German artist Anne Imhof will present her first solo exhibition in Asia at the Tai Kwun culture complex in Hong Kong from September 26, 2025, to January 3, 2027. The ambitious show will feature a survey of key works and a new commission, converging performance, image, sound, and architecture to create immersive encounters.
Adrian Cheng, a key figure in Hong Kong's art world, identifies major trends shaping the city's art scene ahead of Art Basel Hong Kong. He highlights the convergence of major art fairs, auction house sales, and new gallery openings during the 'Art March' period, drawing a global audience with high-profile exhibitions by international artists like Mary Weatherford, Nicole Eisenman, and El Anatsui.
Nifty Gateway, a major NFT marketplace launched in 2020, permanently shut down in February 2026. Its closure coincided with a severe cryptocurrency market sell-off, adding to a list of defunct NFT exchanges and contributing to the perception of a market collapse.
The art world mourns the loss of several influential figures, including photographer Nathan Farb, known for his large-format captures of the Adirondacks and 1960s Manhattan, and Christine Ruiz-Picasso, who was instrumental in establishing the Museo Picasso Málaga. Other notable passing include German interdisciplinary artist Thomas Zipp, prolific art forger William "Billy The Brush" Mumford, and Hassen Soufy, the last living member of the L'École de Tunis movement.
The article examines the largely overlooked curatorial work of poet Frank O'Hara during his tenure at the Museum of Modern Art in New York. It details his role in organizing significant exhibitions, championing emerging artists like Robert Rauschenberg and Jasper Johns, and his influential collaborations with artists such as Larry Rivers.
Art Problems: How Do I Get Gallery Representation?
Paddy Johnson, in a Hyperallergic advice column, demystifies the process for artists seeking gallery representation. She explains that galleries primarily seek artists with proven sales records to mitigate their own high financial risks, such as exorbitant rent and operational costs. Johnson advises artists to build this track record independently by selling work themselves or securing spots in low-pressure group shows, then aggressively promoting those exhibitions to demonstrate market potential to dealers.
The Los Angeles County Museum of Art (LACMA) is set to open its new $724 million David Geffen Galleries, designed by Swiss architect Peter Zumthor. The massive concrete structure, which spans Wilshire Boulevard like a bridge, represents a twenty-year effort led by director Michael Govan to create a non-hierarchical, single-level museum space. The building's design features eight massive pavilions supporting a sprawling 110,000 square foot gallery floor, intended to house the museum's diverse permanent collection in a transparent, fluid environment.
Photographer Albert Scopin has released a new book through Kerber Verlag documenting his residency at New York’s iconic Chelsea Hotel between 1969 and 1971. The collection features rare, intimate portraits of the hotel's legendary inhabitants, including a young Patti Smith and Robert Mapplethorpe before their rise to global fame, alongside long-time manager Stanley Bard and avant-garde figures like Vali Myers and Holly Woodlawn. Scopin’s lens captures the 'creative chaos' of the era, from the art-filled lobby to the eccentric private quarters of residents like composer George Kleinsinger.
The Victoria and Albert Museum has unveiled the first look at its new V&A East outpost in London’s Olympic Park, showcasing a collection that emphasizes diversity, global exchange, and the integration of art into daily life. The inaugural displays feature a wide-ranging mix of objects, from Althea McNish’s vibrant Caribbean-inspired textiles and Vivienne Westwood’s punk designs to a talismanic shirt inscribed with the Qur’an and a Japanese screen documenting colonial encounters. While the museum's public-facing branding focuses on community engagement, the actual curation offers a sophisticated, open-ended exploration of how different cultures influence and define one another.
The National Gallery of Victoria has launched "Mother," an expansive exhibition featuring over 200 works that explore the complexities of motherhood. Curated by Sophie Gerhard and Katharina Prugger, the show draws from the NGV collection and new acquisitions to move beyond idealized religious icons like the Virgin Mary. The selection spans centuries and cultures, juxtaposing 19th-century sketches by Queen Victoria with contemporary First Nations birthing skirts and raw depictions of domestic labor and maternal exhaustion.
Adrian Chiles, a writer and broadcaster, recounts his acquisition of a whimsical figurine of a cheerful chef, which he named Bert after the reclamation yard owner from whom he bought it in the Black Country. He describes the personal joy and daily lift the statue brings him, contrasting it with a cuckoo clock whose novelty eventually wore off. Chiles details the statue's charming, slightly worn appearance and its role as a conversation piece, particularly due to the West Midlands slang word "bostin'" written on its menu board.
The group exhibition "Desperate, Scared, But Social" at the UC Irvine Langson Orange County Museum of Art (Langson IMCA) explores the complexities of contemporary social dynamics and collective anxiety. The show brings together diverse artistic perspectives to examine how individuals navigate a landscape defined by political instability, environmental concerns, and the pervasive influence of digital connectivity.
Artist Alex Heilbron presents a solo exhibition at the Los Angeles gallery as-is. The show is featured as a lead review in the February 2026 issue of Contemporary Art Review LA, highlighting Heilbron's continued exploration of painting and visual language within the Southern California art scene.
The article is a table of contents for the February 2026 issue of Contemporary Art Review LA, listing numerous features, interviews, and reviews. It highlights an interview with artist Eddie Kang at Gana Art Los Angeles, alongside other content covering topics like olfactory art, tarot, video art, and reviews of exhibitions across Los Angeles galleries and museums.
The article is a table of contents for the February 2026 issue of the Contemporary Art Review LA, listing its featured articles, interviews, dealer profiles, and exhibition reviews. The content covers a wide range of subjects including olfactory art, tarot art, the Made in L.A. 2025 biennial, video art, and reviews of shows at various Los Angeles galleries and museums like MOCA, the Orange County Museum of Art, and Château Shatto.
