Foundation, a Prominent NFT Platform of the 2021 Boom, Shuts Down After Failed Sale

Foundation, a prominent Ethereum-based NFT marketplace that launched during the 2021 digital art boom, has announced it will shut down following a failed acquisition by the digital art company Blackdove. CEO Kayvon Tehranian confirmed that the platform has entered a one-year wind-down phase, urging users to migrate their assets as no other viable buyers exist in the current market. The closure follows the collapse of a deal that was intended to provide long-term stewardship for the platform, which had facilitated over $230 million in sales since its inception.

Want to visit Wakanda? Step inside the Walters’ new ‘Black Panther’ exhibit.

The Walters Art Museum in Baltimore is launching "Douriean Fletcher: Jewelry of the Afrofuture," an exhibition featuring the intricate metalwork and costume designs from the Marvel Cinematic Universe’s Black Panther franchise. The show highlights the work of self-taught artist and metalsmith Douriean Fletcher, whose collaboration with Oscar-winning costume designer Ruth Carter helped define the visual identity of Wakanda. On display are iconic pieces such as Nakia’s gold-plated brass necklace and Queen Ramonda’s silver bodice cage, alongside new works created specifically for the museum.

Movie-inspired art exhibition lets public explore one of Canada’s luxury hotels

Hotel Confidential is a new contemporary art exhibition hosted at the Royal Hotel in Picton, Ontario, featuring original projects by 16 artists. The show utilizes the hotel's Annex Building to display site-specific installations, such as a collection of vintage suitcases containing miniature dioramas and various architectural interventions. Co-curated by Stacey Sproule and Christina Zeidler, the event aims to bridge the gap between the region's luxury tourism industry and its dense local artist community.

Exhibition | Etsu Egami, 'Blessings from Afar' at Tang Contemporary Art, Hong Kong

Japanese artist Etsu Egami is set to debut a solo exhibition titled "Blessings from Afar" at Tang Contemporary Art’s Wong Chuk Hang space in Hong Kong on March 21, 2026. The showcase features over ten recent works that bridge the artist's cross-cultural background with her evolving visual language of rainbow hues and rhythmic line work. The exhibition specifically explores themes of miscommunication and sonic perception, drawing from Egami's experiences living between Japan, China, Germany, and the United States.

How museum funding in Denmark has become reliant on visitor numbers

Danish museums have recovered strongly from the pandemic, with 2025 attendance matching 2024's record levels of around 9 million visitors. However, a new state-funding model introduced in January 2025 now makes government subsidies increasingly dependent on measurable outputs, primarily visitor numbers. Institutions must meet minimum thresholds for annual visitors and income, and produce peer-reviewed research to secure and retain funding.

New £5m cultural centre in Northampton, UK to pursue model that ‘embeds artists in social and economic fabric of a place’

A new £5.2 million cultural centre called Arts Collective is opening in Northampton, UK, on May 1st. The centre, housed in a refurbished 1930s former municipal building, features a gallery, 17 artist studios, workshop spaces, and community facilities. Its opening exhibition, "House Rules," presents a retrospective of British conceptual artist Rose Finn-Kelcey.

‘As an artist I have a duty to reflect the times’: photographer Misan Harriman explores protests and solidarity in new London show

Photographer and filmmaker Misan Harriman has opened a permanent installation titled 'The Purpose of Light' at London's Hope 93 gallery. The exhibition features over 100 black-and-white photographs taken over seven years at protests in the UK, US, and South Africa, including demonstrations related to Black Lives Matter, Gaza, and other social justice movements. The project debuted as a solo show last summer and, due to significant public response, has now been established as a long-term fixture with support from private collectors.

