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Artnet News published a podcast episode featuring writer and editor Katie White, who discusses her article "Bordercore: Why Frames Became the New Frontier in Contemporary Art." White explores how contemporary artists are reimagining picture frames as surreal, sculptural, and symbolic elements that actively comment on, disrupt, or extend the artwork beyond its traditional boundaries. She cites examples like Stephanie Temma Hier's 2021 work "Sparks and Tremors," which combines oil on linen with glazed stoneware sculpture, and notes that statement frames are increasingly appearing at art fairs and exhibitions after a long period of frameless display.

Jean-Michel Basquiat | FAE Musée d'Art Contemporain (Sans titre) (Untitled) (1993) | For Sale

An extremely rare original 1993 exhibition poster for a posthumous Jean-Michel Basquiat solo show at FAE Musée d'Art Contemporain in Pully-Lausanne, Switzerland is being offered for sale by Graves International Art. The offset-lithograph poster, featuring Basquiat's untitled 1982 painting, was designed by Pierre Neumann and comes from a private collection in Hamburg, Germany. The listing notes that no other example of this poster has appeared on the secondary market or at auction before, and it is issued unsigned and posthumous.

Comment | Monet might have seen Venice, but his paintings suggest he didn’t feel it

The article compares J.M.W. Turner's and Claude Monet's depictions of Venice, arguing that Turner's watercolors capture the city's innate melancholy and atmosphere, while Monet's paintings feel unfulfilling and lack emotional depth. The author reflects on Turner's sublime Venice watercolours, particularly 'San Giorgio Maggiore, Venice, at Sunset' (1840), and contrasts them with Monet's works, which are the subject of a major upcoming show at the Brooklyn Museum. The piece also touches on Francesco Guardi's visceral views versus Canaletto's more pleasing but superficial ones, and Howard Hodgkin's later, elegiac response to the city.

Newcastle gallery to open new exhibition exploring 'craft' in art

The Laing Art Gallery in Newcastle is opening a new exhibition titled 'With These Hands' from May 17 to September 27, exploring the representation of craft in paintings, drawings, and prints. The show features works produced in Britain and Europe from the 1750s onward, depicting hand-making and mending as domestic pastime, rural labor, semi-industrial work, and war effort. It includes paintings by artists such as Mary Cassatt, G.F. Watts, and Evelyn Dunbar, alongside objects like quilts, embroidery, metalwork, and ceramics from makers including Bernard Leach and Michael Cardew. Loans come from Tate, V&A, Royal Academy of Arts, Imperial War Museums, and regional collections.

Kaari Upson “Dollhouse – A Retrospective” at Kunsthalle Mannheim

The Kunsthalle Mannheim is presenting "Dollhouse – A Retrospective," a major posthumous exhibition dedicated to the work of American artist Kaari Upson. The show brings together her sculptures, installations, videos, and drawings, which explore memory, identity, and social reality through the lens of her personal biography.

Lubaina Himid on Representing Great Britain at the 61st Venice Biennale

Lubaina Himid will represent Great Britain at the 61st Venice Biennale in 2026. She plans to exhibit a new installation of large, multi-panel paintings and works on found objects, accompanied by a sound piece by Magda Stawarska, all inspired by her lifelong exploration of belonging. The work aims to navigate melancholy and deep remembering, inviting visitors to bring their own experiences into the pavilion.

In Naples, an International Exhibition to Map Instability and Deactivate Borders

A Napoli una mostra internazionale per mappare l’instabilità e disattivare i confini

The exhibition "Atlante" at Thomas Dane Gallery in Naples, curated by James Lingwood, brings together works by eight international artists—Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari—to challenge traditional cartographic representations. Through maps, drawings, textiles, and photographs, the show interrogates the ideological and political assumptions embedded in mapping, reframing the Mediterranean not as a border but as a connective space, and exposing the instability and power asymmetries underlying historical worldviews.

Mexico’s culture ministry urges eBay to halt sales of pre-Hispanic artefacts

Mexico's Ministry of Culture has identified 195 pre-Hispanic archaeological objects listed for sale on eBay by a US-based seller and has formally demanded the platform halt the sales and return the items. The ministry, through Secretary Claudia Curiel de Icaza, argues the sale is illegal as the export of such cultural heritage has been prohibited since 1827, and their presence abroad results from illicit extraction. Legal action has been initiated with Mexican and international authorities, including Interpol and US Homeland Security Investigations, to secure repatriation.

