Design Miami announces 2025 international events and exhibitions programme

Design Miami has announced its 2025 international events and exhibitions programme, dubbed Design Miami.In Situ, in celebration of its 20th anniversary. The initiative includes a one-day design event in Aspen with Range Rover on July 31, a 14-day exhibition in Seoul titled 'Illuminated: A Spotlight on Korean Design' in September, the third edition of its Paris fair at L'hôtel de Maisons in October, and the 21st edition of its flagship Miami Beach fair in December. The programme expands beyond the fair's traditional model, with events curated by Ashlee Harrison, Hyeyoung Cho, and Glenn Adamson.

New CAM Exhibition Shows Food’s Role in French Art

The Cincinnati Art Museum has opened a new exhibition titled "Farm to Table: Food and Identity in the Age of Impressionism," organized by the American Federation of Arts and the Chrysler Museum of Art. Featuring works by Claude Monet, Vincent van Gogh, Paul Gauguin, and others, the show explores the role of food in French art and society from the 1870s onward, juxtaposing scenes of peasant labor with depictions of upper-class abundance. Curator Andrew Eschelbacher highlights how food was central to French identity during a period marked by war, famine, and social upheaval, with Impressionist brushstrokes often veiling deeper sociopolitical realities.

Art Basel gets go-going at Hauser & Wirth’s stand

At Art Basel's Unlimited section, Hauser & Wirth is presenting Felix Gonzalez-Torres's 1991 performance work "Untitled" (Go-Go Dancing Platform), in which a local go-go dancer performs a silent disco atop a small lit stage for five minutes at unspecified times. The piece, created shortly after the deaths of the artist's partner and father, explores themes of renewal, rebirth, and masculinity, according to Hauser & Wirth partner Cristopher Canizares.

I have seen the light and it’s Tracey Emin’s Jesus – RA Summer Exhibition review | Royal Academy of Arts

The Royal Academy's Summer Exhibition in London features over 1,600 works, with Tracey Emin's painting "The Crucifixion" as the standout piece. The critic describes Emin's work as a sincere, shocking depiction of the crucifixion that reinvigorates religious art, alongside works by Georg Baselitz, Cornelia Parker, Tamara Kostianovsky, George Shaw, Frank Bowling, and Cindy Sherman.

‘Ralph Steadman: And Another Thing’ showcases 60 years of the artist’s uncanny, unique perspective

The Bates College Museum of Art will open 'Ralph Steadman: And Another Thing' on June 6, a major exhibition spanning 60 years of the artist and illustrator's career. Featuring 149 objects, the show includes works from Steadman's collaborations with Hunter S. Thompson, political commentary, and literary illustrations, along with a life-size bronze sculpture 'Vintage Dr. Gonzo' by Jud Bergeron. Originally scheduled for 2020 but delayed by the pandemic, the exhibition runs through Oct. 11 and fills the entire museum.

Melbourne exhibition celebrates the long overlooked contributions of Indigenous Australian artists

An exhibition titled "65,000 Years: A Short History of Australian Art" opens at Melbourne University’s Potter Museum of Art on 30 May, celebrating the long-overlooked contributions of Indigenous Australian artists. Co-curated by Judith Ryan and Marcia Langton, the show argues that Indigenous art dates back millennia before European settlement but was only recognized as fine art from the 1980s, having been previously confined to ethnographic categories. It highlights frontier artists like Tommy McRae, William Barak, and Mickey of Ulladulla, as well as contemporary photographers Ricky Maynard, Naomi Hobson, and Destiny Deacon, while addressing the link between racist policies and the denial of Indigenous art's value.

Jean Tinguely’s 100th anniversary, migration museum opens in Rotterdam, Ben Shahn's social security mural—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three major stories. First, a host of exhibitions and events celebrating the 100th anniversary of Swiss kinetic artist Jean Tinguely, including shows at the Tinguely Museum in Basel, Lehmbruck Museum in Duisburg, Hauser & Wirth Somerset, and the Grand Palais in Paris. Second, the newly opened Fenix museum in Rotterdam, a museum dedicated to migration, featuring a dramatic stainless steel tornado staircase. Third, the episode's Work of the Week focuses on Ben Shahn's 1941 study 'Harvesting Wheat' for his mural 'The Meaning of Social Security,' discussed in conjunction with a major exhibition of Shahn's work at the Jewish Museum in New York.

