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Cleveland Museum of Art opening ‘Martin Puryear: Nexus,’ a career survey

The Cleveland Museum of Art has launched "Martin Puryear: Nexus," the most comprehensive survey of the 84-year-old American sculptor’s work in nearly two decades. Co-organized with the Museum of Fine Arts, Boston, the exhibition features approximately 50 pieces, including large-scale sculptures, drawings, and maquettes spanning 50 years of Puryear’s career. A unique feature of the show is the inclusion of diverse interpretations from various artists and architects, though many works are left intentionally open-ended to encourage personal viewer connection.

Gustave Courbet: realist and rebel

The Leopold Museum in Vienna, in collaboration with Museum Folkwang in Essen, is hosting a major retrospective titled "Gustave Courbet: Realist and Rebel." Featuring 130 exhibits, including 90 paintings and 20 graphic works, the exhibition traces the artist's journey from his early rejection of academic training to his role as the pioneer of Realism. The show highlights his revolutionary choice to depict everyday life and ordinary people on a monumental scale, a practice previously reserved for heroic or mythological subjects.

San Diego Museum of Art celebrates 100 years with new exhibitions

The San Diego Museum of Art (SDMA) is celebrating its 100th anniversary with a series of special exhibitions and a public birthday party. The centennial exhibition "SDMA 100 Years" opens January 24, 2026, featuring photographs, memorabilia, and film footage of key moments in the museum's history. Other exhibitions include "Local Visions: Reimagining the Façade" (through July 26), "Cafes and Cabarets: The Spectacular Art of Toulouse-Lautrec" (April 4–September 20), and "Forging a Legacy: 15 Years of Landmark Acquisitions" (May 16–September 7). The museum will offer free admission and extended hours on February 28 for its birthday fest with live music, art-making, and cake tasting.

Art Notes: Hood Museum's exhibitions reflect on America's 250 years

The Hood Museum of Art in Hanover, New Hampshire, has mounted a dozen exhibitions drawn entirely from its own collection to mark the 250th anniversary of American independence. Curators began planning in 2022, opting for a series of smaller, collaborative shows rather than a single large exhibition. Highlights include "Always Already: Abstraction in the United States," featuring works by Frank Stella and Nampeyo; "American Pop," with Ed Ruscha's "Standard Station, Amarillo, Texas" and Jaune Quick-to-See Smith's "The Rancher"; and "Art Histories/Art Futures," which pairs May Stevens' "Big Daddy Paper Doll" with Michael Naranjo's "He's my brother." The exhibitions reflect the museum's ongoing effort to include art and artists historically left out of the art-historical canon.

Groundbreaker Private Tour of the Spirit House Contemporary Art Exhibition at UW's Henry Gallery [SOLD OUT]

On January 8, 2026, Asia Society Seattle will host a private tour of the exhibition "Spirit House" at the Henry Art Gallery at the University of Washington, led by Associate Curator Swagato Chakravorty. The event is invite-only for the society's Advisory Council, Corporate Members, Groundbreaker and Innovator members, and donors. The exhibition, organized by the Cantor Arts Center at Stanford University, features 34 contemporary artists of Asian descent exploring themes of life, death, spirituality, and diaspora through works that engage with spirit houses and ancestral connections.

Order and chaos in contemporary Israeli art

Basia Monka profiles three contemporary Israeli artists—Ariel Hacohen, Jessica Moritz, and others—who, despite diverse backgrounds and mediums, share a common drive to explore order and chaos through repetition in their work. Hacohen, a 2024 Rappaport Prize laureate, uses photography, video, and sculpture to blend archaeology, history, and memory, with current exhibitions at the Haifa Museum of Art and Tel Aviv Museum of Art. The article presents each artist's answers to three questions about inspiration, the definition of art, and what makes their work unique.

'What's possible for art in this city': Striking exhibition brings diverse artists to Allentown studio

Rigo Peralta Art Studio in Allentown, Pennsylvania, opened the "Hyperrealism & Realism" exhibition on a Friday night, featuring a diverse group of artists from the United States, Puerto Rico, and Venezuela. Curated by Peralta and Ruddy Tavera, the show juxtaposes hyperrealistic and academic realist works, including pieces by Ismael Checo, Francisco Collado, Juanairis Collado, and others. The exhibition runs through February and aims to present a fresh artistic experience for the local community.

Del Mar Fairgrounds to host Banksy-themed art exhibition

“The Art of Banksy: Without Limits,” a touring exhibition dedicated to the anonymous British street artist Banksy, will open January 30 at the Del Mar Fairgrounds in San Diego. Featuring 200 pieces including certified originals from private collectors and replicas, the show presents prints, photographs, sculptures, murals, and video-mapping installations, along with an infinity room, a hologram installation, and a room focused on Banksy’s Ukraine-related works. The exhibition, which debuted in Istanbul in 2016, is not officially sanctioned by Banksy but serves as a tribute to his provocative, satirical art.

On View: 'Nigerian Modernism' at Tate Modern Charts Artistic Revolution Against Backdrop of Political and Cultural Rebellion

Tate Modern in London has opened 'Nigerian Modernism,' a major exhibition tracing the modern art movement in Nigeria from the 1940s through the post-independence era. Spanning 50 years, the show features over 250 works by more than 50 artists, including Jimo Akolo, El Anatsui, Nike Davies-Okundaye, Uzo Egonu, Ibrahim El-Salahi, Ben Enwonwu, Ladi Kwali, Aina Onabolu, Bruce Onobrakpeya, Uche Okeke, and Obiora Udechukwu. Curated by Osei Bonsu and Bilal Akkouche, the exhibition draws from Tate’s holdings and public and private collections across Africa, the United States, and Europe, and runs from October 8, 2025 to May 10, 2026.