Lee Miller: Fearless

The Art Institute of Chicago announces 'Lee Miller: Fearless,' the first comprehensive survey of photographer Lee Miller's work in over 25 years, running from August 29 to December 7, 2026. The exhibition spans Miller's multifaceted career as a fashion model, Surrealist innovator, portraitist, and World War II battlefield correspondent for Vogue, featuring iconic images such as 'Self-Portrait with Headband' (about 1932) and 'Dressed for War' (1942). It is organized in collaboration with Tate Britain and Musée d’Art Moderne de Paris, curated by Matthew S. Witkovsky, Hilary Floe, Saskia Flower, and Michal Goldschmidt.

Museums & Heritage

Melissa Chiu has been appointed as the new director of the Solomon R. Guggenheim Museum in New York, departing her long-standing role at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. This major leadership transition comes alongside several other significant museum developments, including the Getty Center's planned $600m–$800m renovation closure and the National Gallery's staff reduction scheme to address a multi-million pound deficit.

At the Tuileries, the PAD Paris Fair Celebrates Design with Elegance This Weekend

Aux Tuileries, le salon PAD Paris célèbre le design avec élégance ce week-end

The PAD Paris (Pavillon des Arts et du Design) returns to the Jardin des Tuileries, showcasing 75 French and international galleries specializing in vintage and contemporary collectible design. Highlights of the 2025 edition include the debut of Gallery Gaïa & Romeo with mid-century Italian ceramics, a contemporary reimagining of Claude Monet’s studio by Amélie du Chalard, and a strong focus on international female designers at Maria Wettergren. Parallel to the main fair, the third edition of the Sustainable Design Biennale is presenting plastic-free material innovations and eco-friendly furniture solutions.

An Art Fair for the "Global Majority" Debuts in Brooklyn

The inaugural Conductor Art Fair debuted at Powerhouse Arts in Brooklyn, running through May 3. Co-curated by fair director Adriana Farietta and PHA president Eric Shiner, the event features 28 gallery exhibitors and 20 special projects, with a focus on representing "the global majority and Indigenous nations." Highlights include an immersive yurt installation by Vuslat and Sana Frini, works by Palestinian artist Khaled Jarrar, Puerto Rican sculptor Margarita Vincenty, Venezuelan artist Esmelyn Miranda, and Bangladeshi artist Bishwajit Goswami. The fair offers affordable booth fees starting at $2,500 for nonprofits and free participation for self-representing artists with a 30% sales donation to PHA.

The Museum Breathing Life Into New York's Downtown Performance Scene

The Leslie-Lohman Museum of Art in SoHo has emerged as a vital hub for New York’s downtown performance scene through its intergenerational exhibition, "Sacred and Profane." Featuring a collaborative residency between poet Pamela Sneed and performance artist Carlos Martiel, the programming centers on themes of Black maternal grief, queer identity, and the exhumation of suppressed histories. Recent performances included Martiel’s "No Resurrection," a ritualistic piece involving his mother and a mound of earth, and Sneed’s readings that address the collective trauma and "urgent care" status of the LGBTQ+ community.

As Told By: Slavs and Tatars at Rossi & Rossi

Slavs and Tatars, the research-based art collective, opened their first solo exhibition in Hong Kong titled “胡 ( هو / who) are you?” at Rossi & Rossi, running until May 9, 2026. The show gathers iconic projects and new commissions across various media, playfully probing the philosophical question of identity and belonging. Co-founder Payam Sharifi discusses works such as the handblown glass melon sculptures in "Dark Yelblow" (2025), which explore cultural stereotypes and the figure of the Other, and the "Love Me, Love Me Not" series, which recovers original place names and scripts to reveal the layered complexity of empires.

louvre museum emergency security measures 1234760828

Nearly a month after the theft of the French crown jewels, the Louvre Museum has announced emergency security measures following a meeting of its Board of Directors, requested by French Minister of Culture Rachida Dati and chaired by museum director Laurence des Cars. The measures span four categories: security governance, site protection, police coordination, and technical/human resources. Plans include hiring a security coordinator, installing additional cameras and anti-ram devices, conducting security audits, deploying remote monitoring equipment, increasing surveillance patrols, and boosting the training budget by 20 percent. A security master plan, estimated to cost €80 million ($92 million), will be announced next month, though the eight stolen jewels remain unrecovered and four suspects are in custody.

british museum treasure hunter stolen antiquities recovery 2734597

The British Museum is hiring a dedicated treasure hunter to recover hundreds of stolen antiquities, including gold jewelry and semi-precious stones allegedly taken by former curator Peter Higgs. Since the theft of some 1,500 objects was revealed in 2023, over a third have been recovered, but the museum is racing to find the remaining pieces before they are destroyed or melted down. The new role will focus on liaising with an international network of dealers, auction houses, and collectors, while also using open-source investigation and AI tools to track down items scattered globally.

