The 'Spectrosynthesis Seoul 2026' exhibition, opening March 20 at the Art Sonje Center, is the fourth installment of the Sunpride Foundation's series showcasing LGBTQ+ art across Asia. It features over 70 artists, including new commissions, and focuses on the experiences of marginalized communities during Korea's modernization and the queer histories of specific Seoul neighborhoods.
Vanessa German has unveiled a major new installation at the Speed Art Museum titled '…do you remember when you were the sky?', marking the inaugural project of the Sam Gilliam Visiting Artist Program. The exhibition features German’s signature assemblage sculptures, which utilize diverse materials like cowrie shells, quilts, and skateboards to create hybrid figures representing young girls in states of transformation. The body of work is the result of months of community engagement and research into local histories, specifically focusing on the narratives of the Colored Girls Dormitory in Louisville.
Converge 45, a citywide triennial in Portland, Oregon, has announced the theme and 28 participating artists for its upcoming edition, launching August 27. Curated by New York–based Lumi Tan, the exhibition is titled “Here, To you, Now,” borrowing a phrase from Ursula K. Le Guin’s 1985 novel *Always Coming Home*. More than half of the artists are based in Portland, including Srijon Chowdhury, Aaron Cunningham, and keyon gaskin, while out-of-state participants include Trisha Baga, Rose Salane, and Jacqueline Kiyomi Gork. The triennial will take place across 16 venues, including the Portland Institute of Contemporary Art and Oregon Contemporary.
New York City Mayor Zohran Mamdani and his wife Rama Duwaji will reportedly skip the 2025 Met Gala, breaking a long-standing tradition of mayoral attendance at the Metropolitan Museum of Art’s premier fundraiser. Sources suggest the decision stems from a conflict between Mamdani’s socialist political platform and the event's association with billionaire sponsors, specifically Jeff Bezos and Lauren Sánchez-Bezos.
Art Basel will launch Zero 10, a new curated platform dedicated to digital art, at its Miami Beach edition in December 2025. Supported by OpenSea and curated by digital art strategist Eli Scheinman, the inaugural presentation will feature 12 international exhibitors including Art Blocks, bitforms gallery, Beeple Studios, Pace Gallery, AOTM, and Visualize Value, along with a loan of Lu Yang's DOKU – Heaven (2022) from the UBS Art Collection. The initiative takes its name from Kazimir Malevich's historic 1915 exhibition 0,10 and will run from December 5–7, 2025, with VIP previews on December 3–4, before expanding to other Art Basel fairs in 2026.
Spanish foreign minister José Manuel Albares inaugurated an exhibition titled “Half the World: Women in Indigenous Mexico” at the Cervantes Institute in Madrid, featuring over 400 works on loan from the Mexican government. At the press conference, Albares acknowledged that Spain's colonization of Mexico caused “pain and injustice” toward indigenous peoples, but stopped short of issuing a full apology. This follows a 2019 letter from former Mexican President Andrés Manuel López Obrador demanding an apology from Spain and the Catholic Church for the conquest, which Spain rejected. Current Mexican President Claudia Sheinbaum has reiterated the demand, calling the original letter “very diplomatic” and criticizing Spain's response as “undiplomatic.”
Chinese collector and philanthropist Yan Du will open Yan Du Projects (YDP), a new nonprofit art space in London’s Bloomsbury district this October. Housed in a Grade I-listed 18th-century Georgian townhouse on Bedford Square, YDP will host site-specific commissions, exhibitions, artist residencies, and public events focused on artists from Asian backgrounds. The opening show features Chinese painter Duan Jianyu, and the first artist-in-residence is Bangkok-based Harit Srikhao. Hong Kong-based BEAU Architects designed a modular "suitcase project" interior to respect the building’s listed status.
