A new book titled 'Fire Island Art: 100 Years' chronicles the century-long, integral relationship between artists and the LGBTQ+ community on Fire Island. The book, edited by John Dempsey, traces the creative legacy from pre-war artists like Paul Cadmus to modern figures, highlighting how the island's unique environment fostered both sexual and artistic freedom.
The Solomon R. Guggenheim Museum has appointed Melissa Chiu as its new director, effective September 1. Chiu joins the New York flagship after a 12-year tenure at the Smithsonian’s Hirshhorn Museum and Sculpture Garden, where she was credited with doubling attendance and significantly increasing fundraising. Her appointment is part of a leadership restructuring by Guggenheim Foundation Director and CEO Mariët Westermann, who will shift her focus toward the foundation's international outposts, including the upcoming Abu Dhabi location.
On Curating Carnage
The Berlin-based art journal *OnCurating* published a September 2025 issue titled "Let’s Talk About… Anti-Democratic, Anti-Queer, Misogynist, Antisemitic, Right-Wing Spaces and Their Counter-Movements." The article critiques this publication, arguing it uses the language of feminism, anti-racism, and anti-Semitism as a political tool to unconditionally support Israel and demonize the Palestinian cause, thereby aligning with German state policy and a specific strain of leftist thought known as Antideutsch.
The Cincinnati Art Museum has announced it will host Yayoi Kusama’s immersive installation, "All the Eternal Love I Have for the Pumpkins," from July 17 through October 18, 2026. On loan from the Dallas Museum of Art, the exhibition features one of the artist's signature Infinity Mirror Rooms filled with polka-dotted acrylic pumpkins, accompanied by twelve of her pumpkin paintings created between 1990 and 2004.
Gagosian is set to expand its footprint at 980 Madison Avenue by opening a new ground-floor gallery space on April 25, 2026. The inaugural exhibition features a landmark presentation of Marcel Duchamp’s iconic readymades, including "Fountain" and "Bicycle Wheel." This selection specifically highlights the 1964 editions produced with Arturo Schwarz, returning these works to the exact building where they made their American debut at the Cordier & Ekstrom Gallery over sixty years ago.
Gagosian is set to inaugurate its new ground-floor gallery space at 980 Madison Avenue with a major exhibition of Marcel Duchamp’s work, opening April 25, 2026. The presentation features the artist’s iconic 1964 readymade editions, including "Fountain" and "Bicycle Wheel," returning them to the exact historic location where they made their American debut at Cordier & Ekstrom Gallery sixty years prior. The show coincides with a major Duchamp retrospective at the Museum of Modern Art, New York.
Michael Armitage is the subject of a major solo retrospective at Palazzo Grassi in Venice, marking his largest exhibition in Europe to date. Organized by the Pinault Collection, the show features monumental paintings that blend African identity, local Kenyan chronicles, and mythological narratives. Armitage’s work is noted for its physical scale and its ability to transform the chaos of human affairs into a syncretic epic, utilizing traditional materials like Lubugo bark cloth to ground his contemporary subjects.
The Victoria & Albert Museum has launched the V&A Storehouse in East London, a massive open-storage facility housing over 250,000 objects, 1,000 archives, and a vast library. Designed by Diller Scofidio + Renfro in collaboration with Austin-Smith:Lord, the space eschews traditional curated narratives in favor of a dense, immersive environment where visitors navigate four stories of artifacts arranged by cataloging logic rather than art-historical themes.
London gallery Pilar Corrias has announced the representation of French painter Alexis Ralaivao in partnership with New York-based Olney Gleason. The announcement coincides with Ralaivao’s debut UK solo exhibition, "Flirter avec l’abstrait," which is currently on view at the gallery’s Conduit Street location in Mayfair. Ralaivao is recognized for his intimate, diaristic oil paintings that blend 17th-century Dutch technical precision with contemporary emotional depth.
