Suki Seokyeong Kang's posthumous exhibition at Tina Kim Gallery in New York presents a body of work characterized by its mobility and open-ended nature. The show features paintings and sculptures that are designed to be rearranged, challenging static notions of display and completion.
Boston Art Review (BAR) has published an article titled “Edmonia Lewis: Said in Stone” that reconstructs the life of the 19th-century sculptor Edmonia Lewis across fragmented historical records. The piece examines Lewis’s career, her neoclassical marble works, and the challenges of piecing together her biography due to limited archival materials.
Taipei Fine Arts Museum (TFAM), in collaboration with the Institute for Cultural Exchange in Tübingen, Germany, has launched its major spring exhibition "Surrealism: The World in Dialogue." Featuring over 120 works by nearly 60 international artists, the exhibition marks a century since André Breton's 1924 "Surrealist Manifesto." It juxtaposes historical avant-garde works with contemporary practices, organized into sections such as "Collective Dreams," "Body of Desire," and "Absurd Play." Highlights include Yves Tanguy's dreamscapes, Lauren Moffatt's augmented reality installation, Max Ernst's scraping-method works, Patricia Piccinini's hybrid sculptures, and works by Man Ray, Meret Oppenheim, Sarah Lucas, Luis Buñuel, and Salvador Dalí.
In 2026, Frida Kahlo has become a global cultural obsession, with museums, opera houses, and cinemas worldwide celebrating her legacy. The Metropolitan Opera in New York City will premiere Gabriela Lena Frank's Spanish-sung opera *El Último Sueño de Frida y Diego* on May 14, which imagines Diego Rivera summoning Kahlo back to life three years after her death. Set and costume designer Jon Bausor drew inspiration from the trees, veins, and cracked imagery in Kahlo's paintings.
The Korea Herald recommends three must-visit museum shows in Venice during the Venice Biennale. At Palazzo Grassi, the Pinault Collection presents "Michael Armitage. The Promise of Change," featuring the Kenya-born British painter's vivid works addressing sociopolitical tensions and migration. At Gallerie dell'Accademia, "Transforming Energy" by Marina Abramovic marks her 80th birthday, creating a dialogue between her performance art and Renaissance masterpieces. The Peggy Guggenheim Collection hosts "Peggy Guggenheim in London: The Making of a Collector," revisiting her formative years and her short-lived London gallery Guggenheim Jeune.
The exhibition "Flesh and Bones: The Art of Anatomy" at Singapore's ArtScience Museum explores the history of anatomical representation as a cultural construct rather than a universal scientific truth. It juxtaposes Western anatomical atlases from the Renaissance with Chinese meridian (jingluo) systems, featuring works by artist Chiharu Shiota and other historical pieces that reveal how different cultures have visualized the human body through both scientific and spiritual lenses.
The New Museum has unveiled a major public sculpture by Sarah Lucas titled "VENUS VICTORIA," installed on its new outdoor plaza as part of the OMA-designed expansion on the Bowery. The large-scale work, which opened on May 12, 2026, and will remain on view for two years, inaugurates a long-term commission series dedicated to public sculpture by women artists. Lucas was selected by an all-artist jury including Teresita Fernández, Joan Jonas, Julie Mehretu, Cindy Sherman, and Kiki Smith, and is the first of five artists to be commissioned over the next decade. The sculpture extends Lucas's Bunny series, placing a reclining figure atop a giant washing machine to subvert traditional monumental statues.
The Hestia Artistic Journey National Grant Programme (Artystyczna Podróż Hestii) has announced the winners of its third edition, selecting eight projects from nearly 200 applications across Poland. The programme, subtitled "Opening Time" (Czas otwarcia), supports artists and cultural institutions planning exhibitions that address collective responsibility for global issues. Winners include "Ślady pamięci" by Fundacja Szałfynster in Katowice, exploring memory and dementia; "Głodne drzewa/Thirsty Trees" by Przemek Branas at the Central Museum of Textiles in Łódź, critiquing human greed through eucalyptus metaphors; and "Tymczasowa pława" by Norbert Delman at the State Art Gallery in Sopot, an installation on ecocide using a sunken fishing boat and amber. Each project will present an exhibition between July 2026 and the last quarter of 2027, with increased funding due to exceptional submissions.
Japanese Superflat artist Mr. has opened 'We’ll Meet Again', his first major museum solo exhibition in Japan in over a decade, at the Fukuoka Asian Art Museum. Running through June 21, 2026, the show features over 80 works including paintings, sculptures, installations, and video pieces, exploring themes of nostalgia, video games, manga, and the yanki subculture. Highlights include an immersive bedroom installation filled with beer cans and manga, a screening of his 2008 film 'Nobody Dies', and a new motorcycle work called 'itasha'.
Austrian artist Erwin Wurm has opened a new exhibition titled "Dreamers" at Museo Fortuny in Venice, featuring soft, mutable sculptures that probe bodily perception. The installation transforms the historic space with pliable forms that challenge traditional notions of sculpture and the human figure, inviting viewers to reconsider their relationship with physical objects and space.
