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55 years. Berggruen Gallery

Berggruen Gallery in San Francisco announces its 55th Anniversary Exhibition, a group show running from June 26 to August 14, 2025. The exhibition features paintings, works on paper, sculpture, film, and archival ephemera from the SFMOMA Library and SFAI archive, showcasing museum-quality works by contemporary and historical artists. Many pieces are on loan from private collections and rarely exhibited publicly. The gallery, founded by John Berggruen in 1970 on Grant Avenue, quickly became a nationally recognized force in shaping the West Coast art scene, bridging New York and international artists with local collectors.

Why Helen Chadwick’s earthy, provocative art remains as vital as ever

Nearly 30 years after her death in 1996 at age 42, artist Helen Chadwick is receiving renewed attention with a major retrospective, "Helen Chadwick: Life Pleasures," at the Hepworth Wakefield. The exhibition spans two decades of her provocative work, including iconic pieces like "The Oval Court" (1984-86) and the chocolate fountain "Cacao" (1994). Chadwick was known for using unconventional materials—rotting organic waste, meat, hair, cleaning fluids—to explore identity, gender, and the sensuous body, often with irreverent humor. She was also a influential teacher at the Royal College of Art, Goldsmiths, Chelsea, and Central St Martins, mentoring artists such as Tracey Emin, Anya Gallaccio, Sarah Lucas, and Damien Hirst.

SF's art scene is back— 9 summer shows you shouldn’t miss

San Francisco's art scene is showing signs of recovery after a difficult period marked by the pandemic, federal arts grant cuts, and museum closures. June brought positive developments: the Headlands Center for the Arts raised record funds at its annual auction, the shuttered San Francisco Art Institute plans to reopen as an artist studio, and local criticism magazine SquareCylinder is returning. The article highlights nine summer exhibitions across the Bay Area, including shows by Ruby Neri, William T. Wiley, Hank Willis Thomas, Charlie Tweddle, and Shepard Fairey, ranging from public art installations to gallery retrospectives.

Tracey Emin

Tracey Emin, the British artist known for her confessional and provocative works, has been the subject of recent coverage in The Art Newspaper. The article details her ongoing artistic output and public engagements, including her latest exhibitions and contributions to contemporary art discourse. It highlights her continued prominence in the art world, with recent shows and critical attention reaffirming her status as a leading figure in British and international art.

parties printed matter 50th anniversary

Printed Matter, the nonprofit artists' bookstore and publisher, celebrated its 50th anniversary with a gala at the High Line Hotel in New York. The event featured speeches honoring co-founder Pat Steir and artist Ed Ruscha, performances from the opera *Einstein on the Beach*, and a crowd of notable artists, museum directors, and gallerists including Joan Jonas, Glenn Ligon, MoMA Director Christophe Cherix, and Larry Gagosian. Founded in 1976 by Sol LeWitt, Pat Steir, and Lucy Lippard, Printed Matter has become a vital platform for artist books, operating a bookstore, exhibition space, and one of the world's largest book fairs.

art elizabeth peyton david zwirner interview

Elizabeth Peyton's New York solo debut with David Zwirner, titled "Elizabeth Peyton: mountains in my heart (the death of Sarpedon)," opened at the gallery's West 19th Street space. The exhibition features Peyton's small-scale figurative paintings, including a new work inspired by the death of Sarpedon from the Iliad, rendered after a 19th-century painting by Henri-Léopold Lévy. Peyton, who has been an artist-in-residence at the Louvre since 2023, continues her practice of drawing from pop culture, historical figures, and personal acquaintances, with subjects ranging from musician Cameron Winter to philosopher Simone Weil.

art what to see in nyc galleries right now 2

This week's What's On column highlights must-see gallery shows in New York City, including Simone Fattal's bronze and ceramic works at Greene Naftali and kaufmann repetto, Sol Lewitt's early works at Paula Cooper, Charles Atlas's portraits at Luhring Augustine, John Akomfrah's eight-channel installation at Lisson, and Brenda Goodman's new exhibition at Sikkema Malloy Jenkins. On the Upper East Side, the Metropolitan Museum of Art presents Helene Schjerfbeck's self-portraits in "Seeing Silence," the Jewish Museum features Joan Semmel's radical nudes, and White Cube hosts Marguerite Humeau's cave-inspired show "scintille."

art iiu susiraja photography gratin exhibition

Finnish artist Iiu Susiraja, known for her deadpan self-portraits that blend vulnerability and absurdity, is opening her first New York solo exhibition since her 2023 MoMA PS1 show, titled “A style called a dead fish,” at the gallery Gratin on December 11. The article, an interview by a critic, explores Susiraja’s practice of embracing her “inner clown” through photographs that feature nudity, balloons, and domestic props, often staged in her own home or her parents’ home in Turku. New works include images like “Lift up, Breasts” (2025), where helium balloons are taped to her nipples, and a sculpture involving photocopying machines that will distribute keepsakes during the show.

