Adam Lindemann, a collector-turned-dealer, announced he will close Venus Over Manhattan, the New York gallery he founded 14 years ago. The gallery's final exhibition, a solo show for painter Susumu Kamijo, will run until July 18. Lindemann revealed the decision in an opinion piece for Artnet News, citing the challenges of straddling the roles of collector and dealer, as well as the politics of art fairs. He plans to return to collecting full-time.
The Los Angeles County Museum of Art (LACMA) is debuting a radical curatorial overhaul within its new David Geffen Galleries, moving away from traditional 19th-century departmental silos. Led by Director Michael Govan and a team of 45 curators, the museum is implementing a cross-disciplinary approach that organizes the collection around "oceanic nodes"—the Mediterranean, Atlantic, Indian, and Pacific. This strategy allows for the juxtaposition of disparate media and cultures, such as contemporary photography alongside ancient textiles, to highlight the historical circulation of ideas and people across bodies of water.
The Guerrilla Girls, the anonymous feminist art collective founded in 1985, are celebrating their 40th anniversary with a series of exhibitions and events. In New York, two gallery shows have been held at Hannah Traore Gallery and Mary Ryan Gallery. Later this month, the National Museum of Women in the Arts (NMWA) in Washington, D.C., will stage a major solo exhibition of its Guerrilla Girls holdings, titled "Discrimi-NATION: Guerrilla Girls on Bias, Money, and Art." The collective is also receiving an award at NMWA's upcoming gala and has launched a campaign to encourage donors to help the museum acquire the complete "Portfolio Compleat" of all their works.
WWD asked top international gallerists, collectors, and artists to name the cities they find most exciting for contemporary art. Karen and Christian Boros recommend Naples and the Amalfi Coast, highlighting galleries like Galleria Giangiacomo Rossetti, Thomas Dane Gallery, and Lia Rumma, as well as Fondazione Morra Greco and Le Sirenuse hotel. Daniel Arsham points to Sugar Beach in St. Lucia for its large contemporary sculpture collection. Jean-Michel Othoniel champions South Korea, citing Seoul's Leeum Samsung Museum of Art, Kukje Gallery, and the Kiaf Seoul fair, plus the city of Busan. Emma Lavigne of the Pinault Collection names Venice, especially during the Biennale Arte di Venezia, as an essential destination.
The article appears to be a headline or listing mentioning artists Damien Hirst, Jeff Koons, Matthew Barney, and Gerhard Merz, sourced from Artsy. No further details about events, sales, or exhibitions are provided in the text.
The article reports on five distinct art fairs—Frieze, NADA, Independent, 1-54, and Esther III—visited during New York Art Fair Week. It highlights key artists and works, including Kelly Tapia-Chuning's deconstructed serapes at NADA, Esaí Alfredo's queer nighttime paintings, Alex Burke's textile dolls at 1-54, and Laetitia KY's photographic self-sculpture. The fairs collectively emphasized themes of environmentalism, globalism, decolonization, and a growing textiles sector, with curation varying widely from commercial to conceptually driven.
This article is a sales listing for Damien Hirst's sculpture "Hands in Prayer (Coral)" (2010), a limited-edition bronze work from his series "Treasures from the Wreck of the Unbelievable." The piece is offered by Kristy Stubbs Gallery in Dallas, Texas, priced at $225,000. The listing includes details about the work's materials, dimensions, edition number (2/3), and condition, along with a biography of Hirst highlighting his career as a Young British Artist, his major exhibitions at institutions like Tate Modern and the National Gallery of Art, and his record-breaking auction sales.
A hand-signed offset lithograph poster by Ed Ruscha, created for the 2012 "Reading Ruscha" exhibition at the Kunsthaus Bregenz in Austria, is available for sale. The poster features an iconic 1971 photograph of the artist by Jerry McMillan and is noted for its rarity, with Ruscha having signed fewer than 50 copies for the institution.
