Turner Prize-winning artist Helen Marten stages epic opera during Art Basel Paris

Turner Prize-winning artist Helen Marten has created an epic opera-like exhibition titled "30 Blizzards." during Art Basel Paris, commissioned by fashion brand Miu Miu. The free exhibition at the Palais d'Iéna in Paris combines installation, video, and performance in a five-channel work activated by 30 performers, staged by theatre director Fabio Cherstich. The work features archetypal characters such as the Fox, the Mother, the Snail, and the Dog Walker, with a libretto written by Marten and music composed by Beatrice Dillon. This marks Marten's first foray into performance, expanding her sculptural and film practice into live, resonant bodies.

Glimpsing the future: William Kentridge opera has its New York premiere in Brooklyn

William Kentridge's award-winning chamber opera *Waiting for the Sibyl* (2019) makes its New York premiere this week at Powerhouse Arts in Brooklyn, as part of the inaugural Powerhouse: International arts festival. The opera, which won an Olivier Award in 2023, features an original score by Nhlanhla Mahlangu and Kyle Shepherd, and incorporates Kentridge's animated ink drawings, collages, text projections, and sculptures. Inspired by the Cumaean Sibyl of ancient legend, the work explores themes of fate and uncertainty, with paper leaves from texts like Dante's *Divine Comedy* symbolically blowing through the action. The production was originally commissioned by the Rome Opera as a companion piece to Alexander Calder's 1968 *Work in Progress*.

Venice Banksy mural removed as part of ‘innovative’ restoration project

A fading Banksy mural, *Migrant Child* (2019), depicting a child holding a flare and wearing a life vest, was removed from the façade of the 17th-century Palazzo San Pantalon in Venice on Wednesday night. Restorers cut out the wall section using angle grinders and hand tools from a barge, in an operation funded by the banking group Banca Ifis, the building's owner. The work—one of only two Banksy pieces officially attributed in Italy—had deteriorated significantly due to six years of exposure to the elements, with about a third of the image lost. It will undergo analysis and restoration under Federico Borgogni, who previously oversaw the removal of Banksy's *Aachoo!* in Bristol.

How Private Art Collectors In Singapore Are Helping To Shape Our Artistic Future

Singapore entrepreneur Chong Huai Seng and his daughter Ning Chong are presenting "Artist's Proof: Singapore at 60," a landmark exhibition at Artspace @ Helutrans running until 17 August 2025. Featuring over 90 artworks from Chong's private collection, the show spans 1940 to 2025 and includes more than 50 artists, mostly Singaporeans, such as Cultural Medallion recipients Cheong Soo Pieng, Chua Mia Tee, and Lee Wen, alongside emerging talents. For the first time, Chong commissioned 11 new artworks and an original musical composition for the exhibition, which he describes as his "love letter to Singapore."

The magic of Troy Hill—a series of unique whole house art installations in Pittsburgh

Evan Mirapaul, an art collector and former concert violinist, has transformed four ordinary homes in Pittsburgh's Troy Hill neighborhood into immersive, site-specific art installations. Inspired by Naoshima, Japan's art houses, Mirapaul commissioned artists including Thorsten Brinkmann, Robert Kuśmirowski, Lenka Clayton, Phillip Andrew Lewis, and Mark Dion to create entire-house works, such as a Cold War radio hub, a functioning lighthouse, and a natural history-filled home. The project began in 2013 and continues to expand, with Brinkmann's La Hütte Royal set to reopen in October.

‘A dialogue about rationality and irrationality’: Ai Weiwei to present new installation in Ukraine

Chinese artist and activist Ai Weiwei will unveil a major new commission in Kyiv, Ukraine, this autumn. The installation, titled "Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White," is a site-specific response to global armed conflicts, housed in Pavilion 13, a renovated Soviet-era exposition hall. The work features three large spheres covered in camouflage uniforms painted white, inspired by Leonardo da Vinci's illustrations, and incorporates patterns based on rescued cats. The project is commissioned by RIBBON International and supported by the Pavilion of Culture.

'Black Gold: Stories Untold' art exhibit reclaims forgotten histories of Black Californians at Fort Point

A new immersive art exhibition titled 'Black Gold: Stories Untold' opens at Fort Point in San Francisco, featuring 25 commissioned works by 17 artists that uncover the overlooked histories of Black Californians from the Gold Rush through Reconstruction. Curated by FOR-SITE, a nonprofit focused on art and place, the exhibition transforms the Civil War-era military fort into a multi-sensory space with beaded portraits, video installations, sculptures, and a tent installation by artist Umar Rashid. Works include Cheryl Derricotte's tribute to Mary Ellen Pleasant, a formerly enslaved woman who became a wealthy abolitionist.

