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Jeff Poe, co-founder of the now-closed Blum & Poe gallery, gave an interview to Artnet News reflecting on his departure from the gallery in 2023 and the challenges of running a gallery. He spoke about the financial risks, travel, and exposure that led him to seek a simpler path, without mentioning his former partner Tim Blum. Separately, Hypebeast published a story titled 'The Slow Death of the Contemporary Art Gallery,' arguing that rising rents and changing expectations are forcing galleries to adapt, with collectors increasingly focusing on 'red-chip' artists driven by viral buzz rather than institutional backing.

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The School of Visual Arts (SVA) in New York has transferred ownership from the Rhodes family, which owned it for nearly 80 years, to the SVA Alumni Society, a nonprofit that has funded student scholarships since 1972. The transfer took effect on September 1, with longtime president David Rhodes stating that day-to-day operations would not change. The move comes amid financial difficulties, a recent faculty unionization effort by SVA Faculty United (affiliated with United Auto Workers), and reported layoffs of around 30 workers.

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New tariffs imposed under the Trump administration are causing significant disruptions for art professionals shipping works to major New York art fairs, particularly TEFAF New York. Shipping companies report a 'torturous road' as galleries navigate complex import taxes—including 7.5% on Chinese artworks, 25% on steel and aluminum sculptures, and 10% on jewelry, furniture, and design pieces—while many original artworks, antiques over 100 years old, and collector's pieces remain exempt. Galleries are modifying operations by renting booth furniture, showing items already stored in the US, and avoiding shipments from China, with some classifying antiquities broadly as 'sculpture' to simplify customs clearance.

American Folk Art Museum Workers Picket Gala, Calling for Higher Wages

Workers at the American Folk Art Museum in New York City, represented by UAW Local 2110, picketed the museum's annual gala at the Mandarin Oriental in Manhattan on May 6, 2026. They demanded higher wages and better benefits after contract negotiations stalled for nearly two years. Frontline workers earn $19 per hour, about $12,000 below the city's living wage, while the museum's CEO Jason Busch earned $321,882 in 2024. The union requested a three-year contract raising wages to $30 per hour, but management offered only $21.50 and refused to guarantee existing benefits, leading to the protest.

The Carnegie International Makes Its Mark

The 59th Carnegie International opens in Pittsburgh, featuring 61 artists from around the world in the oldest survey of its kind in the United States. Critic Ed Simon reviews the exhibition, noting it captures the excitement of earlier editions while providing vital commentary on authoritarianism and militarism. In other news, activists protested Jeff Bezos's co-chair role at the Met Gala with a costumed action and guerrilla projections on his penthouse; Iran withdrew from its national pavilion at the Venice Biennale; MoMA PS1 announced the first US survey of Mexican artist Teresa Margolles; and Hakim Bishara reflects on MoMA's Marcel Duchamp exhibition.

Can an Artwork Have Personhood?

The article explores a growing trend in contemporary art where artists like Pierre Huyghe, Nina Katchadourian, and Marge Monko create works that blur the line between art objects and sentient beings. These works incorporate human performers, animals, AI, and smart devices, prompting viewers to question whether these entities possess or simulate personhood, and forcing an examination of our instinct to anthropomorphize.

A Data Analysis of the 2026 Venice Biennale Signals a Shift to the Present

The 2026 Venice Biennale, titled "In Minor Keys," marks a significant pivot from the historical revisionism of recent editions toward a focus on contemporary, mid-career artists. Posthumously realized based on the vision of the late Koyo Kouoh, the exhibition features 111 participants, including a notable inclusion of artist-led organizations from Africa. Data analysis reveals a balanced demographic split between the Global North and South, moving away from the retrospective focus of predecessors like Adriano Pedrosa and Cecilia Alemani to prioritize living artists and subtler, emotional themes.

The Unbearable Strangeness of Being

South African artist Cinga Samson makes his New York debut at White Cube with "Ukuphuthelwa," an exhibition of haunting, large-scale oil paintings. The works feature figures with distinctive white pupils engaged in enigmatic rituals within dark, crepuscular landscapes. Drawing from the isiXhosa concept of spiritual alertness during sleeplessness, Samson’s compositions blend the palpable with the unearthly, often depicting scenes that feel choreographed yet remain stubbornly illegible to the Western gaze.

