The Reina Sofía museum in Madrid has installed Dumile Feni's 1967 drawing 'African Guernica' directly opposite Pablo Picasso's iconic 'Guernica' painting. This pairing is the centerpiece of the museum's new annual exhibition series 'History Doesn’t Repeat Itself, But It Does Rhyme,' which aims to place works from different cultural contexts in dialogue with Picasso's masterpiece.
The Princeton University Art Museum is presenting "Willem de Kooning: The Breakthrough Years," an exhibition revisiting the pivotal period from 1945-1950 that led to the artist's first solo show and established his reputation. The show features 18 paintings, including key works like *Black Friday* and *Dark Pond*, highlighting his intense exploration between figuration and abstraction with a restricted palette.
A new hotel, the Ace Hotel Kyoto, has opened in the historic Umekoji neighborhood, housed within a renovated 1920s brick building that was once the Kyoto Central Telephone Office. The project, a collaboration between Ace Hotel Group and Japanese developer NTT Urban Development, blends the original structure's industrial character with contemporary design by Kengo Kuma and Commune Design, featuring guest rooms, restaurants, and a gallery space.
The Getty Center in Los Angeles will close for a full year starting March 15, 2027, to undergo its first major renovation since opening in 1997. The "modernization initiatives" include updates to the galleries, a redesign of the Welcome Hall with a new café, and the replacement of the iconic tram system to increase passenger capacity. During the closure, the Getty Villa in Malibu will remain open and display highlights from the Center’s permanent collection, while additional programming will be held at a temporary space on Sepulveda Boulevard.
Christie's, Phillips, and Sotheby's spring marquee auctions in Hong Kong generated a combined $164.9 million, an 18% increase from the equivalent sales in spring 2025. The auctions, strategically timed to coincide with Art Basel Hong Kong, saw strong demand for trophy works, with Christie's leading the season at $83.8 million. Key sales included a Gerhard Richter painting for $11.77 million and a Sanyu work for $8.17 million, while Sotheby's sold a Joan Mitchell painting for $17.6 million, the season's top lot.
Digital art giants Artnet and Artsy have implemented significant layoffs following their recent merger under the investment firm Beowolff Capital. The cuts, which occurred on April 16, impacted dozens of employees across both organizations, including senior editorial staff such as Sarah Cascone and Eileen Kinsella. The restructuring follows a reported 12% revenue decline for Artnet in early 2025 and involves the shutdown of Artnet's German entity as the two companies consolidate into a single team led by CEO Jeffrey Yin.
Acclaimed painter Celeste Dupuy-Spencer has passed away at the age of 46 in Los Angeles, just days before a scheduled solo exhibition at Jeffrey Deitch’s gallery. Known for her visceral and politically charged figurative works, Dupuy-Spencer gained national recognition for her contributions to the 2017 Whitney Biennial and the 2018 Made in LA biennial. Her practice often deconstructed American mythologies, the rise of domestic fascism, and global human rights issues, including a high-profile stance against the conflict in Gaza.
The Solomon R. Guggenheim Museum has appointed Melissa Chiu as its next director, succeeding Richard Armstrong. Chiu joins the New York flagship institution after a twelve-year tenure at the Smithsonian’s Hirshhorn Museum and Sculpture Garden in Washington, D.C., and is expected to assume her new role this coming September.
The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as its new curator of photographs, bringing her expertise in African and Black diasporic histories from MoMA. This announcement leads a series of industry shifts, including Melissa Chiu’s move from the Hirshhorn to direct the Guggenheim, and the relocation of the influential gallery 47 Canal to Chelsea. Additionally, the New York Foundation for the Arts distributed nearly $500,000 in grants to 129 artists and organizations in Queens.
Materials for the Arts (MFTA), a program of the New York City Department of Cultural Affairs, provides free art supplies and tools to over 4,500 organizations, including public schools, nonprofits, and social justice groups. By diverting millions of pounds of materials from landfills—ranging from film production sets to high-end fabrics—the organization has reallocated over $40 million worth of goods to the creative community. The program's leadership is now advocating for an expansion of this model, envisioning dedicated reuse centers in every borough to meet the growing demand for accessible creative resources.