Mind-bending work of M.C. Escher alters reality, space at new Arlington exhibition

The Arlington Museum of Art has opened "M.C. Escher: Infinite Variations," an exhibition featuring nearly 150 of the Dutch artist's prints, including his famous lithograph "Relativity" (1953). The show spans Escher's career from the early 1930s to the late 1960s, with themed galleries covering his early works, book illustrations, tessellations, and impossible worlds. The exhibition runs through August 3 and includes an Infinity Mirrored Room as an immersive finale.

Indigenous Identities: Here, Now & Always

The Zimmerli Art Museum at Rutgers University in New Brunswick, New Jersey, is presenting "Indigenous Identities: Here, Now & Always," on view from February 1 through December 21, 2025. This exhibition is the largest and final show organized by the late Native artist Jaune Quick-to-See Smith, featuring over one hundred works by ninety-seven artists representing some seventy Nations and communities. The show is organized around four thematic sections—Political, Tribal, Social, and Land—and includes a separate gallery of Quick-to-See Smith's own prints, notably the "Survival Suite" (1996). The exhibition is intergenerational, with artists ranging from their eighties to those born at the end of the twentieth century, and most works date from the twenty-first century.

Escher’s Impossible Worlds Are Coming to the Arlington Museum of Art

The Arlington Museum of Art will host "M.C. Escher: Infinite Variations" from April 26 to August 3, 2025, featuring over 150 works from the largest private collection of M.C. Escher's art. The exhibition includes iconic pieces like "Snakes" (1969), his final print, alongside early bookplates, tessellations, and impossible constructions, with interactive and digital elements designed to immerse visitors in Escher's perceptual puzzles.

James Taylor-Foster to Lead Hong Kong’s Para Site

Para Site, a prominent Hong Kong art organization, has appointed James Taylor-Foster as its new executive director. The British Swedish curator and writer succeeds Billy Tang, concluding a leadership transition period managed by deputy director Junni Chen. Taylor-Foster will relocate from Stockholm, where he worked at ArkDes and Moderna Museet, to assume the role this summer.

Fred Sandback “The Complete Multiples, 1968–94” at Galerie Hubert Winter, Vienna

Galerie Hubert Winter in Vienna is presenting an exhibition titled "Fred Sandback: The Complete Multiples, 1968–94." The show features the artist's entire series of multiples—smaller works made from steel, elastic cord, and acrylic yarn in various colors—created over a 26-year period.

White Girls and the Global South

The article is a curated list of art books for spring reading, featuring a diverse range of subjects. It highlights two main critical reviews: one critiques a new novel, *Flat Earth* by Anika Jade Levy, as another navel-gazing story about disaffected white women, while the other praises a scholarly work, *Non-Aligned: Art, Decolonization and the Third World Project in India* by Atreyee Gupta, which examines the international solidarity networks of Indian modernist painters long before the term "Global South" became popular.

Total Warfare. A Conversation with Luigi Alberto Cippini  by ANY

Architect Luigi Alberto Cippini, founder of Armature Globale, engages in a provocative dialogue with Michael Abel and Nile Greenberg regarding the stagnation of contemporary architecture. Cippini calls for a radical departure from traditional disciplinary boundaries, advocating for a "punk" approach that embraces low-resolution aesthetics, hyper-specialized research, and a rejection of the pedantic communication standards that currently dominate the field.

Madrid: Hypnotic Laugh Track by Manga Ngcobo

Writer Manga Ngcobo reflects on the architectural and cultural landscape of Madrid in early 2025, juxtaposing the city's historic art institutions with its rapid technological and commercial evolution. Drawing on Ben Lerner’s novel 'Leaving the Atocha Station', the piece explores the growing disconnect between the profound emotional experiences promised by masters like Velázquez and Goya and the reality of a city increasingly designed for content creation, retail aesthetics, and digital consumption.

At Birmingham's Ikon Gallery, Angela de la Cruz's audacious, visceral art takes no prisoners

Angela de la Cruz's exhibition "Upright" at Ikon Gallery in Birmingham (until 6 September) marks her first UK institutional show since her 2010 Camden Arts Centre survey, which earned her a Turner Prize nomination. The exhibition features her signature painterly sculptures and sculptural paintings that blur boundaries between mediums, including works like "Still Life with Table" (2000), "Limp" (2000), and "Bloated 111 (Blue)" (2012), which combine Minimalist language with anthropomorphic, emotional qualities. De la Cruz, who has been based in the UK since the late 1980s, continues to create work that channels influences from art history, literature, and personal experience, even after a paralyzing stroke in 2005.