Woman With Her Back to the Viewer in Gallery Photos Speaks Out

A satirical article features an exclusive interview with the fictional archetype "Woman With Her Back to the Viewer in All Those Gallery Photos." She describes her daily routine of posing ambiguously next to artworks, her artistic influences like Caspar David Friedrich, and the challenges of her unseen labor, including a lack of sales commission and the need for side hustles like making herself blurry in photos.

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A major painting by the 18th-century Venetian master Canaletto, titled 'Venice, the Bucintoro at the Molo on Ascension Day' (c. 1754), sold for $30.5 million at Christie's New York during its Old Master week. The work, which had been backed by a guarantee, hammered at $26 million, meeting its pre-sale estimate and marking its fourth appearance at auction.

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Simon de Pury pays homage to Hans Neuendorf, the visionary founder of Artnet, following the announcement of Artnet's sale at the end of May. De Pury recounts Neuendorf's background as a successful art dealer who championed underappreciated artists like Francis Picabia, and describes how Neuendorf revolutionized the art world by creating the world's most comprehensive auction results database in 1989 (initially called Centrox). The article contrasts the pre-digital era of manually filing auction results with the instant access Artnet now provides, and notes that Neuendorf later expanded the platform with Artnet News and Artnet online auctions.

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Mark Bauerlein, a conservative professor and contributing editor to First Things, published an op-ed in the New York Times arguing against cuts to government arts funding while simultaneously attacking progressive scholars and NEH grants he deems wasteful. He suggests that instead of slashing the National Endowment for the Humanities, the Trump administration should repurpose it to promote conservative cultural values, citing examples like funding for a curriculum on race and comics or a database of a historic gay travel guide as wasteful.

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Artnet News' gossip column Wet Paint reports on a Valentine's Day dining experience aboard a simulated Princess Cruises ship at Pier 59 in Chelsea Piers, New York. The event, titled "Love by Britto: First Artistically Inspired Dining Experience Celebrating 'Love'," was designed by Miami-based artist Romero Britto, featuring his signature kaleidoscopic pop art on plates, wine labels, paperweights, and even toilet paper roll stickers. Chef Rudi Sodamin prepared the meal, which included a cocktail with edible glitter and heart-shaped desserts. Britto himself attended a run-through the previous night, and the $214 tickets for the final evening were sold out.

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Christie's 21st-century evening sale in New York on Wednesday night totaled $96.5 million, surpassing last year's $80.3 million, though the auction was characterized by caution, few fireworks, and a reduced number of lots. The headline event was Marlene Dumas's painting *Miss January* (1997) selling for $13.6 million with premium, setting a new auction record for a living female artist. The work, estimated at $12–18 million, was guaranteed and sold to a client bidding through Christie's deputy chairman Sara Friedlander; Miami collectors Don and Mera Rubell were the consignors. Other notable results included new records for Simone Leigh, Emma McIntyre, and Louis Fratino, while the top lot was Jean-Michel Basquiat's *Baby Boom* (1982) at $23.4 million. Four of 43 lots were withdrawn, and several works failed to sell, including an Ellsworth Kelly canvas with a $2 million low estimate.

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Frieze, the international art fair group, has been sold to Ari Emanuel, the Hollywood power broker who previously owned it through Endeavor. Emanuel acquired Frieze via a new, unnamed company from his former entertainment conglomerate, which was recently taken private by Silver Lake. The deal, valued at approximately $200 million according to sources, includes all seven fairs, Frieze magazine, and the No. 9 Cork Street exhibition space. Simon Fox will remain CEO. The sale comes just days before Frieze New York’s 2025 edition and follows months of speculation about the fair's future ownership.

