An Important Urbino Maiolica Basin for the Clark

Un important bassin en majolique d'Urbino pour le Clark

The Clark Art Institute in Williamstown has acquired a significant 16th-century Urbino maiolica basin from the gallery Camille Leprince following its display at TEFAF. Attributed to the workshop of Orazio or Flaminio Fontana, the trilobed basin features intricate historiated scenes from the life of Joseph and elaborate grotesque decorations. The piece was a highlight of the fair and is accompanied by extensive research regarding its complex provenance.

More Drawings Put Up for Sale in Paris

Encore des dessins mis en vente à Paris

An album containing fifty-two drawings by the Van Blarenberghe family of painters and miniaturists is being auctioned in Paris on March 31, 2026, by Wattebled & Portay at Drouot. The collection includes three watercolor studies by Louis-Nicolas Van Blarenberghe directly related to the celebrated Choiseul snuffbox, a major acquisition by the Louvre in 2022.

An important Italian relief for Nuremberg

Un important relief italien pour Nüremberg

The Germanisches Nationalmuseum in Nuremberg has acquired and publicly unveiled a previously unknown masterpiece: a large silver relief depicting the Lamentation of Christ, created in the workshop of Luigi Valadier in 1786. The work, purchased from a private collector in 2024 with support from several foundations, is now on temporary display and will later join the museum's permanent collection.

A painting by Jean Cousin at TEFAF?

Un tableau de Jean Cousin à la TEFAF ?

A significant French Renaissance painting, "La Pentecôte" attributed to Jean Cousin the Elder, will be presented at the 2026 TEFAF Maastricht art fair by the gallery Caretto & Occhinegro. The 1558 oil on panel, once part of the Bob Jones University Museum collection, is expected to attract major attention from specialists and museums at the fair.

Verdun enriches itself with a work by a native son

Verdun s'enrichit d'une œuvre d'un enfant du pays

The Musée de la Princerie in Verdun has acquired a painting by Joseph Christophe, a rare artist originally from the city. The work was purchased from the Versailles-based Galerie Barnabé, which specializes in Old Master paintings.

Façade collapse and vandalism at the Saint-Roch church in Paris

Effondrement de façade et vandalisme à l'église Saint-Roch de Paris

A significant portion of the cornice on the right side of the façade of the historic Saint-Roch church in Paris collapsed on March 9, 2026. Fortunately, no one was injured. The incident follows a pattern of similar structural failures at Parisian churches like Saint-Paul, Saint-Merry, and Saint-Augustin. Almost simultaneously, the church was targeted by vandals who severely damaged a gilded wooden altar in the shape of the Ark of the Covenant, a work from 1840 designed by architect Charles Lelong, just before its planned restoration was set to begin.

Johannes Phokela: Exploring Virtue, Contradiction, and Power at the Venice Biennale 2026.

South African artist Johannes Phokela is set to showcase a significant body of work at the 2026 Venice Biennale, building on his recent series 'The Seven Virtues' and 'Original Sin'. Curated under a vision initiated by the late Koyo Kouoh and supported by Eclectica Contemporary, Phokela’s paintings subvert the aesthetics of European Old Master traditions. His works, including 'Fides' and 'Temperantia', utilize Baroque visual languages to critique constructed morality, institutional power, and the performance of virtue.

‘House of Galleries (Volume 11)’: Niquu Eyeta and Ghizlane Sahli in a Shared Field of Care, Memory, and Material Becoming.

Artists Niquu Eyeta and Ghizlane Sahli are featured in a dual presentation titled ‘House of Galleries (Volume 11),’ showcased by the gallery Sakhile&Me. The exhibition creates a dialogue between Eyeta’s organic compositions, which utilize plant pigments and clay, and Sahli’s intricate 'alveoli' structures made from silk and repurposed plastic. Both artists emphasize the concept of material as a living archive, focusing on themes of ecological consciousness, ritualistic repetition, and the reanimation of discarded matter.

