Spain, sculpted in sand at Tottori museum’s landmark 20th exhibition

The Tottori Sand Museum in Japan has opened its 20th anniversary exhibition, themed around Spain. The show features monumental sand sculptures recreating iconic Spanish landmarks, including several of Antoni Gaudí's structures, most notably the Sagrada Familia basilica. The exhibition began last month and will run through January 3, continuing the museum's tradition of annual themed displays that began outdoors in 2006 and moved to a dedicated indoor building in 2012.

Photo Gallery: The artists behind UTRGV’s senior art exhibition ‘sonder’

The article is a photo gallery showcasing the senior art exhibition 'sonder' at the University of Texas Rio Grande Valley (UTRGV). It features the work of graduating art students, highlighting their individual projects and creative processes as part of their final academic showcase.

The Venice Biennale of Art has begun! The pavilions you should not miss this year

The Venice Biennale of Art has officially opened, showcasing national pavilions and exhibitions from around the world. The article highlights key pavilions that visitors should prioritize this year, offering a curated guide to the most notable presentations at the prestigious international art event.

Arts Council News – Fine Art Exhibition Awards

After the firestorm: First look at Australian artist’s Venice Biennale works

Australia has opened its pavilion at the Venice Biennale featuring artist Khaled Sabsabi's multimedia installation "conference of one's self," a vivid work inspired by a 12th-century Sufi poem. The exhibition follows a political firestorm: Creative Australia initially selected Sabsabi and curator Michael Dagostini to represent the country, then rescinded the invitation after controversy over a 2007 video featuring Hezbollah leader Hassan Nasrallah. The decision was later reinstated, and Sabsabi also has a companion work in the main Biennale exhibition curated by Koyo Kouoh. The pavilion is funded by the federal government and private donors including Simon Mordant and the Turnbull Foundation.

Calling all ‘deadly’ creatives: Share your art this NAIDOC

Gunnedah Shire Council is calling for submissions for its annual NAIDOC Week Art Exhibition, which will celebrate 50 years of the 'Deadly' theme. Artists, hobbyists, schools, and community members are invited to submit works in any medium, including weaving, wood etching, metal work, dot painting, and decorated didgeridoos. A free workshop for First Nations women, led by emerging artist Hollie Crawford, will be held on 9 May to help participants create pieces for the exhibition. Entries are due from 22 to 28 June at the Gunnedah Bicentennial Creative Arts Gallery, with the exhibition running from 3 July to 7 August.

Remains of time: Discarded Material Finds New Life As Artwork

Two Indian artists, Manveer Singh (aka Plasticvalla) and Smriti Dixit, are creating artworks from discarded materials to address environmental degradation. Singh transforms multi-layered plastic waste into sculptures inspired by local landscapes and folk traditions, such as a snow leopard for Spiti Valley and a landfill-inspired piece for Delhi. Dixit finds her practice meditative, while other young artists like Anuja Dasgupta and Mrugen Rathod recently exhibited at the 'Sustaina' exhibition using recycled materials like agricultural waste and discarded hotel textiles. Additionally, Tara Lal's Aranyani Pavilion, made from invasive Lantana Camara wood, was displayed at Sunder Nursery to promote forest restoration.

‘Time and Tide’ exhibition reveals Petaluma River through local artists’ eyes

The Petaluma Historical Library and Museum is hosting 'Time and Tide,' a multimedia exhibition running through June 6 that explores the Petaluma River and its wetlands through 90 works including watercolors, photographs, poems, and sketches. The show, subtitled 'An Artful Exploration of Petaluma’s Wetlands,' opened April 9 and features contributions from local artists such as Leslie Ihrig, Zoe Caron, Dan Rogers, David Tomb, Marion Hatcher, and Sonoma County Poet Laureate Dave Seter, alongside taxidermy from the Petaluma Wildlife Museum and a video presentation.

Turner Center for the Arts honors regional artists at the 39th Annual Spring Into Art Exhibition Gala

The Annette Howell Turner Center for the Arts in Valdosta hosted its 39th Annual Spring Into Art Gala on April 13, drawing hundreds of attendees. Over 150 regional artists submitted more than 300 original works for the region's most prominent art exhibition, which remains on display through June 10. Cash prizes totaling $6,000 were awarded across four categories, with Joe Morgan winning Best of Show for his painting "Lobster Lottery." The exhibition was curated by Madison Caldwell, and admission to the galleries is free.

