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school of art institute of chicagos video data bank 2714672

The School of the Art Institute of Chicago (SAIC) laid off three of five staff members of its Video Data Bank (VDB), including director Tom Colley, as part of 20 total layoffs across the institution. The cuts, announced on November 12, eliminated leadership and key distribution and digital management roles, sparking outcry from the new-media art community. VDB, founded in 1976, is a leading archive of video art with over 6,000 works by artists including Nam June Paik, Bruce Nauman, and Pipilotti Rist, distributed worldwide via subscription streaming.

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Artist Nadya Tolokonnikova, a founding member of Pussy Riot, began a durational performance titled *Police State* at the Museum of Contemporary Art (MOCA) in Los Angeles on Thursday, inhabiting a cell and sewing clothing. The following day, protests erupted in the city after ICE raids in the garment district, leading to clashes with police and the deployment of 2,000 National Guard troops by President Donald Trump. MOCA closed its Geffen branch early on Sunday for safety, while Tolokonnikova continued her performance, live-streaming audio from the protests into her installation.

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Citigroup is selling its Mexican retail banking operation, Citibanamex, along with a collection of approximately 2,000 Mexican artworks dating from the 18th century to the present. The collection includes works by Frida Kahlo, Diego Rivera, José Clemente Orozco, Leonora Carrington, and Remedios Varo, and is considered the most important private painting collection in Mexico. Citibanamex has stated the collection is an integral and indivisible part of the sale and will not be sold separately.

national garden of american heroes analysis 2636464

President Trump is moving forward with the National Garden of American Heroes, a monument featuring 250 life-size statues of American historical figures, to be built for the U.S. semiquincentennial in 2026. The project, first announced in a 2020 executive order, has released grant guidelines offering $200,000 per sculpture, with $34 million diverted from the NEA and NEH. The list of 244 subjects includes figures like Hannah Arendt, Neil Armstrong, and John Singer Sargent, with six remaining to be chosen by a presidential aide. The statues must be realistic, using materials like marble or bronze, and the location is still undecided, though South Dakota is a strong contender.

art shipping in turmoil as tariffs trigger delays 2636325

President Trump's tariff policies are causing significant disruption in the art shipping industry, despite artworks themselves remaining largely exempt from import taxes under U.S. law. While Section 1702(b) of the IEEPA protects artworks, books, and films from presidential trade restrictions, antiques and design objects are subject to a 10 percent universal tariff, creating confusion for customs officers. Meanwhile, changes to de minimis rules—lowering the threshold for formal customs processing from $2,500 to $800—have forced DHL to temporarily suspend certain shipments and caused multi-day delays. Smaller art dealers relying on global logistics firms are particularly affected, as bespoke fine-art shippers like Crozier, UOVO, and Cadogan Tate are often too expensive for lower-value works under $10,000.

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Ben Davis, an art critic, analyzes the failure of Kamala Harris's 2024 presidential campaign through the lens of its visual culture, particularly a MoveOn.org poster in Brooklyn that renders Harris's face entirely from emojis—smiley eyes, fist-bump skin, octopus lips, and coconut necklace. He argues this poster epitomizes the campaign's reliance on incoherent internet vibes and substance-free memes, contrasting it with Shepard Fairey's uninspired "FORWARD" poster and the self-parody of "Brat Summer" aesthetics. Davis blames Democratic Party consultants for wasting over $1 billion on a campaign that failed to connect with voters on economic anger, instead offering wonkish proposals and appeals to nonexistent Liz Cheney Republicans.

‘It has become a symbol of hope’: the epic journey of Ukraine’s origami deer to the Venice biennale

Ukrainian artist Zhanna Kadyrova's concrete origami deer sculpture, originally installed in Pokrovsk in 2018, has been evacuated from the war-torn Donetsk region and transported across Europe to become the centerpiece of Ukraine's national pavilion at the 2026 Venice Biennale. The sculpture, which replaced a Soviet fighter-bomber monument in a local park, was rescued in August 2024 by co-curator Leonid Marushchak amid intensifying Russian attacks, with the help of city authorities and museum staff.

The Art of an Art Exhibition

Seventeen Colby College seniors, all studio art majors, have organized the Senior Art Exhibition 2025 at the Joan Dignam Schmaltz Gallery of Art in downtown Waterville, Maine. The exhibition, on view through May 24, features work by four sculptors, two photographers, three painters, five printmakers, and three digital media artists. It is the culmination of a yearlong capstone course that taught students the behind-the-scenes process of mounting an exhibition, including installation, collaboration with museum preparators, and producing a print catalog with artist statements and critical essays.