FLESH, FREQUENCY, FLIGHT: Acra’s Angels descend on the ICA

The Institute of Contemporary Arts (ICA) in London is hosting 'Angels', a new exhibition of paintings by the multidisciplinary Venezuelan artist Arca. Returning to the venue where she gave her first live vocal performance over a decade ago, Arca presents a series of works created with paint, marker, and mixed media. These pieces explore themes of instability and transformation, featuring fluid forms that hover between figuration and abstraction.

The West as Witness: Langston Hughes Reimagined

The California African American Museum (CAAM) has launched 'A New Song: Langston Hughes in the West,' an exhibition that reframes the legendary Harlem Renaissance poet through his travels and political work in California and Nevada during the 1930s. By blending archival materials with contemporary artistic responses, the show moves beyond the traditional East Coast narrative to highlight Hughes as a diasporic thinker shaped by movement, labor, and the diverse landscapes of the American West.

Free and Queer: Black Californian Roots of Gay Liberation

The California African American Museum has launched 'Free and Queer: Black Californian Roots of Gay Liberation,' an exhibition dedicated to the often-overlooked history of Black LGBTQ resistance and culture in California. Curated by Susan D. Anderson in collaboration with ONE Archives at the USC Libraries, the show utilizes a vast array of archival materials, photographs, and film to trace a lineage of activism and artistic expression that predates the Stonewall riots. It specifically highlights how Black queer Californians navigated McCarthy-era repression, the civil rights movement, and the AIDS crisis.

Ole Scheeren’s Róng Museum: From Tech‑City to Cultural Capital

German architect Ole Scheeren is designing the Róng Museum of Art, a beehive-like cultural complex set to open in 2027 in Shenzhen's Houhai Hybrid Campus. The museum represents his latest major architectural project in China, following his iconic work on Beijing's CCTV headquarters and other landmark structures across Asia.

nickola pottinger fos born aldrich contemporary art museum

Nickola Pottinger's first solo museum exhibition, "fos born," is on view at the Aldrich Contemporary Art Museum through January 11. The show was deeply influenced by her pregnancy with her daughter Zora, which she discovered shortly after securing the exhibition. Pottinger's work has evolved from paper pulp wall reliefs into figurative sculptures that incorporate Jamaican folklore, family history, and personal artifacts, such as a cast of her pregnant torso and hair clips from her childhood. Her husband, fellow artist Zahar Vaks, assisted in creating the silicone mold for one piece moments before she went into labor.

Asia's Biennials Survey: The Asia Pivot

asias biennials survey asia pivot

Asia is experiencing a significant surge in biennial exhibitions, with at least eight major events currently running from Singapore to Riyadh and several more scheduled for later this year. These large-scale exhibitions are increasingly serving as strategic tools for soft power, urban regeneration, and economic promotion, often backed by government funding to elevate a city's global profile.

Between Ritual and Institution: Andrea Canepa's Interventions in Spain

ENTRE EL RITO Y LA INSTITUCIÓN: LAS INTERVENCIONES DE ANDREA CANEPA EN ESPAÑA

Andrea Canepa, a Peruvian artist born in 1980, has installed "Fardo" at the Palacio de Cristal in Madrid's Parque del Retiro, running from January 13, 2026 to January 1, 2027. The work wraps the building's perimeter in a printed fabric bearing patterns from Paracas funerary textiles, a pre-Columbian culture from southern Peru. Created during the palace's ongoing restoration (which began in 2023), the installation challenges the building's colonial history—it was built for the 1887 Exhibition of the Philippine Islands—by introducing indigenous visual and ritual references. Canepa also presented "Entre lo profundo y lo distante" at the IVAM in Valencia until April 12, 2026, which uses Andean huacas (sacred spaces) to propose a non-linear relationship between time, body, and space. Both works transform passive contemplation into active, bodily participation, using ritual as a means to reorganize the exhibition experience.

The Procession as a Form of World: Latin American Artists at the Diriyah Biennale

LA PROCESIÓN COMO FORMA DE MUNDO: ARTISTAS LATINOAMERICANOS EN LA BIENAL DE DIRIYAH

The third Diriyah Contemporary Art Biennale, titled 'In Interludes and Transitions,' is open until May 2nd in Saudi Arabia's historic Diriyah district. Curated by Nora Razian and Sabih Ahmed, the exhibition features 68 artists from over 37 countries and frames the world as a multitude of processions, using movement as its central theme and methodology. The exhibition design by Formafantasma encourages a fluid, nomadic journey through four thematic movements and site-specific 'arenas' within the repurposed industrial halls of the JAX creative district.

