‘It’s a world heritage site, but it’s my home’: the last resident of Casa Milà on life in Gaudí’s masterwork

Ana Viladomiu, a 70-year-old writer, is the last remaining tenant of Antoni Gaudí’s Casa Milà (La Pedrera) in Barcelona, a UNESCO World Heritage site that receives about a million visitors annually. She has lived in the luminous apartment since 1988, originally moving in with her then-husband Fernando Amat, owner of the iconic design store Vinçon. Viladomiu holds a rare renta antigua (fixed-rent contract) that allows her to stay until she or Amat dies, after which the not-for-profit foundation managing the building will take ownership. The rest of the building now houses offices and cultural event spaces.

Lucas Museum Aims to Tell the History of Storytelling via 1,200 Objects

The Lucas Museum of Narrative Art in Los Angeles has announced details of its inaugural exhibitions, set to open on September 22, 2026. Founded by filmmaker George Lucas and his wife Mellody Hobson, the museum will feature over 1,200 objects across 30 galleries, tracing the history of visual storytelling from ancient sculptures to Renaissance paintings, photography, comics, and manga. The collection draws from Lucas's personal trove of more than 40,000 works of illustrator art, including pieces by N.C. Wyeth, Norman Rockwell, Frank Frazetta, Beatrix Potter, and Jack Kirby, as well as large-scale murals and photography by artists like Judy Baca and Dorothea Lange. The museum, designed by Ma Yansong of MAD Architects, also includes archives of Lucas's film sets, props, and costumes.

Online Auctions Continue to Draw in First-Time Art Buyers as Sales Grow

Online-only sales of fine art at Christie’s, Sotheby’s, Phillips, Bonhams, and Artnet Auctions reached $423.9 million in 2025, an 8 percent increase from 2024. The number of lots sold remained steady at 29,623, but the average price per work rose 8.6 percent to $14,309. Sales were 270 percent higher than in 2019, before the pandemic accelerated the shift to digital auctions. Christie’s reported that 63 percent of new buyers in 2025 made their first purchase online.

Newsmakers: Nalini Malani Lets the Walls Speak with a New Installation in Venice

Nalini Malani's latest installation, *Of Woman Born*, opens at the Magazzini del Sale in Venice during the Venice Biennale. Commissioned by the Kiran Nadar Museum of Art, the work projects hand-drawn animations onto the crumbling brick walls of a 15th-century salt warehouse, creating a cave-like environment where images flicker like ancient cave paintings. The installation draws on tens of thousands of drawings and incorporates mythology, literature, and sound, with a central focus on the myth of Orestes to explore themes of violence, displacement, and gender politics. Malani has also extended her recurring 'Skipping Girl' figure across Venice via posters and public signage to guide viewers to the exhibition.

Meet four artists behind the public art you'll see at L.A. Metro's new D Line stations

L.A. Metro opened the first phase of its D Line extension on Friday, May 1, 2026, adding three new underground stations connecting downtown Los Angeles to Beverly Hills: Wilshire/La Brea, Wilshire/Fairfax, and Wilshire/La Cienega. The stations feature nine site-specific public artworks by artists including Mariana Castillo Deball, Eamon Ore-Giron, Ken Gonzales-Day, Todd Gray, Karl Haendel, Soo Kim, Fran Siegel, Susan Silton, and Mark Dean Veca. The competitive selection process began a decade ago, drawing over 1,200 applicants, with finalists judged by a panel of art professionals including curators from Miracle Mile museums. Metro deputy executive officer Zipporah Yamamoto leads the agency's public art program, which is funded by a 0.5% construction budget set-aside.

The tiniest event can tear a hole. Sara MacKillop by Margaret Kross

Sara MacKillop's exhibition "The Cutaway View" at Good Weather in Chicago presents sculptures made from humble analog materials like blank wall calendars, empty shopping bags, and gift wrapping. The London-based artist alters these objects with minimal interventions—such as surgically cut holes in shopping bags to accommodate vinyl records—drawing attention to the ephemera and texture of retail culture. Her series "Calendar Houses" (2021–ongoing) uses archive boxes and wall calendars to create miniature modernist dwellings that critique systems of order and self-optimization.

Naufus Ramírez-Figueroa “Lugar de Consuelo (Place of Solace)” at MoMA, New York

MoMA's Kravis Studio is presenting Naufus Ramírez-Figueroa's multimedia work "Lugar de Consuelo (Place of Solace)" (2020), marking the artist's first solo presentation at the museum. The work, jointly acquired in 2022 through MoMA's Latin American and Caribbean Fund and Fund for the Twenty-First Century, includes prints, drawings, costumes, sculptures, videos, and a related performance that explore political and personal histories of Guatemala.