art arne glimcher pace 125 newbury interview

Arne Glimcher, the 87-year-old founder of Pace Gallery, opened a satellite gallery called 125 Newbury in Tribeca in 2021 after his son Marc, Pace's CEO, told him he would have to wait three years for a show slot. The gallery, named after Pace's original Boston address, operates under Pace's umbrella but focuses on experimental, scholarly exhibitions that often feature artists not represented by Pace. Glimcher recently mounted a Kiki Smith show pairing her 1990s paper mannequins with bronze birds, and he continues to take risks, such as funding a pond for Max Hooper Schneider's exhibition. Despite the gallery not being self-sustaining, Glimcher remains committed to supporting original art and connoisseurship.

art nathaniel mary quinn gagosian interview

Nathaniel Mary Quinn is preparing for his fifth solo exhibition with Gagosian, titled “ECHOES FROM COPELAND,” opening September 10. The show is inspired by Alice Walker’s 1970 novel *The Third Life of Grange Copeland*, which Quinn read twice and found deeply resonant. The works continue his signature style of fragmented, abstract-figurative portraits using oils, pastels, and charcoal, while also incorporating influences from Francis Bacon exhibitions he saw in London. Quinn’s practice draws heavily on his own traumatic upbringing—his mother died when he was 15 and he was abandoned by other family members—and his compositions evoke fragmented memories.

art work sally mann memoir

Photographer Sally Mann discusses her new book "Art Work," a follow-up to her National Book Award finalist memoir "Hold Still." In the interview with Cultured, Mann reflects on her career, her black-and-white imagery of family and the Southern landscape, and her shift to digital photography. She shares insights on the changing photography landscape, the melding of art and commerce, and her hopes for the next generation of artists.

design inspiration summer interiors collecting

Cultured magazine's article "design inspiration summer interiors collecting" presents five distinct stories exploring the intersection of art, design, and collecting within private homes and studios. It profiles designer John Gachot's Shelter Island studio where his paintings coexist with his father Richard Gachot's sculptures; the Montauk home-workshop of Roman & Williams founders Stephen Alesch and Robin Standefer; artist David Salle's Hamptons residence and his approach to selecting artworks; real estate investor Carl Gambino's art collection featuring emerging and established artists; and author James Frey's personal collection, which he began by purchasing a Picasso with cash.

upper east side new york resurgence

A wave of new creative energy is reshaping Manhattan's Upper East Side, as artists, gallerists, and tastemakers migrate uptown. Notable newcomers include White Cube's gallery outpost (opened 2023), fashion brands like Khaite and Toteme, and fresh eateries such as Chez Fifi and Maxime's. Artist Margaret Lee, who co-founded a downtown gallery, notes the special feeling of crossing Park Avenue. Playwright Matthew Gasda observes an influx of young people while the neighborhood retains its multigenerational character. The article features nine local residents—including designer Leandra Medine Cohen and Instagram documentarian Joshua Kamei—sharing their perspectives on the area's evolution.

Inside TEFAF New York’s Annual Wealth Pageant

The 12th annual TEFAF New York fair took place at the Park Avenue Armory from May 15 to 19, attracting wealthy collectors with a mix of blue-chip art, design objects, and jewelry. Highlights included Kathleen Ryan's bejeweled 'Bad Fruit' sculptures at Gagosian, Cai Guo-Qiang's gunpowder paintings at White Cube (which sold 11 of 12 works), Sheila Hicks's textiles at Demisch Danant, and a new David Hockney painting at Annely Juda Fine Art. The fair featured 88 galleries from 14 countries, with VIP previews drawing art advisors and high-net-worth clients.

TEFAF New York Opened to Crowded Aisles, Bullish Collectors, and Strong Booths

TEFAF New York opened at the Park Avenue Armory with unexpectedly strong crowds and a buoyant mood, defying the typical afternoon lull. Dealers reported heavy foot traffic and sustained conversations, with gallerist Sean Kelly calling it the best edition in years. The fair, running through May 19, features a mix of antiquities, design, modern, and contemporary art, with standout booths including Alison Jacques’s pairing of Dorothea Tanning, Robert Mapplethorpe, and Gordon Parks, and Sean Kelly Gallery’s display of works by Shahzia Sikander and Sam Moyer. The newly launched Pace Di Donna Schrader Galleries made its TEFAF debut with works by Eugène Delacroix, Willem de Kooning, and Alexander Calder.

