Five Gen Z art collectors are profiled, revealing their distinct approaches to acquiring art. They prioritize direct relationships with artists, often via social media, and favor emerging and digital art, with many focusing on artists from their own generation and diverse backgrounds.
The Westmont Ridley-Tree Museum of Art is hosting "Re-Encounter," the annual senior art exhibition featuring works by 14 graduating students. The showcase highlights a diverse range of mediums, including salvaged wood paintings by Kailea Najera, ceramic floral sculptures by Makena Wick, and an immersive installation by Arianna Rheault that processes childhood trauma. The exhibition serves as a formal conclusion to the academic year, blending personal narratives with spiritual themes reflective of the institution's background.
Southwestern University’s Sarofim Fine Arts Gallery recently debuted the Spring 2026 B.A. Senior Art Exhibition, showcasing the final projects of seven graduating Fine Arts majors. The exhibition features a diverse range of media and themes, including Christopher Bowers’ historical-fantastical landscapes, Sophie Kinkade’s Y2K-inspired "spill art," and Trinidad Laurenzi’s exploration of Catholic iconography and body horror. Other featured artists include Maeve Lloyd, Aris Morgan, Grace Sapienza, and Isa Wilson, whose works span sculpture, anime-influenced illustration, and charcoal drawings addressing mental health.
The Art Association of Jacksonville has announced its 69th annual Beaux Arts Ball, titled "Liberty in Bloom," scheduled for April 25 at Illinois College’s Rammelkamp Chapel. As the association’s primary fundraiser, the event supports the operations, educational programming, and maintenance of the historic David Strawn Art Gallery, which has served the community since the association's founding in 1873.
The La Lison gallery in Paris is set to host "Avant les cendres," a solo exhibition by the Nancy-based artist Fantôme running from April 9 to May 16, 2026. The showcase focuses on the artist's exploration of the color black, utilizing texture, line, and abstraction to create a "space of projection" that emphasizes sensory experience over literal messaging.
The Grand Palais in Paris has announced a major monographic exhibition dedicated to the Swedish pioneer Hilma af Klint, running from May 6 to August 30, 2026. This comprehensive retrospective aims to showcase the artist's visionary abstract works, which predated the recognized beginnings of the abstract movement by several years.
The village of Croton-on-Hudson experienced a surge of artistic activity throughout March, highlighted by a series of events celebrating Women’s History Month. Key highlights included the "Women’s Viewpoints" exhibition at the Black Cow and the Croton Free Library, a retrospective of the late architect Ricardo Scofidio at the Artisans’ Gallery, and a sold-out performance by Denise Bessette. These events drew significant local crowds, showcasing a vibrant ecosystem of student artists, professional creators, and community supporters.
Multidisciplinary artist and printmaker Irie Zepeda has curated a new group exhibition titled “Print As Protest/Grafica En Resistencia” at the Chicano Park Museum & Cultural Center in San Diego. The show highlights printmaking as a vital medium for solidarity and community storytelling, drawing on Zepeda’s deep roots in Barrio Logan and their work with Por La Mano Press y Arte. The exhibition features works that position the craft of printing as a tool for visibility and collective action within marginalized communities.
The Wynter Gallery in Lambertville, New Jersey, is debuting "Parted Light," a solo exhibition by Detroit-based photographer Tejasvir. The collection features photographs taken in Pakistan that explore the memory, legacy, and cultural identity of a once-unified Punjab. The exhibition opens on April 10, followed by an intimate artist talk on April 12 where Tejasvir will discuss his personal journey and the existential themes behind the work.
Nikyle Begay, a Diné shepherd and weaver based in the Navajo Nation, is revitalizing ancestral weaving techniques that were historically marginalized by the colonial trading-post economy. By breeding Navajo Churro sheep and mastering complex twill patterns once used for functional saddle blankets, Begay bridges the gap between traditional agricultural practice and contemporary fine art. Their work involves the entire lifecycle of the medium, from shearing and processing wool to reconstructing intricate designs that fell out of favor when commercial markets prioritized specific regional styles for non-Native buyers.
A new report by Museum Hue reveals that over a third of surveyed museums and cultural centers founded and led by people of color in the Northeastern United States operate without any full-time staff. The study, which examined 38 institutions, found that 67% of smaller-budget organizations (with budgets under $500,000) lack full-time employees, with some operating on less than $100,000 annually and relying heavily on volunteers.
Pete Hegseth Goes to War With Press Photographers
Defense Secretary Pete Hegseth has banned press photographers from Pentagon briefings on the U.S.-Israeli military conflict with Iran. The reported reason for the ban is Hegseth's displeasure over "unflattering" photographs taken during a recent press address, with the Pentagon stating it will now release official photos online instead.
Artist Auudi Dorsey's recent exhibition, 'What's Left, Never Left,' at the Jonathan Carver Moore gallery in San Francisco, focuses on Black leisure and collective joy through paintings of Lincoln Beach in New Orleans. The works, which depict Black families and community members, use a surrealist visual vernacular to archive and celebrate Southern Black experiences and the building of self-esteem.
Artsy's monthly "Artists on Our Radar" series highlights five emerging artists who gained significant attention in March. The selections are based on the publication's expertise and data, tracking impact through new gallery representation, exhibitions, auctions, art fair appearances, or the release of fresh work.
Kunsthalle Bern is hosting a significant solo exhibition of the late artist Lin May Saeed, running from March 6 through May 10, 2026. The presentation features a comprehensive selection of Saeed’s signature styrofoam reliefs and sculptures, documented through extensive installation photography by David Aebi in collaboration with the artist's estate and Jacky Strenz gallery.