Interview with Ramuntcho Matta: Brion Gysin: The Last Museum Musée d’Art Moderne de Paris

The article is an interview with Ramuntcho Matta about the exhibition "Brion Gysin: The Last Museum" at the Musée d’Art Moderne de Paris. It explores the life and work of Brion Gysin, a multifaceted artist associated with Surrealism, the Beat Generation, and the invention of the Dreamachine. The exhibition traces Gysin's career through his calligraphy, painting, and multimedia works, including collaborations with William S. Burroughs and Ian Sommerville. A complementary show, "Underwood 2246449-5 (Les diables de Brion)," organized by Matta at New Galerie, features Burroughs's typewriter and related instruments.

Experience the Joy of “From MacArthur Park, with Love” at Charles White Elementary School

Charles White Elementary School in Los Angeles, in collaboration with LACMA, is presenting the exhibition "From MacArthur Park, with Love" opening May 21, 2025. The show features artworks by over 100 students from the school's Visual Arts Magnet program, celebrating the MacArthur Park neighborhood through diverse media including collaborative diptychs, observational drawings, and paintings of local landmarks and bird species. The exhibition runs Saturdays from May 23 to August 1, with free drop-in art workshops.

Letting Her Art (and Birds) Do the Talking

Lynette Yiadom-Boakye, a British-Ghanaian painter known for her enigmatic portraits of imaginary Black figures, has a new body of work that includes canvases, drawings, and writings. The article highlights her preference for staying out of the public eye, letting her art—and her fascination with birds—convey her ideas and emotions.

Maya Lin Connects Nature to a New Manhattan Skyscraper and Beyond

Maya Lin, the renowned artist and designer known for the Vietnam Veterans Memorial, has created new works for a Manhattan skyscraper and a Chicago project, drawing on her deep connection to nature. The article highlights her latest installations that integrate environmental themes into urban architecture, reflecting her ongoing exploration of landscape and ecology.

Adam Budak dismissed as director of MOCAK amid controversy

Adam Budak has been dismissed as director of the Museum of Contemporary Art in Krakow (MOCAK), effective from 12 May, with his employment ending on 30 June. The city of Krakow cited improper performance of duties related to work organization and team management, following an investigation triggered by a complaint signed by 37 employees. Budak disputes the decision, calling it baseless and made under time pressure, and is considering an appeal. Artists including Paulina Ołowska and Robert Knoke have rallied in support, with several artists withdrawing from MOCAK's 2026–27 programme in solidarity.

81 artists withdraw from Venice Biennale competition

Venice Biennale opening marked by protests

The 2026 Venice Biennale opened for professionals on Tuesday amid a series of protests, with more planned throughout the week. Around 60 artists from the exhibition "In Minor Keys" gathered at the Giardini for a collective action called "Solidarity Drone Chorus," inspired by Gazan composer Ahmed Muin's "Drone Song," to draw attention to genocide and war in Palestine. The Art Not Genocide Alliance (ANGA) organized a 24-hour strike for Friday 8 May, protesting Israel's participation. Pussy Riot staged a protest outside the Russian pavilion, and the Latvian pavilion launched a campaign against Russia's involvement. The protests follow a highly politicized lead-up, including calls for boycotts of the Russian, Israeli, and US pavilions, EU funding cuts over Russia's participation, and the resignation of the Biennale jury.

Robust Sales at Sotheby’s, Phillips Suggest Art Market Upswing

The May 19 evening sales at Sotheby’s and Phillips generated a combined $419.1 million, signaling a potential recovery in the contemporary and modern art market. Sotheby’s brought in $303.9 million—60% more than the previous year—led by a record-breaking $48.4 million Matisse, while Phillips achieved $115.2 million, more than double its 2025 sales. Both auctions saw high sell-through rates, with 98% and 100% of lots sold respectively. Notable lots included a $42.6 million Picasso, a $29.4 million van Gogh drawing, and strong performances by female artists like Lee Bontecou, Joan Mitchell, and Helen Frankenthaler.

