ACC Gallery in Tenafly, New Jersey, presents "Echoes over the Hudson" from May 5-23, 2026, an exhibition featuring contemporary Korean artists based in the New York Tri-State region. The show includes works in painting, sculpture, installation, photography, and new media by artists such as Eunchong Kim, Jinsook Lee, Agnes Woo, and Hyo Jin Jeon, exploring themes of migration, urban experience, memory, and cultural hybridity.
Santa Fe gallerist Daniel Cooney of Daniel Cooney Fine Art discusses his gallery's focus one year after relocating from New York City. In an interview, Cooney explains that while his gallery prominently features LGBTQ artists, its core mission is supporting underrepresented artists broadly—including emerging talents, overlooked older artists, and estates. He notes a continued emphasis on photography, his own background, but also shows other mediums. Cooney expresses interest in featuring more local New Mexico artists but has not yet integrated deeply into the local scene.
Zheng Guogu, a prominent Chinese artist, has founded a living art space in Yangjiang, a quiet city in southern China. The museum functions as more than an exhibition venue; it is a dynamic, evolving creative ecosystem where artists from around the world come to live, work, and exchange ideas. Immersed in the local rhythms, participants turn everyday life into an ongoing artistic dialogue.
Art Leven, a Sydney-based gallery focused on First Nations art, is opening its First Nations and Australian Fine Art Auction and Exhibition, headlined by the private collection of the late Dame Marie Bashir AD CVO and Sir Nicholas Shehadie AC OBE. The exhibition runs from 15–19 May 2026 at Art Leven's new Woolloomooloo gallery, with the live auction on 19 May at Artspace. The sale includes approximately 115 artworks, with 79 from the Bashir-Shehadie collection, featuring works by Balang John Mawurndjul AM, Arthur Boyd, Emily Kame Kngwarreye, Albert Namatjira, and others. The collection reflects decades of travel to remote art centres and close relationships with artists, supported by archival material like handwritten notes and early catalogues.
The Hessel Museum at Bard College has launched its annual spring exhibition season, featuring twelve distinct curatorial projects titled "Everything That Happens Will Happen Today." Organized by graduating students from the Center for Curatorial Studies (CCS), the showcase serves as a professional debut for an emerging cohort of curators. The projects range from solo retrospectives of under-recognized artists like Brazilian painter Maria Auxiliadora Silva to explorations of feminist art history through the work of A.I.R. Gallery co-founder Anne Healy.
The 2026 India Art Fair, the 17th edition of South Asia's leading contemporary art event, is taking place from February 5 to 8 at the NSIC Exhibition Grounds in New Delhi. It features 135 exhibitors presenting modern and contemporary art, performance, film, craft, design, and outdoor installations, alongside a program of talks, workshops, and citywide collaborations.
CULTURED magazine hosted its first Young Dealers panel at Soho House in New York, featuring gallerists Margot Samel (of Margot Samel gallery) and Alex Fleming and Anya Komar (of Ulrik gallery). Moderated by CULTURED contributing writer Melissa Smith, the conversation covered building an art program, navigating market shifts, and the multifaceted role of running a gallery. The event previewed the magazine's upcoming Young Dealers list and included non-alcoholic cocktails from presenting partner Aplós.
Felix LA has announced the 57 exhibitors for its eighth edition, taking place February 26 to March 1, 2026, at the Hollywood Roosevelt Hotel, with a VIP preview on February 25. The fair includes a mix of established galleries such as Corbett vs. Dempsey, Luis De Jesus Los Angeles, and Yossi Milo, alongside emerging spaces like ATLA, One Trick Pony, and Plato. Over 20 galleries are participating for the first time, including New York Life Gallery, Feia, and Som Gallery, with international participants from Kyoto, Toronto, Milan, Busan, and Buenos Aires.
Japanese artist Yoshiaki Nakamura presents 'Cyborg Butterfly: Threshold', an exhibition featured on Ocula. The show explores the intersection of technology and nature through hybrid butterfly forms, blending organic and mechanical elements in a visual meditation on transformation and boundaries.
Sean Carney, a painter and longtime art teacher at Lawrence High School, discusses his artistic journey and evolving practice in a Q&A with Thomas Kelly. Carney, who works with water-based wood stains on wood panels, recently shifted his subject matter from cityscapes to iconic automobiles in his "Driven by Design" series, inspired by a visit to the Saratoga Automobile Museum. His work has been exhibited at Barsky Gallery in Hoboken and other venues, and he credits influences including professors Ray Statlander and Ben Jones, as well as artist Mel Leipzig.
