The 'Living in Color' exhibition opened at the chapel in Dorothea Dix Park in Raleigh, North Carolina. The show, curated by the Raleigh Film and Art Festival, features work from more than 40 visual artists and performers, blending visual art with live music, spoken word, and dance. It is free to the public and will run throughout February in celebration of Black History Month.
A marble portrait bust by 19th-century sculptor Edmonia Lewis, previously known only as a portrait of an unidentified woman, has been reattributed to depict social reformer Ednah Dow Littlehale Cheney. The bust, held by the Bowdoin College Museum of Art, will be included in the upcoming national touring exhibition "Edmonia Lewis: Said in Stone," opening at the Peabody Essex Museum in February 2026.
Emilia Galatis Projects, a Perth-based gallery focusing on Western Australian First Nations artists, will present the first Melbourne solo exhibition by Corban Clause Williams at Melbourne Art Fair 2026, running February 19-22. The show will debut 15 new paintings and design works extending Williams' Manyjilyjarra Country and culture into sculptural and textile forms, accompanied by a Martu Wangka artist talk with Anya Judith Samson. Williams, born in 1994 and based in Parnngurr Community, has gained rapid acclaim for canvases weaving ancestral knowledge with contemporary visual language, and was named an inaugural Creative WA Fellowship recipient in late 2025.
The article reports on the opening night of the exhibition 'Eyes in the Forest' at an unspecified venue, highlighting the energetic atmosphere and attendance at the event. The exhibition appears to be a local art show, likely featuring works related to nature or the forest theme, drawing a crowd for its first night.
Artist Ai Weiwei returned to his native China after 10 years in exile, making a quiet three-week trip to Beijing last month. It was his first visit since authorities returned his confiscated passport in 2015, allowing him to leave China and live in Europe. During the trip, Ai was briefly interrogated at the airport but otherwise faced no interference. He shared photos and videos on Instagram, and told CNN the visit felt like a reconnection after a decade-long disconnection. The trip was partly motivated by a desire for his 17-year-old son and 93-year-old mother to meet.
Larry Gagosian has opened a major exhibition of Jasper Johns's crosshatch paintings from 1973 to 1983 at his Upper East Side gallery in New York. In a forthcoming Gagosian Quarterly interview, Gagosian explains his motivation simply: he wanted to look at the works. The show features key pieces including all six versions of "Between the Clock and the Bed" (1981), borrowed from top-tier collectors and museums such as the Museum of Modern Art, the Virginia Museum of Fine Arts, and the National Gallery of Art. Gagosian recounts first encountering the crosshatch paintings in 1976 at Leo Castelli's gallery, before he had met Johns, through his connections with Merce Cunningham and John Cage.
Two best friends, Amir Amini and Saina Heshmati, founded ANTiPODE gallery in Seattle in September 2025. The gallery prioritizes immigrant and established artists, with 70% of exhibitions dedicated to immigrant artists and 30% to local artists, aiming to act as a cultural bridge between Seattle and cities like Tehran. The founders previously curated a group exhibition called "Postcard from Tehran" at the RailSpur building, which inspired the gallery's mission. ANTiPODE also hosts events such as movie nights and experimental music and dance performances to connect with the local community.
The Saint Louis Art Museum announced that a portion of the landmark exhibition "Anselm Kiefer: Becoming the Sea" will remain on display in its Sculpture Hall through Spring 2027. The installation features five monumental, three-story paintings—including "Missouri, Mississippi," "Lumpeguin, Cigwe, Animiki," and "Am Rhein"—that were among the most popular pieces of the exhibition, which drew around 150,000 visitors during its 14-week run. The extension was prompted by strong public turnout and the artist's personal connection to the space.
Estes Park News has issued a call for artists to participate in the Dead of Winter Exhibition & Art Sale, held in conjunction with the Frozen Dead Guy Days festival. The event invites visual artists to submit work for a themed winter exhibition and sale, offering a platform for local and regional creatives to showcase and sell their art during the quirky Colorado festival.
Jonathan Carver Moore, founder of an eponymous gallery in San Francisco, is presenting a solo booth of new paintings by Cameroonian-born artist Sesse Elangwe at the FOG Design + Art Fair. The works, developed during a residency with the gallery, depict local Bay Area subjects against recognizable backdrops. Moore, who opened his gallery in 2023 after a career in nonprofit communications and criminal justice reform, emphasizes creating an inclusive, conversational atmosphere for art viewing and collecting.
An art gallery has opened in the West York borough building in memory of fallen police Officer Andrew Duarte, featuring one of his own photographs from a trip to Portugal. The gallery held an opening reception on January 22, 2026, where his mother, Nancy Duarte Matarese, expressed that her son would have loved the tribute.
The Memphis Art Museum, designed by Herzog & de Meuron in collaboration with archimania and OLIN, is taking shape ahead of its December 2026 opening. The 11,475-square-meter building along the Mississippi River features a glass facade, a public plaza shared with the historic Cossitt Library, a shaded courtyard, flexible gallery spaces, and a rooftop sculpture garden. The museum is among the first major US museums to use laminated timber construction. Updated renderings and construction images by Houston Cofield have been released, along with details of a curatorial shift that will organize the collection into 18 exhibitions focused on lived experience rather than traditional art historical chronologies.
