Urban Reflections, Daniel Melim on the City as Studio, Archive and Collective Space

Brazilian artist Daniel Melim discusses his exhibition "Urban Reflections" at São Bernardo do Campo in an interview with Brendon Bell-Roberts. Melim, who emerged from the graffiti and stencil cultures of ABC Paulista, describes how the city functions as an active collaborator in his practice, transforming the gallery into an expanded studio where boundaries between street, studio, and institution dissolve. The exhibition juxtaposes pivotal and previously unseen works, tracing his artistic evolution and layered urban memory.

art meriem bennani hugo boss award

Meriem Bennani, a Moroccan-born, New York–based multimedia artist, has been awarded the inaugural Boss Award for Outstanding Achievement at Art Basel Miami Beach. The award, presented by Hugo Boss and its Creative Director Marco Falcioni, includes a $50,000 grant. Bennani is known for her fantasy-driven installations and films, such as the 'Life on the CAPS' series and the public sculpture 'Windy' on the High Line. In an interview, she discusses her plans to donate the grant to Bilna’es, an organization founded by Palestinian artists that funds cultural projects in Gaza and the West Bank.

Korea's longest-running art fair to open with largest exhibition to date in April

The Galleries Association of Korea has announced that the 2025 Galleries Art Fair will be its largest edition since its inception in 1979. Opening on April 8 at the Coex convention center in Seoul, the fair will feature 169 member galleries, including major names like Kukje Gallery and Gana Art. The event will include a "Zoom In" section highlighting 10 emerging artists and a special archival exhibition celebrating the 50th anniversary of the Galleries Association of Korea.

Comment | A spate of dealer anniversaries offers hope amid art market doomerism

A spate of New York galleries are celebrating significant anniversaries—Pace Gallery (65 years), Sperone Westwater (50), Hal Bromm (50), Albertz Benda (10), Jane Lombard (30), Yancey Richardson (30), and James Cohan (25)—mounting special exhibitions that mark their longevity. These milestones come amid widespread anxiety about the traditional dealer model, with headlines suggesting the sector is in crisis.

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University of Alaska Fairbanks student Graham Granger was arrested for tearing up and eating Polaroids from an AI-generated artwork by Nick Dwyer in an MFA exhibition, causing less than $250 in damage. Granger, charged with criminal mischief, described the act as a protest against the school's AI policy and a performance art piece, while Dwyer rejected the explanation and likened it to vandalism.

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Avinadav Begin, grandson of former Israeli Prime Minister Menachem Begin, is currently exhibiting his latest abstract metal and steel works at Sheetrit & Wolf Contemporary Art Gallery in Tel Aviv. The pieces, which he describes as “openings, apertures,” are neither paintings nor sculptures but heavy hybrid forms weighing up to 220 pounds, resembling rubble and broken window frames. In interviews, Begin has emphasized his identity as an artist rather than a politician, distancing himself from the current Likud party leadership under Benjamin Netanyahu, while acknowledging the influence of the ongoing war and hostage crisis on his work.

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Artist and editor Tod Lippy, stunned by Donald Trump's 2024 presidential election win, embarked on an obsessive two-day search for voters who had publicly supported Trump. Finding 50 individuals through op-eds and news interviews, Lippy—who had never painted before—created a series of portraits titled *My Fellow Americans*. The works debut as a site-specific installation at Independent New York. Over several months, Lippy painted nearly one portrait a day using acrylic gouache, immersing himself in the process and studying each subject's face in detail.

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Santina Semadar Panetta, a progenitor of Neo-Pointillism, recently exhibited her vibrant, brushstroke-driven works at Art Miami. In an interview with Artnet News, she discussed her debut at the fair, showing two key pieces—'Souls Connection' (2022) and 'Ciel et Terre' (2023)—chosen to reflect Miami's dual nature of boldness and introspection. She also described her practice as 'emotional architecture,' evolving to engage more deeply with classical art philosophy and contemporary themes like identity and the fluidity of time.

