‘What Color is Your Sky Today?’: The Becoming of the Image

Armineh Negahdari, a Bordeaux-based artist, presents her first institutional solo exhibition in France at the Fondation Louis Vuitton's Open Space series. Titled 'What Color is Your Sky Today?': The Becoming of the Image, the show features a new body of drawings that use charcoal, pastel, and oil paint to explore unstable morphologies between human, vegetal, and animal forms. The works resist narrative closure, emphasizing drawing as an event rather than representation, with lines that accumulate, falter, and begin again. The exhibition is on view at Gallery 8 until 30 August 2026.

« Le monde entier semble s’être mis en mouvement, animé par une soif d’expériences culturelles »

The article explores the transformation of cultural travel for artists and art lovers, contrasting the arduous, unknown journeys of historical figures like Eugène Delacroix, Paul Gauguin, and Ella Maillart with today's accessible, curated experiences. It describes how contemporary artists such as Ólafur Elíasson, JR, and Marina Abramović now use travel itself as a medium, creating works that engage with climate change, social issues, and presence. Destinations like the Venice Biennale, AlUla in Saudi Arabia, Naoshima in Japan, and Le Voyage à Nantes are highlighted as hubs where art and travel merge into immersive, sensory experiences.

The Groups and Other Artistic Revolts: Networks and Collectivities in Mexico, 1976-1985

LOS GRUPOS Y OTRAS REVUELTAS ARTÍSTICAS. REDES Y COLECTIVIDADES EN MÉXICO, 1976-1985

The Museo Universitario Arte Contemporáneo (MUAC) in Mexico City has launched a major exhibition titled "Los grupos y otras revueltas artísticas," which re-examines the surge of artist collectives in Mexico between 1976 and 1985. Drawing from the Arkheia Documentation Center, the show moves beyond a simple chronological survey to reconstruct emblematic works and document the radical shifts in artistic language that occurred during this era. It highlights key historical moments, such as the 1977 Paris Biennial and the formation of the Mexican Front of Cultural Workers' Groups, while exploring how these collectives navigated urban spaces and institutional boundaries.

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Jota Mombaça, a Brazilian multidisciplinary artist known for fusing critical theory with drawing, poetry, installation, and performance, has created a new three-act opera titled "The Muted Saints" commissioned for the Aspen Art Museum's AIR Festival. The work will premiere on July 29 at the Hallam Lake Nature Preserve in Aspen, Colorado. Inspired by Mombaça's 2023 short story about a protagonist transitioning from human to geological form, the opera explores themes of planetary interconnectedness, environmental catastrophe, and the transformation of beings into rocks, ghosts, or wind. Mombaça discusses their creative process, the influence of the local Colorado environment, and the importance of site-responsive work in an interview with CULTURED.

Lucy + Jorge Orta: From Root to Rain

LUCY + JORGE ORTA: FROM ROOT TO RAIN

Lucy and Jorge Orta present their third solo exhibition at Jane Lombard Gallery in New York, titled "From Root to Rain." The show features a diverse range of media, including paintings, embroideries, tapestries, and film, all stemming from over three decades of collaborative research into ecological instability. The works bridge disparate geographic regions, from the Amazon rainforest to the Saudi Arabian desert, translating scientific data and field research into poetic visual forms that address climate change, migration, and environmental resilience.

The Founders of Open Restitution Africa (ORA) on Their New Open Data Platform

On March 31, the research initiative Open Restitution Africa (ORA) launched the ORA Open Data Platform, a database providing information on the restitution of African artifacts and ancestral remains. Developed over six years by ORA’s all-woman, pan-African team, the site uses case histories and AI-powered tools to offer practical insights into the return process, available in French and English. It presents 25 case histories spanning 200 years, using data visualizations, essays, and interactive tools to help individuals and communities develop their own restitution strategies. ARTnews interviewed founders Chao Tayiana Maina and Molemo Moiloa about the project's origins and goals.