Maison Margiela Opens "Tabi: Collectors Exhibition" in Chengdu, China

Maison Margiela has launched the “Tabi: Collectors Exhibition” at The Third Avenue Art Museum in Chengdu, China, running from April 9 to April 13, 2026. This immersive showcase features the personal archives of nine global collectors, including artist Theaster Gates and musician Zion.T, alongside a curated selection of the house’s own historical footwear dating back to 1989. The event is a key component of the brand's "MaisonMargiela/folders" initiative, which includes a series of regional activations across China and a digital open-source archive.

Activist glues herself to museum display case

Aktivistin klebt sich an Museumsvitrine

A protester from the activist group Neue Generation glued herself to a display case in the Coin Cabinet of the Bode-Museum on Berlin's Museum Island. Dressed as Federal Minister for Economic Affairs Katherina Reiche, the activist targeted the museum to protest the minister's perceived lack of independence from corporate interests. Police were called to the scene to remove the woman, and the Prussian Cultural Heritage Foundation confirmed that while the glass case was targeted, no historical artifacts were damaged.

Angélique Delorme gets a promotion at the Quai Branly

Angélique Delorme prend du galon au Quai Branly

Angélique Delorme has been appointed as the new Deputy Director General of the Musée du Quai Branly in Paris. She succeeds Jérôme Bastianelli and will be responsible for defining and implementing the museum's strategy, particularly in the lead-up to its 20th anniversary celebrations in June.

Karol Radziszewski “The Classroom” at Moderna Museet, Stockholm

Polish artist Karol Radziszewski has opened a new installation titled "The Classroom" at Moderna Museet in Stockholm. The work meticulously recreates a 1990s Polish classroom environment, but subverts its traditional educational content by integrating materials from the artist's Queer Archives Institute into the school furniture, walls, and blackboard.

Cultural Institutions in Beirut Suspend Operations Amid Escalating Conflict

Several major cultural institutions in Beirut have suspended public operations due to escalating regional conflict. The Ramzi and Saeda Dalloul Art Foundation, Sursock Museum, Dar El-Nimer for Arts & Culture, and Beirut Art Center have all paused programs following Israeli airstrikes on Beirut's southern suburbs and southern Lebanon, which were a response to rocket attacks by Hezbollah.

Construction of White House ballroom must stop, federal judge orders

A federal judge has ordered an immediate halt to the construction of a new ballroom at the White House's East Wing, a project initiated by former President Donald Trump. Judge Richard J. Leon's injunction stops all work except for safety and security measures, ruling that the president lacks the authority to undertake such a construction on federal property without explicit approval from Congress.

The Space Between. Adam Patrick Grant by Michela Ceruti

Adam Patrick Grant’s artistic practice is rooted in a meticulous and devotional process of observation, transitioning from a background in film to a dedicated focus on oil painting over the last three years. Working from his London studio, Grant utilizes an extensive archive of personal sketches, photographs, and found imagery—such as anonymous postcards and family photos from markets—to capture fleeting moments of intimacy and the unspectacular everyday. His work is characterized by a rhythmic dialogue between the act of walking, the gathering of visual fragments, and the translation of these memories into tender, precise compositions.

Spectral Nomenclature. Anastasia Pavlou  by Arnisa Zeqo

Artist Anastasia Pavlou’s practice is explored through her engagement with literature, memory, and the materialization of language. Her large-scale paintings, which draw formal comparisons to Art Informel and Abstract Expressionism, function as conceptual lexicons where titles—often direct citations from writers like Dionne Brand and Virginia Woolf—carry as much weight as the paint itself. Works such as "The Reader Interrogates Narrative, but Poetry Interrogates the Reader" demonstrate her interest in the "spectral" side of nomenclature, where naming serves to summon ghosts of the past while acknowledging the failures of language to capture emotion.