Katie DeGroot's exhibition "The Arboreal Life" at Kathryn Markel Fine Arts in New York (April 2–May 9) presents tree paintings that anthropomorphize branches into human-like figures. Works such as "Chit Chat" (2026) and "Family Matters" (2025) depict trees leaning, gesturing, and tangling in ways that suggest intimate relationships, arguments, and familial bonds. DeGroot, who moved from New York City to a farm in upstate Fort Edward, began using fallen branches as models after lacking human subjects, developing compositions that emphasize color, texture, and the interplay of fungi and lichen. Her use of opaque and translucent watercolors balances natural observation with poetic interpretation.
Art Fund has announced the five finalists for the Museum of the Year 2026 award, the world’s largest museum prize. The shortlist includes Norwich Castle Museum and Art Gallery, the Fitzwilliam Museum in Cambridge, The Box in Plymouth, and London’s National Gallery and V&A East Storehouse. The winner, to be announced on June 25 at the Cutty Sark, will receive £120,000, while the remaining four finalists will each be awarded £20,000.
Emami Art in Kolkata is set to launch two concurrent exhibitions on March 20, 2026, titled "Nothing Twice" and "Chance Remains of Another Time." "Nothing Twice," a group show curated by Ushmita Sahu, features nine emerging women artists exploring themes of impermanence and domesticity through diverse media including textiles, ceramics, and video. Running alongside it is a solo presentation by Kolkata-based artist Suman Dey, whose new polyptych works utilize abstract fragments to mirror the complexities and decay of contemporary urban life.
South Korean artist Lee Chae will present a solo exhibition titled "Imbued, Between Flower and Wind" at Whitestone Gallery Taipei from April 11 to May 16, 2026. The show features new series including "Afterimage of Wind" and "Wind-Infused," which utilize metaphors of flora and wind to explore the relationship between external stimuli and the human inner soul. Lee’s technique involves layering translucent pigments and then wiping them away to create poetic afterimages that visualize the transformation of emotions over time.
Detroit will host its first contemporary art fair, Season, from 25-28 September at Michigan Central, the city's renovated former train station. The fair debuts with 11 galleries and a special exhibition featuring ten local artists, evolving from Detroit Art Week, which was launched in 2018 by curator and entrepreneur Amani Olu. Olu, a collector himself, reimagined the festival as Season to fill a gap in the local cultural landscape, offering affordable booth costs of $2,500 and an online viewing room. Participating galleries include four from Michigan, four from New York City, and one each from Buffalo, Pittsburgh, and Toronto, alongside talks, studio visits, and large-scale installations.
CULTURED Editor-in-Chief Sarah Harrelson hosted a panel discussion at Christie’s Rockefeller Center with collectors Tiffany Zabludowicz, Sophia Cohen, and Victoria Rogers, exploring the evolving role of women in the art market. The event coincided with Christie’s Marquee Week sales, which included a record-breaking $1.1 billion night, and featured works from the collections of legendary female patrons such as Agnes Gund, Marian Goodman, Lorinda de Roulet, and Marilyn Arison. Guests viewed masterpieces on display and received remarks from Christie’s Senior Vice President Isabella Lauria, who is leading the 21st Century Sale on May 20.
University of Alaska Fairbanks student Graham Granger was arrested for tearing up and eating Polaroids from an AI-generated artwork by Nick Dwyer in an MFA exhibition, causing less than $250 in damage. Granger, charged with criminal mischief, described the act as a protest against the school's AI policy and a performance art piece, while Dwyer rejected the explanation and likened it to vandalism.
Sotheby's Institute of Art, the academic arm of the Sotheby's auction house, is expanding its focus on luxury business education with three M.A. programs in Luxury Business. These programs, offered in New York and London as well as online, train students in sectors such as fashion, jewelry, watches, and wines and spirits, leveraging the institute's connections to the art market and luxury brands like Chanel, Cartier, LVMH, and Tiffany & Co. Program director Natasha Degen and Dr. Federica Carlotto emphasize the blurring boundaries between art and luxury, and the need for cross-disciplinary expertise.
Santina Semadar Panetta, a progenitor of Neo-Pointillism, recently exhibited her vibrant, brushstroke-driven works at Art Miami. In an interview with Artnet News, she discussed her debut at the fair, showing two key pieces—'Souls Connection' (2022) and 'Ciel et Terre' (2023)—chosen to reflect Miami's dual nature of boldness and introspection. She also described her practice as 'emotional architecture,' evolving to engage more deeply with classical art philosophy and contemporary themes like identity and the fluidity of time.
A US appeals court overturned an $8.8 million judgement against artist Ryder Ripps and his business partner Jeremy Cahen, who were previously ordered to pay Yuga Labs, creator of the Bored Ape Yacht Club (BAYC) NFTs, for creating copycat NFTs. The 9th US Circuit Court of Appeals ruled on July 23 that Yuga Labs had not sufficiently proven that Ripps and Cahen's tokens would confuse buyers. The case, originally filed in June 2022, alleged trademark infringement, false advertising, and cybersquatting. Ripps and Cahen argued their works were satirical appropriation art, while Yuga Labs denied claims of racism tied to the BAYC imagery. The ruling sends the case back to federal court for a trial on trademark and cybersquatting claims.
