julia stoschek foundation los angeles show

The Julia Stoschek Foundation, one of the world's largest collections of video art, will present its first major U.S. exhibition at the Variety Arts Theater in downtown Los Angeles. Titled "What a Wonderful World: An Audiovisual Poem" and curated by Udo Kittelmann, the show opens February 6, 2026, pairing contemporary video works by artists such as Marina Abramović, Dara Birnbaum, Cyprien Gaillard, Arthur Jafa, Jesper Just, and Lu Yang with historic films by Luis Buñuel, Walt Disney, Alice Guy-Blaché, Winsor McCay, and Georges Méliès. The exhibition spans 120 years of filmmaking and will occupy a historic 1920s Venetian-style landmark that once housed L.A.'s first women's clubhouse and a vaudeville theater.

brooklyn public library borrow artwork

The Brooklyn Public Library (BPL) has launched an experimental art lending program alongside its new exhibition “Letters for the Future,” created with the artist-organized group Department of Transformation. The show features works by 35 artists, including a print by Kameelah Janan Rasheed and a box of spell jars by the duo Hilma’s Ghost. Twenty artworks—ranging from magnets and banners to prints and original works on paper—are available for patrons to borrow, reviving a BPL initiative from the 1950s and ’60s.

robert wilson memorial silence

A memorial for the late theater visionary Robert Wilson was held at the Brooklyn Academy of Music (BAM) Harvey Theater, featuring a 30-minute period of silence as requested by Wilson before his death at age 83. The gathering drew luminaries including Philip Glass, Rufus Wainwright, Laurie Anderson, ANOHNI, Christopher Knowles, Joan Jonas, and Paula Cooper, none of whom spoke during the main program. The silence was punctuated by shifting lighting and a recorded ringing telephone, followed by remarks from William Campbell, chairman of Wilson's Watermill Center, and Joseph Melillo, former BAM executive producer.

curator andrea von goetz alps

Curator, collector, and artistic director Andrea von Goetz founded Sommer Frische Kunst in 2011 as a humble artist-led retreat in Bad Gastein, Austria, housed in the historic Kraftwerk am Wasserfall building. Over 15 years, the initiative has grown from a small artist-in-residence program into an internationally recognized contemporary art festival at 1,000 meters above sea level, featuring major exhibitions, public art projects, and its own art fair, art:badgastein. The 2025 anniversary is marked by a reunion exhibition titled "Welcome back!" co-curated with Dr. Silvie Aigner.

ai weiwei major installation ukraine

Chinese artist and activist Ai Weiwei will debut a major new installation in Kyiv, Ukraine, this fall at Pavilion 13, a Soviet-era glass exposition hall that recently reopened as a cultural venue after renovation by architectural firm Forma. The work, titled *Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White* (2025), features metal spheres inspired by Leonardo da Vinci's mathematical illustrations, encased in camouflage fabric thinly painted white, exploring themes of concealment, reality, and war. Commissioned by the nonprofit Ribbon International, the installation will be on view from September 14 to November 30, 2025, alongside a site-responsive intervention by Berlin-based artist Sam Lewitt.

amalia ulman film magic farm

Amalia Ulman's new film *Magic Farm* follows an American documentary crew that arrives in a rural Argentine town with a mandate to cover "crazy subcultures," only to find none. Led by a harried producer (Alex Wolff) and an anchor (Chloë Sevigny), the crew fabricates a zany trend while completely missing an environmental crisis affecting the village—no drinking water and widespread illness. Ulman describes the film as a critique of media bureaucracy, where content demands override actual news. The film continues her exploration of image-making and fiction, themes she previously investigated in her 2014 Instagram performance *Excellences & Perfections* and her 2021 debut feature *El Planeta*.

quantum computing laure prouvost

Laure Prouvost's exhibition "We Felt a Star Dying" at Kraftwerk Berlin, commissioned by LAS Art Foundation and co-commissioned by OGR Torino, uses quantum computing to create an ever-changing installation featuring a cascading fabric, a film altered by quantum variations, and a breathing soundscape. The work, which includes a film fed into a quantum computer to introduce indeterminate edits, explores superposition and entanglement, challenging viewers to experience art that resists fixed interpretation.