Seattle galleries launch Seattle Art Fair alternative

Two prominent Seattle galleries, Traver Gallery and Greg Kucera Gallery, are launching a new art fair called Assembly to coincide with the 10th edition of the Seattle Art Fair in July. Assembly will take place at West Canal Yards from July 23-26, featuring 10 to 15 invited galleries from the Pacific Northwest and Dallas, with a more intimate, curated approach and significantly lower participation costs ($3,000–$6,500 per gallery versus $25,000+ at SAF). The fair is invitational, uses vacant spaces around a central atrium instead of traditional booths, and plans to redistribute ticket and booth revenue to participating galleries.

What We Saw at Buffalo Prescott’s 'Vernal 2026'

Buffalo Prescott’s Detroit headquarters is hosting 'Vernal 2026,' a spring-inspired contemporary arts exhibition running through June 27, with a public opening on May 22. The exhibition features works by resident artists including Jessica Wildman Katz, Halima Afi Cassells, Cyrah Dardas, Sara Nickleson, and Tony Printz, alongside metro Detroit and international artists. Highlights include Katz's botanical rabbit sculpture 'Kindling,' Cristina Umaña's whimsical 'Mesa De Centro' (a stack of white tables with human-like limbs), and Amelia Burns's photographic diptych 'Evil Eye' and 'Evil Eye Transmuted onto Organza, 2026,' which explores contemporary American culture through collage.

Exhibition | Celeste Rapone, 'Hyperarousal' at Esther Schipper, Esther Schipper Berlin, Germany

Esther Schipper Berlin presents 'Hyperarousal', Celeste Rapone's first exhibition with the gallery, featuring three new paintings that explore the intersection of sensuous stimulation and nervous tension. The works depict female protagonists in narratively dense, ambiguous scenes that allegorize millennial angst, using techniques like alla prima painting and color-based formal constraints. Key pieces include 'While Waiting' (2025), showing a figure with pepper spray and a digital camera, and 'Den' (2026), where intertwined figures follow a self-defense tutorial on an iPad.

Apenas meus cabelos são brancos... [Only my hair is white...]

Galerie Lelong in New York is presenting "Lucia Laguna: Apenas meus cabelos são brancos... [Only my hair is white...]," the Brazilian artist's first solo exhibition in the United States, organized in collaboration with Fortes D’Aloia & Gabriel. The show features new paintings from her ongoing series "Pequenos formatos" and "Paisagem," which explore the interplay between architecture and nature through vibrant color blocking and geometric forms. Laguna's work reflects her recent move from a suburban home with a garden to an apartment in Rio de Janeiro's Laranjeiras neighborhood, a shift that has prompted compositional changes as her studio space became more condensed and her views of the urban landscape changed.

Artist-led walk by K. S. Radhakrishnan at Chawla Art Gallery

Sculptor K. S. Radhakrishnan personally led an exclusive walkthrough of his exhibition "Once Upon a Sculptor" at Chawla Art Gallery. The event offered attendees an intimate look at his artistic evolution, from early works to his iconic Maiya and Musui figures, with the artist sharing insights into his ideas and processes.

'Time in the Interstices' at Whitestone Gallery, Beijing, China on 25 Apr–6 Jun 2026

Whitestone Gallery in Beijing will present the group exhibition 'Time in the Interstices' from April 25 to June 6, 2026. The show features four Korean artists—Soonik Kwon, Seungtaik Jang, Kim Deok Han, and Lee Chae—whose painting practices explore time as an internal, structural element of the work, rather than a linear narrative or backdrop.