Nagano Prefecture 150th Anniversary / Renewal Opening 5th Anniversary: "Reorganizing – The NAM Collection Today" @ Nagano Prefectural Art Museum

長野県150周年記念／リニューアル・オープン5周年記念「再編する－NAMコレクションの現在」@ 長野県立美術館

The Nagano Prefectural Art Museum has announced a major exhibition titled "Reorganizing – The NAM Collection Today," scheduled to run from April 29 to June 7, 2026. Celebrating the 150th anniversary of Nagano Prefecture and the 5th anniversary of the museum's renewal, the show features approximately 100 works from the permanent collection alongside new commissions by guest artists Naoya Hirata, Barrack, and Tomoko Sato. The exhibition is structured into three thematic sections focusing on sculpture, the layers of painting, and the re-reading of institutional history.

Zurich: Peripheral Presence. by Tibor Bielicky and Ellena Ehrl

Zurich’s urban landscape is defined by functionalist structures from the 1990s and early 2000s that serve as the 'understated backdrop' to daily life. These buildings, including the Signal Box by Gigon Guyer and the Telecap 2000 by Hans Ulrich Imesch, act as navigational markers at the city’s geographic choke points. Despite their significance in shaping the city's rhythm and internal choreography, many of these structures are now reaching the end of their first lifecycle and face the threat of demolition due to real estate speculation.

How Photography Helped Build the Atomic Bomb

The feminist artist collective Slow War Against the Nuclear State (SWANS) presents the exhibition "Atomic Dragons" at Pitzer College Art Galleries. The show features works by seven intergenerational artist-academics, focusing on photography's historical role in developing atomic weapons and the enduring human and environmental costs of nuclear politics.

Grackle Art Gallery presents "Blank" opening reception

Grackle Art Gallery is set to host "Blank," a group exhibition curated by the artist duo Kickpigeon Kids. Featuring works from students and affiliates of The Alternative Art School, the show explores the conceptual theme of blankness as a site of limitless potential and unsaid narratives. The curators, Cosmo Jones and Max Marshall, employ an experimental approach by integrating the artists' works with found objects and ephemera to create a singular, immersive installation.

Cosanti Originals Debuts New Artist Exhibition

Mesa-based artist Talia Dudley has unveiled her latest solo exhibition, “SHROUD,” at the Cosanti Originals Gallery in Paradise Valley. The collection features large-scale paintings, some measuring up to 80 by 60 inches, which were developed during Dudley’s recent artist residency at Arcosanti. The works utilize gestural strokes and heavy layering to explore the "architecture of the unconscious," drawing direct inspiration from the unique structural environment and hidden spaces of the Arcosanti site.

Israeli Artist’s Show in Mexico City Closes After Antisemitic Harassment

An exhibition by Israeli artist Amir Fattal at König gallery in Mexico City was forced to close a week early after a campaign of antisemitic harassment escalated from online abuse to physical protests and vandalism. Vandals spray-painted swastikas, Stars of David, and the phrase "here there are terrorists" on the gallery's facade, and protesters gathered outside calling the artist a murderer and Mossad agent.

François Ozon’s 'The Stranger': A Film Between Surface Aesthetics and Political Reinterpretation

“Lo straniero” di François Ozon. Un film tra estetica delle superfici e rilettura politica

Director François Ozon has adapted Albert Camus’s existentialist masterpiece 'The Stranger' into a new feature film, premiering at the 82nd Venice Film Festival. Shot in stark black and white by cinematographer Manuel Dacosse, the film departs from the 1967 Luchino Visconti adaptation by leaning into a cold, clinical aesthetic inspired by Michelangelo Antonioni. The narrative follows Meursault, an emotionally detached clerk in colonial Algiers, whose impassive reaction to his mother's death and the subsequent senseless murder of an Arab man leads to his legal and moral condemnation.

Treviso is a Painted City: The Benetton Foundation Details Its Research

Treviso è una città dipinta. La Fondazione Benetton racconta tutto nelle sue ricerche

The Fondazione Benetton Studi Ricerche has unveiled the results of its decade-long multidisciplinary project, "Treviso urbs picta," which documents the extensive history of frescoed facades in Treviso, Italy. Spanning the 13th to the 21st centuries, the initiative has produced a comprehensive database of 614 buildings, a scholarly publication, and a topographical map. The project includes a digital archive featuring professional photography and historical mapping to track the evolution and current state of the city's unique painted architecture.