Venice Biennale Swamped in Protests Ahead of Planned Strike

The Art Not Genocide Alliance (ANGA) has announced a 24-hour strike for Friday, May 8, coinciding with previews of the 2026 Venice Biennale, alongside a protest rally organized by local group Biennalocene and Italian trade unions. Earlier this week, sixty artists staged a sonic protest at the Giardini entrance to draw attention to the plight of those affected by genocide and war in Palestine and elsewhere. The Latvian pavilion has also encouraged attendees to wear a design by artist Krišs Salmanis reading “Death in Venice – Russia go home!” Meanwhile, dissident artists Pussy Riot stormed the Russian pavilion waving Ukrainian flags, and the entire 2026 Biennale jury resigned after the decision to exclude countries whose leaders are charged with crimes against humanity by the International Criminal Court from competing for top prizes.

New York's Art Week 2026 is underway. A guide to all the fairs to see in the city: Frieze and the others

È in corso l’Art Week di New York del 2026. La guida di tutte le fiere da vedere in città: Frieze e le altre

New York's spring Art Week is underway in mid-May 2026, anchored by two major fairs: Frieze New York (May 13–17) at The Shed, featuring about 70 galleries from over 25 countries, and TEFAF New York (May 15–19) at the Park Avenue Armory, celebrating its tenth edition with 88 galleries. Additional fairs include Independent Art Fair at Pier 36 (May 14–17) with 76 galleries and site-specific installations, and NADA New York at the Starrett-Lehigh Building (May 13–17), promoting emerging artists. The week also involves museums, cultural institutions, and galleries citywide.

In Naples, an International Exhibition to Map Instability and Deactivate Borders

A Napoli una mostra internazionale per mappare l’instabilità e disattivare i confini

The exhibition "Atlante" at Thomas Dane Gallery in Naples, curated by James Lingwood, brings together works by eight international artists—Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari—to challenge traditional cartographic representations. Through maps, drawings, textiles, and photographs, the show interrogates the ideological and political assumptions embedded in mapping, reframing the Mediterranean not as a border but as a connective space, and exposing the instability and power asymmetries underlying historical worldviews.

Blank Spaces. Sung Tieu by Sarah Johanna Theurer

Sung Tieu's installations, characterized by austere, bureaucratic surfaces, explore the hidden architectures of power embedded in everyday systems. The article examines her series of works that deconstruct administrative forms used in asylum procedures, reducing them to blank spaces and quantified grids to expose how institutional power operates through seemingly neutral documents. Her exhibition "In Cold Print" at Nottingham Contemporary physically manifests these themes by using steel fences to control viewer movement, drawing direct parallels between minimalist sculpture and the dehumanizing design of border controls.

Pussy Riot and Topless Activists Rally Against Russian Pavilion at Venice Biennale

On May 6, 2026, the art collective Pussy Riot and the Ukrainian feminist group FEMEN staged a protest outside the Russian Pavilion at the 61st Venice Biennale. Approximately 50 activists released pink smoke and blue-and-yellow flares evoking the Ukrainian flag, while FEMEN members staged a topless protest with anti-war slogans like “RUSSIA KILLS, BIENNALE EXHIBITS.” Italian police and Biennale security blocked access to the pavilion, and some Pussy Riot activists were tackled after entering. The protest targeted Russia’s participation in the Biennale for the first time since its full-scale invasion of Ukraine in 2022, with activists condemning the event for lending legitimacy to Russian officials and artists aligned with the government.

Lubaina Himid on Representing a Changing Britain

Lubaina Himid, the Turner Prize-winning artist, discusses her latest exhibition that reflects on the evolving cultural and social landscape of contemporary Britain. The show features her signature vibrant paintings and installations that explore themes of diaspora, identity, and historical narratives, drawing on her own experiences as a Black British artist.

Lydia Ourahmane “1752 Photos” at Galerie Chantal Crousel, Paris

Lydia Ourahmane presents "1752 Photos" at Galerie Chantal Crousel in Paris, an exhibition centered on images that were never intended for public view. The works, stored in boxes and pressed between glass, explore themes of concealment, preservation, and the tension between visibility and obscurity.

In ‘Door to Life,’ Pacita Abad Evokes Traditional Yemeni Architecture

The article reports on 'Door to Life,' the third solo exhibition of works by the late Filipino artist Pacita Abad (1946-2004) at Tina Kim Gallery in New York. The show focuses on a body of work Abad created after her 1998 visit to Yemen, where she was inspired by the country's traditional architecture and decorative arts, particularly its ornate doors and qamariya (semicircular stained-glass windows). The works, executed in her signature trapunto style—a technique of stitched, padded canvas—layer geometric patterns, botanical motifs, and vibrant colors to evoke Yemeni design. The exhibition runs through June 20.