Steel And Shadows Converge in “Larry Kagan: Men”

Louis K. Meisel Gallery in New York City will present “Larry Kagan: Men,” an exhibition of steel and shadow sculptures by artist Larry Kagan, opening May 9 and running through June 20. Kagan, a former engineer turned sculptor, creates intricate steel assemblages that, when lit from a calculated angle, project remarkably detailed shadow images onto the wall, blending material and illusion. The show includes works like “Michelangelo's Adam” (2025) and highlights his career shift from acrylics to metal in the 1980s under the mentorship of Richard Stankiewicz.

'Plants and Animals' at Perrotin, Los Angeles, United States on 1–30 May 2026

Perrotin Los Angeles is presenting 'Plants and Animals,' a special focus exhibition running from May 1–30, 2026, in conjunction with Kyungmi Shin's solo show 'My Fantasy's Burdens.' The exhibition is anchored by Shin's installation 'ready to fly,' which includes 15 handmade ceramics and planters, and also features works by Theodora Allen, Chiho Aoshima, Amy Cutler, Jean-Michel Othoniel, and Austyn Weiner, all centered on plant, flower, fruit, and animal subjects.

The National Gallery of Canada, commissioner of Canada's participation in the 61st International Art Exhibition - La Biennale di Venezia, unveils the exhibition Abbas Akhavan: Entre chien et loup

The National Gallery of Canada has unveiled the exhibition "Abbas Akhavan: Entre chien et loup" for the Canada Pavilion at the 61st International Art Exhibition – La Biennale di Venezia in 2026. The site-specific installation reimagines the pavilion's architecture as a Wardian case, a precursor to the terrarium used to transport plants across the British Empire, featuring a custom pool with giant Victoria water lilies. The artist replaced the facade with glass panels, making the plants visible from outside, and the installation is framed by additional sculptural works. The exhibition is curated by Kim Nguyen and accompanied by a fully illustrated publication.

Exhibition | Anne Imhof, 'Citizen' at Sprüth Magers, London, United Kingdom

German artist Anne Imhof presents 'Citizen,' an exhibition at Sprüth Magers in London, featuring her intense endurance performances that explore themes of power, contemporary anxiety, and the neoliberal condition. The exhibition is showcased through a partnership with leading galleries, with the gallery membership vetted by industry peers and accessible by application and invitation only.

Andreas Angelidakis: Escape Room

The Greek Ministry of Culture has selected artist Andreas Angelidakis to represent Greece at the 61st Venice Biennale in 2026. Angelidakis will present an installation titled "Escape Room" at the Greek Pavilion, curated by George Bekirakis with MOMUS as National Commissioner. The project reimagines Plato's allegory of the cave as an immersive environment addressing post-truth, nationalism, and digital illusions, while also confronting the troubled history of the Pavilion itself, including its 1934 inauguration amid the rise of fascism.

Exhibition | Sopheap Pich, 'Works' at Axel Vervoordt Gallery, Antwerp, Belgium

Axel Vervoordt Gallery in Antwerp is presenting the first Belgian solo exhibition of Cambodian artist Sopheap Pich. The show features a new body of work, including large-scale sculptures made from bamboo, rattan, hand-forged copper, and recycled aluminum, as well as wall-based pieces. Visitors can physically enter some of the large sculptural forms.

Conference: Baselitz, Immendorff, Lüpertz, Penck Group exhibition at the Kunstmuseum Schloss Derneburg

Konferenz: Baselitz, Immendorff, Lüpertz, Penck Group exhibition at the Kunstmuseum Schloss Derneburg

The Kunstmuseum Schloss Derneburg in Holle, Germany, has opened a major group exhibition titled "Konferenz: Baselitz, Immendorff, Lüpertz, Penck." The show features over 50 significant works by the four celebrated post-war German artists, exploring their unique approaches to national identity during a period of political division. It includes pieces from Georg Baselitz's personal collection of his contemporaries' work, supplemented by archival photographs by Edward Quinn from the 1980s.

