This article is a roundup of events happening in Philadelphia, including a Mother's Day Weekend visit to the Barnes Foundation, a live stage show of "Dancing with the Stars," the Night Market at East Market, and Broadway productions of "Chicago" and "The Wiz." It highlights the Barnes Foundation's collection of impressionist and modern art, along with its new exhibition "Freedom Dreams" on view through August 9.
The article presents a curated guide to 15 must-see events accompanying the 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, running from May to November 2026. It highlights key exhibitions beyond the main pavilions, including "Screen Melancholy: Li Yi-Fan" at Palazzo delle Prigioni, "Darkness Visible: The Long Shadow of Dictatorship" at Spazio Punch, "Elegy" by Gabrielle Goliath at Chiesa di Sant'Antonin, and "As Above, So Below" at Ex Church Santi Cosma e Damiano, among others. These events span museums, foundations, and historic palazzi, featuring performances, talks, and curatorial interventions that extend the Biennale's reach across Venice.
This article, published by La Rédac with photos by Audrey de Sortiraparis, presents a curated selection of exhibitions opening in Paris and the Île-de-France region in May 2026. Highlights include a Giovanni Segantini retrospective at the Marmottan Monet Museum, a porcelain exhibition titled "Sèvres, a Rothschild Passion" at the Mobilier National, a comparative show of Michelangelo and Rodin at the Louvre Museum, the return of the Colors Festival with a street-art exhibition called Colors Light, a historical tribute to Madame de Sévigné at the Carnavalet Museum, a major Lee Miller retrospective at the Musée d'Art Moderne, a family-friendly Lego brick exhibition by Dirk Denoyelle at Espace Champerret, and a video game music exhibition at the Philharmonie de Paris.
This article is a roundup of art exhibitions and cultural events in Cairo, Egypt, spanning multiple venues and dates. It highlights a photographic project titled "New Cairo, Do You Love Me?" by Judi Yassin and Tia Khalil at the American University in Cairo, which documents the disconnect between the promised luxury of New Cairo and its dehumanizing reality using 35mm black-and-white film. Other featured events include painting exhibitions by Osama Nashed and Alaa Hegazi at Dai, Mahmoud Hamdi's "Journey to the Core" at Difaf, the immersive "Beyond Van Gogh" experience at District 5, the permanent collection at Al-Fustat Centre for Ceramic, and the Empower Her Art Forum at the Grand Egyptian Museum.
Larry Gagosian has opened a new flagship gallery at 974 Madison Avenue (preferring the address 980 Madison at 76th Street) after Bloomberg Philanthropies took over the building's upper floors, which had housed Gagosian's New York flagship since the late 1980s. The megadealer relocated to the street level, creating a 12,000-square-foot complex with exhibition spaces, offices, meeting rooms, and private viewing areas designed by Jonathan Caplan of Caplan Colaku Architects. The gallery launched with a double-header presentation of works by Marcel Duchamp and Robert Rauschenberg, and features ceilings just over 12 feet high, adaptable walls, and a vestibule display of art books.
Air de Paris, the Paris gallery known for its punk ethos and commitment to cutting-edge Conceptual art, will close this week after 36 years and more than 400 exhibitions, amid bankruptcy proceedings. Founded in Nice in 1990 by Florence Bonnefous and Edouard Merino, the gallery was named after Marcel Duchamp’s 50cc of Paris Air and became legendary for its inaugural show, “Les Ateliers du Paradise,” which featured artists living in the gallery and later influenced critic Nicolas Bourriaud’s theory of relational aesthetics. The gallery moved to Paris in 1994 and later to Romainville in 2019, showing artists such as Paul McCarthy, Raymond Pettibon, Liam Gillick, Pierre Huyghe, and Dorothy Iannone.
At the New Art Dealers Alliance (Nada) New York fair, running until 17 May, multiple artists are presenting works that heavily incorporate textiles to explore themes of culture, belonging, and history. Artists such as Keith Lafuente (with SoMad), Polina Osipova (with JO-HS), and Griselda Rosas (with Luis De Jesus Los Angeles) use fabric and sewing techniques to examine histories of inequality, migration, and labor. Rosas embroiders over painted paper using imagery from Mexican codices, Osipova prints family photos onto traditional Chuvash fabric, and Lafuente repurposes scraps from Oscar de la Renta to comment on global labor inequalities. Other participants like Ruth Owens (with Voltz Clarke Gallery) use textiles in lightbox works to tell personal stories of migration and abduction.