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The LA Art Show will launch its 31st edition from January 7–11, 2026, at the Los Angeles Convention Center, directed by Kassandra Voyagis. Featuring over 90 exhibitors, the fair introduces a new Latin American Pavilion curated by Marisa Caichiolo, focusing on memory, migration, and identity. It also returns with its non-commercial platform DIVERSEartLA, titled “The Biennials and Art Institutions in the Contemporary Art Ecosystem,” which examines the roles of biennials and museums through five installations and a video presentation. Participating galleries include Rehs Galleries, Inc., Gallery Artwall, Teranarva, and Oliver Sears Gallery, the first Irish gallery to join the fair.

Meet the artist turning Venezuelan protest music into art

Nadia Hernández, a Venezuelan-born artist now based in Melbourne, has created a multidisciplinary installation titled "Para verte mejor, en todo tiempo" (To see you better, at all times) currently on view at the Art Gallery of New South Wales. The work traces the history of Venezuelan protest music, incorporating a textile collage, a soundscape, and a site-specific mural. Hernández, who won the Grace Cossington Smith Art Award in 2021 and was a finalist for the Ramsay Art Prize and Sulman Prize in 2023, began this project two years ago as an evolving archive of protest songs, building on earlier iterations shown at the Oslo Freedom Forum, TarraWarra Biennial, and Art Basel Hong Kong.

‘Art’s Selfish’: Canada Pavilion Artist Abbas Akhavan on What Comes After Venice

Abbas Akhavan, representing Canada at the 2026 Venice Biennale, has transformed the Canada Pavilion into a greenhouse-like installation titled “Abbas Akhavan: Entre chien et loup.” The pavilion’s wooden door has been replaced with glass, revealing a pond of pinkish water illuminated by sunlight and LED grow-lamps. Visitors encounter mossy boulders, a vintage fur coat sprayed with mist, sharpened bronze sticks, and frosted mirrors that blur the architecture. Three giant Bolivian water lilies, grown from seeds sent from Kew Gardens to Padua, will gradually fill the pond over the summer. Akhavan describes his role as a “custodian” rather than a controller, emphasizing the unpredictability of nature.

Danger and inspiration: Bangladeshi artists divided about country’s future after historic election

The 11th Chobi Mela photography festival in Dhaka has become a vital site for political discourse following Bangladesh's historic election and the 2024 revolution. Through public installations like 'Women in the July Uprising,' artists are documenting the pivotal role of women in toppling the previous regime and addressing the subsequent erasure of their contributions under the new political landscape. The festival also highlights the ongoing struggle for justice regarding the 'disappeared' through the documentary work of photographers like Mosfiqur Rahman Johan.

Singapore Art Week puts women artists from the region to the fore

Singapore Art Week (SAW) this year spotlights women artists from Southeast Asia through multiple initiatives, including the release of the book *You Are Seen: Women’s Contemporary Art Practice in Southeast Asia* and the exhibition *Fear No Power: Women Imagining Otherwise* at the National Gallery Singapore (NGS). The book, published by Yeo Workshop, and the exhibition, featuring five trailblazing artists such as Amanda Heng and Imelda Cajipe-Endaya, reflect a concerted push to elevate female voices in the region. Audrey Yeo, president of the Art Galleries Association Singapore (AGAS), calls it a “big women’s moment,” while collector and author Krystina Lyon notes the varied challenges women artists face across Southeast Asia, from censorship to conservative social norms.

New Community Gallery art show highlights Black artists of New Mexico

A new exhibition titled 'Truth. Memory. Joy. Resistance: Black Expressions in New Mexico' has opened at the Community Gallery at the Santa Fe Community Convention Center, featuring 28 Black artists from across the state. Co-curated by local gallery owner Aaron Payne and multidisciplinary artist Jakia Fuller, the show includes works in a wide range of mediums from artists aged 16 to 80, with participants from Santa Fe, Albuquerque, and Taos. The exhibition runs through the end of February and includes special events such as a poetry reading and panel discussions.

Humid Traces

Humid Traces, curated by Federico Pérez Villoro, is an exhibition at an unnamed New York venue that examines how bodies of water are weaponized as borders amid climate change and extreme weather. The show features international artists—including Dele Adeyemo, Natalia Lassalle-Morillo, Zishaan A Latif, Caio Reisewitz, Susan Schuppli, Marisa Srijunpleang, Studio Folder, and Leonel Vásquez—whose works in installation, sound, photography, video, and data visualization reveal the violent effects of migration-control technologies and water's material memory.