The jury for the 2026 Venice Biennale has resigned just days before the public opening on May 9, after announcing on April 22 that it would not consider artists from countries accused of crimes against humanity for the Golden and Silver Lion prizes. The jury, consisting of Solange Oliveira Farks (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, cited its earlier statement of intention in its resignation, which directly impacted the participation of Russia and Israel—both subject to International Criminal Court warrants. In response, the Biennale postponed the awards ceremony from May 9 to November 22 and replaced the traditional jury with a public vote for best participant and best national participation, framing the move as upholding openness and rejecting censorship.
Self-taught artist Jet Le Parti has launched Sibyl, a Los Angeles-based cultural platform and research-led advisory that operates outside the traditional gallery system. Drawing on his background in neuroscience and philosophy, Le Parti developed Sibyl as an extension of his independent practice and previous ventures like Base 36 and Relaispunkt. The platform functions as a private collection and advisory service, leveraging direct relationships with collectors to bypass traditional intermediaries and formalize a network built on artistic trust.
The Philadelphia Museum of Art is reversing its controversial rebranding decision, abandoning the name "Philadelphia Art Museum" and the acronym "PhAM" after widespread backlash. The museum will retain its new griffin logo but restore the original name, Philadelphia Museum of Art, across all platforms. The rebrand, developed with Brooklyn design studio Gretel at a cost of $1 million, was rolled out less than four months ago but met with public mockery and internal turmoil. The reversal follows the firing of CEO Sasha Suda, who filed a lawsuit over her ouster, and the appointment of Daniel Weiss, former CEO of the Metropolitan Museum of Art, as her successor. Chief marketing officer Paul Dien also resigned amid the fallout. The board voted unanimously to undo the name change after a survey commissioned by an interdisciplinary task force.
Nifty Gateway, an early NFT marketplace founded in 2018 and acquired by Gemini, will shut down on February 23 after entering withdrawal-only mode. The platform, which once reported $300 million in gross merchandise value in 2021 and partnered with Sotheby's for a $17 million NFT drop, is closing amid a sharp decline in NFT trading activity. Users must withdraw their assets by the deadline, after which they can no longer list, buy, or sell NFTs on the site.
The Walker Art Center and the Minneapolis Institute of Art closed on January 20, 2026, in protest of escalating Immigration and Customs Enforcement (ICE) operations in the Twin Cities. The closures follow the fatal shooting of Renee Good, a 37-year-old mother of three, by ICE agent Jonathan Ross, which sparked nationwide outrage. The museums canceled scheduled events, including a performance by Nile Harris, and joined a broader one-day economic blackout called "A Day of Truth and Freedom" organized by Minnesota union leaders and community groups. Other cultural institutions participating include the Bakken Museum, the Minnesota Museum of American Art, the Weisman Art Center, and the Museum of Russian Art.
Shamnoski Gallery, a new brick-and-mortar space focused on postwar abstraction, opened on New York's Upper East Side in November 2025. Founded by Matthew Shamnoski, the gallery evolved from his online platform Projects 28 and champions mid- to late-20th-century artists and estates, particularly those historically overlooked. The gallery's inaugural exhibition, "John Grillo: Collages 1952–1962," reflects its mission to provide sustained presentation and scholarship for artists within this lineage.
Es Devlin's *The Library of Us*, a 20-foot-tall rotating bookshelf containing 2,500 books, debuted as a major spectacle during Miami Art Week. Installed on Miami Beach within a circular pool of water, the sculpture invites visitors to step onto a rotating platform, creating shifting social encounters with strangers. By day it towers over the sand, and by night it glows like a beacon. The work also includes an audio track of quotes from the books, some of which have been banned by Florida schools, and Devlin plans to donate all volumes to Miami public schools and libraries after the installation ends.