The Menil Collection in Houston is showcasing "The Gift of Drawing: Cy Twombly," an exhibition featuring 27 works selected from a massive donation of 121 pieces by the Cy Twombly Foundation. The show spans four decades of the artist's career, from the mid-1950s to 2005, highlighting his experimental approach to collage, painting on handmade paper, and drawing. Many of these works have never been previously exhibited in the United States, filling significant gaps in the museum's already extensive Twombly holdings.
The Palm Springs Art Museum has unveiled "A Queer Arcana," an ambitious exhibition exploring the intersection of LGBTQ+ culture, occultism, and esoteric spirituality. Spanning the 20th and 21st centuries, the show features a diverse array of media—including a major four-banner commission by the collective Hilma’s Ghost—and is organized into thematic sections such as Tarot, Sex Magick, and healing. The project emerged from the museum’s Q+Art initiative, a unique program dedicated to queer art histories within a general art museum context.
Joan Mitchell’s diptych "La Grande Vallée VII" sold for HK$137 million (US$17.6 million) at Sotheby’s Hong Kong, setting a new record for the most expensive work by a female artist ever sold at auction in Asia. The 1983 masterpiece, part of a celebrated 21-painting cycle dedicated to a grieving friend, led a successful Modern and Contemporary Evening Auction that saw a 100% sell-through rate for its 54 lots. Other notable results included a Mark Rothko canvas that more than doubled its low estimate and significant sales for works by Sanyu and Zao Wou-Ki.
The Metropolitan Museum of Art in New York has opened "Raphael: Sublime Poetry," the first comprehensive exhibition of the Renaissance master in the United States. The ambitious show gathers 237 works, including 33 paintings and 142 drawings, spanning Raphael's entire career and featuring major loans like *The Alba Madonna* from the National Gallery of Art in Washington and *Portrait of Baldassare Castiglione* from the Louvre.
Maurizio Cattelan has launched a participatory artwork and sales campaign titled 'The Confessional,' where people can call a hotline to submit their sins for his consideration. Selected participants will be invited to a livestreamed event on April 23 where Cattelan, acting as a priest, will absolve them. The project is tied to the re-release of his controversial 1999 sculpture 'La Nona Ora,' a miniature wax figure of Pope John Paul II struck by a meteorite.
British artist and filmmaker Steve McQueen has been awarded the 2024 Erasmus Prize by the Dutch Praemium Erasmianum Foundation. The prize includes a cash award of 150,000 euros (approximately $172,000) and a specially designed booklet featuring the script of the 16th-century scholar Desiderius Erasmus.
A feature article examines Salvador Dalí's controversial religious painting "Christ of Saint John of the Cross" (1951), which was physically attacked by vandals on two separate occasions—once with a rock in 1961 and later with an air rifle. The painting, part of Dalí's "Nuclear Mysticism" phase, depicts a floating, unblemished Christ from an aerial perspective, based on a drawing by the mystic St. John of the Cross and modeled by a Hollywood stunt double.
Christie's auction house is launching a major sale titled 'Sublime Shadows' in London on June 11, featuring 93 works of South Asian Modern and contemporary art from an anonymous private collection. This marks the auction house's first dedicated South Asian Modern art sale in London since 2019, highlighting a surge in market activity and curatorial interest for the category.
The New Museum in Manhattan reopens to the public after a two-year closure, marked by a major expansion and a new building. Its inaugural exhibition explores themes of humanity amid technological change, though the architectural redesign has drawn some criticism from New Yorkers for its perceived corporate and hostile aesthetic.
Why Beatriz González’s Haunting Paintings Are More Relevant Than Ever
A major retrospective of Colombian artist Beatriz González, "Beatriz González: A Retrospective," is touring internationally, with recent stops at the Pérez Art Museum Miami and the Museo de Arte Miguel Urrutia in Bogotá. The exhibition, the largest of her 60-year career, showcases over 150 works, including her iconic paintings that appropriate and rework images from art history and mass media to critique political violence, social inequality, and cultural memory in Colombia.
A major exhibition at the Royal Academy is presenting the work of 17th-century Flemish painter Michaelina Wautier, an artist whose significant oeuvre was long misattributed to her male contemporaries, including her brother Charles. The show acts as a real-time art historical investigation, using scientific analysis, scholarship, and connoisseurship to reconstruct her career and assert her authorship of ambitious works like the monumental 'The Triumph of Bacchus'.
