SMDOT/Contemporary Art in Udine, Italy, presents a two-person exhibition titled "SOUVENIR·SUBVENIRE," featuring previously unseen works by Italian artists Anna Marzuttini and Giovanni Fredi. Marzuttini contributes large canvases and wall-hanging ceramic works, while Fredi's pieces are also on view, with both artists' research expressed through different media but converging on a shared conceptual plane.
The twentieth edition of Art Dubai opened to VIP visitors on Thursday in a smaller format than originally planned, delayed from mid-April due to regional geopolitical unrest. The fair presented around fifty galleries, roughly 60% fewer than the approximately 120 exhibitors initially expected, yet drew a strong crowd of collectors primarily from the Gulf states and the wider Middle East. Separately, a new gallery, 971 Art Gallery, has opened in Dubai's Art of Living Mall, featuring international artists such as Gérard Rancinan, Isabelle Scheltjens, Riccardo Gusmaroli, Benito Cerna Leon, and Michele Tombolini, and offering curatorial advice and collection management to a growing base of newer collectors.
The Mangaweka Yellow Church Gallery in New Zealand, known for its annual Fakes and Forgeries exhibition, is celebrating its 20-year anniversary. Owner and artist Richard Aslett will host a high tea on Monday to mark the milestone. The gallery opened in 2006 and has since fostered emerging and established artists, hosted live music events, and added antiques and retro-curios to its offerings. Its most famous exhibition pays tribute to Karl Sim, New Zealand’s only convicted art fraudster, who was born in Mangaweka and known for his Charles Goldie forgeries.
On the eve of Mother's Day 2026, an art exhibit titled "The Four Lost Sons" opened at [ART] CONSCIOUS gallery in Arabi, Louisiana. The show features large portraits of four Black men from Louisiana who died in police custody or altercations, created by the pseudonymous artist Walta Focq. The exhibit coincides with the anniversary of Ronald Greene's death, who was beaten and tased by Louisiana State Police in 2019. The mothers of the four men are involved in the project and plan to speak at the opening reception.
Art Garden, a combination art gallery and plant shop in Asheville, North Carolina, reopens on May 7, 2025, at a new downtown location at 98 N. Lexington Ave. The business was displaced after its former home in Riverview Station was flooded by over 25 feet of water during Tropical Storm Helene in September 2024. The reopening includes a preview party for the ReRoot art exhibit, a fundraising gala, a theatre performance, and a Mother's Day plant sale, celebrating community support that helped rebuild the space.
Every first Friday of the month, around 20 galleries and art spaces in Ithaca, New York, open their doors for free evening exhibitions from 5 to 8 p.m. as part of the First Fridays tradition, also known as Ithaca Gallery Nights. The event, now facilitated by artist and curator Michael Sampson since 2023, features both traditional venues like State of the Art Gallery and non-traditional spaces such as Greenstar Co-op and St. Luke Lutheran Church, aiming to expand participation and include newer artists. Featured shows include "Black and White and …" by Ileen Kaplan and David Watkins at SOAG, and "Geometric Abstraction" by Mauro Marinelli, Michael George, and Laura Dale George at The Gallery at South Hill.
Gallery Jupiter in Little Silver, New Jersey, presents "The Immersive Landscape," a solo exhibition of paintings by artist Christie Scheele, running from April 30 through June 11, 2026. The show features Scheele's open vista landscape paintings and her new Place Series assemblages, which incorporate foraged natural materials like stones, bark, and seaweed. An opening reception is scheduled for April 30. In conjunction with Earth Day, Scheele also collaborated with artist Kathleen Sweeney and designer Dominick Santise on EcoAction Cards, a set of activity cards aimed at inspiring environmental action.
