The article reflects on the conclusion of New York's spring art fair season, highlighting TEFAF New York at the Park Avenue Armory and the Independent Art Fair, which relocated to Pier 36. It notes the ongoing Focus fair for emerging Asian art and spotlights specific artists, including Taiwanese painter Tseng Chien-Ying at Kiang Malingue's booth and Frank Gaard at Post Times, describing their works and the fair's atmosphere of discovery.
Paris Gallery Weekend 2026 returns for its 14th edition from May 29th to 31st, organized by the Comité Professionnel des Galeries d’Art. The event features 73 galleries across the Marais and other districts, offering three days of programming with must-see exhibitions during the city's vibrant late spring season.
Toronto-based auction house Waddington's will hold its Major Spring Sale on May 28, 2026, marking its 176th anniversary. The sale comprises three sessions: Canadian & International Fine Art, First Nations Art, and Inuit Art. Highlights include works by Lawren Stewart Harris (Lake Superior Sketch, VI, est. $700,000–$800,000 CAD), David Brown Milne (Heavy Forms, 1913, est. $80,000–$120,000), Rudolf Ernst (Finishing Touches, est. $100,000–$150,000 CAD), Emily Carr (Somewhere, ca. 1942, est. $350,000–$450,000), and Norval Morrisseau (Young Shaman with Powers, 1978, est. $100,000–$150,000 CAD). The sale spans diverse periods and mediums, with a focus on Canadian masters and Indigenous art.
Art Dubai, the UAE's premier art fair, opened its 20th edition as a scaled-down "Special Edition" from May 14–17 at Madinat Jumeirah, after being postponed due to the Iran–Israel war. For the first time, entry was free, and the lineup was pared to 50 galleries, most from the region, including Abu Dhabi, Beirut, Jeddah, Ramallah, and Dubai.
The Guardian presents a photo essay capturing the most eccentric and memorable moments from the 61st Venice Biennale, running until 22 November 2026. Photographer David Levene documents installations including a concrete 'Origami Deer' evacuated from war-torn Pokrovsk, Ukraine, by artist Zhanna Kadyrova; a seagull that became a minor celebrity after nesting outside the Polish pavilion; and the Holy See pavilion's immersive sound installation curated by Hans Ulrich Obrist and Ben Vickers. Other highlights include the Egyptian pavilion's touch-and-smell 'Silence Pavilion' and a Polish pavilion film featuring deaf and hearing singers.
The article highlights 11 contemporary Emirati artists, providing an overview of their practices and significance within the Gulf's evolving art scene. It contextualizes this list against recent major events in the region, including the debut of Art Basel Qatar in early February and the subsequent U.S. attacks on Iran, which caused turmoil across the Gulf, disrupted airline operations, and forced Art Dubai to scale back its event to a smaller fair in mid-May. Artists and galleries in the Gulf also had to temporarily close.
The article explores the annual ritual of the Archibald Prize, Australia's most famous portrait competition, through the lens of the 2026 edition. The author, Dee Jefferson, describes the predictable cycle of public enthusiasm, critical disdain, and media coverage that surrounds the prize, noting recurring trends like brown suits, oversized heads, and the dominance of male artists painting male subjects. The piece highlights specific works in this year's exhibition, including a portrait of musician Keli Holiday by Sindy Sinn that the author finds disorienting, and contrasts the main exhibition with the Salon des Refusés, the showcase of rejected entries, which includes a provocative portrait of Patricia Piccinini by Wendy Sharpe featuring exaggerated anatomy.
The Brooklyn Museum has opened "Iris van Herpen: Sculpting the Senses," a major exhibition surveying two decades of the Dutch designer's avant-garde fashion. Curated by Matthew Yokobosky and Imani Williford, the show features over 140 of van Herpen's biomorphic couture pieces, including designs worn by Lady Gaga and Björk, alongside works by contemporary artists like Agostino Arrivabene and Tara Donovan. The exhibition, which originated at the Musée des Arts Décoratifs in Paris in 2023, highlights van Herpen's use of cutting-edge technology such as 3D printing and magnetic sculpting, as well as her deep inspiration from natural phenomena like fossils, coral, and water.