Archaeologists have discovered that Native Americans were engaging in games of chance using handmade dice as far back as 12,000 years ago, during the Late Pleistocene. A new study by researcher Robert Madden reveals that these artifacts, found in sites across Wyoming, Colorado, and New Mexico, predate the previously oldest known dice from Mesopotamia and the Indus Valley by over 6,000 years. These early dice, often made of bone and decorated with pigments, were used by the hunter-gatherer Folsom culture.
Ceramic artist Soojin Choi creates intricate sculptures of entangled pairs, using stoneware slabs and nylon strands to achieve a precarious balance that minimizes contact with the ground. Her painterly background is evident in the gestural marks, visible brushstrokes, and drips on the white-slipped surfaces, with the artist describing her process as a "constant negotiation with gravity."
Photographer Thomas Jackson creates striking images featuring multi-colored fabric installations billowing in natural landscapes. His work, which appears digitally manipulated but is captured in-camera with minimal post-production, explores the tension between nature and artificiality.
Photographer Andrew Moore has opened a solo exhibition titled 'Theater' at Jackson Fine Art. The show features his large-format, atmospheric photographs of aging theaters, grand staircases, and other architectural spaces in locations like New York, Cuba, and Russia, which evoke a sense of timelessness and a bygone era.
Photographer Chris Perani creates hyper-detailed images of insect wings using an extreme macro photography technique. His series, Wings, captures the intricate, often invisible details of bee, wasp, damselfly, beetle, and butterfly wings by taking up to 2,000 photos of a single specimen and digitally stacking them for unprecedented clarity.
À l’INHA, la fermeture estivale de la bibliothèque ravive le sujet
The National Institute for Art History (INHA) in Paris is facing backlash over its decision to implement a permanent two-week summer closure of its library every August. Originally introduced as a temporary measure during the 2024 Olympics and subsequent renovations, the closure is now being formalized by the administration despite a change in leadership. Staff and researchers have launched a petition, arguing that August is a critical period for international scholars and students who rely on the library’s extensive collections.
Emmanuel Étienne prend les rênes des musées de Compiègne-Blérancourt
Emmanuel Étienne has been appointed as the director of the national museums and estates of Compiègne and Blérancourt. The 48-year-old architect and urban planner, a heritage architect trained at the École de Chaillot, succeeds Rodolphe Rapetti, who has retired. He will oversee the complex, which includes the Château and national estate of Compiègne with its three museums, as well as the estate and the Franco-American Museum of Blérancourt.
Florian Sitbon, nouveau maire adjoint en charge de la culture
Florian Sitbon has been elected as the Deputy Mayor of Paris in charge of culture, cultural sovereignty, and free media. The appointment, confirmed on March 29, places a theater director and cultural advisor in a key political role overseeing the city's cultural policy.
The exhibition "Plenty more" has opened at the Cherry Hill gallery in Cologne, featuring works by artists Asta Lynge, Jakob Ohrt, and Eleanor Ivory Weber. The show is a reinterpretation of their previous 2024 exhibition "Plenty," held at Astrid Noacks Atelier in Copenhagen, with the curatorial decision to remove or reinterpret existing works rather than add new ones. The exhibition will run until April 18, 2026.
Laisul Hoque, winner of the 2025 East London Art Prize, has opened a solo exhibition titled 'The Ground Beneath Me' at the Nunnery Gallery, Bow Arts in London. The show features a new installation, film, and works on paper.
Vietnam will make its historic debut at the 61st Venice Biennale in 2026 with its first-ever national pavilion titled “Viet Nam: Art in the Global Flow.” Located at the Ca’ Giustinian Faccanon palace and curated by Đỗ Tường Linh, the exhibition will feature works by ten contemporary artists, including a major immersive installation by Lê Hữu Hiếu. Hiếu’s contribution, titled "Tằm" (Silkworm), utilizes traditional materials like lacquer and jackfruit wood alongside live silkworms to explore themes of metamorphosis and memory.
The Colors Festival has returned to Paris with a new immersive exhibition titled "Colors Light," located in the 15th arrondissement. Running from April 16 to July 26, 2026, the show features over 35 artists who have transformed a 700-square-meter building into a sensory playground using blacklight, fluorescence, and phosphorescence. The works are designed to shift and reveal hidden compositions as visitors move through the darkened space, marking a technical evolution for the festival toward light-based urban art.
The Nambucca Valley Women’s Business Network (NVWBN) has issued a call for entries for its fourth annual 'Women in Art' exhibition, scheduled to open at the Matilda Street Gallery in Macksville on May 16. Local female artists from the Nambucca, Macleay, Hastings, and Bellinger valleys are invited to submit expressions of interest by May 7 to participate in the showcase, which featured nearly 100 works from 44 artists in its previous iteration.
Artist-filmmaker John Smith discussed his latest autobiographical film, 'Being John Smith,' in an interview with Nataliia Serebriakova following a screening. The film explores his lifelong relationship with having one of the most common English names, a subject he was finally inspired to tackle after witnessing a Pulp concert where the crowd became a unified mass during the song "Common People." He describes the project as cathartic, addressing the daily jokes and challenges of individuality tied to his name.
The Glory! Glory! art exhibition, organized by Pigment International, is currently on display to commemorate Black History Month. The showcase features a diverse array of powerful works by Black artists, including featured artist Reggie McFly, and aims to highlight the depth and resilience of Black creative expression.