Boston Public Art Triennial launches with more than a dozen projects across the city

The inaugural Boston Public Art Triennial launches on 22 May, bringing over a dozen site-specific installations, performances, and community-led activities to public spaces and cultural institutions across Boston through October. With a projected cost of $8 million, the free event features newly commissioned works by artists including Stephen Hamilton, Swoon, Nicholas Galanin, Beatriz Cortez, and Ekene Ijeoma, exploring themes such as Indigenous experience, trauma and healing, social justice, and humanity's relationship with nature.

TWO GENERATIONS OF KAQCHIKEL ARTISTS ENGAGE IN DIALOGUE IN GUATEMALA

An exhibition titled 'Xa jun ruk’oxomal qanima—A Shared Heartbeat' at La Nueva Fábrica in Guatemala brings together the work of two Kaqchikel Maya artists, Rosa Elena Curruchich and Angélica Serech, for the first time in their homeland. It features over 100 paintings by the late Curruchich, a pioneering self-taught painter, alongside recent and newly commissioned textile sculptures by Serech, creating a dialogue between painting and weaving.

CULTIVATING A VIRTUAL GARDEN LEO CASTANEDA'S NEW INTERACTIVE DIGITAL WORK

CULTIVATING A VIRTUAL GARDEN LEO CASTANEDA S NEW INTERACTIVE DIGITAL WORK

The Whitney Museum of American Art has launched a new interactive digital artwork titled 'Camoflux Recall Grotto' by artist Leo Castañeda. Commissioned for the Whitney Biennial 2026, the web-based game invites players to cultivate a garden within a surreal, primordial landscape inspired by the Amazon and the Everglades, blending organic and technical infrastructures.

THE WIND AS PROTAGONIST AT THE FINLAND PAVILION

Artist Jenna Sutela has been selected to represent Finland at the 61st Venice Biennale in 2026 with a multisensory installation titled Aeolian Suite. Curated by Stefanie Hessler and commissioned by Frame Contemporary Art Finland, the project transforms the Alvar Aalto-designed pavilion into a dynamic windscape using meteorological data, wind machines, and a children’s woodwinds orchestra. The work personifies five specific Venetian winds as protagonists in an elemental drama that blends scientific data with the theatrical traditions of Commedia dell’arte.

À Florence, une touriste poursuivie pour avoir endommagé la fontaine de Neptune

In Florence, Italy, a 28-year-old tourist is being prosecuted for damaging the historic Neptune Fountain during a bachelorette party on the night of April 18-19. She allegedly climbed the monument on Piazza della Signoria after a dare from friends to touch the statue's intimate parts, causing an estimated €5,000 in damages to the horses' legs and a decorative frieze. This follows a similar incident in September 2023, when a 22-year-old German tourist caused €5,000 in damage to the same fountain while posing for photos.

❤️ Atlanta, with love

This article from Rough Draft's Sketchbook newsletter highlights two Atlanta-focused art stories. Painter Carlos Solis, who left Venezuela for Kennesaw nearly two decades ago, curates "In the Beginning," a group exhibition opening May 9 at the Hudgens Center's Fowler Gallery in Duluth, featuring 15 artists from around the world who now call Georgia home. Separately, designer and illustrator George F. Baker III, originally from Nebraska and shaped by Detroit, was commissioned by the Mayor's Office of Cultural Affairs to create the key art for the 49th annual Atlanta Jazz Festival, and he discusses how the musical souls of both Detroit and Atlanta influenced his design.

Architectures, Projects and Visions: The Story of Santa Maria della Scala Goes on Show in Siena

Architetture, progetti e visioni. La storia del Santa Maria della Scala va in mostra a Siena

The Fondazione Antico Ospedale Santa Maria della Scala in Siena has launched a new regeneration project for the historic complex, 40 years after it ceased functioning as a hospital. The foundation, led by president Cristiano Leone and director Chiara Valdambrini, commissioned Luca Molinari Studio to analyze the original design by Guido Canali and coordinate a collaborative masterplan involving three international architecture firms: LAN Architecture, Odile Decq with Pangalos Feldmann Architectes, and Hannes Peer Architecture. An exhibition titled "Santa Maria della Scala. Architetture, progetti e visioni" will open on May 30, 2026, curated by Luca Molinari, showcasing the architectural plans and visions for the site.