Hong Kong's major auction houses—Christie's, Sotheby's, and Phillips—concluded their March sales series with strong results, demonstrating resilience in the Asian art market. The sales were characterized by a high sell-through rate, robust bidding, and a notable shift towards collecting driven by deep knowledge and passion rather than pure speculation.
Renowned Ghanaian artist El Anatsui is currently experiencing a significant professional moment with concurrent exhibitions at White Cube in Hong Kong and Seoul, timed to coincide with Art Basel Hong Kong. The artist, known for his monumental sculptures crafted from discarded liquor-bottle caps and copper wire, recently saw his 2023 work "G6" sell for $995,000 at Sotheby’s London to benefit the Royal Academy of Arts. Now living back in Ghana after decades teaching in Nigeria, Anatsui continues to explore the fluidity of his medium, which mimics the organic processes of growth and decay.
Sotheby’s Modern & Contemporary Art Evening Sale in London achieved a rare 'white-glove' result, with all 53 lots finding buyers for a total of £131 million ($175 million). The auction was highlighted by a selection of four School of London masterpieces from the private collection of billionaire Joe Lewis, owner of Tottenham Hotspur. These works, including a 1972 Francis Bacon self-portrait and two Lucian Freud portraits, realized a combined £35.8 million ($47.8 million) and established a new auction record for artist Leon Kossoff.
The Hyperallergic Spring 2026 New York Art Guide outlines a massive seasonal program featuring nearly 70 exhibitions across the city's major institutions and alternative spaces. High-profile highlights include a Marcel Duchamp retrospective at MoMA, the first major U.S. exhibition of Raphael at the Metropolitan Museum of Art, the return of the Whitney Biennial, and the reopening of the New Museum. The guide also previews diverse showcases ranging from Molly Crabapple’s activist posters at Poster House to a rare Caravaggio loan at the Morgan Library.
L.A. Art Week 2026 is anchored by the return of Frieze Los Angeles at the Santa Monica Airport, featuring approximately 100 international galleries and the curated Frieze Projects. The week serves as a precursor to a landmark season for the city, which includes the upcoming opening of LACMA’s David Geffen Galleries and the debut of Lauren Halsey’s major sculpture park in South Central. Satellite fairs like Felix Art Fair at the Hollywood Roosevelt Hotel and the artist-centric Post-Fair continue to expand the week's geographical and conceptual footprint.
Art Basel Qatar opened its inaugural edition to VIPs in Doha, featuring an unconventional 'boothless' format with 87 exhibitors each presenting a solo artist. The fair, curated by artist Wael Shawky, is split between two venues in the Msheireb district, with blue-chip galleries in M7 and more emerging to mid-tier galleries in the Design District. The event is heavily subsidized by Qatar, significantly lowering costs for exhibitors and encouraging a focus on market education over immediate sales.
Artsy spoke with 12 leading collectors about the artists, exhibitions, and trends they are most excited to follow in 2026. Highlights include the re-centering of women artists, the rise of South Asian and LGBTQ+ artists, and the impact of AI on gallery operations. Collectors point to major institutional milestones such as LACMA's new campus, the Guggenheim Abu Dhabi, the Venice Biennale, and Art Basel's expansion into Qatar, as well as specific shows like Claire Tabouret's stained-glass commission for Notre-Dame and the Frida Kahlo exhibition at the Museum of Fine Arts, Houston.
Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for January, highlighting exhibitions from coast to coast. Featured artists include Jeff Koons at Gagosian in New York, where he presents monumental stainless-steel sculptures of gods and goddesses alongside layered paintings, and Giorgio Griffa at Casey Kaplan, whose survey "Consistently Through Variation" spans five decades of his process-driven work. Other notable shows include Julian Schnabel at Mnuchin Gallery and Marisol at Matthew Marks Gallery in Los Angeles.