In China, the Margiela Show is Staged Inside a Series of Containers

In Cina la sfilata di Margiela è allestita dentro una serie di container

Maison Margiela has launched a major traveling exhibition in China titled "Artisanal: Our Creative Laboratory," debuting in Shanghai before moving to Chengdu. Designed by OMA/AMO, the open-air showcase features over forty couture creations from the Artisanal line dating back to 1989, uniquely displayed within weathered shipping containers. The project aims to demystify the fashion house's secretive creative process, highlighting the techniques of deconstruction and manipulation that define the brand's aesthetic.

The Flat Gallery in Milan Relocates: New 280 sqm Space Near Central Station

La galleria The Flat di Milano trasloca: nuovo spazio da 280 mq vicino alla Stazione Centrale

The Flat – Massimo Carasi gallery is relocating to a new 280-square-meter space near Milan’s Central Station after 18 years in the Porta Venezia district. To mark the opening on April 9, 2026, the gallery will present "Here… Now!", a group exhibition featuring artists such as Hiva Alizadeh, Michael Johansson, and Leonardo Ulian. The show serves as a retrospective of the gallery’s history since its founding in 2002, showcasing the experimental and international practices that define its program.

LA Timpa “Come Back” at Cell Project Space, London

LA Timpa “Come Back” at Cell Project Space, London

LA Timpa has opened a new solo exhibition, "Come Back," at Cell Project Space in London. The show features a multi-channel video installation and sound work that continues the artist's exploration of the body, technology, and queer identity through digitally manipulated and visceral imagery.

Unlearning Optimization – with Heike Geißler

Optimierung verlernen – mit Heike Geißler

Award-winning author Heike Geißler discusses the necessity of resisting constant self-optimization and embracing despair as a response to modern labor conditions. Drawing from her experiences working in an Amazon warehouse, which inspired her book "Saisonarbeit," Geißler argues that the pressure to perform often leads to a "culture of contempt" and that acknowledging systemic failures is a vital form of resistance.

Echo of Dreams: Symbolism in Brussels

Écho des songes. Le Symbolisme à Bruxelles

The Maison Hannon in Saint-Gilles, Brussels, has opened a major exhibition titled "Écho des songes" dedicated to Belgian Symbolism. Following an extensive restoration that removed scaffolding from its 1904 Art Nouveau facade, the historic residence designed by Jules Brunfaut is now fully accessible to the public. The show utilizes the building's restored interiors, including its famous staircase hall and Paul Baudoüin frescoes, to provide a contextual backdrop for the Symbolist movement.

NAFRICA–MASCHERE: The Mask Strikes Back

Curator Simon Njami discusses his exhibition 'NAFRICA–MASCHERE' at the Museo e Real Bosco di Capodimonte, which juxtaposes the fascist anthropological archives of Lidio Cipriani with contemporary artworks. The show utilizes the metaphor of the mask to explore the tension between how individuals are perceived and how they project themselves, specifically addressing the persistence of colonial logic in the modern world. By including artists from Africa, America, and Italy, Njami seeks to move beyond a binary 'colonizer vs. colonized' narrative toward a broader inquiry into human representation and power.

Consequences of Being and the Process of Becoming.

Deborah Roberts’s solo exhibition, 'Consequences of Being,' at The FLAG Art Foundation showcases a significant evolution in her practice, featuring new large-scale paintings, works on paper, and her debut in ceramic sculpture. Her signature collage-based figures are presented as fragmented, composite bodies that challenge fixed notions of Black identity and subjecthood. By blending archival imagery with vernacular signage, Roberts explores how colonial legacies and historical narratives continue to influence the perception of Black bodies across the globe.