How the adoption of canvas in Venice changed the way artists painted

Art historian Cleo Nisse has published a new book, *Venetian Canvas and the Transformation of Painting*, examining how 16th-century Venetian painters such as Titian, Veronese, and Tintoretto pioneered the use of canvas as a painting support. Nisse reveals that canvas was not a uniform material—artists experimented with different weaves, including tabby and herringbone patterns, and even repurposed sailcloth and tablecloth-quality fabrics to achieve specific visual effects. The book argues that canvas was already familiar in the late Middle Ages for banners and alternatives to tapestry, and that Vittore Carpaccio was the first master of the medium, varying canvas types for expressive purposes in his *Legend of St Ursula* series.

Venice exhibition of site-specific films aims to capture the hyper stimulating times we are living in

The Fondazione In Between Art Film presents "Canicula," the third and final exhibition in its Trilogy of Uncertainties, opening on 6 May at the Complesso dell’Ospedaletto in Venice. Curated by Leonardo Bigazzi, the show features eight newly commissioned site-specific films that explore themes of excess, sensory overload, and geopolitical tension. Works include Roman Khimei and Yarema Malashchuk's "Affirmations" (2026), depicting fictional deathbed testimonies of Russian soldiers, Lawrence Abu Hamdan's "450XL: The Story of a Fugitive Sound" (2026) about a sonic attack in Belgrade, and Maya Watanabe's "Jarkov" (2025-26) reflecting on Arctic ice melt and Pleistocene remains.

Italy’s Uffizi Hit by Cyberattack, Says Security Wasn’t Compromised

The Uffizi Galleries in Florence suffered a significant cyberattack in February, with hackers reportedly stealing access codes, internal maps, CCTV camera information, and the institution's entire photographic archive. The attackers issued a ransom demand to director Simone Verde. In response, the museum moved valuable jewels to the Bank of Italy, sealed emergency exits at the Palazzo Pitti with bricks, and closed a section of the palace, though it attributes some actions to planned renovations and fire-safety compliance.

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The seventh edition of the Tuwaiq Sculpture symposium has opened in Riyadh, Saudi Arabia. Titled "Traces of What Will Be," the month-long event features 25 international artists creating large-scale, site-specific sculptures in a public, live-sculpting phase. The open-air exhibition showcases works made from local stone and reclaimed materials, responding to themes of memory, sustainability, and the relationship between humans and their environment.

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Masumi Shinohara, a Japanese-born, French-bred former luxury executive who joined Sotheby's Japan in April 2024 to lead its operations, has been promoted to managing director for Asia within his first year. He succeeded Nathan Drahi, son of majority owner Patrick Drahi, and now oversees Sotheby's expansion across the region amid a recovering global art market. The article features an interview with Shinohara discussing his transition from luxury brands (Valentino, L'Oréal, Ermenegildo Zegna) to the auction world, his childhood immersion in art through his father, and the strategic benefits of Sotheby's new permanent Hong Kong premises, Sotheby's Maison, which allows year-round auctions and thematic sales.

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The Art Angle podcast hosted eight cultural critics, theorists, and artists throughout 2025 to reflect on key tensions and transformations in the art world. The roundup features voices including Nadia Asparouhova on the value of intimate 'antimemetic' art spaces, Andrea Fraser on the fragmentation of the art field, Alison E. Gingeras on the necessity of all-women exhibitions as resistance, Dean Kissick on the problems of social justice art, and Sean Monahan on social surveillance in the art world. Each thinker offers a snapshot of the debates, anxieties, and aspirations shaping contemporary cultural discourse.

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The article reports strong sales across Miami art fairs, particularly at Art Basel Miami Beach, where Beeple's "Regular Animals"—robotic dogs with hyper-realistic heads of billionaires—were a major attraction in the new digital art section Zero10. It also notes that three art-world heavyweights are launching a new gallery focused on secondary market sales, and that the Art Dealers Association of America is launching a new art fair after canceling its long-running Art Show.

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Gian Lorenzo Bernini's iconic Baroque sculpture *The Ecstasy of Saint Teresa* (1647–1652) is examined in detail, depicting the Spanish Carmelite nun Saint Teresa of Ávila in a moment of divine rapture as an angel pierces her heart with a golden arrow. The artwork, housed in the Cornaro Chapel at Santa Maria della Vittoria in Rome, was commissioned by Cardinal Federico Cornaro and remains one of Bernini's most celebrated and controversial masterpieces, blending theatricality, religious fervor, and virtuosic marble carving.