Jean Katambayi Mukendi “RATIO” at KW Institute for Contemporary Art, Berlin

Congolese artist Jean Katambayi Mukendi has opened a solo exhibition titled "RATIO" at the KW Institute for Contemporary Art in Berlin. The show features works that interrogate fundamental dualities such as the natural versus the artificial, growth versus destruction, and the dynamics between resources and power.

'First-of-its kind' Houston park reveals 6 murals by local artists

Untitled Art, the contemporary art fair, is returning to Houston for its second edition this October. To kick off plans, the fair has commissioned two artist projects that will be unveiled at the city's 39th annual Art Car Parade.

Take a Peek Inside Peter Zumthor’s New Building for LACMA -

The Los Angeles County Museum of Art (LACMA) opened its new David Geffen Galleries, designed by Swiss architect Peter Zumthor in collaboration with SOM, for a summer preview before the building's official opening in April 2026. The 110,000-square-foot exhibition space, elevated on seven pavilions and made of concrete and glass, was opened to the public for three days with performances by 120 musicians. The preview also includes outdoor sculptures, commissioned artworks by Mariana Castillo Deball and Sarah Rosalena, and new dining and retail spaces.

Thomas Zipp has died

Thomas Zipp gestorben

The Berlin-based artist Thomas Zipp has died. His gallery, Barbara Thumm, announced the news on Saturday. Zipp, born in 1966, was a professor of painting and multimedia at the Berlin University of the Arts and was considered one of the most significant figures in German contemporary art since the 1990s. His work was shown internationally at venues including the Venice Biennale and museums in New York, London, and Zurich.

Berlin is the capital of contemporary performance. Here's why

Berlino è la capitale della performance contemporanea. Ecco perché

Berlino si conferma capitale della performance contemporanea, con musei e spazi non teatrali che diventano luoghi di azione e sperimentazione. L'articolo descrive quattro recenti performance: 'Glitch Choir – Vocal Variations' di Deva Schubert allo Schinkel Pavillon, dove il corpo e la voce esplorano il glitch come condizione fisica e politica; 'Roses Rising – The Movement' di Leila Hekmat al Gropius Bau, un rituale collettivo di danza e musica; e altre opere che trasformano istituzioni come l'Hamburger Bahnhof in dispositivi di produzione sensoriale. Anche il Bode Museum partecipa con 'The Healing Museum', uno spazio di meditazione interreligioso.

Blank Spaces. Sung Tieu by Sarah Johanna Theurer

Sung Tieu's installations, characterized by austere, bureaucratic surfaces, explore the hidden architectures of power embedded in everyday systems. The article examines her series of works that deconstruct administrative forms used in asylum procedures, reducing them to blank spaces and quantified grids to expose how institutional power operates through seemingly neutral documents. Her exhibition "In Cold Print" at Nottingham Contemporary physically manifests these themes by using steel fences to control viewer movement, drawing direct parallels between minimalist sculpture and the dehumanizing design of border controls.

Review: June Leaf retrospective at Oberlin College is a revelation

The Allen Memorial Art Museum at Oberlin College is hosting a major retrospective of the late American artist June Leaf, featuring over 100 works spanning 75 years. The exhibition, which originated at the Addison Gallery of American Art, showcases Leaf’s unique figurative style and her roots in Chicago’s "Monster Roster" group. The show aims to provide art historical justice to an artist who often worked in the shadow of her husband, the legendary photographer Robert Frank.

Wohin in Mitte?

The article previews the Berlin Gallery Weekend, focusing on the Mitte district as a hub for contemporary art. Highlights include Pae White's exhibition 'pushmi-pullyu' at Neugerriemschneider, featuring oversized insects, crabs, and kaleidoscopic wall sculptures, alongside other shows with photo art on copper, queer historical explorations, and mobile urban interventions along Linienstraße, Oranienburger Straße, and Rosa-Luxemburg-Platz.