White House launches review of Smithsonian museums and exhibitions

The White House has launched a comprehensive internal review of the Smithsonian Institution, targeting eight of its museums including the National Museum of American History, National Museum of African American History and Culture, and the Hirshhorn Museum. A letter signed by senior White House officials Lindsey Halligan, Vince Haley, and Russ Vought demands extensive documentation, curatorial materials, and exhibition schedules within 30-, 75-, and 120-day deadlines, with the stated goal of aligning programming with President Donald Trump's directive to "celebrate American exceptionalism" and remove "divisive or partisan narratives." The review follows Trump's March executive order reshaping the Smithsonian, which had already led to the resignation of National Portrait Gallery director Kim Sajet and the cancellation of artist Amy Sherald's traveling exhibition after the museum allegedly sought to remove her painting of a non-binary transgender person.

Musée d’Orsay opens gallery dedicated to still-unclaimed works stolen by Nazis in WWII

The Musée d'Orsay in Paris has opened a permanent gallery dedicated to artworks believed to have been looted by the Nazis from Jewish owners during World War II, but whose rightful owners have not been identified. The exhibition, titled "Who owns these works?", features a rotating selection of 225 such pieces held by the museum, with twelve paintings and one sculpture currently on display. Works by Renoir, Degas, Rodin, and Alfred Stevens are included, alongside provenance research detailing their murky histories—such as a Degas ballroom scene acquired by a Jewish collector later murdered at Auschwitz.

The International Jury of the Biennale Arte 2026

The International Jury for the Biennale Arte 2026 has been announced, with Solange Oliveira Farkas serving as president. The jury includes curators Zoe Butt and Elvira Dyangani Ose, each bringing extensive experience in contemporary art from the Global South, biennial curation, and institutional leadership. Farkas is the founder of Associação Cultural Videobrasil, Butt founded the in-tangible institute, and Dyangani Ose is artistic director of the 2nd Public Art Abu Dhabi Biennial and former director of MACBA Barcelona.

us supreme court strikes down trumps tariffs art market 1234774032

The U.S. Supreme Court has struck down a series of sweeping tariffs imposed by the Trump administration, ruling in a 6-3 decision that the executive branch exceeded its authority. Chief Justice John Roberts, writing for the majority, stated that the International Emergency Economic Powers Act (IEEPA) does not grant the president the power to unilaterally impose tariffs of unlimited scope and duration. While tariffs on steel and aluminum remain, the ruling removes the 10 percent global blanket tariff and the 25 percent reciprocal tariffs previously levied against Canada, China, and Mexico.

french art galleries struggle amid wavering art market survey reveals 1234747374

A survey by market researcher Iddem, conducted among the Professional Committee of Art Galleries (CPGA), reveals that 85% of French gallery owners are pessimistic about the art sector's economic outlook in 2025. Turnover among French galleries dropped 6% in 2024, while the global art market fell 12% per the UBS Art Basel 2025 report. Philippe Charpentier, new CPGA president, told Le Monde the market has regressed to 2010 levels, with one-fifth of dealers reporting sales declines of over 20%. France also struggles to attract young collectors, unlike Asian markets where buyers average in their thirties, according to CPGA vice president Magda Danysz.

An Art Fair for the "Global Majority" Debuts in Brooklyn

The inaugural Conductor Art Fair debuted at Powerhouse Arts in Brooklyn, running through May 3. Co-curated by fair director Adriana Farietta and PHA president Eric Shiner, the event features 28 gallery exhibitors and 20 special projects, with a focus on representing "the global majority and Indigenous nations." Highlights include an immersive yurt installation by Vuslat and Sana Frini, works by Palestinian artist Khaled Jarrar, Puerto Rican sculptor Margarita Vincenty, Venezuelan artist Esmelyn Miranda, and Bangladeshi artist Bishwajit Goswami. The fair offers affordable booth fees starting at $2,500 for nonprofits and free participation for self-representing artists with a 30% sales donation to PHA.

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On Wednesday, Laurence des Cars, president and director of the Louvre Museum, testified before the French Senate about the theft of nine pieces of France's crown jewels from the Apollo Gallery. The heist occurred on Sunday when robbers used a cherry picker and angle grinder to steal jewelry worth an estimated $102 million in under eight minutes. Des Cars revealed that security cameras were outdated and inadequate, with only one camera covering the breached balcony, and that she offered her resignation afterward, which the French Minister of Culture refused. The museum had previously faced criticism over security, including a staff walkout in June over staffing and safety concerns, and an official report had flagged outdated systems and lack of CCTV.

art sam mckinniss jeffrey deitch show

Artist Sam McKinniss, known for his internet-sourced celebrity portraits exploring fandom and parasocial relationships, is opening a new exhibition titled “Law and Order” at Jeffrey Deitch gallery in New York on September 6. The show shifts focus to figures of crime and justice, including “Hot Felon” Jeremy Meeks, Luigi Mangione, art dealer Mary Boone (as portrayed by Parker Posey in the 1996 film *Basquiat*), and a painting of Alcatraz, the former prison that President Donald Trump has proposed reopening. McKinniss describes the work as tracing the parameters of a top-down worldview in an era of new tyrannies. In an interview with CULTURED, he discusses his studio routine, creative influences like Martha Argerich, and the informal group chat that first sees his works-in-progress.