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British photographer Polly Penrose documented her changing body over seven years in a nude self-portrait series titled "A Body of Work." The project involved physically demanding poses taken on self-timer, leaving her bruised and aching, as she hammered her body into various spaces. Penrose described the process as a punishing, repetitious fight to fit into each setting, with the resulting images capturing both visible physical transformations and concealed emotional changes.

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This essay by Nasser Rabbat reflects on the persistence and precarity of writing art history in times of war, specifically focusing on the field of Islamic art and architectural history. Rabbat draws a parallel to Gabriel García Márquez's novel *Love in the Time of Cholera* to frame his discussion, arguing that war is not a passing crisis but a persistent condition for the Islamic world. He traces how colonial conquests, postcolonial conflicts, and the ongoing Israeli genocide against Gaza have shaped the formation and theoretical orientation of Islamic art history as a Western scholarly endeavor, beginning with Napoleon's invasion of Egypt in 1798 and continuing through the "War on Terror."

From men on dog leads to public breast-fondling, Valie Export’s art demanded a total feminist revolution

Valie Export, the pioneering Austrian feminist artist known for her provocative and confrontational performances from the 1960s onward, is the subject of a reflective essay by writer and academic Hettie Judah. The article revisits Export's radical works such as *Hyperbulia* (1973), where she crawled naked through electrified wires; *From the Portfolio of Doggedness* (1968), in which she led a man on a dog lead through Vienna; and *Action Pants: Genital Panic* (1969), where she walked through a cinema with exposed genitals. Judah draws on her own interviews with Export, who died in 2023, and discusses the artist's manifesto demanding that women use art to reshape consciousness and achieve liberation.

Read a book, flip off a Nazi: when reading meant resistance – in pictures

A new exhibition at Poster House in New York, titled "Reading Under Fire: Arming Minds & Hearts During Wartime," showcases vintage posters from World War I and World War II that promoted reading and book donations to support troops. The posters, drawn from the collections of the American Library Association, the YMCA, and other organizations, encouraged the public to supply soldiers with reading material as a form of morale-boosting and education. The exhibition runs until 1 November and is curated by Molly Guptill Manning.

Prague Redefines Contemporary Art. Prague Art Week 2025 Recap.

Prague Art Week 2025 (PAW25) took place from September 25 to 28 across multiple venues in Prague, including the Mánes Exhibition Hall, galleries in Prague 1 and Prague 7, and the Trade Fair Palace of the National Gallery. The program featured exhibitions such as HAC#2 celebrating the 10th anniversary of the Havrlant Art Collection, group shows like Interlude at C12 gallery and IT at HYB4, solo exhibitions by Lenka Glisnikova and Stanislav Zábrodský, the Jindřich Chalupecký Award exhibition, and the duo show With Feathers and Flesh. Activities included guided tours, artist talks, and open studios, with works by Czech and international artists exploring themes of digital transformation, corporeality, identity, environmental crisis, and spirituality.

Simultaneous or Poly-Cinema

The Bauhaus artist László Moholy-Nagy proposes a radical departure from traditional filmmaking in his 1925 text, "Simultaneous or Poly-Cinema." He envisions a cinematic experience that moves beyond the static, rectangular screen, suggesting instead curved, spherical, or multi-planar surfaces that can accommodate multiple simultaneous projections. By utilizing rotating prisms and intersecting film strips, Moholy-Nagy describes a system where different narrative threads—such as the lives of multiple characters—can physically overlap and merge, creating a dynamic architectural arrangement of light and movement.

Introduction to the Dark Forest Theory of the Internet

The article explores the conceptual origins of the internet, tracing its development to figures like Douglas Engelbart and Jacques Vallée, whose work blended computing with cosmic and paranormal inquiry. It argues that early internet pioneers were deeply influenced by ideas of remote viewing, extrasensory perception, and the search for extraterrestrial intelligence, framing the network as a project of cognitive augmentation and alien encounter.