independent new york relocation pier 36

Independent, the New York art fair, will relocate to Pier 36 on Manhattan’s Lower East Side for its May 2026 edition. The 70,000-square-foot venue more than doubles the size of its previous home at Spring Studios, accommodating increased gallery participation post-pandemic. The fair hosted 83 exhibitors in 2025, and founder Elizabeth Dee noted that even the coat check was repurposed for a special project. The architectural redesign will be led by Solid Objectives Idenburg Liu (SO–IL), with exhibition design by Berlin’s D_P_S.

art exhibition bernard frize perrotin paris

French-born, Berlin-based artist Bernard Frize presents his 21st exhibition with Perrotin and 10th in Paris, titled “Les 26,” on view through May 30. The show features his signature geometric latticework paintings, where interlocking grids of uniform brushstrokes create hazy chromatic architectures. Works include both resin-layered canvases with overlapping bands of bright color and tempera paintings on glass with strict compositional rules—each color moving in three straight lines to form two right angles. Frize continues his practice of using utilitarian, nonsensical titles like “Vido,” “Sioc,” and “Vesem” to decenter subjective interpretation.

art zoya cherkassky shelter island

Artist Zoya Cherkassky, born in Kyiv and a longtime resident of Israel, has relocated to Shelter Island after fleeing to Berlin following the October 7, 2023 attacks. She discovered the island during a stay with her gallerists from Fort Gansevoort and now has a permanent studio there. Cherkassky, known for politically charged works, recently created a series of colored pencil drawings responding to the Hamas attacks, which were exhibited at the Jewish Museum in New York as "October 7th, 2023." Her latest Shelter Island paintings mark a dramatic shift toward tranquil landscapes and sunsets.

Where to go on Potsdamer Straße?

Wohin auf der Potsdamer Straße?

The article previews the Gallery Weekend Berlin, focusing on the Potsdamer Straße art scene. It highlights several exhibitions, including Adam Gordon's "Months Turn to Years" at Galerie Isabella Bortolozzi, which transforms the space into a secluded enclave with quiet paintings. Other featured shows include luminous color experiments, soap foam as an art form, and works exploring identity.

What makes love political, Wynnie Mynerva?

Was macht Liebe politisch, Wynnie Mynerva?

Peruvian artist Wynnie Mynerva discusses her exhibition "Volveré y seré millones" at the Société gallery in Berlin, timed to coincide with Gallery Weekend. The artist explores Andean cosmologies, specifically the concept of 'Ayni' or collective reciprocity, as a counter-narrative to Western, capitalist structures of romantic love and individualism. Her work draws from her personal experience as a migrant in Europe and her observations of Berlin’s queer scene, questioning how care and survival function within modern political frameworks.

As Told By: Slavs and Tatars at Rossi & Rossi

Slavs and Tatars, the research-based art collective, opened their first solo exhibition in Hong Kong titled “胡 ( هو / who) are you?” at Rossi & Rossi, running until May 9, 2026. The show gathers iconic projects and new commissions across various media, playfully probing the philosophical question of identity and belonging. Co-founder Payam Sharifi discusses works such as the handblown glass melon sculptures in "Dark Yelblow" (2025), which explore cultural stereotypes and the figure of the Other, and the "Love Me, Love Me Not" series, which recovers original place names and scripts to reveal the layered complexity of empires.

‘Entertainment is often violence shrouded in a fun disguise’: Marianna Simnett on being tickled for hours and having Botox injected into her throat

Marianna Simnett, a Croatian British multi-disciplinary artist, discusses her new exhibition 'Circus' at the Secession in Vienna, which features a light, sound, and sculpture installation in a pitch-black basement. The show includes works like 'Catherine Wheel' (2026), a blue spinning reflective skirt accompanied by the sound of the artist being tickled for four hours, and 'Fountain' (2026), a neon of a woman urinating referencing Balkan folklore. Simnett explores themes of violence, desire, pain, and power, often using her own body as a site of transformation, as in her earlier work 'The Needle and the Larynx' (2016) where she had Botox injected into her throat.

Gili Tal at Galerie Buchholz

Gili Tal has opened a new solo exhibition, "Soft and Bouncy," at Galerie Buchholz in Berlin. The show, which runs from January 30 through April 4, 2026, presents a collection of the artist's recent work, documented extensively with 26 installation images.