Heffel Fine Art Auction House will hold its Spring Auction on May 21, 2026, featuring two sessions: Post-War & Contemporary Art and Old Master, Impressionist, & Modern Art. The sale, held in Toronto and online, includes works by Canadian masters such as Alex Colville, Jean-Paul Riopelle, Guido Molinari, and E.J. Hughes, with top estimates reaching up to $1.75 million CAD for Hughes' 'Coastal Boats Near Sidney, BC'.
The Carnegie Museum of Art in Pittsburgh, Pennsylvania, has unveiled the 59th edition of its Carnegie International exhibition, featuring a monumental series of murals titled *Orogenic* (2026) by Abraham González Pacheco. The newly commissioned work, made of concrete, metal, and pigment, depicts a maelstrom of archaeological objects inspired by the museum’s collection and sets the tone for the exhibition.
A new exhibition titled “Modern British: Modern & Contemporary British Sculpture” has opened at Bowman Sculpture in London, tracing the evolution of British sculpture from Modernism to the present day. The show features iconic figures such as Henry Moore, Eduardo Paolozzi, and Lynn Chadwick alongside emerging talents like Rufus Martin and Joanna Allen, creating cross-generational dialogues. Highlights include Moore’s *Small Seated Figure* (ca. 1936) and Paolozzi’s *Richard Rogers as Newton* (1990). The exhibition runs through May 29, 2026, and reflects the gallery’s shift from focusing on Modern masters to embracing contemporary voices.
Tate Britain will mount the first major exhibition exploring the transformative impact of fashion, art, and photography on 1990s Britain. Curated by former British Vogue editor-in-chief Edward Enninful, the show titled “The 90s: Art and Fashion” will bring together over 100 works—including photographs, paintings, films, sculptures, objects, and garments—from nearly 70 artists. It runs from August 8, 2026 through February 14, 2027.
The artist lineup and thematic framework for the tenth edition of the British Art Show have been revealed. Curated by Ekow Eshun and titled 'A Chorus of Strangers,' the exhibition will feature 30 artists, including Alex Margo Arden, Liz Johnson Artur, and Jesse Darling, and will tour five UK cities from October 2026 to June 2028, beginning in Coventry.
The 30th edition of miart opened its doors at the Allianz MiCo convention center in Milan, marking a significant milestone for Italy’s premier international modern and contemporary art fair. As the city continues its ascent as a global art capital, the 2026 fair attracted a diverse continental crowd of collectors and professionals ahead of the upcoming Venice Biennale.
The 2024 edition of TEFAF Maastricht has opened with a significant focus on rediscovered female Old Masters, highlighted by the third annual 'Map of Women Artists' which now features over 670 works. Major dealers like Lullo Pampoulides and Koetser Gallery are showcasing high-value pieces by Artemisia Gentileschi, Virginia da Vezzo, and Michaelina Wautier, drawing immediate attention from institutional leaders including Metropolitan Museum of Art director Max Hollein.
frida kahlo icon headlines
Tate Modern has announced a major exhibition for 2026 titled "Frida Kahlo: The Making of an Icon," featuring over 130 artworks and archival materials. The exhibition aims to explore the cult-like following surrounding the Mexican artist and how her personal biography became inseparable from her creative legacy. This announcement follows a series of global institutional efforts to deconstruct the Kahlo myth, including recent shows at the Art Institute of Chicago and the Dallas Museum of Art.
The Affordable Art Fair New York returns for its spring 2026 edition at the Starrett-Lehigh Building in Chelsea, featuring a diverse array of local and international exhibitors. A central highlight of this year's fair is the curated exhibition "Sight Unseen: How Photography Shapes Perception," which showcases artists pushing the boundaries of photography through new technologies, sculptural elements, and alternative processes. All works at the fair are priced between $100 and $12,000, maintaining the event's commitment to price transparency and accessibility.