The Museo Egizio di Torino has launched ME-Scripta, a new research center dedicated to the study, restoration, and digitization of ancient Egyptian written sources, including papyri, ostraca, and Coptic bindings. Funded by a €3 million grant from the Fondazione CRT, the center will operate under the direction of Susanne Töpfer and employ a dedicated team of curators, collaborators, a data manager, and an apprentice. ME-Scripta will pursue three major projects: reassembling and studying papyri from Assiut and Gebelein, analyzing ostraca, and restoring 17 Coptic bindings, with a goal of launching an integrated digital platform by 2034.
Die Biennale muss offen bleiben – auch für Russland
The article argues against calls to exclude Russia from the Venice Biennale, focusing on the controversy surrounding the Russian pavilion's planned exhibition titled "Der Baum ist im Himmel verwurzelt" (The Tree Is Rooted in Heaven). The pavilion is set to feature musicians from Russia, Argentina, Mali, and Mexico, and its theme revolves around the idea that politics is time-bound. The author contends that while the demand to exclude Russia is understandable given the geopolitical context, it is dangerous because once a biennial begins disinviting states, it undermines the very concept of the international exhibition.
Plum Bottom Gallery in Egg Harbor, Wisconsin, will host its annual outdoor art show on Memorial Day weekend, May 23–24, 2025, from 11 am to 4 pm. The event features sculpture, glass, painting, jewelry, and mixed media works by a roster of nationally collected artists, with featured artists Sue Pruss, Rose Kleman, and Curtis Hall appearing on Saturday. The gallery has also recently added Wisconsin-based photographer Tommy Nigbor to its artist roster, known for his minimalist landscapes and rural scenes.
Belfast's murals, long used as tools of political expression and territorial marking during the Troubles, are gradually changing. Research shows that three-quarters of the most intimidatory murals in the loyalist Shankill area have disappeared since 1998. Newer murals commemorate figures like Queen Elizabeth II and King Charles III, while non-sectarian artistic murals—including tributes to murdered journalist Lyra McKee—are appearing across the city. However, some paramilitary-linked murals persist, and a 2024 incident saw a wall in north Belfast rebuilt and its threatening imagery repainted, reflecting ongoing tensions and the complex politics of 'conflict transformation' funding.
An event highlighting Indigenous art, the “Evening of Native American Artistry,” will take place Thursday at the Jackson Hole History Museum in conjunction with the seventh annual Teton Powwow. Curated by Susan Durfee and Al Hubbard of Central Wyoming College, the exhibit “Behind Linear Narratives” focuses on ledger art—drawings on repurposed accounting paper—featuring historic works from the late 1800s alongside contemporary pieces by father-and-son artists Terrance Guardipee and Terran Last Gun. Six other downtown galleries will each host an Indigenous artist, and Central Wyoming College’s culinary program will collaborate with chefs from Owamni Restaurant and NATIFS to create heritage-inspired appetizers.
The Murray Hill Art Museum in New York has opened an exhibition featuring 100 rare prints of works by Italian Renaissance master Raphael. The show includes engravings and lithographs from the museum's own collection as well as loans from private collectors across the United States, and was attended by local artists and collectors at its opening ceremony on April 25, 2026.
Tapisserie de Bayeux : un voyage à blanc qui ne teste rien
A confidential interim report obtained by La Tribune de l'Art reveals that the "blank voyage" test transport of the Bayeux Tapestry from Bayeux to London in February 2026 failed to measure actual risks to the artwork. The report admits that the vibration threshold used (2 mm/s) is arbitrary and based on paintings, not on a textile of this size and fragility. Because the tapestry has been stored and inaccessible since September 2025, no mechanical tests could be conducted beforehand to determine safe vibration levels, rendering the test meaningless. A second test took place on April 15, 2026, but its report has not yet been finalized; the actual loan is planned for July 2026, with transport via Eurostar.