How Art Auctions Choreographed a $2.5 Billion Comeback

Major auction houses orchestrated a $2.5 billion comeback in the 2024 season after four years of uneven sales, according to a New York Times analysis. The recovery was engineered by redefining buyer and seller expectations, with houses adjusting estimates, guarantees, and sale structures to stimulate demand and close high-value transactions.

SPAIN ORIOL VILANOVA AND THE ABOLITION OF THE MUSEUM AND THE ARCHIVE

The Spanish Pavilion at the 61st Venice Biennale presents "Los restos," a project by Catalan artist Oriol Vilanova, curated by Carles Guerra. The installation transforms the pavilion into an anti-museum or pseudo-museum, featuring Vilanova's collection of postcards sourced from flea markets over more than twenty years. The work critiques traditional archival systems through accumulation, repetition, and fragmentation, and includes a publication and a performative action titled "El fantasma de la libertad" (2026), inspired by Luis Buñuel, which will take place across the Giardini and Arsenale.

Spain: Oriol Vilanova and the Abolition of the Museum and the Archive

ESPANA ORIOL VILANOVA Y LA ABOLICION DEL MUSEO Y EL ARCHIVO

The Spanish Pavilion at the 61st Venice Biennale presents "Los restos," a project by Catalan artist Oriol Vilanova, curated by Carles Guerra. The installation transforms the pavilion into an anti-museum or pseudo-museum, featuring over twenty years of postcards collected from flea markets, arranged in a wall-based accumulation that challenges linear narrative and archival hierarchy. The project also includes a publication and a performative action titled "El fantasma de la libertad" (2026), inspired by Luis Buñuel, which will take place across the Giardini and Arsenale through unannounced encounters.

CHILE AT THE 2026 VENICE BIENNALE NORTON MAZA PRESENTS INTER REALITY

Chile will participate in the 61st Venice Art Biennale with the exhibition "Inter-Reality" by artist Norton Maza, curated by Marisa Cachiolo and Dermis León, and managed by Claudia Pertuzé. The monumental installation, on view from May 9 to November 22, 2026 at the Sala dell'Isolotto in the Arsenale complex, contrasts an exterior referencing geopolitics, landscape, and ecology with an interior of precarious dioramas blending classical European painting and contemporary issues like fake news, migration, and environmental devastation. The work includes a soundscape of helicopters, airplanes, ancestral chants, and nature sounds recorded in Chile.

EL SALVADOR MAKES ITS DEBUT AT THE VENICE BIENNALE WITH ITS OWN PAVILION

El Salvador will debut its own national pavilion at the 61st Venice Biennale, running from May 9 to November 22, 2025. The exhibition, titled "Cartographies of Displacement," features the sculptural series "Children of the World" by Salvadoran-American artist J. Oscar Molina, curated by Alejandra Cabezas and commissioned by Dr. Astrid Bahamond. The pavilion is located at Palazzo Mora, showcasing Molina's elongated, faceless monumental figures that explore the migrant experience and global diaspora.

Extraordinary opening of Forte Aurelia in Rome. The military garrison becomes a new space for culture

Apertura straordinaria del Forte Aurelia a Roma. Il presidio militare diventa nuovo spazio per la cultura

After ten years of restoration, the Forte Aurelia complex in Rome has reopened to the public as a cultural space, museum, and venue for events and exhibitions. Built between 1877 and 1881 as part of Rome's defensive ring, the fort was later used as a shelter, Red Cross hospital, and logistics center for the Guardia di Finanza. The official inauguration took place on the symbolic date of Rome's founding, attended by Mayor Roberto Gualtieri, Economy Minister Giancarlo Giorgetti, and Culture Minister Alessandro Giuli, who framed the project within a broader strategy to enhance the city's historical heritage.