Albrecht Dürer’s monumental "Triumphal Arch," a 13-foot-tall woodcut commissioned by Holy Roman Emperor Maximilian I in 1512, is entering long-term storage at the New York Public Library this fall. The work has been a centerpiece of the library’s Polonsky Treasures exhibition since 2021, but its extreme fragility and age necessitate its removal from public view on October 18.
The Hispanic Society Museum and Library has acquired Wifredo Lam’s 1927 painting "Portrait of a Boy," marking the first time a work by a Cuban artist has entered the institution's permanent collection. Purchased at a Sotheby’s auction after decades in a private collection, the portrait dates from Lam’s formative years in Cuenca, Spain. The work represents a rare, representational style from the artist's early career, predating the Afro-Cuban Surrealism for which he became globally renowned.
The article is an excerpt from the forthcoming field resource 'Curating Engagement,' featuring a first-person reflection by an arts professional. The author outlines nine lessons learned over two decades of practice, moving from engagement-focused roles to institutional leadership. Key lessons emphasize curiosity as a foundational practice, engagement as a form of service to communities rather than extraction, and the importance of site and history as collaborators in curatorial work.
Hyperallergic's April newsletter features a roundup of the best April Fools' jokes from the art world this year, compiled by staff writer Rhea Nayyar. The issue also highlights critic Aruna D'Souza's meditation on the work of abstract painter Kamrooz Aram, who is having a prominent year with appearances from Mumbai Art Week to the Whitney Biennial.
Kamrooz Aram is the subject of multiple major exhibitions in early 2026, including a solo show at Alexander Gray Associates in New York, a presentation at Nature Morte in Mumbai for Mumbai Art Week, and a significant inclusion in the 2026 Whitney Biennial. The artist, known for his work with the grid, uses painting to explore the connections between Western modernist abstraction and non-Western decorative traditions, particularly from Western Asia.
The Museum of Modern Art (MoMA) has opened the exhibition 'Frida and Diego: The Last Dream,' a collaboration with the Metropolitan Opera tied to its upcoming production of the opera 'El Último Sueño de Frida y Diego.' The show, designed by stage and costume designer Jon Bausor, transplants theatrical elements like a tree-of-life set model and blue tarp drapes into the gallery, alongside a reshuffling of key Kahlo and Rivera works from MoMA's collection.
Galleries and museums in Gulf states like the UAE, Qatar, and Saudi Arabia are reopening and projecting normalcy despite the ongoing US-Israel war on Iran, which has entered its fourth week. Major events like Art Dubai have been postponed, and institutions like the Sharjah Art Foundation have delayed gatherings, but many cultural venues are operating with adjusted formats or by appointment.
A guide highlights ten notable art exhibitions opening in Chicago this spring, focusing on shows at smaller, community-focused, and artist-run spaces like Good Weather, Hyde Park Art Center, and the Ukrainian Institute of Modern Art. Featured exhibitions include Hunter Foster's "Involition," which repurposes a Cold War siren to comment on infrastructure and threat, and Alison Ruttan's ceramic installation "The Paradox of Inaction," which visualizes climate disaster.
The author recounts their personal journey to meet the self-taught sculptor Thaddeus Mosley, driven by a profound impression left by his 2004 New York debut exhibition. After a late-night phone call revealed Mosley's vibrant spirit, the author reflects on the artist's decades-long practice of carving salvaged wood into towering, abstract sculptures in Pittsburgh, inspired by jazz, African visual culture, and modernist art, yet operating largely outside the mainstream art world.
The article reviews the exhibition "Beyond the Stars" at Luhring Augustine Gallery, showcasing the work of artist Zarina Hashmi (known as Zarina). It highlights her spare, post-minimalist prints and sculptures that explore themes of mapping, home, and migration, rooted in her peripatetic life from pre-Partition India to New York. The show features 32 works that demonstrate her unique visual language, embedded in Urdu, South Asian histories, and mysticisms.
Beverly Buchanan’s Architecture of Care
A major retrospective and a focused exhibition of artist Beverly Buchanan's work are now on view in Athens, Georgia, where she lived for many years. "Shacks, Stories, and Spirit: Beverly Buchanan’s Art of Home" at the Georgia Museum of Art features her canonical "Medicine Woman" sculpture, while "Beverly’s Athens" at the University of Georgia’s Athenaeum presents a rich archive of her ephemera, sketches, and community-focused works, marking the city's first institutional solo exhibitions of her art posthumously.