The Metropolitan Museum of Art's Costume Institute has announced a new exhibition titled 'Costume Art,' opening to the public on May 10 and running through January 10, 2027. The show inaugurates the Met's nearly 12,000-square-foot expansion adjacent to the Great Hall, providing a permanent home for the Costume Institute's annual spring exhibitions. Featuring nearly 400 objects—half garments and half traditional art like sculpture and painting—the exhibition explores how clothing alters and enhances the human body, dividing 'the body' into 13 types such as 'The Classical Body' and 'The Corpulent Body.' The show includes works from designers like Coco Chanel, Jean Paul Gaultier, Thom Browne, and Alexander McQueen, paired with historical artifacts and contemporary art. The exhibition follows this year's Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, which raised a record $42 million for the Costume Institute.
The New Museum in New York has opened "New Humans: Memories of the Future," an exhibition curated by Chief Curator Massimiliano Gioni that explores a century of art predicting the fusion of humans and machines. The show features works by artists including Anicka Yi, Francis Picabia, Constantin Brancusi, and Marcel Duchamp, alongside robots and technological artifacts that blur the boundaries between bodies and technology. The exhibition is housed within OMA's newly expanded museum space on the Bowery.
The 2026 Met Gala, held at the Metropolitan Museum of Art under the theme 'Costume Art,' featured Black celebrities and socialites interpreting the human form as art on the red carpet. Notable attendees included Beyoncé in a skeletal silver gown by Olivier Rousteing, Colman Domingo inspired by Jean-Michel Basquiat, Rihanna in a custom Maison Margiela 'living sculpture' by Glenn Martens, and Venus Williams co-chairing the event while wearing a look referencing her own portrait by Robert Pruitt. Others like SZA, Tschabalala Self, and Cardi B offered surreal or literal nods to art history and body imagery.
The Metropolitan Museum of Art has opened a new exhibition titled "Costume Art," curated by Andrew Bolton, which pairs historical and contemporary garments with artworks from the museum's collection spanning 5,000 years. The exhibition is housed in the new 12,000-square-foot Condé Nast Galleries and runs from May 10, 2026 to January 10, 2027. It was launched in conjunction with the 2026 Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with celebrities like Emma Chamberlain, Naomi Watts, and Hunter Schafer wearing looks inspired by masterpieces in the Met's collection.
The Metropolitan Museum of Art's new exhibition 'Costume Art' features sculptural mannequins that are scanned from real bodies, including representations of corpulent and disabled bodies. The show uses 3D body scanning technology to create mannequins that accurately reflect diverse human forms, moving away from traditional idealized fashion mannequins.
The Metropolitan Museum of Art's Costume Institute opened a new exhibition titled "Costume Art," curated by Andrew Bolton, which pairs historical and contemporary garments with artworks from the Met's collection spanning 5,000 years. The exhibition debuted at the 2026 Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with celebrities like Rihanna, Emma Chamberlain, and Hunter Schafer wearing looks inspired by masterpieces such as Van Gogh's "The Starry Night" and Klimt's "Mäda Primavesi." The show runs from May 10, 2026, to January 10, 2027, in the new Condé Nast Galleries, a 12,000-square-foot space that centralizes fashion displays within the museum.
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The Metropolitan Museum of Art has opened a new exhibition titled "Costume Art" ahead of the 2026 Met Gala, featuring mannequins with diverse body types—including larger, pregnant, trans, and disabled bodies—created through 3D printing and based on real-life models. The show pairs roughly 400 artworks with garments, aiming to shift the traditional perspective by viewing art through the lens of fashion rather than the reverse.
The Metropolitan Museum of Art's Costume Institute has announced its latest exhibition, "Costume Art," opening May 10. Curated by Andrew Bolton, the show brings together garments and objects from across the museum's curatorial departments to explore the relationship between fashion and the human body. The exhibition is organized into thematic sections including the Naked & Nude Body, Classical Body, Abstract Body, Reclaimed Body, Pregnant Body, Corpulent Body, and Disabled Body, featuring works by designers such as Walter Van Beirendonck, LÛCHEN, Georgina Godley, Ann-Sofie Back, Di Petsa, Alessandro Michele for Gucci, and Vivienne Westwood, alongside historical art objects from Greek ceramics to Mesopotamian sculptures.
Marina Abramović has opened a new exhibition titled "Transforming Energy" at the Gallerie dell’Accademia in Venice, running concurrently with the Venice Biennale. Curated by Shai Baitel, the show spans the museum’s permanent collection and temporary exhibition spaces, featuring a timeline of the artist’s biography, video works, and interactive installations with crystals and stone objects. Abramović is the first living woman artist to receive a major solo exhibition at the museum, and the exhibition includes a digital avatar and rituals designed to slow down the viewer’s experience.
