversation with Julian Charrière by Timothée Chaillou

Julian Charrière has created two new bodies of work, *Chorals* (2025) and *Veils* (2025), in collaboration with Maison Ruinart. The projects are inspired by the Lutetian Sea, which submerged the Champagne region 45 million years ago, and explore themes of deep time, climate change, and the interconnectedness of organic and mineral life. *Chorals* is a permanent sound installation in Ruinart's cellars in Reims, featuring amplified recordings of ocean reefs, while *Veils* comprises wall works and sculptures centered on corals and fading coral imagery. The works travel to art fairs as preludes to the permanent installation.

Great Plains Art Museum opens three exhibitions to kick off anniversaries

The Great Plains Art Museum at the University of Nebraska–Lincoln will open three exhibitions on January 20, 2026, celebrating the 50th anniversary of the Center for Great Plains Studies and the museum's 45th anniversary. The main and south galleries feature "Collection Connections: Art in Conversation," pairing artworks from the museum's history to highlight formal and thematic ties. The west gallery presents "'All the Beauty You Can See': Dwight Kirsch in Nature," focusing on the Nebraska-born artist's lifelong fascination with nature, while the mezzanine gallery hosts "Indigenous Ceramics from the Collection," showcasing ceramic works by Indigenous artists of the Great Plains and Southwest. The exhibitions run through July 25, with a First Friday reception on February 6.

Philadelphia Museum of Art has canceled The Philadelphia Show for 2026

The Philadelphia Museum of Art has canceled the Philadelphia Show for 2026, an annual antique, art, and design exhibition and fundraiser that has run since 1962. The museum confirmed the pause on Tuesday, citing the need to prioritize resources for its 150th anniversary and participation in the national America 250 commemoration in 2026. The 2025 edition featured over 40 dealers from Philadelphia, New York, London, France, Portugal, and across the U.S., showcasing decorative arts, antiques, fine arts, and jewelry. Exhibitors were informed in April that the 2026 dates were in jeopardy, and the museum has not committed to the show returning in 2027.

Did Zurbarán Believe What He Painted?

An exhibition of Francisco de Zurbarán's 17th-century religious paintings at London's National Gallery prompts a critic to question whether the artist's personal faith influenced his artistic skill. The show features monumental works from Spanish churches and monasteries, displayed dramatically against black walls, including crucifixion scenes, monks, and saints. The critic notes that no personal records of Zurbarán survive—only contracts—leaving his beliefs unknown, and compares him to Agnolo Bronzino, who painted pious scenes but wrote obscene verses. A small painting of a crucified Christ with a painter, possibly a self-portrait of Bronzino, is presented as ambiguous evidence of faith.

DOGE Cuts to National Endowment for the Humanities Were Unconstitutional, Court Rules

A federal judge ruled that the cancellation of over 1,400 grants by the National Endowment for the Humanities, carried out by Elon Musk's Department of Governmental Efficiency (DOGE), was unconstitutional. Judge Colleen McMahon of the Federal District Court in Manhattan ordered DOGE to rescind the cancellations, finding that the cuts violated the First Amendment and the equal protection component of the Fifth Amendment. The lawsuits were filed after the NEH chairman was dismissed and the agency was redirected under President Donald Trump's "America First" cultural campaign, with acting chair Michael McDonald cutting most grants awarded by the previous administration. The cuts, totaling more than $100 million, disrupted research, publications, and humanities programming, and were reportedly flagged using ChatGPT to target grants related to diversity, equity, and inclusion.

The world is rediscovering the talent of Dutch designer Hella Jongerius

Il mondo sta riscoprendo il talento della designer olandese Hella Jongerius

Dutch designer Hella Jongerius is the subject of a major retrospective titled "Whispering Things" at the Vitra Design Museum in Weil am Rhein. The exhibition features approximately 300 works spanning her career, from her early graduation projects at the Design Academy Eindhoven and her involvement with the Droog Design collective to her long-standing corporate collaborations. The show coincides with Jongerius officially entrusting her extensive professional archive to Vitra, marking a significant milestone in her thirty-year career.