This article from The Art Newspaper, published as 2026 begins, memorializes key figures from the art world who died in 2025. The list includes artist and activist Jaune Quick-to-See Smith, filmmaker and artist David Lynch, conceptual artist Mel Bochner, collector and patron Guy Ullens (co-founder of Beijing's UCCA), curator Koyo Kouoh (the first African woman to curate the Venice Biennale), photographer Sebastião Salgado, broadcaster Alan Yentob, and sculptor Joel Shapiro. Each entry summarizes their career highlights and contributions.
Art Basel Miami Beach opened with a VIP preview that saw strong sales across price points, from blue-chip acquisitions to mid-range works. David Zwirner led with a Gerhard Richter painting for $5.5 million, while Hauser & Wirth sold a George Condo for $4 million. The debut of Zero 10, a platform for digital art, sold out its presentation. Other notable sales included works by Alice Neel, Josef Albers, Louise Bourgeois, and Andreas Gursky, with galleries like Pace, White Cube, and Gladstone also reporting significant transactions.
Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for December, highlighting exhibitions from New York to Los Angeles. Featured artists include Alex Da Corte, whose show at Matthew Marks Gallery presents 11 new sculptures in a narrative setting, including life-size self-portraits as the Pink Panther and Popeye; and Sylvia Snowden, whose exhibition "On the Verge" at White Cube in New York showcases 20 paintings from her career, exploring human struggles and joys through textured impasto works. Other notable shows include Marilyn Minter's portraits of celebrities at Regen Projects in Los Angeles.
Phillips’s modern and contemporary evening sale on 19 November generated nearly $54.8 million ($67.3 million with fees), a 25% increase over the same sale last year. Out of 33 lots, only two failed to sell, achieving a 94% sell-through rate. The top lot was Francis Bacon’s *Study for Head of Isabel Rawsthorne and George Dyer* (1967), which hammered at $13.5 million, followed by an untitled Joan Mitchell work from 1957-58 at $12 million. The sale also included natural history objects for the first time, such as a juvenile Triceratops skeleton nicknamed 'Cera,' which sold for $4.35 million. Female artists performed strongly, with Ruth Asawa’s copper wire sculptures sparking lengthy bidding wars and Firelei Báez setting a new artist record that was later broken at Christie’s the same evening.
Sotheby's held its debut evening sale at the Breuer building in New York on November 18, achieving a record-breaking $706 million total. The highlight was the white-glove auction of Leonard A. Lauder's collection of 20th-century masterpieces, which alone brought $527.5 million. Gustav Klimt's portrait *Bildnis Elisabeth Lederer* (1914-16) sold for $236.4 million, setting a new record for the artist and for Sotheby's Modern category. The evening also included a strong Contemporary sale led by Maurizio Cattelan's golden toilet at $12.1 million, with active bidding from Asian collectors.
Japanese artist Yoshitomo Nara, renowned for his kawaii-inspired paintings and sculptures, has switched gallery representation from Pace Gallery to David Zwirner after 14 years. David Zwirner, which has locations in New York, Hong Kong, London, Los Angeles, and Paris, will hold its first solo exhibition with Nara at an unspecified future date in New York. Nara will continue to work with his international agent, Equivalence Art Agency, and Pace Gallery will maintain a relationship with the artist. Nara's career includes major solo shows at institutions like the Albertina Modern in Vienna, the Hayward Gallery in London, and the Los Angeles County Museum of Art.
The Saint Louis Art Museum (SLAM) is presenting "Anselm Kiefer: Becoming the Sea," a landmark exhibition featuring new, large-scale paintings and sculptures by the renowned German artist. The works, including 30-foot-tall paintings like "Missouri, Mississippi" (2024) and "Lumpeguin, Cigwe, Animiki" (2025), were created specifically for SLAM's soaring Sculpture Hall after Kiefer revisited St. Louis in 2023. The exhibition draws on Kiefer's 1991 visit to the city, where he was deeply impressed by the Mississippi and Missouri rivers, and brings together themes of rivers, borders, memory, and cultural metaphor.