The Wild Ways Artists Have Made Their Livings, from the Renaissance to Today

The Wild Ways Artists Have Made Their Livings, from the Renaissance to Today

Mason Currey's new book, 'Making Art and Making a Living,' compiles stories of how artists from the Renaissance to today have funded their creative lives. It details diverse methods beyond family wealth, including odd jobs, dual careers, and institutional roles, highlighting figures like Louise Nevelson, Philip Glass, and Frank O'Hara.

art gabriela hearst adam pendleton nina simone

Fashion designer Gabriela Hearst and visual artist Adam Pendleton have collaborated on a limited edition of 25 Nina bags, reimagining Hearst's classic style with Pendleton's unique silkscreens. The bags are being sold this month at Sotheby's, with net sales proceeds going to preserve singer Nina Simone's childhood home, which Pendleton and other artists purchased in 2017. The collaboration coincides with Pendleton's exhibition "Love, Queen" at the Hirshhorn Museum in Washington, DC, running through January 2027.

art new museum building new humans

The New Museum in New York has reopened after two years with a major expansion designed by OMA / Shohei Shigematsu and Rem Koolhaas, doubling its size to 60,000 additional square feet. The inaugural exhibition, “New Humans: Memories of the Future,” curated by Massimiliano Gioni, features over 800 objects by more than 200 artists, scientists, and designers across three main floors. The show explores how concepts of the human have evolved in response to technological innovation over the past century, with thematic chapters such as “Reproductive Futures” and a site-specific sculpture by Klára Hosnedlová in the new Atrium Stair.

parties performa anniversary performance art

Performa celebrated its 20th anniversary and the opening of its 2025 biennial with a multi-venue event in New York, starting at Harlem Parish and moving to a Lower East Side hub at 424 Broadway. The evening featured experimental music by Luciano Chessa, Eric Mingus, Elliott Sharp, and Joan La Barbara, a silent auction of custom wine blends by artists Julie Mehretu, Paul Pfeiffer, and Jessica Rankin, and a feast by chef Marcus Samuelsson. The party was co-chaired by artist Rashid Johnson and the late Agnes Gund, with guests including RoseLee Goldberg, Anne Imhof, Joan Jonas, Sanford Biggers, Laurie Simmons, and many others. The event also launched Performa's first magazine, *Works in Practice*.

The 25th Biennale of Sydney: “Rememory”

The 25th Biennale of Sydney, titled "Rememory," opened in March 2026 across multiple venues in Sydney, including the prominent White Bay Power Station. Curated by Hoor Al-Qasimi, the exhibition features 83 artists and collectives from around the world, presenting works that demand slow, immersive engagement rather than spectacle, with highlights including large-scale textile installations by Edgar Calel and Nikesha Breeze.

Monopol gives away 5 × 2 tickets for Peter Hujar and Liz Deschenes at the Gropius Bau

Monopol verlost 5 × 2 Tickets für Peter Hujar und Liz Deschenes im Gropius Bau

Monopol magazine is giving away 5 × 2 tickets to the exhibition "Peter Hujar / Liz Deschenes: Persistence of Vision" at the Gropius Bau in Berlin. The show pairs Hujar's iconic black-and-white photographs of New York's downtown scene—featuring figures like Susan Sontag, Divine, and David Wojnarowicz—with Liz Deschenes' abstract, material-focused works on glass and photosensitive paper. To enter, readers must email their name with the subject line "Hujar" by May 30.

Because the Ego Suddenly Dissolves

"Weil das Ego sich plötzlich auflöst"

The art world is facing significant structural and political shifts, highlighted by the merger of Artnet and Artsy which has resulted in mass layoffs, particularly within the Artnet News editorial team and its Berlin operations. Simultaneously, tensions are rising in German cultural policy as gallery owner Rupert Pfab raises concerns over government interference in the Stiftung Kunstfonds jury selection, reflecting a broader climate of unease that includes recent controversies at the Berlinale.

Behind All Beautiful Things Lies Suffering

"Hinter allen schönen Dingen liegt ein Leiden"

The art market is undergoing a profound structural transformation as a new generation of collectors shifts focus away from traditional blue-chip masters like Cy Twombly and Mark Rothko. These 'NextGen' buyers, socialized through the internet and Instagram, prioritize identity-building over status, favoring streetwear, digital art by figures like Refik Anadol, and music memorabilia over classical painting. Meanwhile, institutional shifts are occurring globally: Greece has introduced specific legislation to criminalize the production of art forgeries, and LACMA director Michael Govan is defending the $724 million Peter Zumthor-designed expansion as a necessary 'magnet' for attracting major donations.