Rothko from Robert Mnuchin’s Estate Sells for $85.8 M., Leading Sotheby’s New York’s $433.1 M. Contemporary Art Sale

Sotheby’s New York held a $433.1 million modern and contemporary art sale at its Madison Avenue headquarters, led by Mark Rothko’s *Brown and Blacks in Reds* (1957), which sold for $85.8 million. The auction opened with 11 works from the estate of legendary dealer Robert Mnuchin, totaling $166.3 million, including a second Rothko and pieces by Willem de Kooning, Franz Kline, and Pablo Picasso. The contemporary art segment followed, with Jean-Michel Basquiat’s *Museum Security (Broadway Meltdown)* (1983) selling for $52.7 million. The overall sale was described by advisers as robust but not particularly exciting, and it significantly exceeded the $186.1 million equivalent sale from last year.

The Best Booths at Frieze New York, From Cindy Sherman’s Newest Photos to UFOs

The article reviews the best booths at Frieze New York 2026, held at the Shed in Hudson Yards. It highlights eight standout presentations, including Hauser & Wirth's debut of new Cindy Sherman photographs, Andrew Edlin Gallery's themed booth featuring artists like Paulina Peavy and Melvin Way who explore extraterrestrial themes, and Carlos/Ishikawa's display of Evelyn Taocheng Wang's monumental paintings that engage with Agnes Martin and Georgia O'Keeffe. The author notes that while art fairs prioritize commerce, some galleries successfully balance good art with monetization.

‘The content, material and form support each other’: Sandy Rodriguez on her Hispanic Society Museum show

Sandy Rodriguez presents her new exhibition, *Tierra Insurgente*, at the Hispanic Society Museum and Library in Washington Heights, featuring her hand-painted maps on amate paper alongside historic codices and globes from the institution's collection. Her works blend Mesoamerican and colonial-era imagery with contemporary symbols of state violence and resistance, such as riot police, calavera-style surveillance helicopters, and references to the 2020 racial-justice protests in New Orleans. Rodriguez uses natural pigments like cochineal and hand-processed minerals on bark paper, a material once outlawed by Spanish colonizers, to create a dialogue between past and present.

New Museum unveils Sarah Lucas's bawdy Bowery commission

The New Museum unveiled Sarah Lucas's sculpture "VENUS VICTORIA" (2026) on May 12 as the inaugural commission for its new public plaza on the Bowery in New York. The work features a pink-hued figure in yellow high heels straddling a giant cast-concrete washing machine, riffing on the classic reclining nude. Lucas's proposal was selected by an all-artist jury including Teresita Fernández, Joan Jonas, Julie Mehretu, Cindy Sherman, and Kiki Smith. The sculpture will remain on view for two years, after which another commission by a woman artist will take its place.

Pioneering British photographer Julia Margaret Cameron honoured with a blue plaque in London

A blue plaque has been unveiled on the London home of pioneering British photographer Julia Margaret Cameron at 10 Chesham Place in Belgravia, celebrating her legacy. Cameron took up photography at age 48 and created iconic portraits of figures like Alfred Tennyson, Charles Darwin, and Thomas Carlyle, as well as images of her family and neighbors. The plaque was installed by English Heritage, with family members including musician Jules Cameron, singer Jasmine van den Bogaerde (Birdy), and artist Julian Bell attending the ceremony. Cameron's great-great-great-granddaughter Jules Cameron noted that the honor feels like a continuation of her work to fix presence in light and memory.

Market Outlook for New York’s May Sales

New York's May sales season is underway with over $1.8 billion worth of art heading to auction at major houses including Sotheby's, where a monumental Rothko consigned by Robert Mnuchin is expected to fetch $70–100 million. Frieze New York opens at the Shed with 68 galleries, half of them local. Other notable developments include a major Banksy work hitting the auction block with one of its highest estimates ever, and the estate of sculptor Robert Therrien leaving Gagosian after nearly 30 years to join David Zwirner.

More than 70 Venice Biennale artists withdraw from awards

More than 70 artists participating in the 2025 Venice Biennale have withdrawn from consideration for the Golden Lion awards, which this year will be decided by public vote. The artists, including Walid Raad, Laurie Anderson, and Yto Barrada, signed a statement published on e-flux on May 9, withdrawing in solidarity with the entire prize jury that resigned last month over a dispute regarding the participation of Israel and Russia. The Biennale management replaced the traditional jury-selected awards with a new "Visitor Lion" system where ticket holders can vote, but the Biennale has acknowledged that if any of the withdrawing artists win, they will not collect the award.

As Her Venice Biennale Opens, Koyo Kouoh Foundation Launches in Memory of Late Curator

The Koyo Kouoh Foundation has launched in Basel, Switzerland, coinciding with the opening of the 2026 Venice Biennale, which features the late curator Koyo Kouoh's main exhibition "In Minor Keys." The foundation aims to continue Kouoh's work supporting contemporary African cultural production globally, including plans for the Koyo Kouoh Prize and a permanent home for the Koyo Kouoh Collection. It is led by her partner, saxophonist Philippe Mall, and includes board members such as artist Alfredo Jaar, curator Adrienne Edwards, and former Kunstmuseum Basel director Josef Helfenstein.