Cosima von Bonin’s sculptures star in Loewe’s fall/winter 2026 runway show.
German artist Cosima von Bonin’s large-scale, fabric-based sculptures were integrated directly into Loewe’s fall/winter 2026 runway show during Paris Fashion Week. Creative director Jonathan Anderson placed her oversized, characteristically enigmatic soft sculptures—including a giant lobster and a crumpled cigarette—amidst the models, transforming the presentation into a moving exhibition. This collaboration continues Anderson’s practice of merging high art with high fashion on the runway.
South African visual activist Zanele Muholi has won the prestigious 2026 Hasselblad Award, one of the highest honors in photography. The award, which includes a cash prize and a major exhibition at the Hasselblad Foundation in Gothenburg, Sweden, recognizes Muholi's decades-long dedication to documenting and celebrating Black LGBTQIA+ communities in South Africa and beyond. Their powerful portraits and self-portraits challenge historical erasure and create a profound visual archive of resistance and existence.
Self-taught artist Jet Le Parti has launched Sibyl, a Los Angeles-based cultural platform and research-led advisory that operates outside the traditional gallery system. Drawing on his background in neuroscience and philosophy, Le Parti developed Sibyl as an extension of his independent practice and previous ventures like Base 36 and Relaispunkt. The platform functions as a private collection and advisory service, leveraging direct relationships with collectors to bypass traditional intermediaries and formalize a network built on artistic trust.
The Art Institute of Chicago has partnered with the Tuscany-based sculpting studio Ten X to create two marble reimaginations of a rare 8th-century Tang dynasty Bodhisattva. The original limestone sculpture, a centerpiece of the museum’s Asian art collection, has been missing its left arm since it was acquired in 1930, leaving its meditative gesture a mystery. Rather than attempting a traditional restoration, curator Dr. Tao Wang commissioned two distinct versions that explore different historical possibilities for the figure's hand placement based on extensive cross-cultural research.
Artist Tarek Atoui has been selected for the next Hyundai Commission in Tate Modern's Turbine Hall, opening October 13 and running into April 2027. The Beirut-born, Paris-based artist is known for complex installations with specially designed instruments incorporating glass, water, or ceramics, activated by touch, breath, or motors. Curators Nabila Abdel Nabi and Dina Akhmadeeva will oversee the exhibition. Atoui has previously shown at S.M.A.K., Luma Westbau, and the Museum of Contemporary Art Australia, and won the Suzanne Deal Booth/FLAG Art Foundation Prize in 2022.
The Otto Kallir family has donated over 130 Austrian Expressionist works valued at more than $60 million to the Los Angeles County Museum of Art (LACMA). The gift includes the museum's first paintings by Gustav Klimt, Egon Schiele, and Richard Gerstl, along with works by Oskar Kokoschka, Alfred Kubin, Marie-Louise von Motesiczky, Lovis Corinth, and Käthe Kollwitz. The collection spans from the turn of the 20th century through the 1920s and features paintings, drawings, prints, posters, and mixed-medium works from the Wiener Werkstätte. A selection of 24 works will go on view in the exhibition “Austrian Expressionism and Otto Kallir” from November 23, 2025, through May 31, 2026, with a comprehensive exhibition planned for 2030. The Kallir family is also donating rare Viennese books and prints to the Getty Research Institute.
Ralph Rugoff, curator of the 2019 Venice Biennale, is leaving his post as director of the Hayward Gallery after 20 years. The Southbank Centre announced his departure for spring 2026, after which he will work as an independent curator and writer. During his tenure, the Hayward staged acclaimed shows like “Kiss My Genders!,” surveys for Kader Attia and Tracey Emin, and Rugoff was named an Officer of the Order of the British Empire in 2019. He previously led the Wattis Institute for Contemporary Art in San Francisco.