A new student-curated exhibition titled “Through Different Eyes: Industrial Worlds by Women Artists” will open on January 22 at the Earth and Mineral Sciences Museum and Art Gallery at Penn State University Park. The exhibit, curated by undergraduates Alexis Woodring and Gabriella Heidorn, features works from the EMS Steidle Collection of American Industrial Art, highlighting women artists in 20th-century industrial Pennsylvania. The opening reception runs from 4 to 6 p.m. and is free to the public.
A new exhibition at Hauser & Wirth in St. Moritz, titled "Alberto Giacometti: Faces and Landscapes of Home," explores the Swiss artist's deep connection to his birthplace, the Alpine village of Stampa. Curated by Tobia Bezzola, the show features around 20 paintings, sculptures, and drawings from 1918 through the 1960s, including portraits of Giacometti's family and depictions of the local landscape. It highlights how Giacometti, after initially escaping to Paris in 1922, returned increasingly to the Engadine valley from the 1950s onward, working in his father's studio and producing works distinct from his Parisian output.
Sotheby's Institute of Art, the academic arm of the Sotheby's auction house, is expanding its focus on luxury business education with three M.A. programs in Luxury Business. These programs, offered in New York and London as well as online, train students in sectors such as fashion, jewelry, watches, and wines and spirits, leveraging the institute's connections to the art market and luxury brands like Chanel, Cartier, LVMH, and Tiffany & Co. Program director Natasha Degen and Dr. Federica Carlotto emphasize the blurring boundaries between art and luxury, and the need for cross-disciplinary expertise.
Rebecca Salsbury James, an artist who mastered reverse painting on glass and colcha embroidery, is gaining renewed attention. Born in 1891 in London to parents involved in the Buffalo Bill Wild West Show, she later moved to Taos, New Mexico, where she lived until her death in 1968. She was married to photographer Paul Strand, a close friend of Georgia O'Keeffe, and exhibited at Alfred Stieglitz's gallery. Recent milestones include her inclusion in the 2025 Site Santa Fe International, a new acquisition by the Georgia O'Keeffe Museum, and a record auction price for her work at Christie's in 2016.
The article highlights Houston's vibrant gallery scene, focusing on the accessibility and social appeal of free art openings. It profiles 87-year-old Patti Lou Richardson, a regular attendee who, along with her family's "art posse," frequents openings at venues like Foltz Fine Art, Monterroso Gallery, and others across neighborhoods such as Montrose, Midtown, and the Arts District. The piece also notes resources like the Mused Houston newsletter and Glasstire magazine that help locals discover weekly events.
The article describes the Arts and Culture Programme at the World Economic Forum's Annual Meeting in Davos, centered on the theme 'A Spirit of Dialogue.' It features performances and installations including the Mahler Chamber Orchestra with violinist Renaud Capuçon and an AI-generated visual installation by artist Ronen Tanchum, a concert by musician Jon Batiste, Thijs Biersteker's data-driven installation 'Forestate' created with Unesco, and Marina Abramović's mobile installation 'THE BUS.' The programme is structured around three pillars: Human Presence in the Digital Age, Tradition and Innovation, and Connection and Collaboration.
The FOG Design and Art Fair celebrated its 10th anniversary with a buoyant 2024 edition at San Francisco's Fort Mason Center, opening January 18. The fair saw brisk sales, including a Jim Hodges canvas sold for $115,000 at Gladstone Gallery and multiple works by Anicka Yi, Yayoi Kusama, Wolfgang Tillmans, and Ruth Asawa at David Zwirner. Tina Kim Gallery sold works by South Korean artists Kim Tschang-Yeul and Ha Chong-Hyun, as well as two Pacita Abad pieces, with one fetching $200,000 to $250,000. The San Francisco Museum of Modern Art (SFMOMA) acquired several works for its permanent collection via the FOG Forum Fund, including pieces by Maria Pergay, Duyi Han, and Katie Stout.
Tend Space Art Center in Chauncey, Ohio, has opened a new group exhibition titled 'Caretaker,' featuring works by five artists—Chloe Sampson, Zelda Thayer-Hansen, Ellie Dale, Julia Weber, and Isabella DeRose—all of whom attended Ohio University for their undergraduate degrees. Curated by Selena 'Len' Loomis, who also runs the campus galleries at OU’s School of Art and Design, the show explores themes of personal growth, self-care, and responsibility to others. The exhibition includes ceramics, sculpture, and performance-based photography, and is on display until Saturday at 48 Converse Street.
The article is a personal essay by the author reflecting on the life and art of their father, Samuel Kahn (1927-2007), a self-taught artist and clinical psychologist who struggled with bipolar depression. A posthumous exhibition titled "Samuel Kahn, Ph.D. + Friends" opens on 29 January at the Gordon Art Galleries at Old Dominion University in Norfolk, Virginia, featuring around 50 of his wood-carvings, paintings, and sketches. The author describes how they once believed their father had wasted his life, but now sees his vibrant, untrained works as a source of joy and connection.