Singapore Art Museum at 30: tough decisions

The Singapore Art Museum (SAM) is celebrating its 30th anniversary while navigating the challenges of its 2022 relocation to Tanjong Pagar Distripark, a remote industrial building that has drawn mixed reactions—some visitors find it too inaccessible, while younger audiences applaud the move away from the colonial civic district. Director and CEO Eugene Tan defends the decision, citing the building's high ceilings and flexible spaces as ideal for contemporary art, and announces a fifth gallery opening by 2026 that will bring total exhibition space to 3,800 square meters. The museum also plans to experiment with open-air exhibition techniques in the new space, aiming to reduce energy demands.

Cambodian Artist Sopheap Pich Shares in an Exhibition how He Conceives Sculptures

Cambodian artist Sopheap Pich is presenting an exhibition at Meta House in Phnom Penh that reveals his creative process, showing how he conceives sculptures from initial drawings and woodblock prints to works in bamboo and metal. Born in Battambang, Pich survived the Khmer Rouge regime as a child and later immigrated to the U.S., earning an MFA from the School of the Art Institute of Chicago before returning to Cambodia in 2002. The exhibition includes early rattan pieces and recent metal sculptures, reflecting his intuitive, memory-infused approach to making art with a team of ten assistants in his Phnom Penh studio.

Wohin in Mitte?

The article previews the Berlin Gallery Weekend, focusing on the Mitte district as a hub for contemporary art. Highlights include Pae White's exhibition 'pushmi-pullyu' at Neugerriemschneider, featuring oversized insects, crabs, and kaleidoscopic wall sculptures, alongside other shows with photo art on copper, queer historical explorations, and mobile urban interventions along Linienstraße, Oranienburger Straße, and Rosa-Luxemburg-Platz.

The message behind the US pavilion at the Venice Biennale

The article previews the 61st Venice Biennale, opening May 9 and running through November 22, highlighting early controversies. The five-person Golden Lion jury, led by Brazilian curator Solange Farkas, resigned after declaring they would not consider pavilions from countries under International Criminal Court investigation, targeting the Israel pavilion and its artist Belu-Simion Fainaru. Separately, the US pavilion has drawn scrutiny from the New York Times over its selection process, with commissioner Jenni Parido (a former pet food store owner) tapping curator Jeffrey Uslip and sculptor Alma Allen, bypassing traditional funders like the Ford and Mellon foundations.

Cameron Art Museum partners with Cucalorus on new cinema series

Cameron Art Museum (CAM) in Wilmington, North Carolina, has announced a new film series called CAM at the Movies, produced in partnership with the Cucalorus Film Foundation. The series will take place at Jengo’s Playhouse and feature screenings paired with live conversations with artists, curators, and cultural leaders. The lineup includes three films: "Legacy" (June 26), a short film about the United States Colored Troops; Andy Warhol's "Flesh for Frankenstein" (August 28); and "Always Looking: Titus Brooks Heagins" (December 11), a documentary about the photographer's work. Each screening will be accompanied by discussions with filmmakers, curators, and museum staff, connecting the films to CAM's current exhibitions.

Met Gala guests arrive on carpet in dramatic works of art

The 2026 Met Gala, held at the Metropolitan Museum of Art in New York, featured celebrities arriving in dramatic, custom outfits adhering to the dress code 'Fashion is art.' Notable attendees included Naomi Osaka in a Robert Wun white sculptural dress with red feathers and dripping red paint, Emma Chamberlain in a hand-painted Mugler gown by Miguel Castro Freitas, and co-chair Anna Wintour in a mint ensemble by Matthieu Blazy for Chanel. The event celebrated the opening of the Costume Institute's exhibition 'Costume Art.'

What Is the 2026 Met Gala Exhibit “Costume Art” All About?

The Metropolitan Museum of Art's Costume Institute will unveil its 2026 exhibition, “Costume Art,” on May 4, 2026, coinciding with the Met Gala. Curated by Andrew Bolton, the show explores the relationship between fashion and the human body, juxtaposing garments like Rei Kawakubo's bulbous Comme des Garçons ensemble with artworks such as Hans Bellmer's “La Poupée” and Albrecht Dürer's “Adam and Eve.” Mannequins cast from real bodies and mirrored heads by artist Samar Hejazi will enhance the immersive experience. The exhibition runs from May 10, 2026, to January 10, 2027, in the new Condé M. Nast Galleries.