The Met Gala 2026 will take place on the first Monday in May, with the theme "Costume Art" and a dress code of "Fashion is Art." The accompanying exhibition at the Metropolitan Museum of Art explores depictions of the dressed body throughout time, pairing garments with artworks from the museum's collection. Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour are named co-hosts, while Jeff Bezos and Lauren Sánchez Bezos serve as honorary chairs. The event will debut the newly named Condé M. Nast Galleries, a permanent 12,000-square-foot space in the museum's Great Hall, allowing the exhibition to run for nine months from May 10, 2026 to January 10, 2027.
The Metropolitan Museum of Art has opened a new fashion exhibition titled "Costume Art" in its newly established Condé M. Nast Galleries. Curated by Andrew Bolton, the show features faceless mannequin heads by sculptor Samar Hejazi that reflect visitors' own images, encouraging self-reflection and empathy. The exhibition is structured around a typology of bodies, using mannequins of diverse body types modeled after named individuals to challenge traditional beauty standards. It explores the connection between fashion and the human form, positioning the dressed body as a unifying thread across the museum's collections.
This article from Google News, dated May 3, 2026, profiles a selection of artists who have used their own bodies as central elements in their work. It draws a connection to the Metropolitan Museum of Art's spring Costume Institute exhibition, "Costume Art," which places fashion in dialogue with other artworks. The roundup includes Marina Abramović, known for her 2010 MoMA performance "The Artist Is Present"; Chris Burden, who staged dangerous works like "Shoot" (1971); David Hammons, creator of the "Body Prints" series; Frida Kahlo, whose painting "The Broken Column" (1944) depicts her own physical pain; Ana Mendieta, whose "Silueta" series used her figure in the landscape; and Yoko Ono, a conceptual artist with a significant body-based practice.
A free immersive digital exhibition titled 'Meet Mona Lisa & Portraying the Renaissance' opens on May 1 at the Hong Kong Heritage Museum, running through July 27. Created in collaboration with the Musée du Louvre and the Grand Palais Immersif, the show is split into two sections: a multimedia journey guided by a narrated Mona Lisa across six chapters, including an interactive photo booth, and a second section featuring over 100 Renaissance treasures from European institutions. Highlights include four original manuscripts of the human body and faces by Leonardo da Vinci, shown for the first time in Hong Kong, alongside loans from the Pinacoteca Ambrosiana, the Musée national de la Renaissance, works by mainland artist Xu Lei, and items from the museum's own collection.
The Metropolitan Museum of Art has announced its 2026 exhibition "Costume Art," which will inaugurate the new Condé M. Nast Galleries. Curator Andrew Bolton explains the show will focus on the dressed body's connection to art history, emphasizing materiality and corporeality over visuality. A key preview piece is a Y/Project suit from FW22, designed by Glenn Martens and Jean Paul Gaultier, featuring a trompe-l'oeil nude male figure that will be displayed alongside a 1st–2nd century CE marble statue of Diadoumenos. Other sections include "The Naked Body," "The Aging Body," and "The Anatomical Body."
Marina Abramović will be honored with a major exhibition at the Gallerie dell’Accademia in Venice during the 61st Venice Biennale Arte in 2026, making her the first living woman artist to receive such a show at this historic institution. The exhibition coincides with her eightieth birthday and features works including the 1983 photograph *Pietà (with Ulay)*, placed in dialogue with Titian’s *Pietà*, alongside participatory elements like her Transitory Objects. Curated by Shai Baitel, the show unfolds within the museum’s Renaissance galleries rather than a separate wing.
Ocula's editors have curated a list of 10 must-see collateral exhibitions in Venice that are not part of the main Biennale. Highlights include Shirin Neshat's film trilogy "Do U Dare!" about YouTuber Nasim Aghdam, Hernan Bas's ironic paintings of tourists at Ca' Pesaro, and the group show "Outta Love" featuring Francesca Woodman, Jenny Saville, and Wolfgang Tillmans. Another notable exhibition is "Turāndokht" from Parasol unit, which brings together 11 female artists from Central Asia to challenge Orientalist stereotypes.
The Asian Art Museum in San Francisco has opened 'Chiharu Shiota: Two Home Countries,' the first solo exhibition in the Bay Area for the Japanese-born, Berlin-based artist. The show features her signature immersive installations of red thread, weaving together personal objects and exploring themes of memory, displacement, and identity.
Chinese artist Cao Fei has opened a new solo exhibition titled "Dash" at the Fondazione Prada in Milan. The exhibition presents a new body of work, including video installations and sculptures, continuing her exploration of digital realities, urban transformation, and the human condition in a rapidly changing world.
The Musée d’Art Moderne de Paris is presenting the largest retrospective in France in twenty years dedicated to photographer Lee Miller. The exhibition features nearly 250 prints, including previously unseen works, and traces her multifaceted career from model and Surrealist muse to fashion photographer and war correspondent.
Laasya Art is hosting a special exhibition in Palo Alto featuring the works of two of India’s most prominent contemporary artists, Laxma Goud and Thota Vaikuntam. The event includes the premiere of two original short films produced by the gallery, "Zauq: The World of Laxma Goud" and "Thota Vaikuntam: The Making of the Telangana Woman," which explore the personal histories and creative processes of these masters.