Milan Depaves: A New Garden Arrives to Combine Sustainability and Culture

Milano si depavimenta: sta per arrivare un nuovo giardino per tenere insieme sostenibilità e cultura

Construction will begin in the coming weeks on Giardino Manifesto, an urban regeneration project at the historic Milanese cultural space Santeria Toscana 31. Presented on May 19, 2026, with Mayor Giuseppe Sala, Gruppo CAP President Yuri Santagostino, and architect Cristiana Cutrona of ReValue, the initiative transforms a fully paved external area into a green infrastructure applying sponge city (SUDS) principles. The design includes rain gardens, drainage surfaces, a rain-collecting amphitheater, and a sensory garden, aiming to reduce flood risk and lower perceived temperatures by up to 4-5°C through de-paving and resilient vegetation.

A Genova riapre dopo un lungo restauro la Torre Grimaldina. La visita al belvedere di Palazzo Ducale

The Torre Grimaldina, a medieval tower in Genoa's Palazzo Ducale, has reopened after extensive restoration and safety upgrades funded by Italy's PNRR (National Recovery and Resilience Plan). Built in the late 13th century as a symbol of municipal power, the tower later served as a prison for political dissidents, including Risorgimento patriots and anti-fascist activists, as well as the violinist Niccolò Paganini. The restoration has preserved historic graffiti and inscriptions left by inmates, while reopening the tower's belvedere offering panoramic views of the city.

A Roma un evento per indagare le relazioni tra scienza e moda. Intervista alla curatrice Dobrila Denegri

From May 13 to 15, 2026, the MACRO – Museo d’Arte Contemporanea di Roma will host "Science Fashion," an event curated by Dobrila Denegri that explores the intersections of fashion, science, and new technologies. The program brings together international researchers and practitioners in experimental fashion to discuss urgent issues such as climate emergency, energy, and interspecies coexistence. It is part of the broader multi-year initiative "Experiments in Fashion and Art," launched in 2024 with "Critical Fashion," and involves collaborations with NABA, Sapienza University of Rome, and UnitelmaSapienza.

At the Venice Biennale there is a pavilion of shit! Luxembourg participates with a project that talks about poop

Alla Biennale di Venezia c’è un padiglione di merda! Il Lussemburgo partecipa con un progetto che fa parlare la cacca

The Luxembourg Pavilion at the 2026 Venice Biennale features an installation titled "La Merde" by artist Aline Bouvy, centered on a cinematic manifesto that uses excrement as a metaphor to explore shame, social classification, and bodily discipline. The immersive environment includes a film, spatialized sound composition, and a steel-and-mirror architecture, with an anthropomorphic talking, walking, and farting excrement puppet interacting with visitors. The work also includes a sculptural alter ego titled "E.T. The Excremential," blending Bouvy's body with Spielberg's extraterrestrial figure.

Morocco is for the first time with a Pavilion at the Venice Art Biennale. Homage to the weaving of Amina Agueznay

Il Marocco è per la prima volta con un Padiglione alla Biennale d’Arte di Venezia. L’omaggio alla tessitura di Amina Agueznay

Morocco is participating for the first time with an official national pavilion at the Venice Art Biennale, presenting a monumental installation by artist Amina Agueznay. Titled "Asǝṭṭa" (2026), the site-specific work at the Arsenale's Artiglierie space explores ritual weaving and the transmission of traditional craftsmanship, using sewn panels to create a second skin over the 300-square-meter pavilion. Curated by Meriem Berrada, the project draws on Agueznay's two-decade-long research in dialogue with Moroccan artisan communities, including spinners, embroiderers, basket makers, and goldsmiths.

Un nuovo centro culturale e residenza d’artista nasce in un’ex chiesa di Venezia

A 13th-century Gothic church in Venice's Cannaregio district, the former Chiesa dell'Abbazia della Misericordia, will reopen on May 5, 2026, as Etnia House of Arts. The project is promoted by Spanish eyewear brand Etnia Eyewear Culture and includes artist residencies, public events, and site-specific interventions. The restoration was led by architects Piero Vespignani and Alessia Semenzato of Studio Anfibio. The first two resident artists are Conxi Sane and Greta Pllana, who will explore themes of perception and vision, with the residency program using eyewear as a symbolic field to investigate identity and representation.

Here’s what’s happening at Art in the Loft

Art in the Loft in Alpena is preparing for its SummerView 2026 exhibit, featuring roughly 30 local and regional artists in its 7,000-square-foot space. The exhibit has a soft opening on May 26 and an opening reception on June 2, showcasing original works in multiple mediums and techniques, all available for purchase. The gallery is also celebrating its 25th anniversary with a gala on November 7.

