Victoria Smith presents "Apples and Oranges," a solo exhibition at Roland Ross in Kent, running from April 11 to May 23, 2026. The show features a series of new works by the artist, documented through eight images on the gallery's page, with photography by Ollie Harrop.
İrem Günaydın is presenting a solo exhibition at thepill gallery in Istanbul, running from March 7 to May 23, 2026. The show features 46 images documenting the exhibition, with press releases available in both English and Turkish.
At the 2025 RHS Chelsea Flower Show, designer Sarah Eberle's garden "On the Edge" won the prestigious Garden of the Year award. The installation features a sleeping figure of Gaia, the personification of Mother Nature, crafted from willow branches by artist Tom Hare and carved from a fallen tree by Tim Wood. The garden, a collaboration with the Campaign to Protect Rural England (CPRE), highlights "edgelands"—the overlooked transitional spaces between rural and urban areas—using native plants, a dry stone arch by Noble Stonework, and a deliberately wild aesthetic to evoke nature in recovery.
Lesley Green, founder of Bespoke Glass Studio, creates stained glass sculptures that break from traditional window-mounted forms. Her work includes three-dimensional pieces that project colored light onto walls, functional room dividers, and sculptural objects made using hand-cut copper foil techniques. Green aims to shift perception of stained glass from architectural feature to standalone art object, emphasizing pure color and texture.
Photographer Irina Werning has spent 18 years traveling across Latin America to document Indigenous women with exceptionally long hair for her series "Las Pelilargas." Her new book, published by GOST Books, features nearly 90 portraits taken between 2006 and 2024, starting with the Kolla community in Argentina. Werning sought subjects by posting signs in remote mountain towns and organizing hair competitions, capturing a tradition rooted in ancestral beliefs that hair connects to life, thoughts, and the land.
Polish photographer Janusz Jurek, who works as a graphic designer and commercial photographer, creates candid street photographs that capture humor, happenstance, and the bizarre. He focuses on authentic moments outside the mainstream, often turning away from main attractions to observe people's reactions, small gestures, and strange coincidences. Jurek is preparing a photo collection titled "Look, Before It’s Gone," compiling five years of his street photography.
Eduardo Robledo, a Mexico City-based artist from Xochimilco, creates detailed linocuts that celebrate Mexican heritage, community, and spiritual motifs. His work features traditional symbols like skulls, skeletons, and Sacred Hearts alongside regional animals and cultural references such as Xochimilco's canal boats. Robledo also engages in social activism through printmaking, viewing it as a democratic medium for spreading messages about causes he supports. His prints are available at Hecho a Mano in Santa Fe, and he co-founded Lugar de Huida, a gallery in Mexico City that highlights Mexican printmakers.
Photographer Jon McCormack, who grew up in the Australian Outback and has traveled to all seven continents, has a new book titled "Patterns: Art of the Natural World," forthcoming from Damiani Books. The project emerged during the pandemic when limited travel led him to revisit local spots and develop a patient, attentive approach to capturing nature's hidden harmony and symmetry. The book features 90 images ranging from microscopic crystals to aerial views of flamingos in Kenya, along with text contributions from fellow photographers and conservationists.
Cassandra Dias, a Southern California-based artist, creates lush embroideries of natural landscapes using thread painting, a technique that mimics the gestural strokes of a paintbrush. Since taking up needle and thread in 2020, she has developed an impressionistic style that captures cliffsides, vineyards, and mountains in richly textured scenes. Her forthcoming book, "Richly Stitched Landscape Embroidery: Mastering Thread Painted Scenes," is set for release in May and is available for pre-order through the Colossal Shop.
Navid Baraty's series "The Time Between" combines digital photographs of urban skylines like Manhattan and Chicago with dramatic natural landscapes such as desert dunes and snow-capped mountains. Using a double-exposure technique, the artist blends city lights and skyscraper outlines with geological features to explore contrasts between contemporary urban life and ancient, timeless terrains.
Kyiv-born illustrator Tania Yakunova creates lush digital and graphite illustrations characterized by grainy textures, gestural lines, bold shapes, and vibrant colors. Her work, which often features expressive human figures entwined with plant life, conveys brand narratives and personal emotions, such as homesickness following her 2023 move from Ukraine to London.
Bristol-based artist Lisa Stevens creates vibrant ceramic sculptures inspired by marine life. Her work features sea urchins, coral, and nudibranchs, transformed into unique pieces with colorful glazes and textures that often blend aquatic forms with celestial and anatomical references.
Artist Pia Hinz creates sculptures of tools and objects from construction and farming sites using stained glass, transforming items like hammers, screws, and tractor doors into fragile, light-filled artworks. Her work, developed during a 2024 residency at La Menuiserie 2, subverts the utilitarian nature of these forms, exploring the interplay between strength and vulnerability, and questioning the use value and narrative potential of everyday objects.
SMDOT/Contemporary Art in Udine, Italy, presents a two-person exhibition titled "SOUVENIR·SUBVENIRE," featuring previously unseen works by Italian artists Anna Marzuttini and Giovanni Fredi. Marzuttini contributes large canvases and wall-hanging ceramic works, while Fredi's pieces are also on view, with both artists' research expressed through different media but converging on a shared conceptual plane.
Artist and choreographer Nikima Jagudajev presents "Like", a new commission and exhibition at Scuola Piccola Zattere in Venice, running from 7 May to 18 October 2026. The work merges film and video game into a playable experimental piece, housed in the nonprofit's palazzo in Dorsoduro.