Delicacy as Resistance. Interview with the Curator of the Turkey Pavilion at the Venice Biennale

La delicatezza come resistenza. Intervista alla curatrice del Padiglione Turchia alla Biennale di Venezia

For the 2026 Venice Biennale, the Turkey Pavilion, commissioned by the Istanbul Foundation for Culture and Arts (İKSV), will present "A Kiss on the Eyes" by artist Nilbar Güreş, curated by Başak Doğa Temür. The exhibition takes its title from a Turkish expression conveying affectionate closeness without intrusion, and features a mix of new productions and earlier works spanning sculpture, installation, painting, and works on paper and fabric. In an interview, curator Temür explains that the project avoids a retrospective or didactic approach, instead creating a spatial rhythm of approach, pause, and slight withdrawal, where intimacy, politics, irony, and fragility press against one another.

UK Heritage Department feared ‘mass restitutions’ when Stone of Scone was returned to Scotland

Newly released UK government files reveal that in 1996, the Department of National Heritage strongly opposed Prime Minister John Major's decision to return the 13th-century Stone of Scone to Scotland. The department's cultural property unit head, Lynn Gates, warned that the return would set a 'precedent to mass restitution,' triggering claims from Greece for the Parthenon Marbles, Egypt for the Rosetta Stone and Sphinx's Beard fragment, and Nigeria for the Benin Bronzes, with fears of further demands from Ethiopia, India, Pakistan, and other nations. The internal memo criticized Major for failing to consult the department before agreeing to the transfer from Westminster Abbey.

First-Ever Atrium Gallery Exhibition honors Texas Trailblazing Women at McKinney Cotton Mill

MillHouse Foundation, in partnership with Cotton Mill Partners, has launched the inaugural America 250: Texas Trailblazing Wonder Women Exhibition at the newly opened Atrium Gallery inside the McKinney Cotton Mill Arts and Design District in McKinney, Texas. Running from June 12 through August 26, the exhibition features 24 large-scale original works by Texas artists honoring influential Texas women such as Barbara Jordan, Lady Bird Johnson, Ann Richards, Simone Biles, Beyoncé, and Selena Quintanilla. All artworks are available for purchase, and a Meet the Artists Reception on June 27 will announce award recipients including the $5,000 Texas Trailblazer Award.

The delirious teaser by the creators of 'Panique au village' for the reopening of the Musée de la Figurine in Compiègne

Le teaser délirant des créateurs de « Panique au village » pour la réouverture du musée de la Figurine à Compiègne

The Musée de la Figurine in Compiègne, France, is set to reopen on May 23, 2026, after a major renovation. To promote the reopening, the museum commissioned Stéphane Aubier and Vincent Patar, the creators of the cult stop-motion series "Panique au village" (known for its absurd plastic figurines), to produce a teaser video. The museum, which holds a rare collection of nearly 155,000 figurines spanning from prehistory to the present, has been redesigned with a 1,000-square-meter space, six thematic areas, interactive displays, and a monumental diorama of the Battle of Waterloo featuring 12,000 figurines, now enhanced with augmented reality. Admission will be free for all from May 23 to August 16, 2026.

This Risograph Studio Celebrates 400 Artist Postcards Mailed Around the Globe

Glasgow-based design studio Risotto is celebrating a major milestone for its Riso Club subscription service with a retrospective exhibition at the Glue Factory. Since 2017, the club has commissioned and mailed four artist postcards monthly to subscribers worldwide, reaching a total of 400 unique works. The exhibition, running from April 11 to 19, marks the 100th mailing and showcases the full collection of prints together for the first time.

Doyen retrouve la chapelle Saint-Louis

A cycle of eleven paintings commissioned in 1772 for the Chapelle Saint-Louis at the École Militaire in Paris, depicting the life of Saint Louis, has been rediscovered. The chapel was built under Louis XV by architect Ange-Jacques Gabriel, and the paintings were executed by Jean-Baptiste-Marie Pierre following a carefully devised iconographic program. The discovery sheds new light on a major decorative ensemble from the Ancien Régime.

art brick hamza walker curator

Hamza Walker, the renowned curator and director of the Los Angeles nonprofit art space the Brick, is featured as a 2026 CULT100 honoree. He was a key driver behind the ambitious exhibition “Monuments,” which places decommissioned Confederate monuments alongside contemporary art at a time when American cultural history is increasingly politicized. The article includes a brief Q&A with Walker, touching on his personal tastes, work philosophy, and reflections on his career.

literature kathryn scanlan audrey wollens interview

The article describes a visit to the American Academy of Arts and Letters in New York to see two concurrent exhibitions: Sam Contis's "Phases," featuring black-and-white motion portraits and a three-channel film of teenage girls running a five-kilometer race, and Diane Simpson's "Formal Wear," a sculptural exploration of femininity's exoskeletons using industrial materials. Literary accompaniments were commissioned for both shows—Kathryn Scanlan wrote a story for Contis's exhibition, and critic Audrey Wollen contributed an essay for Simpson's—blending visual art with prose to examine themes of adolescence, identity, and self-construction.