More than 100 artists and scholars, including Emily Jacir, Hans Haacke, and Michael Rakowitz, have signed an open letter defending Dr. Sara Nadal-Melsió, the former associate director of the Whitney Museum of American Art's Independent Study Program (ISP), whose position was eliminated in June 2025. The termination followed the cancellation of a pro-Palestine performance titled "No Aesthetic Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, scheduled for May 12, 2025. The museum canceled the event after viewing a recording where a performer asked attendees who "believe in Israel in any incarnation" to leave. Nadal-Melsió had published a protest letter against the cancellation, leading to her dismissal. The open letter also demands the reopening of the ISP, which was suspended for the 2025-2026 program.
León Gallery's Spectacular Mid Year Auction 2025 will feature a rare egg tempera painting by pioneering Filipina modernist Anita Magsaysay-Ho titled *Water Carriers / Taga-igib* (1947). The work is expected to draw strong market interest, following the artist's previous egg tempera sales at the same auction house—*Tinapa (Fish) Vendors* (1975) and *Fruit Market* (1957)—which fetched $1.52 million and $1.56 million respectively. Only about 20 works by Magsaysay-Ho exist in this delicate medium, making this lot exceptionally scarce. The sale also includes three works by Spanish Filipino artist Fernando Zóbel, whose market has recently surged after exhibitions at the Prado Museum, Ayala Museum, and National Gallery Singapore.
The article reports that two major Asian art fairs, Taipei Dangdai Art and Ideas and Art Busan, are currently running through May 11, but both have seen significant drops in exhibitor numbers. Taipei Dangdai is down 32% to 53 galleries, while Art Busan is off 16% to 109 galleries. Dealers cite rising costs, geopolitical uncertainties, and fair fatigue as reasons for a more selective, pragmatic approach to participation, focusing on regional fairs and transactional value over visibility.
Loïc Gouzer, founder of the auction app Fair Warning, partnered with Christie's to sell Pablo Picasso's drawing *Tête d'homme à la pipe* (1971) in a hybrid in-person and digital auction on May 15. The work, estimated at $6–8 million, hammered for $6.6 million ($7.79 million with fees) to a phone bidder at Coco's at Colette in New York's GM Building, with Jussi Pylkkänen officiating. Notable attendees included collectors Alberto Mugrabi and David Mugrabi, and dealer Joseph Nahmad. The drawing, executed two years before Picasso's death, depicts a musketeer inspired by *The Three Musketeers* and had never been auctioned before.
President Donald Trump has proposed eliminating the National Endowment for the Arts (NEA), and arts organizations across the U.S. are already feeling the impact. After a White House budget request in May that excluded the NEA, dozens of institutions received abrupt termination notices for their grant applications, with the NEA citing a shift in policy priorities to focus on projects reflecting the nation's artistic heritage as prioritized by the President. In protest, many senior NEA staff resigned or were asked to retire, leaving the agency in disarray. The cuts are part of broader federal efforts to defund cultural agencies, including the Kennedy Center, the Smithsonian, and the National Endowment for the Humanities, which has seen a 70-80 percent staff reduction and canceled over a thousand grants. Private foundations like the Mellon Foundation and the Helen Frankenthaler and Andy Warhol Foundations have launched emergency funding programs, but the consequences for artists, educators, and community organizations are immediate and destabilizing.
The Getty Museum in Los Angeles has acquired and restored Luis de Morales's "Christ Carrying the Cross" (c. 1565), a 16th-century Spanish Renaissance painting. The work, which had been covered in discolored varnish and enlarged with wooden strips, was carefully conserved by Getty conservator Kari Rayner, who removed non-original paint to reveal the artist's original composition. The painting first appeared at auction in 2021 at Nagel Auktionen, initially attributed to Morales's studio with a €10,000 estimate, but later sold for €1.2 million before the Getty acquired it from the Daniel Katz Gallery.