Singapore Art Week puts women artists from the region to the fore

Singapore Art Week (SAW) this year spotlights women artists from Southeast Asia through multiple initiatives, including the release of the book *You Are Seen: Women’s Contemporary Art Practice in Southeast Asia* and the exhibition *Fear No Power: Women Imagining Otherwise* at the National Gallery Singapore (NGS). The book, published by Yeo Workshop, and the exhibition, featuring five trailblazing artists such as Amanda Heng and Imelda Cajipe-Endaya, reflect a concerted push to elevate female voices in the region. Audrey Yeo, president of the Art Galleries Association Singapore (AGAS), calls it a “big women’s moment,” while collector and author Krystina Lyon notes the varied challenges women artists face across Southeast Asia, from censorship to conservative social norms.

More US artists forced to pay for their own shows as museum and culture budgets shrink

The article reports that U.S. artists like Lucia Hierro are increasingly forced to pay for their own museum exhibitions and public commissions as institutional budgets shrink. Hierro’s ambitious installation centered on a 7.5-foot monobloc chair required $35,000–$40,000 for fabrication alone, far exceeding what the commissioning institution could provide. The project moved forward only after support from her gallerist and a new fund from Miami-based nonprofit Fountainhead Arts, which received 96 applications requesting $1.8 million—14 times its available $125,000 in grants. The article highlights that even artists selected for the Venice Biennale face such funding gaps.

Buzz in New York’s art trade during Frieze week masks uncertainties

During New York's Frieze week, over a dozen art fairs opened in four days, creating a bustling atmosphere that masked underlying economic and political uncertainties. Dealers and advisers reported strong preview-day attendance and a palpable energy, with some noting that the crowded calendar and a recent US-UK trade deal helped buoy spirits. However, the art market has not returned to its 2022 peak, with auction estimates down $250 million from 2024 and high interest rates still deterring average collectors.

Smithsonian’s First Major Exhibit Of African LGBTQ+ Art On Display Through August

The National Museum of African Art, part of the Smithsonian Institution, has opened "Here: Pride and Belonging in African Art," its first major exhibition dedicated to African LGBTQ+ art. Featuring 60 works by artists from over a dozen countries across Africa and its diaspora, the show includes paintings, sculptures, textiles, photography, film, and video. Co-curated by Serubiri Moses and Kevin D. Dumouchelle, the exhibition highlights collaboration, joy, and lived experience, with artists such as Zanele Muholi, Toyin Ojih Odutola, Rotimi Fani-Kayode, Jim Chuchu, Ṣọlá Olúlòde, and Leilah Babirye. Originally scheduled to open in May 2025 to coincide with WorldPride in Washington, the exhibition was postponed to January 2026 due to a Smithsonian budget situation, but ultimately opened as planned.

India at Venice Biennale 2026 curtain raiser: Many voices, one resonance

India has announced its participation in the 61st Venice Biennale with the India Pavilion exhibition titled 'Geographies of Distance: Remembering Home,' curated by Amin Jaffer. The exhibition, presented by the National Gallery of Modern Art and the Ministry of Culture, will feature works by five artists: Alwar Balasubramaniam, Ranjani Shettar, Sumakshi Singh, Skarma Sonam Tashi, and Asim Waqif. It will run from May 9, 2026, with previews from May 6-8. The pavilion is supported by Isha Ambani, chairperson of the Nita Mukesh Ambani Cultural Centre, and Sunil Munjal, founder of Serendipity Arts Foundation. Additionally, on May 8, Kochi-Muziris Biennale president Jitish Kallat will announce the curator for its seventh edition.

Museums & Heritage

Melissa Chiu has been appointed as the new director of the Solomon R. Guggenheim Museum in New York, departing her long-standing role at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. This major leadership transition comes alongside several other significant museum developments, including the Getty Center's planned $600m–$800m renovation closure and the National Gallery's staff reduction scheme to address a multi-million pound deficit.