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President Donald Trump was booed while attending a fundraiser for the musical *Les Misérables* at the John F. Kennedy Center for the Performing Arts. He arrived with Melania Trump to support the center, but faced a mixed reception of boos and chants of 'U-S-A.' The event followed Trump's controversial takeover of the Kennedy Center, where he fired the board of trustees appointed by Joe Biden and George W. Bush, installed himself as chair, and replaced longtime president Deborah Rutter. Several artists, including Ben Folds, Renée Fleming, Shonda Rhimes, Issa Rae, and Rhiannon Giddens, resigned in protest, and the center has seen program cancellations such as *Hamilton* and Pride events.

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Palestinian photojournalist Samar Abu Elouf has won the 2025 World Press Photo award for her image of Mahmoud Ajjour, a 9-year-old Gazan boy whose arms were mutilated by an Israeli airstrike. The photo, taken for the New York Times, was honored at a ceremony in Amsterdam. Abu Elouf, herself from Gaza and now living in Qatar, captured the boy in a shaft of sunlight that gives the image the quality of a classical bust. The award, now in its 70th year, drew nearly 60,000 entries from 4,000 photographers across 141 countries.

Wrapped for Travel: On "The American Connection" by Peter Halley and "Black Painter, White Figuration" by Maxwell Alexandre

Two simultaneous exhibitions at Almeida & Dale in São Paulo present contrasting visions: American artist Peter Halley's "The American Connection," curated by Antonio Gonçalves Filho, features his signature geometric abstractions using Roll-A-Tex and Day-Glo colors to critique digital confinement and post-industrial surfaces. Brazilian artist Maxwell Alexandre shows works from his "Clube" series, depicting Black bodies navigating exclusionary leisure spaces. The pairing is deliberate, not for aesthetic dialogue but to juxtapose an established international artist with a rising Brazilian talent, timed to coincide with SP-ARTE.

‘Studio Iron’ to Launch at Saatchi Yates, Blurring the Boundaries Between Art and Design

Saatchi Yates is partnering with creative director and makeup artist Isamaya Ffrench to launch Studio Iron, a new design gallery whose inaugural exhibition opens April 30 and runs through June 7, 2026. The show presents a dense, post-industrial landscape dominated by steel and iron, featuring works by artists including Jannis Kounellis, Paul McCarthy, Jordan Wolfson, Anne Imhof, Marina Abramovic, Nico Vascellari, and others. Furniture, sculpture, installation, and painting collide in a space that resists categorization, hovering between function and non-function, utility and image.

Pursuing ‘a different economy’, London gallery Herald St will open new space in Bologna

London gallery Herald St, known for nurturing artists like Nicole Wermers, Cary Kwok, and Pablo Bronstein over the past 20 years, will open a new space in Bologna, Italy, in early 2025. Co-founder Nicky Verber cites the city's strong local collector base, excellent institutions such as Mambo (Museo d'Arte Moderna di Bologna), and its connectivity to Venice, Milan, and Florence as key draws. The gallery has deepened ties with Bologna through a 2020 group exhibition, signing local artist Francis Offman in 2021, and participating in Arte Fiera. The new space, located in the medieval center, will feature three exhibition rooms and open with a show by abstract painter Matt Connors, hosting three to four exhibitions annually compared to five or six in London.

New dealer-run fair aims to fill gap left by Design Miami

A group of 11 mostly French galleries, led by Charlotte Ketabi-Lebard of Parisian gallery Ketabi Bourdet, have launched Maze Design Basel, a new dealer-run design fair to fill the gap left by the cancellation of Design Miami Basel. The fair is held in the 19th-century Elisabethenkirche church next to Basel's Kunsthalle, with stands arranged throughout the nave, mezzanines, chancel, pulpit, and clerestory. The vernissage on June 16 was playful and relaxed, with sales reported by all exhibitors and about 1,000 guests attending the preview.

London Gallery Weekend 2025: must-see shows for digital art lovers

London Gallery Weekend (LGW) 2025 features a strong digital art focus, with must-see shows by artists including Auriea Harvey, Tyler Hobbs, Beeple, and Robert Alice. Highlights include Beeple's interactive video sculpture *Tree of Knowledge* at the first South By Southwest London festival, LoVid's 25-year exploration of video and hand-stitched textiles at Gazelli Art House, David Salle's AI-assisted paintings at Thaddaeus Ropac, and Máté Orr's digital-first folklore paintings at JD Malat Gallery. The festival, where *The Art Newspaper* moderated a panel, underscores London's emergence as a digital art capital.