Au Louvre, l’ambitieuse restauration du cycle de Marie de Médicis

The Louvre Museum in Paris is undertaking an ambitious restoration of Peter Paul Rubens's monumental cycle of 24 paintings depicting the life of Marie de Médicis. The project, which will take four years and cost €4 million funded by the Société des Amis du Louvre, begins this autumn with the paintings being restored in situ in the Médicis Gallery. The gallery will close in May to prepare the space as a restoration workshop, where two teams of 10–15 restorers will work simultaneously on cleaning, relining, and filling gaps. The last major restoration of the cycle dates to the 1950s, and recent diagnostics revealed yellowed varnish, discordant repaints, and flaking paint layers that risk irreversible loss.

The Art of Appearing

De l’art de paraître

The Musée Cognacq-Jay in Paris is hosting an exhibition titled "Révéler le féminin," which explores the intersection of 18th-century fashion and portraiture. Curated in collaboration with the Palais Galliera and the Musée d’arts de Nantes, the show features works by prominent portraitists like Élisabeth Louise Vigée Le Brun and Maurice Quentin de La Tour alongside rare period textiles. The exhibition examines how the rising bourgeoisie used clothing as a visual language of prestige and social standing during the Enlightenment.

Orientalism, Tales and History at the Louvre-Lens

L’orientalisme, contes et histoire au Louvre-Lens

The Louvre-Lens has launched "Beyond the Arabian Nights," an ambitious exhibition exploring the evolution of Orientalism in France. Moving past simple clichés of odalisques and flying carpets, the show features over 300 items, including masterpieces by Delacroix, Ingres, and Gérôme, alongside popular culture objects like porcelain figurines and film clips. The exhibition traces cultural exchanges from medieval trade and the Crusades to the 19th-century obsession with Islamic art, utilizing a scenography that emphasizes the construction of fictional narratives.

Gae Aulenti's 'Tavolo con ruote': A Radical Icon on Wheels

La « Tavolo con ruote » de Gae Aulenti : une icône radicale comme sur des roulettes

Gae Aulenti’s 1980 'Tavolo con ruote' (Table with wheels) remains a definitive icon of postmodern design, characterized by its radical simplicity. Created during Aulenti's tenure as artistic director of FontanaArte, the piece features a thick glass slab bolted to four industrial trolley wheels, a concept inspired by the factory carts used to transport glass. The table's enduring popularity is highlighted by its recent corporate history, as FontanaArte was acquired by Nemo Lighting in 2024 and subsequently integrated into the Spanish group Kettal in early 2026.

American Artist and Sonya Clark among Guggenheim Fellows 2026.

The John Simon Guggenheim Memorial Foundation has announced its 101st class of Guggenheim Fellows, awarding grants to 223 individuals across 55 disciplines. Among the 30 fine artists selected for the 2026 cohort are Brooklyn-based conceptual artist American Artist, textile artist and educator Sonya Clark, and interdisciplinary artist Allison Janae Hamilton. Each fellow receives a financial stipend designed to provide the creative and intellectual freedom necessary to pursue their work without restrictive conditions.

banned south africa pavilion show moves to another venice venue enslaved girl identified in 18th century portrait at art gallery of ontario morning links for march 25 2026 1234778852

The South African pavilion at the Venice Biennale will remain empty after Gabrielle Goliath’s performance artwork, which commemorates Palestinian poet Hiba Abu Nada, was banned for its "divisive" content. The work will now be staged as a video installation at the Chiesa di Sant’Antonin in Venice starting May 4, in partnership with the London arts center Ibraaz. Meanwhile, researchers at the Art Gallery of Ontario have successfully identified the subject and artist of a 1775 portrait; the painting depicts an enslaved woman named Eleonora Susette and was painted by Jeremias Schultz.

Middle East Museums Under Threat Amid War; Morning Links March 2, 2026

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Escalating conflict in the Middle East has placed major cultural institutions under direct threat, with debris from Iranian bombings reportedly falling on Abu Dhabi’s Saadiyat Island. While the Louvre Abu Dhabi features fire-protected galleries, the lack of underground armored shelters has raised alarms regarding the safety of its permanent collection and high-profile loans from France. Simultaneously, major museums in Qatar have shuttered indefinitely as a precautionary measure against the widening regional war.