An open letter to La Biennale di Venezia calls out inaction in the face of global atrocities

A group of 74 artists and curators invited to the 61st Venice Biennale have issued an open letter to the institution's president, Pietrangelo Buttafuoco. The signatories are protesting the decision to relocate the Israeli Pavilion to the Arsenale, placing it in close proximity to the central exhibition 'In Minor Keys' curated by the late Koyo Kouoh. The letter demands the exclusion of official delegations from countries accused of war crimes—specifically Israel, Russia, and the United States—and accuses the Biennale of complicity through its silence on global atrocities.

Cleveland Museum of Art opening ‘Martin Puryear: Nexus,’ a career survey

The Cleveland Museum of Art has launched "Martin Puryear: Nexus," the most comprehensive survey of the 84-year-old American sculptor’s work in nearly two decades. Co-organized with the Museum of Fine Arts, Boston, the exhibition features approximately 50 pieces, including large-scale sculptures, drawings, and maquettes spanning 50 years of Puryear’s career. A unique feature of the show is the inclusion of diverse interpretations from various artists and architects, though many works are left intentionally open-ended to encourage personal viewer connection.

Churchill Landscape Gets First U.K. Showing in Exhibition Tracing His Artistic Life

The National Trust has unveiled a new exhibition titled "Churchill the Artist" at Chartwell, the former home of Winston Churchill. The show features personal artifacts including his paint-spattered Savile Row overalls and spectacles, alongside the painting "Quiet Waters" (c. 1920s), which is being exhibited in the U.K. for the first time. The work, an impressionistic river scene, was originally a gift from Churchill to the press baron Lord Beaverbrook.

Today in History March 17 | Opening of the National Gallery of Art

On March 17, 1941, President Franklin D. Roosevelt officially dedicated the National Gallery of Art in Washington, D.C. The museum was established through the massive bequest of industrialist Andrew Mellon, who donated his world-class art collection, the funds for the building's construction, and a significant endowment. The opening marked a milestone in American cultural history, providing the public with access to a premier national collection of Old Master paintings.

Profile | Pierre Rosenberg, the former Louvre president, on his long-awaited four-volume Poussin catalogue—and forthcoming museum

Pierre Rosenberg, the 89-year-old honorary president-director of the Louvre, is set to release a definitive four-volume catalogue raisonné of the works of Nicolas Poussin. This monumental publication, weighing eight kilograms, represents over sixty years of scholarship and aims to provide a comprehensive update to the field, addressing previous research by figures such as Anthony Blunt and Louis Marin.

U.S. Museums And Major Expansions Opening Across The Country In 2026

A roundup of major U.S. museum openings and expansions scheduled for 2026 highlights several high-profile projects across the country. These include the Obama Presidential Center in Chicago, the Hip Hop Museum in New York City, and the Lucas Museum of Narrative Art in Los Angeles. Additionally, the Edward W. Kane & Martha J. Wallace Center for Black History opens in Newport, Rhode Island, in June; the San Mateo County History Museum in Redwood City, California, completes a $23.5 million expansion in the fall; and the Rock & Roll Hall of Fame in Cleveland finishes a $175 million expansion adding 50,000 square feet.

Five forces that reshaped the art market in 2025

In 2025, the art market faced significant challenges, including gallery closures and unfavorable auction results in the first three quarters, driven by geopolitical pressures such as US President Donald Trump's tariffs. However, a rebound occurred in autumn, with buoyant fairs like Frieze London and Art Basel Paris, and strong November auctions in New York totaling over USD 2 billion, carrying momentum to Art Basel Miami Beach. Key events included Gustav Klimt's *Portrait of Elisabeth Lederer* selling for USD 236.4 million at Sotheby's, a record for a Modern work, and a Frida Kahlo self-portrait setting a new record for a work by a woman. Meanwhile, several galleries closed, including Blum, Venus Over Manhattan, Clearing, Kasmin Gallery, Tilton Gallery, and Perrotin and Pace's Hong Kong outposts, while others expanded, such as Thaddaeus Ropac in Milan and Hauser & Wirth in Sicily.

Despite Putin’s repressive regime, a new private museum opens in Moscow

A new private museum called Zilart is set to open in Moscow on December 2, founded by billionaire couple Andrey and Yelizaveta Molchanov. The museum will showcase their collection of roughly 10,000 works, spanning Russian avant-garde, Soviet nonconformist art, international contemporary art, photography, and African art. Originally conceived in 2015 as a modern art branch of the State Hermitage Museum, the project underwent significant changes: architect Hani Rashid was replaced by Sergei Tchoban in 2021, and the Hermitage withdrew in 2023. The museum is entirely funded by the Molchanovs' LSR Group and receives no state support.