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Artnet is co-presenting Midnight Moment in partnership with Times Square Arts this June, featuring Yuge Zhou's video work *Trampoline Color Exercise*. The piece uses archival Olympic footage to show gymnasts tumbling on pink-gridded trampolines in a seamless collage, exploring themes of globalization, geopolitical tension, and humanity's pursuit of perfection. Zhou, a video artist with a background in computer science and a former child singer in China, discusses her creative journey and the inspiration behind the work in an accompanying interview.

art paul chan ai breathers digital

Paul Chan, the artist known for his early digital video works, is preparing for a new exhibition at Greene Naftali titled "Automa Mon Amour," opening March 12, featuring his latest "breathers"—kinetic windsock-like sculptures powered by fans. Chan, who quit making art in 2009 to found the indie publishing house Badlands Unlimited, has since returned to art-making with analog-focused works, yet simultaneously developed Paul’ (Paul Prime), a sophisticated AI project that creates a digital version of himself using his personal data, writings, and interviews. The article explores the contradiction between Chan's rejection of screens and his engagement with highly technical, code-intensive digital art.

It's a Rollercoaster of Emotions

"Es ist ein Wechselbad der Gefühle"

Sung Tieu has been selected to represent Germany at the Venice Biennale with a solo exhibition in the German Pavilion. In an interview with Monopol, she discusses how her personal biography—as a Vietnamese-German artist—informs her practice, which examines Vietnamese migration to East Germany, the rise of right-wing extremism, and the cold, bureaucratic language of state power. The exhibition will bring these themes to an international audience in Venice.

It is Naive to Believe that Bombs Bring Freedom

"Es ist naiv zu glauben, dass Bomben Freiheit bringen"

Iranian-born artist Peyman Rahimi discusses the profound impact of his childhood experiences during the Iran-Iraq War and his subsequent mandatory military service on his creative practice. Breaking a long-held silence, Rahimi argues against the naivety of believing that military interventions or foreign bombings can bring true freedom to Iran, emphasizing that war only generates new trauma and suffering. He highlights the central role of Iranian women in the struggle for change, noting that their resilience remains the most potent threat to the current regime.

Manet Under the Magnifying Glass

Manet à la loupe

A new documentary film titled 'Le Monde dans un tableau : les lampes de Manet' offers a detailed investigation into Édouard Manet's final major painting, 'Un bar aux Folies Bergère'. The film features an eclectic mix of interviewees, from a Folies Bergère lighting technician to a Shintō monk and a Tokyo print editor, weaving together art history and broader historical context around the iconic work.

Kengo Kuma: "The first time architecture moved me, it was a church"

Kengo Kuma : « La première fois qu’une architecture m’a ému, c’était celle d’une église »

Renowned Japanese architect Kengo Kuma discusses his design philosophy and his recent intervention at the Angers Cathedral in France. He emphasizes a "dialogue with the place" over architectural ego, focusing on topography, local materials, and the Japanese concept of wabi-sabi, which finds beauty in the aging of materials over time. Kuma reflects on how his first emotional encounter with architecture occurred in a Christian chapel as a child, an experience that continues to inform his use of light and verticality.

fashion toteme swedish style interview

Elin Kling and Karl Lindman, the Swedish couple behind the womenswear brand Toteme, discuss their design philosophy and the opening of their first flagship store in mainland Europe, located on Rue du Faubourg Saint-Honoré in Paris. The article, accompanied by photography from Mikael Jansson, details how the brand has resisted trends like "quiet luxury" and minimalism labels, instead focusing on precision, restraint, and timeless essentials. The Paris store, designed by Stockholm-based Halleroed, features art-gallery-white walls, Italian limestone floors, and works by Marc Newson, Lucie Gottlieb, and Jansson, reflecting the brand's serene, uncluttered aesthetic.