Nike Okundaye leads Nigerian artists to historic U.S. show

Nike Okundaye, founder of Nike Art Gallery, is leading 13 US-based Nigerian artists in a cultural diplomacy initiative titled "Threads of Heritage: A Cultural Confluence Connecting Africa to Atlanta." Organized by Fulton County Arts and Culture under Commissioner Robb Pitts and Director David Manuel, alongside Georgia State Representative Kim Schofield, the show opened last Friday at Fulton County Arts and Culture Downtown exhibition space in Atlanta. The event features artists including Shayee Awoyomi, Lasaki Olubunmi, Adeleke Akeem, Ola Balogun, Ajibade Awoyemi, and Bimbo Samson Adenugba, among others, and includes masquerade performances, African-American dances, and cuisines. The exhibition runs through the end of June.

Sienna Art Gallery & Gifts Opens at 129 S. Gay Street

Sienna Art Gallery & Gifts has officially opened at 129 S. Gay Street in Knoxville’s downtown Arts District. Founded by watercolorist Gayla Seale, fiber artist Judi Gaston, and painter Blanche Nicoll, the space serves as both a working studio and a retail gallery. The venue debuted during a recent First Friday event, featuring original works, architectural cityscapes, handwoven garments, and guest artist rotations, including pieces by Cynthia Markert.

Why Italy's cultural wealth never really enters public accounts and budgets?

Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?

Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.

In Salento c’è una residenza che mette gli artisti in contatto con territorio e storia della Puglia. Intervista

In Casamassella, in the heart of Salento, Red Lab Gallery's residency program has produced "Chiedete al vento, all’onda, alla stella, all’uccello," a project by artists Agata Ferrari Bravo and Thomas Michael Saccuman with an intervention by Flavio Favelli, curated by Leonardo Regano. The centerpiece is a large bird-cart, a hybrid sculpture and performative device made from papier-mâché, fragments of festive lights, and objects collected from the local area, designed to be disassembled and reactivated. Favelli's installation transforms decommissioned luminarie into a suspended environment that amplifies the work's ambiguous, almost ritualistic quality.

Iran has not withdrawn from 2026 Venice Biennale, pavilion commissioner says

Iran has denied withdrawing from the 2026 Venice Biennale, despite the Biennale's announcement that the country would not participate. Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture and Islamic guidance and the country's pavilion commissioner, stated that Iran requested more time rather than submitting a withdrawal. He cited the US-Israel war with Iran, political and economic challenges, and a sharp currency devaluation that tripled projected costs as reasons for the delay. Iran proposed a shorter two-to-three-month participation, which was rejected, but has since sent a letter insisting on opening its pavilion even after the opening. The foreign ministry has intervened to support Iran's participation, and a final response from the Biennale is expected soon.

Swimming pools and school rules: artist Chan Wai Lap on the unusual themes behind his installations

Hong Kong artist Chan Wai Lap is presenting several projects tied to Art Basel Hong Kong, including a commissioned jacuzzi-like seating installation called 'Mimimomo Pool' for UBS and an exhibition titled 'Jeremy’s Bathhouse' at the Oi! arts complex. His work explores the visual order and social rules of regulated aquatic spaces like public swimming pools and bathhouses, translating observations of tiled surfaces, lane markings, and behavioral codes into drawings and installations.

jungle book illustrations rudyard kipling rediscovery 2746662

Two rare original watercolor illustrations for Rudyard Kipling’s 1903 edition of The Jungle Book were rediscovered in a London family home and sold at Roseberys auction house for a combined £130,480 ($174,940). Created by twin brothers Edward Julius and Charles Maurice Detmold, the works—titled Mowgli and Bagheera and The Cold Lairs—had been hanging unassumingly for decades. The sale price significantly exceeded expectations, with the Mowgli illustration alone fetching more than four times its high estimate.

venice biennale russian pavilion eu threatens funding 1234776850

The European Union has threatened to withdraw funding from the Venice Biennale if the organization proceeds with hosting a Russian national pavilion for the 2026 edition. EU commissioners Henna Virkkunen and Glenn Micallef issued a joint statement arguing that providing a platform for Russia is incompatible with the EU's response to the ongoing invasion of Ukraine. While the Biennale Foundation maintains a policy of neutrality, stating it rejects the censorship of any country recognized by Italy, the EU warned that continued participation could result in the suspension or termination of active grants.