The Buddy Holly Center in Lubbock, Texas, will host a closing reception and gallery talk for 'Daybook,' an exhibition of mixed media works by DFW-based artist Ashley Stecenko, on Sunday, May 17, 2026. Stecenko will lead a guided tour discussing her creative process, which combines drawing, printmaking, and quilting techniques to explore domestic spaces and personal memory. The exhibition includes her ongoing 'Little Ditties' series, where small journal-like pieces are sometimes sewn into larger patchwork compositions.
Hedwig Fijen, founding director of Manifesta, the European Nomadic Biennial, will step down on October 5. Emilia van Lynden and Catherine Nichols will succeed her as general director and artistic director respectively, as announced by the supervisory board of the International Foundation Manifesta. Fijen, who was commissioned by the Netherlands Office for Fine Arts in 1991 to develop a pan-European platform, has led Manifesta through editions in Palermo, Pristina, Barcelona, and the upcoming 2026 edition in the Ruhr region. Van Lynden has served as deputy director since 2019, while Nichols, a Berlin-based curator, contributed as creative mediator for the 2022 edition and artistic board member for 2026. The new leadership will begin with Manifesta 17 in Coimbra, Portugal, in 2028.
Yalda Afsah presents her first exhibition in Denmark, titled "Surge," at Kunsthal Thy. The show features two video works: "Curro" (2023), which explores human relationships with animals, and "Jarramplas" (2025), which initiates a new series centered on rituals and communal social dynamics.
León Gallery's The Kingly Treasures Auction 2025, taking place on December 6 at 2 p.m., features works by leading Filipino contemporary artists. The sale highlights Bernardo Pacquing's experimental abstractions, Leo Valledor's geometric explorations, Jigger Cruz's layered and destructive techniques, and Manuel Ocampo's provocative social commentaries, among others.
Birmingham Museum & Art Gallery has launched a community-led exhibition exploring the universal experiences of death, dying, and grief. Curated in partnership with the local collective BrumYODO, the showcase features traditional mourning rituals alongside contemporary inquiries into how artificial intelligence might manage bereavement. The exhibition serves as the centerpiece for the annual "A Matter of Life and Death" festival, incorporating interactive workshops, clay-making sessions, and even a themed comedy night to engage the public with a typically taboo subject.
Guest curator Greg de Cuir Jr. interviews five prominent artist duos—including Joana Hadjithomas and Khalil Joreige, and OJOBOCA—to explore the mechanics of collaborative practice and shared life. The participants discuss the origins of their partnerships, ranging from the necessity of navigating new environments like Berlin’s analog film scene to the shared political and aesthetic urgency following the Lebanese Civil Wars.
The article shares excerpts from Akira Kurosawa's memoir detailing the production of his 1950 film 'Rashomon.' It focuses on the director's meticulous location scouting in Kyoto and Nara, his struggle with studio executives who found the project difficult, and the evolving, grandiose mental image he developed for the film's central gate, based on his research into historical architecture and city plans.
A generation of Native American artists, emerging from the Institute of American Indian Arts (IAIA) in Santa Fe from the 1960s onward, reclaimed Indigenous representation in American art. Figures like Fritz Scholder, T.C. Cannon, Kevin Red Star, and Earl Biss used modernism, irony, and cultural specificity to dismantle colonial stereotypes of Native peoples as romanticized relics, instead portraying them as contemporary individuals with agency and living traditions.
Dataland, the world's first museum dedicated to AI arts, will open to the public on June 20 at The Grand LA complex in Los Angeles. Designed by Gensler, the museum's inaugural exhibition, 'Machine Dreams: Rainforest' by Refik Anadol Studio, runs through January 31, 2027, and uses a Large Nature Model (LNM) processing ecological and biofeedback data in real time to create an immersive, evolving sensory experience.
The article reviews "Shifting Crossroads. Beirut Contemporary," an exhibition at Circolo in Milan that surveys the contemporary Lebanese art scene. It features internationally recognized artists like Mona Hatoum and Simone Fattal alongside emerging talents, including works from the Saikalis Bay Foundation, founded in 2024 by Nicole Saikalis and Matteo Bay. The show spans historical-archival investigation, photography, installation, painting, and sculpture, with pieces such as Stéphanie Saadé's "Stage of Life" (2021), Catherine Cattaruzza's "I am Folding the Land" (2022), and Joana Hadjithomas & Khalil Joreige's "Waiting for the Barbarians" (2013) exploring themes of memory, fragility, and geopolitical instability.