The Contemporary Art Center (CAC) Vilnius has appointed artist Nikita Kadan and curator Natalia Sielewicz as curators of the 16th Baltic Triennial, scheduled for 2027. Kadan is a Kyiv-based artist, while Sielewicz is chief curator at Warsaw's Museum of Modern Art. The duo has proposed "grief and resurrection" as the triennial's theme, framing despair and mourning as spaces for careful listening and potential renewal.
Jean-Marc Bottazzi, a Japanese bond trader and collector based in Hong Kong, discusses his philosophy of collecting in an interview with The Art Newspaper. He emphasizes deep, focused support of artists rather than acquiring a superficial variety, citing his extensive holdings of over 100 works by the 96-year-old Japanese artist A-Yo and deep collections of Abstract Expressionism, Gutai, and conceptual photography.
I quasi sessant’anni di carriera del leggendario gallerista Enzo Cannaviello. Intervista a tutto campo
Legendary Italian gallerist Enzo Cannaviello reflects on a career spanning nearly sixty years, marked by the opening of his ninth gallery space in Milan. The interview traces his journey from founding his first space in Caserta in 1968 to his influential years in Rome and his ultimate establishment in Milan, which he considers the only true art market in Italy. Cannaviello discusses his unwavering commitment to painting, his pivotal role in promoting the German Neo-Expressionists (Neue Wilde), and the current exhibition dedicated to Mimmo Rotella.
Le mostre da non perdere a Milano durante i giorni dell’Art Week 2026
Milan Art Week 2026 features a series of major solo exhibitions across the city's premier contemporary art institutions. Fondazione Prada is hosting site-specific installations by Mona Hatoum exploring global instability alongside Cao Fei’s multimedia investigation into the technological revolution of agriculture. Meanwhile, Pirelli HangarBicocca presents Benni Bosetto’s architectural exploration of the female body and Rirkrit Tiravanija’s interactive examination of authorship and communal space.
Annunciati i candidati al Festival di Cannes 2026 (pure qui niente italiani, come alla Biennale)
The 79th edition of the Cannes Film Festival has unveiled its official selection for 2026, scheduled to run from May 12 to 23. Led by President Iris Knobloch and General Delegate Thierry Frémaux, the festival will open with Pierre Salvadori’s 'La Vénus électrique,' a romantic comedy set in 1928 Paris centered on a painter who loses his inspiration. The competition lineup features a global array of heavyweights, including new works by Pedro Almodóvar, Ryusuke Hamaguchi, Hirokazu Kore-eda, and Asghar Farhadi.
Radiohead has announced a North American tour for "Motion Picture House," a massive 17,000-square-foot immersive audiovisual installation. The project features a 75-minute film titled Kid A Mnesia, directed by Sean Evans, which incorporates art created by frontman Thom Yorke and longtime collaborator Stanley Donwood. Launching at the Coachella festival before traveling to cities like Brooklyn and Mexico City, the experience combines surround-sound studio recordings with physical galleries displaying the original source art from the band's seminal turn-of-the-century albums.
Claude Cahun and Marcel Moore: Surrealist Lovers Who Defied the German Occupation
Claude Cahun and Marcel Moore, two Surrealist artists and life partners, are the focus of a new exhibition at the Contemporary Art Museum of St. Louis. The show, titled "And I Saw New Heavens and a New Earth," presents their collaborative work, including intimate portraits and photomontages, and highlights their daring resistance activities, such as creating anti-Nazi propaganda during the German occupation of Jersey.
Sculptor Thaddeus Mosley dies at 99.
Sculptor Thaddeus Mosley, a self-taught artist renowned for his monumental abstract wood sculptures, has died at the age of 99. Working for decades in his Pittsburgh basement, Mosley used locally sourced felled trees and traditional hand tools to create dynamic, asymmetrical forms that channeled both modernist principles and African artistic traditions. His prolific career, which began in his 30s, gained significant institutional recognition only in his later decades, culminating in a major 2022 solo exhibition at the Baltimore Museum of Art.