Guild Hall in East Hampton is opening two exhibitions on Sunday: “Jason Bard Yarmosky: Time Has Many Faces,” a decade-long series of meticulously rendered portraits focusing on the artist’s aging grandparents, and “Liberty Labs: A Decade of Design,” featuring furniture, lighting, and objects by 33 current and former members of the Liberty Labs Foundation design collective. The portraits blend 17th- and 18th-century painting techniques with contemporary, often playful imagery, while the design show highlights collaborative experimentation. Museum director Melanie Crader, who curated both shows, notes that the artists share Brooklyn bases and East End ties.
CHAMP gallery in Grass Valley, California, opened a new exhibition titled "Convergence" that blends visual art with live performances. The opening featured works by local artists alongside dance, music, and spoken word performances, creating an immersive experience for attendees. The exhibition aims to break down traditional boundaries between artistic disciplines.
Dazed Club has partnered with The Gallery at Hackney Downs Studios to offer an aspiring curator the chance to stage an exhibition in East London for three weeks starting 12 March. The selected curator will receive a £1,000 fee, a £2,000 production budget, and support from the Dazed team, including a private view. Applications are open via the Dazed Club app until 10am on 29 January.
British artist Henry Walsh, known for his intricate paintings of miniature worlds filled with tiny figures and narratives, has announced a series of exhibitions for 2025 and 2026. His work will be shown at Fresh Art Fair in London (January 31–February 2, 2026), the Affordable Art Fair New York and Austin editions in March and May, and a solo show titled "Changing Seasons" at Fine Art Consultancy from June 10 to July 12. The exhibitions follow a private commission inspired by the Austin City Limits Festival, which Walsh used as a starting point for his painting "Pageant" (2025), featuring music icons like Bonnie Raitt and Leon Bridges.
At least four Iranian artists have been killed by police and militias during anti-government protests that began in December, according to Artists at Risk Connection (ARC). The victims include sculptor Mehdi Salahshour, filmmaker Javad Ganji, fashion designer Rubina Aminian, and hip-hop artist Soroush Soleimani. ARC condemned the extrajudicial killings, internet blackouts, and suppression of dissent, while the Iranian Independent Filmmakers Association (IIFMA) reported over 2,000 civilian deaths and called for international intervention.
Arleen Olshan, a Mt. Airy–based artist and activist, opens her latest exhibition “Arleen Olshan: The Tangle I’ve Gotten Into” on Jan. 16 at iMPeRFeCT Gallery in Germantown, running through Feb. 21. The show combines two series: “Dead Dykes & Some Gay Men,” a memorial portrait series honoring LGBTQ+ activists and loved she has lost—including a long-delayed painting of her friend Gil Forman and his partner Zach—and “Women Loving Women,” large-scale figurative works from the 1970s and 1980s celebrating lesbian feminist intimacy and liberation. The exhibition also includes an archival element of memorial cards and newspaper clippings Olshan saved over decades.
British artist David Hockney has publicly criticized plans to loan the Bayeux Tapestry from France to the British Museum in London, calling the move “madness.” Writing in The Independent, Hockney argues that the 11th-century embroidery, which depicts the Norman invasion of England, could be damaged during transport across the English Channel, citing risks to its aged linen backing and wool threads. The tapestry is set to be displayed at the British Museum’s Sainsbury Exhibitions Gallery from September 2026 to July 2027 while its home in Normandy undergoes renovations. In response, British Museum director Nicholas Cullinan defended the loan, citing the museum’s expertise in handling ancient artifacts. The UK Treasury will insure the tapestry for an estimated £800 million, and in exchange, British treasures including the Lewis chessmen and Sutton Hoo helmet will travel to Normandy.
The Mississippi Museum of Art in Jackson is presenting 'Joe Overstreet: Taking Flight,' a major exhibition featuring three collections of the late artist's work, including his 'Flight Patterns' series. The show, organized by The Menil Collection in Houston and running through Jan. 25, 2026, highlights Overstreet's abstract phase with works from the 1960s, 1970s, and 1990s that use ropes and metal grommets to create multi-dimensional pieces exploring themes of flight and movement. The exhibition includes loans from private collections, other museums, and the Eric Firestone Gallery, which represents Overstreet's estate.
ClearStory Arts in Chattanooga is hosting an exhibition titled "The Inexpressible Contained," running through January 31, 2026, featuring original works by 13 local artists inspired by anonymous unsent letters collected during citywide mailbox pop-ups. During the opening reception on January 2, 2026, artist Anna Wise was moved to tears when the author of one of the letters she illustrated purchased her watercolor painting, titled "Shadows." The exhibition includes diverse media such as paintings, mosaics, ceramics, fiber arts, and a full-size puppet, with a desk where visitors can write their own anonymous letters.