The article highlights standout booths at the Independent Art Fair, newly relocated to Pier 36 in Manhattan's Lower East Side. With 76 exhibitors, 26 of whom are presenting an artist's New York debut, the fair features notable presentations including Sprüth Magers' restaging of Gretchen Bender's 'TV Text & Image (PEOPLE WITH AIDS)', Omar Mismar's debut with abstract paintings on salvaged PVC banners referencing Lebanese protests, Carrie Schneider's large-format photographs from the Venice Biennale, and works by Kim Stolz and Raphael Egil at YveYANG. The fair runs through Sunday and aims for greater attendance and institutional influence.
Conductor, a new art fair hosted by Powerhouse Arts, opened in Brooklyn on Wednesday night, drawing over 800 visitors within hours. The fair features 28 galleries and 20 special projects, with installations spilling out of traditional booths into shared spaces. Highlights include House of Silence, a tent-like structure by Turkish artist Vuslat and architect Sana Frini; Retorno (2022) by Juan José Barboza-Gubo, presented by Praise Shadows Gallery; and works by Beya Gille Gacha, who is set to appear in the Cameroon Pavilion at the Venice Biennale. Fair director Adrianna Farietta noted that some galleries had to withdraw due to the war in Iran, but the result remains an inclusive and immersive event.
Il Louvre cambia: scelto il progetto che traghetterà il museo nel suo nuovo Rinascimento
The Louvre has announced the winners of its "Nouvelle Renaissance" competition, selecting a team led by STUDIOS Architecture Paris, with Selldorf Architects for museography and BASE Landscape Architecture for landscaping. The jury, chaired by Marc Guillaume and composed of 21 experts, chose this proposal from five finalists for its respectful and contemporary approach, which elegantly connects the city, the palace, and the museum while improving visitor flow and security. The project addresses urgent needs including new underground entrances, a dedicated space for Leonardo da Vinci's Mona Lisa, enhanced circulation, and green spaces, following a period of difficulty for the museum including a high-profile theft in October.
Ayan Farah and Asmaa Jama, two of the three artists representing Somalia at the 61st Venice Biennale (2026), discuss their plans for the national pavilion in an interview with ArtReview. Farah will present an installation of large-scale embroidered landscape paintings using clay pigment sourced from Somalia and shell-derived pigment from Scotland, alongside silk paintings exploring time and nature. Jama will focus on the Somali poetry form saddexleey, creating a sensorial experience through moving image, installation, and visual artworks that draw on magical realism and cinematic surrealism. The pavilion is located in the Palazzo Caboto, and the third representative is poet Warsan Shire.
A roundup of current and upcoming exhibitions at over 20 galleries and art spaces in Boulder County, Colorado, is provided. Listings include lithographs by Santa Fe artist Rodney Carswell at 15th Street Gallery, Jorge Vinent's recycled-material works at Ana's Art Gallery, Margaret Johnson's "Emergence" at BMoCA at Frasier, and group shows at Liminal Light Gallery and the New Local Gallery, among many others. Exhibition dates range through mid-2025, with venues spanning commercial galleries, nonprofit centers, libraries, and museum spaces.
This article lists current and upcoming art exhibitions in Boulder County, Colorado, including a student showcase from the Boulder Valley School District at Canyon Theater and Gallery, a show by the Colorado South Asian Artist Group at Bus Stop Gallery, and a historical exhibit on racism at the Lafayette Swimming Pool at Collective Community Arts Center. Other featured venues include BMoCA at Frasier, Groundworks Art Lab, and the Museum of Boulder, with works by artists such as Rodney Carswell, Jorge Vinent, Margaret Johnson, and Melody Melamed.
This article lists dozens of current and upcoming art exhibitions across Boulder County, Colorado, featuring a wide range of venues from commercial galleries like 15th Street Gallery and Ana’s Art Gallery to nonprofit spaces such as Art Parts and the Boulder Museum of Contemporary Art (BMoCA). Highlights include lithographs by Santa Fe artist Rodney Carswell, Jorge Vinent's recycled-material works in "We Choose Earth," and student showcases at Canyon Theater and Gallery. The roundup also covers community-focused shows like "Racism & Discrimination at the Lafayette Swimming Pool 1934" and group exhibitions at Liminal Light Gallery and The New Local Gallery.