LACMA, Lucas Museum, Dataland… Los Angeles engagée dans une folle course à la culture
The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries building, a massive, controversial structure designed by Pritzker Prize-winning architect Peter Zumthor. The $835 million project, funded in part by philanthropist David Geffen, spans Wilshire Boulevard and replaces four older modernist pavilions, sparking a decade-long debate over its design, cost, and the loss of the previous buildings.
The Solomon R. Guggenheim Museum is hosting "Contours of a World," a retrospective dedicated to Gabriele Münter, a co-founder of the Blue Rider group. The exhibition moves beyond the shadow of her long-time partner Wassily Kandinsky, showcasing her distinct approach to German Expressionism through photography, intimate domestic scenes, and vibrant landscapes. Unlike her contemporaries who leaned toward total abstraction, Münter utilized bold outlines and layered compositions to create a dynamic, phenomenological experience of seeing.
Critic Aruna D’Souza responds to a viral essay by artist Josh Kline regarding the extreme financial pressures of living and working in New York City. While Kline suggests that artists should abandon the city due to the affordability crisis, D’Souza argues that leaving is not a viable long-term solution and calls for a more proactive approach to systemic change within the urban art ecosystem.
Critic Aruna D’Souza responds to a viral essay by artist Josh Kline, who argued that the extreme cost of living in New York City has made it impossible for artists to survive, suggesting they should relocate. While D’Souza acknowledges the validity of Kline's frustrations regarding the affordability crisis, she rejects his conclusion that mass exodus is the answer, calling instead for collective action and structural change within the city.
Artist Tom Burckhardt discusses his creative process and upbringing in a studio interview, highlighting his upcoming work and the influence of his New York School lineage. The son of artists Yvonne Jacquette and Rudy Burckhardt, he explores the concept of "mouthfeel" in painting—a textural quality that parallels culinary experiences—while utilizing humor and skepticism to challenge artistic pretension.
Hyperallergic has published its monthly list of opportunities for artists, writers, and art workers, featuring a curated selection of upcoming deadlines for residencies, fellowships, grants, and open calls. The list includes programs from institutions like the Banff Centre for Arts and Creativity, the Center for Craft, the Tulsa Artist Fellowship, and Light Work, offering financial support, studio space, and community.
Hyperallergic compiled a list of notable April Fools' Day pranks executed by major arts and cultural institutions in 2025. The jokes included the Morgan Library and Museum pretending to give its ornate interior a cheap "Landlord Special" makeover, the New York Public Library announcing it would replace its iconic lion statues with beaver sculptures, and the Brooklyn Museum and Brooklyn Botanic Garden proposing a whimsical, amusement park-style tunnel connecting their campuses.
A growing movement of artists is exploring Islamic Futurism, a framework that draws from Islamic philosophy, visual traditions, and speculative practices to imagine Muslim futures. Artists like Zarah Hussain, Ibrahim El-Salahi, and Soraya Syed are working across mediums—including light installation, digital animation, painting, and classical calligraphy—to reinterpret historical forms for contemporary and future contexts.
Brian Eno and 200+ Artists Urge British Museum to “Stop Erasing Palestine”
Over 200 artists and cultural groups, led by musician Brian Eno, have published an open letter demanding the British Museum stop what they call the "erasure of Palestine." The letter accuses the museum of altering wall texts in its Middle East Galleries, such as replacing "Palestinian descent" with "Canaanite descent," following pressure from the pro-Israel group UK Lawyers for Israel. The signatories also criticize the institution's past ties to the Israeli embassy and sponsor BP, issuing demands for an expert review of labels and an apology for hosting an Israeli embassy gala.
Cristopher Canizares, a longtime partner at mega-gallery Hauser & Wirth, is departing after 16 years to launch his own venture, the Artist Legacy Bureau. This new agency will function as an artist management firm, with Canizares working directly for and being paid by a select group of five or six artists to advise on long-term career strategy across their gallery, institutional, and collector relationships.