Ndidi Dike, a British-Nigerian sculptor and multi-disciplinary artist, presents her first major solo exhibition at an Austrian institution, titled "Rare Earth Rare Justice," at Secession in Vienna. The show features works across mixed media, painting, sculpture, collage, photography, video, and installation, addressing social, political, and economic conditions of the modern world.
Daniel Hopp's exhibition "Fictional Healing" at Kunsthaus Hamburg explores how transit spaces like train stations and public squares reveal social divisions, focusing on sites such as Berlin's Leopoldplatz and Hamburg's Drob Inn, a drug consumption counseling center. The show examines the collision of addiction, homelessness, and survival strategies in these urban environments.
Harit Srikhao's exhibition "Cave Stories 0" at YDP in London presents a multimedia installation combining photography, moving images, drawings, and puppetry. The project draws inspiration from the 2018 Tham Luang cave rescue in Thailand, where twelve boys and their coach were trapped and later saved, weaving this event together with local folktales and psychological studies to create an immersive exploration of inner landscapes.
The Kunstverein in Hamburg is presenting "Quality of Life," the first comprehensive survey of Swedish Hungarian artist Lenke Rothman outside of Sweden. The exhibition spans Rothman's career from the 1950s until her death in 2008, showcasing her unique oeuvre that juxtaposes everyday life with her biographical and historical experiences, characterized by a radical processing of personal and collective memory.
The article reviews the group exhibition "Show d’Houdini" at CAC Brétigny in Brétigny-sur-Orge, which explores the figure of the magician as a cultural archetype. Drawing on the legacy of Harry Houdini and the historical context of late 19th- and early 20th-century illusionism and spiritualism, the show presents works that examine the magician's dual nature—oscillating between charlatanism and miracle, deception and wonder.
Istituto Svizzero in Rome presents "Atlas Studios," the first solo exhibition in Italy by Swiss-based artist Latefa Wiersch. The show is specifically designed for the spaces of Villa Maraini and evokes the famous Atlas Studios film sets located on the edge of the Moroccan desert, which have been used by international film productions.
German Iraqi artist Lin May Saeed (1973–2023) is the subject of a posthumous exhibition at Kunsthalle Bern. The show presents her drawings and sculptures, which critically examine the relationship between humans and animals, positioning non-human creatures as active protagonists rather than symbols or decorative elements.
Mudam Luxembourg—Musée d’Art Moderne Grand-Duc Jean will present "A Journey," a performance program running throughout 2026. The series features artist Ivan Cheng with his work "Casemates," which explores cultural memory, technological progress, and embodied interpretation through the concept of a journey as both method and metaphor.
Alex Thake presents a solo exhibition titled "I Know This Much is True" at Triangolo gallery in Cremona. The show features new works by the artist, continuing his exploration of material and conceptual themes.
Jungeun Park, an artist based between New York and Seoul, creates sculptures that blend glass, ceramics, and textiles to evoke raw biological forms and alien organic matter. Her 2025 graduate presentation at the Rhode Island School of Design featured works like *Skin Mite (demodex)* (2024), sewn from old pillowcases, and *Period Chalice* (2024), made from resin, metal chain, metal ring, water, and strawberry syrup, which transform the repulsive into something tender and strange.
Hyeree Ro is preparing for the 2026 Venice Biennale, where she will present the work "Bearing (2026)" as part of the Korean Pavilion, titled "Liberation Space: Fortress/Nest." The article follows Ro in her temporary Brooklyn studio, where she works with salvaged objects and materials that migrate across multiple works over years—such as a sheet of organza purchased in 2023 that later appeared in "Niro (2024)" and "Carry (2025)" before being repurposed as the pavilion's fabric walls. Her practice is defined by a nomadic, accumulative material logic: objects enter without a fixed destination and gain meaning through repeated reuse.
Encore d'autres dessins pour Versailles
The Palace of Versailles has acquired several drawings during the Paris Drawing Week sales in March 2026, including a rare study by Charles de La Fosse for the royal chapel's dome decoration. The drawing, depicting a reclining nude man for "The Resurrection of Christ," was purchased at the Rossini auction of Paul and Florence Vercier's collection for €3,800. This acquisition adds to Versailles' growing collection of La Fosse works, following earlier purchases of an angel study in 2016 and a ceiling project in 2023.
Gérard Audinet, director of the Maison de Victor Hugo in Paris, is retiring. In a new podcast episode of "L'invité de La Tribune de l'Art," he discusses the history of the museum, its collections, the Maison de Victor Hugo in Guernsey, and the acquisitions and exhibitions he oversaw during his tenure.
A cycle of eleven paintings commissioned in 1772 for the Chapelle Saint-Louis at the École Militaire in Paris, depicting the life of Saint Louis, has been rediscovered. The chapel was built under Louis XV by architect Ange-Jacques Gabriel, and the paintings were executed by Jean-Baptiste-Marie Pierre following a carefully devised iconographic program. The discovery sheds new light on a major decorative ensemble from the Ancien Régime.
The article previews an upcoming exhibition titled "Sorcières !" at the Château des ducs de Bretagne – Musée d'histoire de Nantes, running from February 7 to June 28, 2026. It traces the historical debate around witchcraft in 16th-century Europe, focusing on key figures such as Heinrich Kramer, author of the *Malleus maleficarum* (1486), who argued that witchcraft was a female-specific evil requiring extermination, and Jean Bodin, who supported this view. In contrast, Johann Weyer and Michel de Montaigne challenged the persecution, suggesting accused women were mentally ill or elderly and deserved humane treatment rather than execution.