'A Swimming Soul' at Whitestone Gallery, Seoul, South Korea on 18 Apr–24 May 2026

Whitestone Gallery Seoul is hosting "A Swimming Soul," a group exhibition featuring emerging artists Lee Juyoung, Kisho Kakutani, and Yudai Takeuchi. Running from April 18 to May 24, 2026, the show utilizes the metaphor of a swimming fish to explore themes of youth, uncertainty, and the drifting nature of modern existence. Each artist presents a unique visual language to address the ambiguity of reality, from Lee’s blurred urban reflections and Kakutani’s obstructive "noise" layers to Takeuchi’s exploration of the liminal space between consciousness and sleep.

Vian Sora: Tepe Gawra

Vian Sora’s solo exhibition "Tepe Gawra" at Bortolami Gallery marks her debut with the gallery, featuring a series of large-scale paintings that bridge ancient Mesopotamian history with contemporary Iraqi experience. The works, such as 'Celestial capsule' and 'Scarlet', utilize a complex layering process of poured acrylics and precise oil applications to explore themes of mortality, survival, and the aftermath of conflict.

Walk through UAE’s first contemporary art exhibition dedicated to the Urdu language

The Ishara Art Foundation in the UAE has launched 'Urdu Worlds,' the region's first contemporary art exhibition dedicated to the Urdu language. Curated by Hammad Nasar, the show features a visual dialogue between the late Indian-born artist Zarina and Pakistani multimedia artist Ali Kazim. The exhibition showcases Zarina’s delicate woodcut prints, including her seminal 'Home is a Foreign Place,' alongside an expansive survey of Kazim’s paintings, sculptures, and his new 'Alphabets' series, marking his institutional debut in West Asia.

Chawla Art Gallery Hosts Artist-Led Walkthrough for “Once Upon a Sculptor” Exhibition

Chawla Art Gallery in New Delhi hosted an artist-led walkthrough for the exhibition “Once Upon a Sculptor,” featuring the renowned Indian sculptor K. S. Radhakrishnan. The event allowed visitors to engage directly with the artist as he discussed his creative evolution, the development of his visual language, and the philosophical layers behind his iconic bronze figures, Musui and Maiya.

New Exhibition Offers Portals Into the Past, Present, and Future of Blackness

Artist Todd Gray’s solo exhibition, "Portals," at Perrotin Los Angeles features a series of complex photographic assemblages that challenge the historical relationship between Blackness and European colonialism. By stacking framed images of West African landscapes, slave forts, and Renaissance interiors, Gray creates textured collages that collapse geographic and temporal boundaries. Notable works like "Paradox of Liberty" confront the hypocrisy of Enlightenment figures like Thomas Jefferson by physically obscuring his image with the architecture of the slave trade.

Imbued, Between Flower and Wind: Lee Chae Solo Exhibition

South Korean artist Lee Chae will present a solo exhibition titled "Imbued, Between Flower and Wind" at Whitestone Gallery Taipei from April 11 to May 16, 2026. The show features new series including "Afterimage of Wind" and "Wind-Infused," which utilize metaphors of flora and wind to explore the relationship between external stimuli and the human inner soul. Lee’s technique involves layering translucent pigments and then wiping them away to create poetic afterimages that visualize the transformation of emotions over time.

Studio Sessions: Lauren Boilini

Seattle-based artist Lauren Boilini has reached a significant career milestone with the simultaneous opening of her first museum exhibition at the San Juan Islands Museum of Art and her first solo gallery show, "The Good Death," at J. Rinehart Gallery. Boilini’s practice is rooted in deep scientific research, including residencies at biological stations and insectariums, which she translates into large-scale, frenetic paintings of animals and ecosystems. Her current work explores the intersection of animal behavior and the human condition through dense, layered compositions that blur the lines between struggle and pattern.

In April, there are 29 shows at art centers including this year's International Baccalaureate Visual Arts Exhibition

Southwest Florida's art scene is experiencing a significant surge this April, with over a dozen art centers from Sarasota to Marco Island hosting 29 distinct exhibitions. Highlighting this seasonal peak, Art Center Sarasota is featuring major solo and group shows, including Herion Park’s fiber sculpture installation "UnBroken," Kendra Frorup’s exploration of cultural memory in "At Home Anywhere," and a curated group exhibition titled "Rooted in Community" focusing on historically Black neighborhoods.