At Perrotin Paris, Bernard Frize Pushes Against His Own Self-Imposed Constraints

Bernard Frize’s latest exhibition, "Les 26," at Perrotin Paris marks his 21st show with the gallery and a continued exploration of his rigorous, process-driven abstraction. The exhibition features his signature interlocking grids and geometric latticework, created using wet-on-wet brushstrokes locked in resin, alongside tempera paintings on glass that follow strict linear rules. By utilizing utilitarian titles and avoiding representational forms, Frize seeks to decenter his own subjectivity, allowing the physical act of painting and the resulting optical tension to lead the viewer’s experience.

Michelangelo Pistoletto Debuts Five New Mirror Works in First-Ever Solo Exhibition in St. Moritz

Michelangelo Pistoletto, a leading figure of the Italian arte povera movement, has opened his first-ever solo exhibition in St. Moritz, Switzerland. The show, presented at the Robilant + Voena gallery's outpost in a repurposed 18th-century church, features five new mirror works from his "Color and Light" series and a sixth new piece from his "Black and Light" series, all created specifically for the ecclesiastical space.

Masters, women, and young voices: Egypt visual art scene in 2025 - Visual Art - Arts & Culture

Egypt's visual arts scene in 2025 saw significant growth, marked by the opening of new galleries and a surge in diversity of artistic approaches, aesthetics, and techniques, according to Ehab Ellaban, director of the Arts Complex in Zamalek, and artist Samir Abdelghany. The year featured major exhibitions honoring both established masters and emerging talents, including Mohamed Abla's participation in the 4th–7th Generation exhibition at Al Masar Gallery and his solo show In the Glow of the City, Ahmed Shiha's Egyptian Spirit at Picasso East Gallery, Salah Bisar's Glee at Ubuntu Art Gallery, and retrospectives for Esmat Dawestashy, Salah Abdel Kerim, Chafik Charobim, and Inji Efflatoun. Katherine Bakhoum's Between Sea and Sky at Safarkhan Gallery also highlighted the enduring relevance of Egyptian-French artists.

In a risk-averse market, Paris Photo offers diversity

Paris Photo returns to the Grand Palais for its 28th edition, featuring 220 exhibitors from 33 countries, including 178 galleries and 42 publishers. The fair opens amid a risk-averse market where dealers report slower acquisitions, increased production costs, and reduced collector risk-taking, yet attendance reached 81,000 in 2024. Notable trends include a resurgence of Japanese galleries after a five-year absence, strong Latin American presentations from Buenos Aires, São Paulo, Santiago, and Mexico City, and a rise in women artists to 39% of practitioners, up from 20% in 2018. Highlights include MEM's exhibition of the August 6 Hiroshima Day student photography project and Claudia Andujar's Yanomami works shown by Galeria Vermelho.

Bharti Kher Makes a Powerful Return to Painting: ‘I Wanted to Break This Sort of Spell’

Artist Bharti Kher has returned to painting after a long period focused primarily on sculpture, with a new exhibition titled “The Sun Splitting Stones” opening at Perrotin Paris. The show features monumental, vividly colored oil paintings alongside sculptures, exploring themes of animism, the female body, and the harmony of nature and energy. Kher describes her painting process as introspective and fluid, moving between canvases to create works that feel both intimate and expressive.

Johnson Lowe Gallery Opening Reception - Enco... | 09/26/2025 7:00 PM | CL

Johnson Lowe Gallery in Atlanta is opening two exhibitions on September 26, 2025: a solo show of works by the late American artist Todd Murphy (1962–2022) titled "Voyager," and a group exhibition called "Encounters" featuring artists including Ben Steele, Chip Moody, Daniel Byrd, Jamele Wright Sr., Judy Pfaff, and Sam Gilliam. "Voyager" explores Murphy’s engagement with nature as a sacred, animate force, while "Encounters" presents film, photography, sculpture, and painting that challenge passive viewing and demand active presence.

Yuan Fang’s Visceral Paintings at Skarstedt Confront the Body’s Fragility and Its Strength

Yuan Fang presents a new series of visceral abstract paintings at Skarstedt Chelsea, created after she was diagnosed with cancer. The works mark a shift from her earlier gestural abstraction, confronting the fragility and resilience of the body through intuitive, layered processes that evoke cycles of generation, decay, and rebirth. Fang, who gained international attention during the pandemic, joined Skarstedt last year and continues to attract collectors in Hong Kong and beyond.