Miami's Contemporary Art Modern Project (CAMP) Gallery has opened the seventh edition of its series program, titled “Women Pulling at The Threads of Social Discourse: Don’t be Absurd.” The group exhibition features dozens of artists who created circular, tondo-like fiber works inspired by absurdist philosophers and writers such as Albert Camus, Franz Kafka, Simone de Beauvoir, Samuel Beckett, and José Saramago. Works include RemiJin Camping's cyanotype in an embroidery hoop referencing Kafka's *The Metamorphosis* and Mychaelyn Michalec's hand-tufted wool piece *The Pietà and The Swan*. The show runs through December 20, 2025.
Artist Jill Magid has transformed her solo exhibition at Various Small Fires in Los Angeles into a platform for her dealer Esther Kim Varet’s congressional campaign. The show, titled “Heart of a Citizen,” features a replica of the White House Press Briefing Room podium, which Kim Varet uses to deliver stump speeches. Other works include a neon sign quoting a stenographer’s note and concrete casts of Magid’s heart, inspired by the White House Rose Garden. Magid emphasizes the show is not an endorsement but an exploration of power, free speech, and democracy.
Liste Art Fair Basel returns for its 30th anniversary edition in 2025 at Messe Basel, featuring 99 galleries from 31 countries, nearly half of which are first-time exhibitors. The fair emphasizes solo presentations and experimental projects, with 11 galleries receiving production support from Liste Foundation Basel and Friends of Liste. A daily program includes performances curated by Jacob Fabricius, workshops by Tina Braegger, and panel discussions. Nikola Dietrich helms the fair for the first time as director.
New York's Spring Break Art Show has returned to its namesake season, opening alongside Frieze New York after abruptly canceling its Los Angeles edition due to January's devastating fires. Founded by artist duo Andrew Gori and Ambre Kelly, the fair is now held in a former book printing office on Varick Street, featuring offbeat emerging art and boundary-pushing installations. Roughly a third of the presentations were already planned under the theme "Paradise Lost and Found," but the accelerated timeline led to last-minute additions, with some artists joining just the night before. Standout works include Louis Sarowsky's carved stone food sculptures, Kate Rusek's zero-waste porcelain pieces molded from trash, and Colin J. Radcliffe's ceramic sculptures reimagining queer figures in classical iconography.
TikTok Shop has launched a new "fine art" category within its collectibles section, allowing artists to sell original artworks directly through shoppable videos, photographs, and livestreams. The category debuted with a three-hour live sale by artist Sophie Tea, who created a series of 20 oil paintings titled *Bric-a-Brac* and sold them for £2,800 each. The sale faced technical glitches—items added to baskets were prematurely marked as sold, causing confusion—and required workarounds for TikTok's pricing caps, automatic discounts, and shipping policies.
Musician Kid Cudi, working under the artist alias Scotty Ramon, has launched his debut solo art exhibition titled 'Echos of the Past' at the Ruttkowski;68 gallery in Paris. The show features a collection of paintings characterized by a cartoonish aesthetic, bold colors, and themes ranging from inner turmoil to meditative peace, accompanied by a 16-minute documentary detailing his creative process.
Private galleries and pop-ups are collaborating with venues and brands to bring immersive experiences during Miami Art Week 2025. Highlights include the launch of CONTRA, a private events platform, with a VIP grand opening at Wyncatcher in Wynwood featuring DJ sets and an installation by Daniel Allen Cohen. The NFL returns with an expanded Artist Replay experience, including debut artworks from active player Marco Wilson and legend Martellus Bennett. Opera Gallery Miami presents “In Dialogue with Color: Mid-20th Century to Now” with works by Roy Lichtenstein, Yayoi Kusama, and others. London-based SLAWN debuts “Heroes, Villains, and Violence” at The Art of Hip Hop, while artists Amanda Linares and Lee Pivnik install site-specific works for the City of Miami Beach’s “No Vacancy 2025” program at hotels.
Maxwell Rabb's article explains the fundamental role of commercial art galleries in the art world, tracing their evolution from 19th-century Parisian storefronts like Goupil & Cie to contemporary spaces. It highlights how galleries function as private businesses that showcase and sell artworks, support artists, organize exhibitions, and connect with collectors, curators, and institutions. The piece also addresses the perception of galleries as exclusive spaces while noting they are often free and open to the public, serving as a bridge between the art world and curious visitors.