Stars feiern Mode und Kunst bei Met-Gala

The Met Gala, hosted by Anna Wintour at the Metropolitan Museum of Art in New York, raised millions for the museum's Costume Institute. This year's event featured celebrities like Beyoncé, Nicole Kidman, and Heidi Klum, with a dress code of "Fashion is Art." Beyoncé and Kidman brought their daughters for the first time, while Klum dressed as a stone statue. The gala opened the "Costume Art" exhibition and was co-sponsored by Jeff Bezos and Lauren Sánchez Bezos, drawing protests over Bezos's involvement.

When a Palestinian Artist Asserts Her Own Humanity

Palestinian artist Basma al-Sharif faced a coordinated smear campaign and threats after being invited to screen her film "Morgenkreis" at the Kunstakademie Düsseldorf. The controversy erupted not over the film's content, but over her social media posts referencing Palestinian resistance and historical injustices, leading to demands from public officials and advocacy groups to cancel the event.

LA Timpa “Come Back” at Cell Project Space, London

LA Timpa “Come Back” at Cell Project Space, London

LA Timpa has opened a new solo exhibition, "Come Back," at Cell Project Space in London. The show features a multi-channel video installation and sound work that continues the artist's exploration of the body, technology, and queer identity through digitally manipulated and visceral imagery.

The Palais des Papes in Avignon cancels Macha Makeïeff's exhibition

Le Palais des Papes d’Avignon renonce à l’exposition de Macha Makeïeff

The Palais des Papes in Avignon has cancelled its planned summer exhibition, 'Les Choses divines – Inventaire fantaisiste,' conceived by French director, scenographer, and visual artist Macha Makeïeff. The cancellation, officially attributed to a combination of administrative, technical, and budgetary constraints, may also be linked to the recent municipal election that saw Olivier Galzi succeed Cécile Helle as mayor.

Venice Biennale strike sees more than 15 pavilions temporarily or partially close

On 8 May, more than 15 national pavilions at the Venice Biennale temporarily or partially closed in a coordinated strike organized by the Art Not Genocide Alliance (ANGA). The protest opposes Israel’s participation in the event, which organizers say normalizes what they call genocide and exploits precarious labor. Participating countries include Austria, Lebanon, Slovenia, Egypt, Poland, and the Netherlands, whose artist Dries Verhoeven stood outside his shuttered pavilion with a Palestinian flag. Some pavilions, like Japan’s, remained open but suspended interactive elements. The strike follows earlier controversies, including the resignation of the prize jury and an open letter demanding the Israeli pavilion’s cancellation.

Gabrielle Goliath Discusses Her Canceled South African Pavilion as She Shows New Work in a Venice Church

South African artist Gabrielle Goliath’s planned pavilion for the South Africa Pavilion at the Venice Biennale was canceled by culture minister Gayton McKenzie, who deemed it “highly divisive.” Despite the cancellation, Goliath has installed her work, a multi-screen iteration of her ongoing performance series *Elegy*, at the Chiesa di Sant’Antonin, half a mile from the Giardini. The new piece mourns victims of atrocities including South African femicide, the Herero and Nama genocide, and the death of Gazan poet Hiba Abu Nada, killed by an Israeli airstrike. Goliath stated that McKenzie explicitly demanded removal of the Palestinian content while deeming the other subjects acceptable.

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South Africa’s official pavilion at the Venice Biennale will remain empty this year following the government's abrupt cancellation of artist Gabrielle Goliath’s planned exhibition. The controversy erupted when Culture Minister Gayton McKenzie pulled the project just days before the deadline, labeling Goliath’s work "highly divisive" due to its inclusion of a tribute to Palestinian poet Hiba Abu Nada. Despite the official ban and a failed court challenge by the artist and curator, the work, titled *Elegy*, will now be staged independently at the Chiesa di Sant’Antonin nearby.

250-Year-Old Kiln Discovered on Thomas Jefferson’s Monticello Estate

Archaeologists at Thomas Jefferson’s Monticello estate have unearthed a 250-year-old kiln used to fire bricks for the plantation’s original construction. Located on the East Lawn just feet from the main house, the site was identified through the discovery of specialized curved bricks, including cyma-shaped and ovolo-molded specimens. These architectural details confirm the kiln dates back to the "Monticello I" period (1768–1782), as these specific water table features were omitted during Jefferson’s later 18th-century renovations.