September 2025 Opportunities: Open Calls, Residencies, and Grants for Artists

This article compiles a list of open calls, residencies, and grants for artists and designers with deadlines in September and October 2025. Opportunities include the Innovate Grant offering $1,800 each to one visual artist and one photographer, the PHOTOcentric 2025 exhibition at Garrison Art Center, a call for mini-golf hole designs for The Other Art Fair Chicago, and the Ingram Prize 2025 for recent U.K. art school graduates. Other listings include the Moons, Castles, Trees exhibition for The Wrong Biennale ’26 in Copenhagen, the Denver International Airport Rotating Sculpture Program, the MONSTER Exhibition in Berlin, the Abbey Harris Mural Fund in the U.K., and the Contemporary Reflection Art Exhibition in London.

INFANT: BANNED SKILLS

Sidony O’Neal and Bogosi Sekhukhuni, two interdisciplinary artists with backgrounds in conceptual art, design, and technology, are co-founders of the design firm INFANT. O’Neal’s work draws on mathematics, architectural systems, and object histories, with exhibitions at venues such as Sculpture Center, ICA at Maine College of Art and Design, and MASS MoCA residencies. Sekhukhuni explores cultures and histories of technology through sculpture, video, and performance, with exhibitions at Fondazione Prada, New Museum, and Sharjah Art Foundation, and is a founding member of the artist group NTU.

‘Picasso-Klee-Matisse’ exhibit brings modernist masterpieces to the Museum of Fine Arts, Houston

The Museum of Fine Arts, Houston (MFAH) is hosting "Picasso-Klee-Matisse: Masterpieces from the Museum Berggruen" from May 20 to September 13, 2026. The exhibition features dozens of works by Pablo Picasso, Paul Klee, and Henri Matisse from the private collection of dealer and collector Heinz Berggruen, on loan from the Museum Berggruen – Neue Nationalgalerie in Berlin. The show is organized thematically—portraits, landscapes, still life, and the human figure—and includes paintings, drawings, collages, sculptures, and archival materials, alongside pieces from MFAH's own collection. It has already attracted over 1 million visitors on its international tour.

“Edmonia Lewis: Said in Stone” Reconstructs a Life Across Fragments

Boston Art Review (BAR) has published an article titled “Edmonia Lewis: Said in Stone” that reconstructs the life of the 19th-century sculptor Edmonia Lewis across fragmented historical records. The piece examines Lewis’s career, her neoclassical marble works, and the challenges of piecing together her biography due to limited archival materials.

Interview. Max Goelitz

In an interview marking the sixth anniversary of his gallery, Max Goelitz reflects on the founding and evolution of his two-location operation in Munich and Berlin. He discusses how his decade at Häusler Contemporary, where he served as director, prepared him for the unpredictable nature of running his own gallery. The COVID-19 pandemic forced a strategic pivot from international ambitions to a focus on the local German market, which proved unexpectedly sustainable. Goelitz also addresses the current challenges facing galleries, including generational shifts and a more difficult art market, while advocating for an "old-school" reconsideration of what defines a gallery in times of transition.

Walker Art Center Exhibition Breaks Down Sound Barriers

The Walker Art Center, in collaboration with the Whitney Museum of American Art, presents "All Day All Night," a survey of the past 15 years of work by Berlin-based deaf artist Christine Sun Kim. The exhibition, on view until August 30, spans three galleries and includes drawings, videos, participatory pieces, and site-specific installations such as charcoal music notes on floors and stairwells. Kim's early works from the 2010s explore sound waves and Deaf culture, while later pieces incorporate her experiences as a mother and partner, using infographics and ASL-inspired imagery to challenge assumptions about spoken versus signed language.

German Expressionism at the National Gallery

The National Gallery in London will stage its first exhibition of modern German paintings, 'German Expressionism: Modern Painting 1900–1918', in spring 2027, before traveling to the National Gallery of Ireland in Dublin in autumn 2027. This is the first UK and Ireland exhibition since the 1960s to cover both key Expressionist groups, Die Brücke and Der Blaue Reiter, featuring over fifty international loans from institutions such as Berlin's Neue Nationalgalerie, Brücke Museum, and the Art Institute of Chicago, alongside works from private collections.