The article profiles Selma Feriani, a Tunisian gallerist who opened a new purpose-built gallery in the industrial El Kram district of Tunis in January 2024. Designed with architect Chacha Atallah, the three-story space features a concrete exterior referencing traditional Tunisian hand-application techniques and a garden of olive, palm, and orange trees. Feriani, who previously ran a gallery in London's Mayfair, returned to Tunisia after the Revolution to contribute to the country's cultural renaissance. The gallery currently hosts simultaneous exhibitions: Nadia Ayari's paintings of menacing plants and Nidhal Chamekh's "Frictions," part of his broader historical project "Et si Carthage…" exploring Mediterranean power dynamics.
Art Basel Hong Kong 2026 returned to the Hong Kong Convention and Exhibition Centre from March 25–27, featuring 240 galleries from 42 countries and territories. The 13th edition introduced new sectors including Echoes, dedicated to works made within the past five years, and Zero 10, a digital art initiative making its Asia debut. The fair also transformed its Encounters sector with a collective curatorial framework based on the Five Elements, led by Mami Kataoka and three other Asia-based curators. Robb Report India covered the event through the perspectives of Indian artists Siddharth Kerkar and Jayesh Sachdev.
Playinghouse, an emergent New York art and design platform, presented the group exhibition "téte-a-téte" at two locations during Milan Design Week 2026: Villa Pestarini and Certosa District. Curated by Margherita Dosi Delfini, assistant curator at the Design Museum, the show featured site-responsive works by independent talents including Anna Dawson, Romain Basile Petrot, Caleb Engstrom, Liyang Zhang, Atelier Fomenta, Maha Alavi, and Francesco Rosati. The exhibition emphasized contextualized domestic settings over sterile white cubes, with pieces in eggshell, glass, rubber, and metals that responded to each venue's architectural history.
Kevin Troyano Cuturi, raised on museum visits across Europe and trained in physics and finance, founded Cuturi Gallery in Singapore after co-founding Mazel Gallery in 2017. The gallery now operates a Paris outpost in the former Didier Ludot boutique and runs a discoveries platform for emerging artists, a residency program hosting over 20 artists, and has nurtured Singaporean talents like Aisha Rosli and Faris Heizer.
This article documents three journeys into and out of Yunnan, China, spanning from 1874 to 2023. It begins with British interpreter Augustus Raymond Margary's failed colonial expedition to establish a trade route, which ended in his violent death and contributed to unequal treaties opening Southwest China. It then follows a Naxi student named Xueshan in 1937, whose railway journey introduced modern timekeeping to the region, and finally describes the construction of the Burma Road, a critical WWII supply route. The narrative concludes with the artist Cheng Xinhao retracing these routes on foot from Kunming toward Burma over a year and a half, reflecting on history, bodily experience, and the layers of infrastructure that have reshaped the landscape.
The Museum of Modern Art in New York has opened "Marcel Duchamp," the first retrospective of the artist on this continent in over 50 years. Curated by Ann Temkin, Michelle Kuo, and Matthew Affron, the exhibition is organized strictly chronologically and features Duchamp's most famous works—including his revolutionary readymades like *Fountain* (1917) and *Bicycle Wheel* (1913)—often shown only in photographic reproduction or as later refabricated copies, replicas, and miniatures from his *Box in a Valise* series. The show highlights how Duchamp's original objects have been lost or dematerialized, forcing viewers to confront the very definition of an artwork.
This article is a roundup of current and upcoming art exhibitions and events in and around Athens, Georgia, published under the title 'Art Around Town.' It lists shows at numerous venues including ATHICA@CINÉ Gallery, the Georgia Museum of Art, Lyndon House Arts Center, and others, featuring artists such as Greg Benson, Jon Swindler, Beverly Buchanan, and Rachel B. Hayes. Exhibits range from landscape works and Civil War-era illustrations to installations exploring bathrooms, cosmic themes, and discarded objects, with many running through May, June, or later in 2025.
The 61st Venice Biennale, titled "In Minor Keys," opens with a keynote exhibition conceived by the late Koyo Kouoh and realized by her team after her sudden death in May 2025. The show spans the Central Pavilion in the Giardini and the Arsenale, featuring 110 artists and collectives. Highlights include Bracha L. Ettinger's installation at the Hotel Metropole, where she transforms a room where Sigmund Freud wrote part of *The Interpretation of Dreams* into a feminist 'borderspace,' and works by artists such as Arthur Jafa, Richard Prince, Issa Samb, Beverly Buchanan, and Daniel Lind-Ramos. The exhibition explores themes of history, colonialism, war, and environmental destruction, aiming for a 'sotto voce' tone that nonetheless delivers powerful, liberating statements.