Basel Abbas & Ruanne Abou-Rahme: Archivists and Activists

New York- and Ramallah-based Palestinian artists Basel Abbas and Ruanne Abou-Rahme present *Prisoners of Love: Until the Sun of Freedom* (2025), an hour-long four-channel film installation at The Bell/Brown Arts Institute in Providence. The work layers psychedelic imagery of figures in nature with spoken and written testimonies from Palestinians formerly detained by Israeli authorities, exploring themes of incarceration, surveillance, and resistance through fragmented montage and poetic text. The exhibition also includes drawings by Abou-Rahme’s father and printed screenshots of reflections on the genocide in Gaza.

Rafał Zajko Is Hatching a Plan

Rafał Zajko's exhibition 'The Egg Egg' at Arsenal Gallery in Białystok, Poland, brings together 50 works from the past decade across two floors of a former power station, organized into nine 'acts'. The show features modular installations like 'Funny Games' (2025), a set of pastel-colored platforms on wheels with ceramic reliefs, and monumental sculptures such as 'Sisyphus' (2025), a suspended ceramic bobbin evoking textile factory tools. Performances by Agnieszka Szczotka, including 'Song to the Siren' (2026), activate works like 'Amber Chamber III Echo' (2025), blending archaism, futurism, and themes of labor and technology.

Faig Ahmed on Representing Azerbaijan at the 61st Venice Biennale

Artist Faig Ahmed will represent Azerbaijan at the 61st Venice Biennale in 2026 with a project exploring the intersections of mystical poetry and quantum physics. Located in the Campo de la Tana, the pavilion aims to create a contemplative space where technology and ancient oral traditions facilitate a personal dialogue for the viewer. Ahmed’s presentation responds to the Biennale’s overarching theme, 'In Minor Keys,' by focusing on subtle, often overlooked phenomena.

Galle Facing

Colombo’s skyline has undergone a radical transformation into a forest of glass and steel towers, epitomized by projects like the Lotus Tower and Port City. This rapid urbanization, driven by a state ambition to create a 'world-class city' following decades of civil war, has resulted in the displacement of local neighborhoods and the burial of historical layers under new infrastructure.

Arts Listings: Week of April 9, 2026

The Ventura County arts community is launching a series of local exhibitions and theater productions for the week of April 9, 2026. Highlights include the opening of the political comedy "The Outsider" at the Santa Paula Theater Center and the "Rediscovering" exhibition at Fox Fine Jewelry featuring Lisa Sachs and Thomas Hoerber. Additionally, the Camarillo Art Center is hosting a themed exhibition titled "I dream my paintings, then I paint my dream," alongside various technical workshops in watercolor and gourd art.

San Francisco’s Vaillancourt Fountain Catches Fire During Controversial Removal

San Francisco's Vaillancourt Fountain, a Brutalist concrete structure at Embarcadero Plaza since 1971, caught fire on Wednesday morning as workers used blow torches to disassemble it. The fire ignited rubber tubing and debris inside the sculpture's cantilevered arms, producing smoke that forced the temporary evacuation of nearby paddle board courts. The fountain is being removed to make way for a $32.5 million redevelopment of the plaza and playground into a five-acre park.

Jack White opens debut art exhibition in London at Newport Street Gallery starting May 29

Jack White, the Grammy-winning musician and frontman of The White Stripes, will open his debut art exhibition titled "These Thoughts May Disappear" at Newport Street Gallery in London on May 29, 2026. The show, running through September 13, features sculptures, interactive works, installations, and furniture design that White calls "Hardware Store Art," blending found objects, tools, epoxy, and assemblage. It includes a remake of his 2015 sculpture "The Red Tree" and marks his first public showing as a visual artist after two decades of private practice.

National Pavilions Review: Who’s Afraid of Meaning?

Andrew Durbin reviews national pavilions at a major biennial, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review critiques the lack of meaningful content in the US pavilion while praising the depth and emotional resonance of the British and German contributions.

Nikita Kadan Questions Whether War Ever Ends

Ukrainian artist Nikita Kadan, in an interview with Frieze, reflects on his practice and the ongoing psychological and physical toll of war, questioning whether conflict ever truly ends. He discusses his recent works, which grapple with the persistent state of war in Ukraine, the transformation of urban spaces, and the collective trauma that outlasts active hostilities.