Lubaina Himid on capturing the 'uneasiness' of Britain for her Venice Biennale pavilion

Lubaina Himid, the Turner Prize-winning artist born in Zanzibar and raised in England, is representing Great Britain at the Venice Biennale with a pavilion that captures the 'uneasiness' of living in Britain. The exhibition features her signature paintings, prints, and cutout figures, alongside a soundscape by Magda Stawarska, designed to evoke ambiguous encounters and the gap between a question and an answer. Himid describes the pavilion as a reflection of Britain's everyday pleasantness undercut by a persistent sense of otherness, drawing on her own experience as an East African brought up by English women.

Alvaro Barrington takes a road trip to the Venice Biennale

Artist Alvaro Barrington has created a vibrant haulage truck titled "Labor Day Parade ’91" (2026) as his contribution to the 61st Venice Biennale, part of the exhibition "In Minor Keys." The truck, decorated with scenes linked to his background and art historical references, was driven from London to Venice on an epic road trip across Europe. It is now parked in the Giardini next to the Austrian pavilion, with its front tyres punctured to prevent movement. During the preview, the work was admired by artist Julie Mehretu and Dia Art Foundation director Jessica Morgan.

Our pick of the best pavilions at the 61st Venice Biennale

The article highlights standout national pavilions at the 61st Venice Biennale. The Belarus Pavilion features a powerful installation by the Belarus Free Theatre, including a wheat field built by former political prisoners, straw spiders made from prison bars, and a confession booth that runs facial recognition. The Brazil Pavilion presents a joint exhibition by Rosana Paulino and Adriana Varejão, focusing on colonial wounds and trauma through works like Paulino's 'Aracnes' and Varejão's 'Still Life amid Ruin'. The Bosnian Pavilion by Mladen Bundalo invites tactile engagement with themes of diaspora and migration, while the Austrian Pavilion by Florentina Holzinger draws attention with nude performers in water-filled pools.

Museum acquisitions round-up: a rediscovered work by Rosso Fiorentino, a circular painting by Salman Toor and 16th-century gold goblet

The Art Newspaper reports on three notable museum acquisitions: a rediscovered Renaissance painting by Rosso Fiorentino acquired by the Metropolitan Museum of Art, a 16th-century silver gilt goblet by Hans Rappolt I acquired by the Siegerland Museum, and a circular painting by Salman Toor donated to the National Gallery of Art. The Rosso Fiorentino work, 'Madonna and Child with Saint John the Evangelist' (1512/13), was thought lost for centuries and was identified after cleaning revealed a hidden figure. The goblet, made around 1581, is a rare example of Nuremberg goldsmithing and was supported by a €75,000 donation from the German Federal Cultural Foundation. The Toor painting, 'Wandering Beggars' (2022), is the first by the artist to enter the NGA's collection, donated by the Bronzini-Vender family.

See Some of the Most Outrageous, Stylish Looks at the 2026 Met Gala

The 2026 Met Gala raised $42 million for the Metropolitan Museum of Art's Costume Institute, surpassing last year's $31 million. The event, themed "Costume Art" with a dress code of "Fashion is Art," featured honorary chairs Jeff Bezos and Lauren Sánchez Bezos, whose involvement sparked protests. Co-chairs included Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with artists Anna Weyant, Tschabalala Self, and Amy Sherald on the host committee. The gala precedes the Costume Institute's spring exhibition, also titled "Costume Art," opening May 10.

The Venice Biennale has long been a sales platform—now no one is pretending otherwise

The Venice Biennale, traditionally a government-subsidized non-commercial institution where sales were downplayed, is experiencing an unprecedented open embrace of commerce. For the first time, Christie's is hosting an invitation-only selling exhibition in Venice, offering works ranging from Old Masters like Lucas Cranach to Modern and contemporary giants such as Andy Warhol, Louise Bourgeois, and Mark Bradford, with prices from $500,000 to over $35 million. Dealers, auction houses, and private foundations are openly pricing and selling works to collectors, spurred partly by Italy's reduced 5% VAT rate on art imports, now Europe's lowest.

Metropolitan Museum of Art Announces $23M. Gift from Top 200 Collectors Jennifer Rubio and Stewart Butterfield

Jennifer Rubio and Stewart Butterfield, both listed on ARTnews's Top 200 Collectors, have pledged $23 million to the Metropolitan Museum of Art. Rubio, founder of Away, and Butterfield, co-founder of Flickr and Slack, made the donation just two months after Rubio became a Met trustee. The gift will fund the museum's internship program, ensuring all undergraduate and graduate internships are fully paid positions, building on a previous $5 million gift from Adrienne Arsht.