Kyotographie, Japan's leading international photography festival, opened its 2025 edition with the theme 'Edge,' featuring 14 exhibitions across Kyoto. The festival includes a major retrospective of Daido Moriyama, the 86-year-old pioneer of the 'are-bure-boke' aesthetic, showcasing over 200 images, 400 magazines, and 100 books. Also featured are British artist Linder Sterling, known for her punk-era feminist photomontages and album art for Buzzcocks, and Kenyan photographer Thandiwe Muriu, this year's African artist in residence, who uses patterned kitenge fabric to explore identity and female empowerment.
A conversation between German author and filmmaker Alexander Kluge and curator Hans Ulrich Obrist, originally published in 2017, has been republished following Kluge's recent death at age 94. The dialogue explores the unique capacities of different art forms, the need for interdisciplinary collaboration, and the role of art as an "oasis" or "garden" within an overwhelming technological landscape.
"Weil das Ego sich plötzlich auflöst"
The art world is facing significant structural and political shifts, highlighted by the merger of Artnet and Artsy which has resulted in mass layoffs, particularly within the Artnet News editorial team and its Berlin operations. Simultaneously, tensions are rising in German cultural policy as gallery owner Rupert Pfab raises concerns over government interference in the Stiftung Kunstfonds jury selection, reflecting a broader climate of unease that includes recent controversies at the Berlinale.
Pavel Brǎila is representing Moldova at the 61st Venice Biennale with an installation titled "Echoes of Harmony and Silent Cries" (2026), featuring flying carpets that fill the pavilion space at Santa Veneranda. In an interview with ArtReview, Brǎila explains that the work was driven by the constant presence of war in the news—Ukraine, Israel and Gaza, and other conflicts—and evolved into a sound installation as the propellers of the carpets created a minor-key resonance. He describes his first visit to the Biennale 25 years ago as a festive art festival, but now sees the platform as a crucial opportunity to represent his country's voice and express his urgent feelings about the world.
Sara Shamma will represent Syria at the 61st Venice Biennale (2026) with a large-scale immersive installation titled *The Tower Tomb of Palmyra*. The 15-meter-high multisensory work combines painting, architecture, light, sound, and scent, inspired by the ancient funerary towers of Palmyra that were destroyed during the Syrian War. Shamma describes the piece as a reflection on loss, resilience, and cultural memory, and notes its resonance with the Biennale's theme, *In Minor Keys*, curated by Koyo Kouoh.
Jenna Sutela, representing Finland at the 61st Venice Biennale, will present an exhibition titled *Aeolian Suite* in the Giardini pavilion. The work features sound sculptures that engage with wind as both a physical and political force, using meteorological data, wind machines, recorders, a children's woodwind orchestra, and recordings of winds from Venice, Helsinki, and beyond. Sutela explores noise as a creative medium, drawing on the concept of deep listening inspired by artist Pauline Oliveros, and connects her project to the Biennale's theme, *In Minor Keys*, curated by Koyo Kouoh.
Artist Marina Xenofontos will represent Cyprus at the 61st Venice Biennale in 2026. Her exhibition, centered on an animatronic sparrow titled 'Passer' and incorporating folk songs recorded by her grandmother and great-aunts, explores themes of memory, endurance, and the quiet persistence of culture.
Morad Montazami has been named the artistic director for the 16th edition of the Dakar Biennale, scheduled to run from November 19 to December 19, 2026. Titled "(Anti)Fragility: Arts of Repair and Counter-Shock Strategies," the exhibition will explore themes of community-led restoration and the transformation of vulnerability into collective strength. Montazami, a former Tate Modern curator and founder of the platform Zamân Books & Curating, brings an extensive background in postcolonial art histories and global modernisms to the prestigious African forum.