Art Basel Paris 2025, now in its fourth edition, took place from October 22–26 at the restored 1900 Paris Exposition venue, a Beaux-Arts landmark with Art Nouveau iron and glasswork. The fair hosted 206 international galleries and introduced a new 'Avant-Première' V.V.I.P. day on October 21, where each gallery could allocate six guest passes. Blue-chip sales were swift, led by Hauser & Wirth selling Gerhard Richter's *Abstraktes Bild* (1987) for $23 million to a European collector. Other notable sales included Bruce Nauman's neon sculpture *Masturbating Man* for over $4.7 million and Amedeo Modigliani's *Jeune fille aux macarons* (1918) for $10 million at Pace Gallery. The fair also featured curatorial sectors Emergence (16 solo presentations by emerging artists) and Premise (ten historical projects with works predating 1900).
Art Basel Miami Beach 2025 is set to take place, bringing together leading galleries, artists, and collectors from around the world for its annual edition in Miami. The fair will feature a curated selection of modern and contemporary art, with special sections dedicated to emerging artists and large-scale installations.
Art Basel Paris has rewarded top dealers with significant sales during its new VVIP preview slot, Avant-Première, held on October 21. Hauser & Wirth led with over $30 million in sales, including Gerhard Richter's "Abstrakte Bild" (1987) for $23 million, while David Zwirner sold a Ruth Asawa sculpture for $7.5 million. Goodman Gallery sold two works by William Kentridge to museums, and White Cube placed Julie Mehretu's "Charioteer" (2007) for $11 million. However, some dealers like Philomene Magers found the opening too crowded, and adviser Aileen Agopian noted the market remains far from the frenzy of previous years, with no single sale surpassing the $40 million Mark Rothko painting brought by Pace two years ago.
Art Basel Paris opened its 'Avant Première' day at the Grand Palais on October 21, 2025, with strong early sales led by Hauser & Wirth's sale of Gerhard Richter's *Abstraktes Bild (Abstract Painting)* (1987) for $23 million. Other notable sales included Julie Mehretu's *Charioteer* (2007) for $11.5 million at White Cube, Amedeo Modigliani's *Jeune fille aux macarons* (1918) for just under $10 million at Pace Gallery, and a Ruth Asawa sculpture for $7.5 million at David Zwirner. The fair, running through October 26, features 203 galleries and introduced the exclusive preview day as a new scheduling element.
Art Basel Paris 2025 returns to the Grand Palais, with off-site events across the city. For those without fair tickets, galleries throughout Paris are hosting notable shows alongside the fair, including Gerhard Richter at David Zwirner, Robert Rauschenberg's 'Gluts' series at Thaddaeus Ropac, Hans Op de Beeck at Templon, and Heinz Mack at Almine Rech. The article highlights ten must-see gallery exhibitions running concurrently with the fair.
This episode of "A brush with…" podcast features an in-depth conversation with artist Christopher Wool, who discusses his career spanning painting, photography, and sculpture. Wool reflects on early influences including the Art Ensemble of Chicago, Dan Flavin, Jean-Michel Basquiat, Dieter Roth, and Toni Morrison's novel *The Bluest Eye*, which inspired one of his text paintings. He also explains the title of his recent exhibition "See Stop Run" and how jazz has consistently inspired his work. The podcast is sponsored by Bloomberg Connects, which highlights museums that have shown Wool's work, including the Guggenheim, MoCA Los Angeles, and SFMOMA.
MoMA is opening "Ruth Asawa: Retrospective" on October 19, 2025, running through February 7, 2026, featuring 275 works by the artist, including over 60 looped-wire sculptures, bronze casts, paper folds, and drawings. The exhibition, which previously appeared at SFMoMA, occupies 16,000 square feet on MoMA's sixth floor and is the largest show ever devoted to a woman artist at either institution by checklist count, though neither museum has emphasized this superlative.