Medium Art Center Celebrates Five Year Anniversary

Medium Art Center in Ukiah, California, celebrates its five-year anniversary. Founded during the pandemic by a small team of local artists and community members including Chris Pugh and Lillian Rubie, the center began as an online exhibition series called "Dear America" before securing a vacant storefront at the Pear Tree Center in 2021. Run entirely by volunteers for its first three years, the center has hosted in-person exhibits, traditional Chinese brush painting workshops with artist William Shi, and outreach programs to support local artists. Recently, it received a grant from the RISE program administered through Redwood Coast Regional Center to support people with disabilities or neurodivergence.

Artist explores shifting perspective on family story

Artist Avi Amesbury has opened her new exhibition, 'Shifting Perspectives: The Self Reconciliation Project', at Bundaberg Regional Art Gallery in Australia. The show combines ceramics, mixed media, and sound to explore her personal family history as a descendant of white settler colonists in Western Australia. Over three years, Amesbury traveled across the country for residencies at Fremantle Arts Centre and Central Craft in Alice Springs, collecting wild clays and collaborating with composer MJ from Those Who Ride With Giants to incorporate poems, writings, and landscape sounds into the installation.

Gallery: Young Estonian artists' art auction exhibition opens

An exhibition of young Estonian artists has opened at the Art & Tonic gallery in Tallinn, showcasing 92 works selected from 269 submissions for the "Osta noort kunsti" ("Buy Young Art") spring auction. The auction, organized by gallery owner Reigo Kuivjõgi, features starting prices set by the artists themselves, ranging from €1 to €2,000, with past final prices reaching over €20,000. The exhibition runs free of charge from May 1 to May 14, with the live auction on May 15.

Provincetown art exhibit celebrates 50 years of coastal studies

A new art exhibition titled "Persistent Curiosity: Charting the Rippled Fabric of the Sea" has opened at the Provincetown Art Association and Museum (PAAM) to celebrate the 50th anniversary of the Center for Coastal Studies. The show runs from May 15 through July 19, with an opening reception on May 22.

Seniors showcase their art in a final exhibition

Graduating students at Southeast Missouri State University (SEMO) showcased their artwork in a final exhibition held on May 1, 2026, at Crisp Museum. The show featured a wide range of media including 3D works, prints, paper mache, paintings, cloth, video, quilts, and sculptures. Among the participants were painting BFA major Zachary Ross Mayfield, who presented symbolist works centered on nature and a large self-portrait that took over 200 hours to complete, and senior studio art BFA major Kaylee Shelby, whose sculptures question the ethics and aesthetics of taxidermy and human manipulation of animals.

Tugboat Printshop Marks 20 Years of Making Meticulously Crafted Woodblock Prints

Tugboat Printshop, founded by Valerie Lueth, is celebrating its 20th anniversary. The studio specializes in meticulously hand-carved woodblock prints, often using up to five distinct blocks layered with colorful ink to create detailed images of flora and fauna. Editions are typically limited to around 100 prints. To mark the milestone, the shop is offering a limited-time discount on original woodcut prints, and Lueth continues to share behind-the-scenes images on Flickr and Instagram.

Notre-Dame : les associations attaquent le projet

Two French heritage associations, Sites & Monuments and SOS Paris, have filed legal challenges against the project to replace the stained-glass windows of Notre-Dame de Paris. The groups have submitted requests to an emergency judge and to the administrative court, seeking to suspend the works, which have already begun and threaten to remove the original windows by Viollet-le-Duc within days. The judge will rule on whether there is a serious doubt about the legality of the decision.

Une souscription pour restaurer le réfectoire des Invalides

La Tribune de l'Art reports that a fundraising campaign has been launched to restore the refectory of the Hôtel des Invalides in Paris, specifically the salle de l'Europe. This room features 17th-century murals attributed to Michel Corneille le Jeune, depicting battles from the Franco-Dutch War (1673–1675), including the sieges of Maastricht, Huy, and Limbourg, as well as allegorical scenes of Louis XIV. The restoration is organized by the Musée de l'Armée, which manages the site.