'ARTnews' Names 'Confessions of Fire' by Isaiah Davis '25 One of New York's Best Art Exhibitions of 2025

Isaiah Davis '25, a visual arts alumnus of Columbia School of the Arts, opened his third solo exhibition, 'Confessions of Fire,' at King's Leap gallery in Chinatown this fall. The exhibition, which runs through December 20, 2025, features steel sculptures and enamel paintings on metal that explore Black masculinity through the motifs of leather culture and steel, inspired by rapper Cam'ron's debut album. ARTnews named it one of New York's best exhibitions of 2025, with senior editor Alex Greenberger praising the sculpture 'Slave (2025)' as the most surprising work of the year. The New York Times critic Travis Diehl and Frieze critic George Egerton-Warburton also gave it positive reviews.

Best new awards & arts prize winners: November 2025

The article reports on several major arts and literary prize winners announced in November 2025. Swedish photographer Martina Holmberg won the £15,000 Taylor Wessing Photo Portrait Prize for her portrait 'Mel,' with other prizes awarded to Luan Davide Gray, Byron Mohammad Hamzah, and Hollie Fernando. Australian author Helen Garner won the Baillie Gifford Prize for Non-Fiction for 'How to End a Story.' The Forward Poetry Prizes named joint winners Vidyan Ravinthiran and Karen Solie for best collection, while Bogdan Ablozhnyy received the Camden Art Centre Emerging Artist Award. Historian Sunil Amrith won the British Academy Book Prize for 'The Burning Earth,' and the Women's Prize for Playwriting announced its longlist.

Under the Bridge, Beyond the Gloss: DUMBO’s Art Scene Defies Its Gentrified Image

The article reports on the First Thursday Gallery Walk in DUMBO, Brooklyn, a monthly event where galleries, artist studios, and creative spaces stay open late for exhibitions, artist talks, and performances. The author attended the latest iteration, starting with a rooftop cocktail party at the Jay 20 building, which houses nearly 200 artists and programs like the Sharpe-Walentas Studio Program. The walk highlighted over 20 galleries and 170 artist studios, including Smack Mellon and A.I.R. Gallery, as well as public art initiatives like the Dumbo Projection Project.

Nashville International Airport Debuts Fall/Winter Flying Solo Exhibit Featuring Nashville Artists

Nashville International Airport (BNA) has launched the fall/winter edition of its Flying Solo exhibit, featuring works by six Nashville-based artists: Omari Booker, Tamla Boone, Chalet Comellas, Heather Hillhouse, Brian Tull, and Taylor Walton. The exhibit, on display through January 5, 2026, includes oil paintings, acrylics, and ceramic sculptures placed throughout the airport terminals. The show is part of BNA's Arts at the Airport program, established in 1988, which rotates seasonal exhibits to showcase local creative talent.

Vancouver Art Gallery selects architects for second attempt at new building

The Vancouver Art Gallery (VAG) has selected Formline Architecture and Urbanism, based in Vancouver, and KPMB Architects, based in Toronto, to design its new building at Larwill Park in downtown Vancouver. The announcement comes ten months after the museum abandoned a Herzog & de Meuron design due to a 50% cost increase, and after parting ways with director Anthony Kiendl. The VAG has outgrown its current 1913 courthouse home, and the new project was initiated 13 years ago by former director Kathleen Bartels. A preliminary design is expected next year, though no budget, timeline, or opening date has been revealed.

“Daughter of the Stars” Opens in Front Royal, Showcasing 70+ Women Artists in Largest Exhibition of Its Kind

The "Daughter of the Stars" exhibition opens October 18 at the Melissa Ichiuji Studio Gallery in Front Royal, Virginia, featuring over 70 women artists from the Shenandoah Valley and greater DMV region. The show is part of the Women Artists of the DMV Survey Show, a regional collaboration conceived by curator Lenny Campello in partnership with the American University Museum at the Katzen Arts Center, spanning 18 venues and approximately 400 women artists. The opening includes live music, refreshments, and artist meet-and-greets, and the exhibition runs through December 7, 2025.

Rooted in Place: Humboldt Alumni and Staff Shine at de Young’s New Indigenous Art Exhibition

Cal Poly Humboldt alumni and staff are prominently featured in "Rooted in Place: California Native Art," a new exhibition at the de Young Museum in San Francisco that highlights Northern California’s Indigenous artists. The show includes works by the late Karuk painter Brian D. Tripp, Hupa artist and gallery director Brittany Britton, and other contributors such as Robert Benson, George Blake, Lena R. Bommelyn, and Shoshoni Gensaw-Hostler. Britton's beaded chair and Gensaw-Hostler's dentalium-shell cape are among the pieces displayed in the newly reinstalled Arts of Indigenous America galleries, which focus on the Hupa, Karuk, Tolowa, Wiyot, and Yurok peoples.