A new art gallery and retail shop, Public Defender Art + Zines, will open in downtown Belleville on May 15, 2026, coinciding with the Art on the Square festival. Owned by local artists Danny Houk and Stacie Spaunhorst, the space at 123 W. Main St. will feature exhibitions, a retail shop selling indie comics and zines, and future plans for artist residencies and networking brunches. Opening exhibitions include ceramics by Alisha Porter and Sheri White.
The Wellcome Collection in London has announced plans to transfer 2,000 Jain manuscripts to the Jain community, but they will remain in the UK at the University of Birmingham’s Dharmanath Network in Jain Studies. The manuscripts, ranging from the 15th to 19th centuries, were largely purchased in 1919 from a temple in India and from sources in present-day Pakistan. The transfer follows years of dialogue with the UK-based Institute of Jainology and aims to maximize community access and research opportunities.
Iran has pushed back against reports that it withdrew from the 2024 Venice Biennale, with Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture, stating that the country never withdrew and is still in negotiations to participate. Tehrani told the Iran Students News Agency that Iran submitted a plan for a pavilion and is awaiting a final response, despite unresolved issues including sanctions, high rental costs, and the ongoing war with Israel and the US. Meanwhile, a separate unofficial pavilion called the Hyperstitional Pavilion of Iran, curated by Pouya Jafari and Nazli Jan Parvar, has been announced, featuring works by Iranian artists and organized by Finland-based nonprofit Perpetuum Mobile.
A hidden chute within the Merchant's House Museum in Manhattan, identified as a rare surviving stop on the Underground Railroad, is threatened by a planned real-estate development next door. The two-foot-square vertical passage, concealed behind a built-in dresser, was built in 1832 by abolitionists Joseph and Susanna Brewster to shelter Black fugitives escaping slavery. The museum's western wall, which contains the hideaway, adjoins a one-story garage slated for demolition to make way for a commercial building, prompting the museum team to oppose the development due to risk of structural damage.
The Legion of Honor in San Francisco will present "The Etruscans: From the Heart of Ancient Italy" from 2 May to 20 September, featuring nearly 200 objects including jewellery, sculptures, and vessels from the ancient Etruscan civilisation. The exhibition highlights recent archaeological discoveries, such as the Liber Linteus Zagrabiensis—the longest surviving Etruscan text—and grave objects from the Regolini-Galassi Tomb, many making their US debut. Curator Renée Dreyfus aims to correct negative portrayals of the Etruscans by Greeks and Romans and showcase their cultural achievements.
The Fort Worth African American Museum and Cultural Center will officially open on June 12 with its inaugural exhibition, "All ’N All: Artists Embracing Community," in partnership with Kinfolk House and the National Juneteenth Museum. The show features paintings, photographs, and mixed-media works by 11 North Texas artists exploring memory, culture, and the Black experience, and is part of the larger Freedom Vibes festival running June 11-20. The museum, which has been in development since 2020, secured its final funding from the Fort Worth City Council in January and purchased a 5,000-square-foot building on East Rosedale Street last summer.
The Museum of Art and Photography (MAP) in Bangalore, India, celebrated International Museum Day by presenting a special showcase that weaves together themes of botany, history, and social media. The exhibition highlights how plant life has been depicted in art across centuries, from historical botanical illustrations to contemporary digital works, and explores the intersection of nature, culture, and online platforms.
Artist and educator Diego Romero is opening a new gallery called Rayo del Alma in Santa Fe, located at 130 W Palace Avenue. The space, which has been in planning for decades, will feature works by local artists including Maggie Hanley, Donica Dominguez, Oriana Lee, and Marie Maez, alongside Romero's own multimedia photography. The gallery also offers vintage Western wear, jewelry, prints, and stickers, aiming to reflect the collaborative and artisanal spirit of New Mexico. Romero, a Las Vegas, New Mexico native with a background in multimedia and digital media, draws inspiration from his grandfather, who taught him photography with a 35mm Mamiya camera. His practice focuses on nighttime sky shots printed through an aluminum process, capturing the movement of the cosmos in still images.