Italy’s Uffizi Hit by Cyberattack, Says Security Wasn’t Compromised

The Uffizi Galleries in Florence suffered a significant cyberattack in February, with hackers reportedly stealing access codes, internal maps, CCTV camera information, and the institution's entire photographic archive. The attackers issued a ransom demand to director Simone Verde. In response, the museum moved valuable jewels to the Bank of Italy, sealed emergency exits at the Palazzo Pitti with bricks, and closed a section of the palace, though it attributes some actions to planned renovations and fire-safety compliance.

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Russia has announced it will reopen its national pavilion at the 2026 Venice Biennale after a four-year hiatus following the invasion of Ukraine. The pavilion, which remained closed in 2022 and was loaned to Bolivia in 2024, will host an exhibition titled "The Tree is Rooted in the Sky" featuring a "musical festival" with over 50 participants from Russia and countries including Argentina, Brazil, Mali, and Mexico.

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South Africa will not participate in the 61st Venice Biennale following a High Court ruling that dismissed an urgent application by artist Gabrielle Goliath. The dispute began in January when Culture Minister Gayton McKenzie canceled the planned exhibition, "Elegy," citing concerns over its references to Gaza and the killing of Palestinian poet Hiba Abu Nada. The court's decision, delivered just hours before the biennial's submission deadline, effectively leaves the South African pavilion empty for the 2024 edition.

south africa officially cancels venice biennale pavilion 1234774028

South Africa has officially withdrawn from the 2024 Venice Biennale following a legal battle over the cancellation of its national pavilion. The controversy began when Culture Minister Gayton McKenzie pulled the plug on artist Gabrielle Goliath’s planned exhibition, which referenced the deaths of Palestinians in Gaza. Goliath and curator Ingrid Masondo challenged the decision in court, alleging censorship and a violation of freedom of expression, but a South African judge recently dismissed their case without providing a specific reasoning.

Rachel Valdés: Light and Matter at Gary Nader Art Centre

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Cuban artist Rachel Valdés has opened a solo exhibition titled "Light and Matter" at the Gary Nader Art Centre in Miami. The show features a new body of work that explores the phenomenon of diffraction and the concept of afterimages—the optical illusions that persist after a light source is removed. Valdés uses these sensory echoes to bridge the gap between physical light and psychological experience, creating abstract compositions that mimic cellular or internal visions.

south african court rejects gabrielle goliaths bid to reinstate venice biennale pavilion 1234773798

A South African high court has dismissed artist Gabrielle Goliath’s urgent application to reinstate her selection for the 61st Venice Biennale. Culture Minister Gayton McKenzie canceled Goliath’s pavilion, titled "Elegy," labeling the work "highly divisive" just days before the official submission deadline. The artist and curator Ingrid Masondo argued the cancellation was an act of censorship and a violation of constitutional freedom of expression, but the court rejected the bid without providing immediate reasons.

Caravaggio, Class, Clothes, and Street Style by Elizabeth Currie

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An excerpt from Elizabeth Currie's upcoming book "Street Style: Art and Dress in the Time of Caravaggio" analyzes the significance of clothing in Caravaggio's painting *The Cardsharps*. The author dissects the garments of the three figures—a finely dressed youth, a possibly liveried servant, and a disheveled card sharp—to reveal how their attire provides clues to their social status, professions, and the complex, often deceptive relationships between them.

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The Studio Museum in Harlem has temporarily closed due to water damage caused by a sprinkler emergency during a snowstorm. The incident, which affected the gift shop near the entrance, prompted an evacuation of staff and visitors. The museum will remain closed through February 7 for repairs, with all programs and events cancelled and refunds issued to ticket holders. No artworks or galleries were affected, according to a museum representative.

gabrielle goliath legal action south africa venice pavilion 1234770389

Artist Gabrielle Goliath and curator Ingrid Masondo are filing a court case against South African culture minister Gayton McKenzie after he canceled their planned pavilion for the Venice Biennale. McKenzie objected to a performance from Goliath's "Elegy" series that would address Israel’s war in Gaza, calling it "polarizing," a move Goliath described as censorship. McKenzie later attributed the cancellation to alleged interference by an unnamed foreign nation, with reports suggesting Qatar was involved, though the Qatar Museums ultimately did not purchase the work. The application, to be filed in the South African high court in Pretoria, seeks to have McKenzie's actions declared unconstitutional.