The Metropolitan Opera and the Museum of Modern Art (MoMA) have launched a rare cross-disciplinary collaboration centered on the life and work of Frida Kahlo. The project features a new operatic production at the Met, complemented by a specialized exhibition at MoMA conceived by the opera's set designer to provide visual and historical context.
Major museums across the United States are preparing to launch a diverse array of exhibitions for the spring season. Highlights include a comprehensive Marcel Duchamp retrospective at the Museum of Modern Art in New York, an exploration of Etruscan civilization at the de Young Museum in San Francisco, and a major fashion-focused exhibition at the Phoenix Art Museum.
The Getty Center in Los Angeles has announced it will close to the public for a full year starting in March 2027. This significant hiatus is required to facilitate a major infrastructure overhaul, primarily focusing on the replacement of its aging computer-operated tram system and the modernization of several gallery spaces within the Richard Meier-designed campus.
The New York Times examines the enduring power of Felix Gonzalez-Torres's 1991 performance piece "Untitled" (Go-Go Dancing Platform), in which a go-go dancer performs on a pedestal for a brief, scheduled period each day. The work, currently on view at the Art Institute of Chicago, uses the dancer's absence as a central component, creating a poignant metaphor for queer presence and loss.
Michael Heizer, the pioneering Land Art figure known for monumental desert works like "City" and "Double Negative," is presenting a new exhibition of smaller-scale, indoor sculptures at Gagosian Gallery in New York. The show, titled "Collapse," features a series of large, geometric steel forms that, while still substantial, represent a significant shift in scale and context from his earth-moving outdoor projects.
Taiwan is undergoing a significant cultural transformation with the opening of several major municipal art institutions, including the New Taipei City Art Museum, the Taoyuan Museum of Fine Arts, and the Taichung Green Museumbrary. The latter, designed by Pritzker Prize-winning architects SANAA, represents a new hybrid typology that merges a public library with an art museum within a sprawling urban park. These institutions are characterized by striking contemporary architecture and a mission to balance international prestige with deep-rooted local art histories.
Artist Jen Liu’s solo exhibition 'Pound of Flesh' at Silverlens New York explores the dehumanizing nature of digital labor through visceral imagery of raw meat. The show features paintings where human consciousness is replaced by butcher-shop cuts and an animated video based on Liu’s research into microworkers—individuals who perform repetitive, low-paid tasks to train AI models. By juxtaposing the biological reality of the body with the clinical extraction of data, Liu highlights the physical and psychological toll of the 'Agentic Age.'
Artist John Skoog has premiered a new black-and-white feature film, 'Redoubt' (2025), starring Denis Lavant, and opened a concurrent exhibition at Moderna Museet in Malmö. The film follows a farmhand building an apocalyptic shelter, while the museum installation features the full-scale, fabricated bunker from the film's production.
A new book titled "Walter Otero: un galerista tropical" is being published this March. It features an interview by curator Omar-Pascual Castillo with Puerto Rican gallerist Walter Otero, chronicling his journey from personal assistant to painter Arnaldo Roche Rabell to founding his influential San Juan gallery, Walter Otero Contemporary Art (WOCA). The book details the gallery's history, its roster of artists, and Otero's adaptation to the digital age and crises like Hurricane Maria.
Thai artist Rirkrit Tiravanija will headline the Qatar Pavilion at the 61st Venice Biennale with a collaborative project titled “Untitled (a gathering of remarkable people).” Curated by Tom Eccles and Ruba Katrib, the exhibition will be housed in a temporary tent in the Giardini on the site of Qatar’s future permanent pavilion. The presentation features a multidisciplinary roster including filmmaker Sophia Al-Maria, sound artist Tarek Atoui, sculptor Alia Farid, and chef Fadi Kattan, blending live performance, cinema, and Middle Eastern culinary traditions.
The John Simon Guggenheim Memorial Foundation has announced its 101st class of Guggenheim Fellows, awarding grants to 223 individuals across 55 disciplines. Among the 30 fine artists selected for the 2026 cohort are Brooklyn-based conceptual artist American Artist, textile artist and educator Sonya Clark, and interdisciplinary artist Allison Janae Hamilton. Each fellow receives a financial stipend designed to provide the creative and intellectual freedom necessary to pursue their work without restrictive conditions.
Art Cologne has officially relaunched its satellite fair in Palma, Mallorca, nearly two decades after its initial 2007 debut. The 2026 edition features 88 participating galleries and runs through April 12, showcasing a curated selection of international and local talent within the Balearic Islands' evolving cultural landscape.
The Centre Pompidou Hanwha is scheduled to open its doors in Seoul in June 2026, following a three-year construction period. Located within the iconic 63 Building in the Yeouido district, the 10,000-square-meter facility replaces a former aquarium with a four-story "box of light" designed to maximize natural illumination.
London gallery Timothy Taylor will close its New York outpost next month after nearly a decade of operation. The gallery cited current market conditions and the high costs of maintaining a second permanent space as reasons for the consolidation, though it will maintain an office and viewing room in the city.
Erste Details zum deutschen Pavillon
The German Pavilion at the upcoming Venice Biennale will present an exhibition titled "Ruin," featuring works by the late Henrike Naumann and artist Sung Tieu. Curated by Kathleen Reinhardt, the exhibition explores historical ruptures and the lingering effects of political and social voids following German reunification. Tragically, Naumann passed away shortly after completing her contributions, and her studio team is now working to realize her final artistic vision for the prestigious international stage.