Laura Green and Pierre Bounaud have co-curated a new exhibition titled "The Natural World" at The Studio Door in Hillcrest, San Diego, running from May 8 through June 12. The show features paintings by Green and ceramic and glass works selected by Bounaud, all exploring humanity's complex relationship with nature. Green's impressionistic paintings focus on animals and plants from the San Diego landscape, while Bounaud emphasizes clay and glass as materials drawn from the earth. The exhibition includes works by artists such as Oscar Romo and Kathleen Kane Murrell, who address environmental themes and conservation.
The international jury of the Venice Biennale resigned en masse just nine days before the opening of the world's oldest contemporary art fair, amid a dispute over Russia's participation and the panel's decision to bar prizes for countries accused of crimes against humanity by the International Criminal Court. The jury, comprising president Solange Farkas and members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, stepped down without explanation, following tensions that also involved Italy's Culture Ministry cutting €2 million in EU funding over Russia's presence and sending inspectors to the Russian Pavilion.
The Lawrence Art Center's Hang12 program, a group of high school students who curate art shows and events, unveiled 32 new pieces of art in the New Hampshire Street parking garage in Lawrence, Kansas. The artworks, designed by Lawrence High School juniors Wren Jay and Rilo Scholz, celebrate native Kansas plants and animals and were collectively painted and assembled by Hang12 members. A ribbon-cutting ceremony featured remarks from multidisciplinary artist Mona Cliff, who completed a mural in the same garage in 2025, and a tour of the new works.
Over 900 art enthusiasts attended 'The Coalition' art exhibition in Ibadan, Nigeria, held from April 24 to 26, 2026, at the International Institute of Tropical Agriculture (IITA). The three-day event featured more than 600 artworks by 60 Nigerian artists, showcasing abstract works, portraits, and contemporary pieces exploring identity and culture. Organizers, including Constance and Sons Art Gallery founder Dunmade Ayegbayo, reported strong visitor engagement and sales, highlighting the commercial potential of Nigerian art.
The Power Plant Contemporary Art Gallery in Toronto has opened a new interactive exhibition titled "Colourful Parachutes: Imagining Alternative Futures Through the Power of Play," running until September 7. The show features 10 international and local artists and breaks the traditional gallery rule of "do not touch" by inviting visitors to play, climb, and alter the artworks. Curated with children in mind, the exhibition includes works like Harold Offeh's immersive installation "The Mothership Collective 2.0," which uses music, video, and interactive elements to encourage imaginative thinking about the future.
Emma Lamb, a South Devon-based 3D mixed-media artist, has opened a new exhibition titled *Long Live the Wilderness Yet* at Lukesland Gardens near Ivybridge. The show features two of her major series, *Reviving Mires* and *Fragmented Forest*, both inspired by Dartmoor’s fragile ecosystems. Lamb uses handmade paper, natural fibers, pigments, and experimental techniques such as inks made from air pollution to create works that explore peatlands and temperate rainforests. The exhibition runs until early June, and Lamb will also host a workshop in June teaching participants to create collages using natural materials.
The San Bernardino County Museum presents 'Evidence of Us,' a new exhibition by artist E. Tyler Burton, running from May 9 through September 6. The show features sculptures, projections, textile installations, cyanotypes, and participatory elements that explore the material record of contemporary life, using everyday items like plastic bottles, clothing, and packaging as artifacts. An opening reception will be held on May 9 from 3–6 p.m.
Studio A, a leading Australian supported studio for artists with intellectual disability, is celebrating its tenth anniversary with a retrospective exhibition titled "SAD, MAD, THINKING birthday." The show features iconic Archibald Prize portraits by the studio's finalists, works that inspired major public artworks, and standout pieces from across the studio's artists. It culminates in a dining room installation created in collaboration with designers and brands including Mud Australia, Canberra Glassworks, Alémais, Erth, and Armadillo.