The Irresistible Force of Thinking and Acting Together

Guest curator Greg de Cuir Jr. interviews five prominent artist duos—including Joana Hadjithomas and Khalil Joreige, and OJOBOCA—to explore the mechanics of collaborative practice and shared life. The participants discuss the origins of their partnerships, ranging from the necessity of navigating new environments like Berlin’s analog film scene to the shared political and aesthetic urgency following the Lebanese Civil Wars.

Required Reading

This week's cultural roundup connects diverse stories from art conservation to literary analysis. Novelist Karma Brown draws parallels between restoring artworks and revising novels, inspired by visits to the Art Gallery of Ontario, while an interview with Namwali Serpell examines the complex "monumentalization" of Toni Morrison's legacy. The column also includes a poignant image from Tehran—a framed artwork hanging in a bomb-damaged apartment—and touches on topics ranging from celebrating Eid in Gaza to discussions about "girl games" and the Lindy West drama.

With ‘Doonesbury,’ Garry Trudeau Found a Way to Inform and Entertain a Generation of Newspaper Readers, One Panel at a Time

A new biography, "Trudeau & Doonesbury: The Cartoonist Who Turned the News Into Art," chronicles the life and career of reclusive cartoonist Garry Trudeau. Journalist Joshua Kendall's work, based on archives and interviews, traces Trudeau's evolution from a Yale student creating the strip's precursor to the creator of a politically potent daily comic that ran for over four decades.

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Adam Chinn, former chief operating officer at Sotheby's, has been quietly building International Art Finance (IAF), a boutique art lending firm backed by the billionaire Nahmad family. In a recent interview with ARTnews, Chinn revealed that IAF has disbursed nearly $400 million in loans and is on track to reach $500 million by the end of 2025. The firm offers short-term, non-recourse loans with an average size of $8 million, claiming an edge in speed and scale, with loans disbursed in as little as 10 days. The Nahmad family, prolific collectors and dealers, provides funding and conducts internal artwork valuations, a practice that has drawn scrutiny over potential conflicts of interest.

Sarah Alruwayti on Riyadh's Shift from Vision to Execution

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Sarah Alruwayti, director of the Tuwaiq Sculpture Symposium, discusses the evolution of Riyadh Art’s public art initiatives under Saudi Arabia’s Vision 2030. The symposium has grown from a local project into a global open-call forum, commissioning over 120 international sculptors to create permanent works using local materials like Saudi granite and reclaimed metal. The latest edition, themed "Traces of What Will Be," focuses on urban transformation and the historical context of Riyadh’s changing landscape.

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You Yang, the director of X Museum, discusses the recent surge in new art museums, particularly those backed by tech companies in China's Greater Bay Area, including Shenzhen and Hong Kong. He attributes this boom to a strategic shift in Shenzhen's cultural policy, the city's established cultural foundations, and the region's historical role in cross-cultural exchange, which has created a demand for contemporary institutions.

Natasha Tontey: ‘Dystopia Is Already Here’

Indonesian artist Natasha Tontey is the subject of an interview discussing her film series *Macho Mystic Meltdown*, which debuted at the Venice Biennale. The series includes chapters *Oikoumenē* (2025), *Monster, She Wrote* (2026), and *The Phantom Combatants* (2026), exploring Minahasan cosmology, the Permesta rebellion, and the mythologized figure of female combatant Len Karamoy. Tontey uses speculative fabulation, collage, and unstable bodily forms to challenge patriarchal norms and official histories.

Nelson-Aktins 1975 Chinese art exhibit still resonates in Kansas City today | Opinion

In spring 1975, the Nelson-Atkins Museum of Art in Kansas City hosted the second American stop of "The Exhibition of Archaeological Finds of the People's Republic of China," a landmark traveling show of ancient Chinese artifacts including jade, silk, and bronze sculptures. The author, then a University of Missouri-Kansas City economics student, worked behind the scenes at the museum, describing an unusual interview conducted while gardening and his task of touch-painting gallery walls with a dry brush to cover visitor smudges before opening.