Catherine Couturier Gallery in Houston is presenting "Interpolation," the first solo exhibition in the city for Dutch-born, London-based artist Sander Vos, running from May 16 to June 20, 2026. The show features photographs that deconstruct portraits and everyday objects through layering and spatial manipulation, drawing on Cubist influences and blending digital and analog processes.
Jack White, the musician best known as the frontman of The White Stripes, has begun showing his visual art, which he has been creating since his teenage years. The article offers a glimpse into his vibrant, technicolour artistic practice, marking his debut as a visual artist in the public eye.
Texas Vignette has announced an open call for Texas women artists to participate in the eighth annual Vignette Art Fair, scheduled for September 30 to October 3, 2026, at On The Levee in the Dallas Design District. Alison de Lima Greene, the Isabel Brown Wilson Curator of Modern and Contemporary Art at the Museum of Fine Arts, Houston, will curate the juried exhibition. Submissions open May 26 through June 26, with a $36 fee, and selected artists will be notified by August 17. The fair is free to the public on October 2-3, with ticketed preview events including a Patron Welcome Dinner and a Preview Benefit.
The article highlights seven art exhibitions in Washington, D.C. that are closing at the end of summer 2025, urging visitors to see them before they end. Featured shows include a retrospective of African American artist Alma Thomas at the Smithsonian American Art Museum, a survey of contemporary Indigenous art at the National Museum of the American Indian, and a solo presentation of Yayoi Kusama's infinity rooms at the Hirshhorn Museum and Sculpture Garden. Other notable exhibits include a photography collection by Gordon Parks at the National Gallery of Art and a showcase of modern Latin American art at the Museum of the Americas.
A rare early artwork by David Hockney, created when he was just 19, is heading to auction at Tennants Auctioneers' Modern and Contemporary Art Sale on June 13. The mixed media piece, titled *Bolton Junction Eccleshill, Bradford*, depicts scenes from Hockney's hometown and is expected to fetch between £7,000 and £10,000. Originally purchased by Hockney's tutor Malcolm Riley at the artist's end-of-year show, the work reflects the perspective lessons Hockney learned at Bradford Regional College of Art. The sale also features works by other notable northern artists, including two drawings by L.S. Lowry, pieces by mining artists Norman Cornish and Tom McGuinness, and ceramics by Pablo Picasso, alongside lots by Damien Hirst and David Bailey.
The article lists the most expensive Mark Rothko paintings ever sold at auction, highlighting record-breaking sales such as *No. 6 (Violet, Green and Red)* (1951), which fetched $186 million in 2014, and *Orange, Red, Yellow* (1961), which sold for $86.9 million in 2012. Other notable works include *No. 1 (Royal Red and Blue)* (1954) at $75.1 million and *No. 10* (1958) at $81.9 million, demonstrating the enduring high demand for Rothko's abstract expressionist canvases in the secondary market.
The Seoul Museum of Art (SeMA) has opened a major retrospective on Korean abstract artist Yoo Young-kuk titled "A Mountain Within Me" at its Seosomun main branch. The exhibition, marking the 110th anniversary of the artist's birth, is the largest ever mounted on Yoo, featuring 178 works including 115 oil paintings and 15 canvases from the artist's family's private holdings shown publicly for the first time. Curated by Yeo Kyung-hwan, the show defies chronology, beginning in 1964 and moving backward through Yoo's Tokyo years and the lost decade after Korea's liberation, then forward through his geometric abstractions of the 1960s and 1970s, culminating in his late "mind-image abstraction" phase after 1980.
Kunstmuseum Basel has opened a major exhibition of Helen Frankenthaler's work, running from April 18 to August 23, 2026, featuring over 50 large-format pieces spanning six decades. The Helen Frankenthaler Foundation loaned 37 works for the show. The article also notes recent auction results, including Christie's offering of 'The Last Minute in April' (1974) for an estimated $2–3 million, and Sotheby's sales of 'St. John' (1971) for $2.1085 million and 'Perseus' (1983) for $2.804 million. Previous European exhibitions of Frankenthaler's work are listed, including shows at Museo di Palazzo Grimani, Museum Folkwang, Palazzo Strozzi, and Museum Reinhard Ernst.