MassMu to spotlight Akron artist's work

The Massillon Museum is currently hosting "Isabelle Crawford: Pure Potentiality," a solo exhibition in its Studio M space featuring paintings and drawings by the Akron-based artist. Crawford’s work explores the intersection of human connection and perception, reflecting her commitment to using art as a tool for community engagement and social change. The exhibition, which runs through April 26, will be supplemented by a featured interview with the artist on the museum’s "MassMusings" podcast.

Trinity’s Widener Gallery Hosts First Fully Student-Curated Art Exhibition

Trinity College's Widener Gallery is hosting its first fully student-curated exhibition, 'Reshaping Tradition: Contemporary Explorations in East Asian Art.' The show, open through April 2026, was produced by students from the 'Art History 205: East Asian Art, Now to 1850' course, who selected the artists, refined the theme, chose the works, conducted artist interviews, wrote catalogue essays, and designed the exhibition layout, all under the guidance of gallery director Lisa Lynch and professor Michael J. Hatch.

Sotheby’s On Singapore’s Collectors Driving The Art Market

Sotheby’s resumed Modern & Contemporary Art auctions in Singapore in 2022 after a 15-year hiatus, signaling renewed confidence in the region. In an interview, Jasmine Prasetio, Managing Director for Southeast Asia at Sotheby’s, discusses how Singaporean and Singapore-based collectors are increasingly active in both local and global sales, actively bidding on and acquiring works by Singaporean artists such as Georgette Chen, Kim Lim, and Jane Lee. Notable auction results include Georgette Chen’s “Lychees and Peaches” achieving $1.5 million in July 2023 and Jane Lee’s “Melt VII” selling for $140,877.

The Interview: Sea Art Festival 2025

The 2025 Sea Art Festival, titled 'Undercurrents: Waves Walking on the Water,' is co-directed by Keumhwa Kim and Bernard Vienat, who were selected through an international open call. The biennial returns to Dadaepo Beach in Busan, South Korea, focusing on outdoor installations and sculptures that engage with the natural landscape and local communities. Kim, founder of Keum Art Projects, and Vienat, founder of art-werk and leader of the (re)connecting.earth biennial, emphasize collaboration with scientists such as paleontologists and bioacoustic researchers to highlight invisible ecological and social structures.

James Jean on blurring boundaries between fine art and fashion

Taiwanese-American visual artist James Jean visited Jakarta for the first time in July 2025, laying groundwork for a solo exhibition at BAIK Gallery in spring 2026. During his trip, he met with Indonesian fashion designer Biyan to discuss a potential collaboration, and also visited the atelier of Beyond. In an exclusive interview with Prestige Indonesia, Jean discussed his creative process, his approach to collaborations (including past work with Prada), and his interest in blurring boundaries between fine art, fashion, and pop culture.

Visualizing a “god of queer liberation:” An interview with queer artist Daniel de Jesús about their new Philadelphia exhibition

Philadelphia-based queer artist Daniel de Jesús, also a cellist and composer, is featured in a group exhibition at the William Way LGBT Community Center that opened July 10, 2025. In an interview with Emma Cieslik, de Jesús discusses their paintings blending Catholic iconography, mysticism, and queer identity, drawing on symbols like Saint Sebastian and the unicorn. They describe how a Philadelphia Museum of Art exhibition on colonial Latin American art inspired their exploration of religious syncretism and the reclamation of Catholic imagery by queer and trans people.

Nomad Artist Explores the Meaning of Home Through a London Exhibition

Illustrator Molly Maine, who has been traveling the world since 2016 while running her remote design studio, is opening her first solo exhibition in London. Titled "Nomad: Perspectives on Home in a Changing Japan," the show grew out of her experiences at the Colive Fukuoka conference and an artist residency in Kanazawa. During her time in Japan, Maine interviewed both earthquake evacuees from the Noto Peninsula and digital nomads who had relocated there, exploring contrasting experiences of displacement and belonging. The exhibition weaves together these voices through illustration commissions that examine what defines home.