From subways to galleries: Miami's Museum of Graffiti traces the appeal of street art

Miami's Museum of Graffiti, located in the Wynwood neighborhood, is hosting a new exhibition that chronicles the origins and development of graffiti and street art, timed to coincide with the annual Art Basel fair and its satellite shows. The museum, founded six years ago by Alan Ket, bills itself as the first museum in the world dedicated to graffiti and street art. The exhibition features works by artists like JonOne (Jon Perello), who began tagging New York subways as a teenager, and highlights key moments such as the 1973 Razor gallery show, which helped legitimize graffiti as an art form.

The Woman Question 1550–2025 The City of Women

The Museum of Modern Art in Warsaw (MSN Warsaw) will launch two concurrent exhibitions, "The Woman Question 1550–2025" and "The City of Women," running from November 21, 2025, to May 3, 2026. Featuring nearly 200 women artists from around the world—spanning from Artemisia Gentileschi and Frida Kahlo to Yoko Ono and Tala Madani—the shows aim to present five centuries of art by women, curated by Alison M. Gingeras and a team of researchers including Julia Bryan-Wilson, Michalina Sablik, Vera Zalutskaya, Karolina Gembara, and Wiktoria Szczupacka. The exhibitions include works borrowed from major international institutions such as the Uffizi Gallery, Mathaf: Arab Museum of Modern Art, and the Nasjonalmuseet.

Amoako Boafo serves up a community tennis court in Ghana

Ghanaian artist Amoako Boafo has opened Backyard Community Club, a tennis training facility in Osu, Accra, featuring the country's first regulation clay court. Designed by Accra-based architecture firm DeRoche Projects, the court is enclosed by precast rammed-earth panels—also a first in Ghana—and includes shaded seating, changing rooms, and edible plants. The project offers free tennis lessons to local children, drawing on Boafo's own background as a ball boy and tennis player before his rise as a global art star.

Curator Conversation: Behind The Honest Eye

On October 25, 2025, co-curators Clarisse Fava-Piz, Claire Durand-Ruel Snollaerts, and Nerina Santorius will host a conversation at the Joslyn Art Museum in Omaha, Nebraska, offering a behind-the-scenes look at the exhibition "Pissarro’s Impressionism." The talk will explore Camille Pissarro’s life and legacy, from his Caribbean roots to his role in Impressionism, and detail how over 80 works were assembled for the first major U.S. retrospective of the artist in over 40 years. The event is sold out in person but will be livestreamed.

James Turrell’s New Skyspace Is Opening in Denmark—and It’s Monumental

James Turrell's largest Skyspace to date, titled "As Seen Below – The Dome," will open at ARoS Aarhus Art Museum in Denmark on June 19, 2026, timed for the summer solstice. The dome-shaped underground chamber, over 50 feet high and 130 feet in diameter, frames the sky and is housed within a grassy mound as part of the museum's subterranean expansion, The Next Level. The project, first announced in 2015, faced financial and technical delays, including a supplier bankruptcy, and required additional funding of 6.7 million kroner this year.

Weisman Art Museum shows rugs as the messengers of our stories

The Weisman Art Museum in Minneapolis is hosting "RugLife," a touring exhibition that transforms rugs into platforms for storytelling, history, and social commentary. Curated by Ginger Gregg Duggan and Judith Hoos Fox, the show features works by artists including Sonya Clark, Andrea Zittel, Nevin Aladağ, Ai Weiwei, and Ali Cha'aban, who use rug-making to address themes such as Black barber culture, climate change, political tensions, and the war in Ukraine. The exhibition originated at San Francisco's Museum of Craft and Design in 2023.

Exhibition spotlights civic engagement of artists

The Cantor Arts Center at Stanford University has opened a new iteration of its Archive Rooms series, featuring two concurrent exhibitions: "Archive Room: Ester Hernandez" and "Archive Room: Ruth Asawa." The Hernandez exhibition showcases seldom-exhibited artwork, ephemera, writing, and family photographs from the artist's archive, including her iconic print "Sun Mad" (1982) addressing pesticide contamination, alongside materials documenting her community-based practice and activism. The Asawa exhibition highlights her arts advocacy through teaching materials, photographs, and projects from the Alvarado School Arts Workshop, an artist-in-residence program she co-founded in 1968 that operated in 50 San Francisco public schools.

On Loss and Absence: Textiles of Mourning and Survival

The Art Institute of Chicago presents 'On Loss and Absence: Textiles of Mourning and Survival,' an exhibition running from September 6, 2025, to March 15, 2026. Featuring over 100 objects from antiquity to the present, the show draws primarily from the museum's own collection and is organized into four thematic sections: Death and Mourning, Transition of Realms, Care and Repair, and Resistance and Survival. Works include funeral hangings, burial cloths, mourning samplers, Indonesian ship cloths, a Taoist priest's robe, and contemporary pieces by artists such as Nick Cave, Carina Yepez, the Noqanchis collective, and Diné weaver Barbara Teller Ornelas. The exhibition is curated by four artist-educators from the School of the Art Institute of Chicago's Fiber and Material Studies department: Isaac Facio, Nneka Kai, L Vinebaum, and Anne Wilson, with senior museum advisor Melinda Watt.

Antony Gormley: ‘Everything I make now is a surprise to me’

Antony Gormley, the British sculptor best known for public works like *Angel of the North* and *Another Place*, is opening his first solo exhibition in Seoul this September, titled *Inextricable*, simultaneously at White Cube and Thaddaeus Ropac. The shows coincide with Frieze Seoul and explore how urban infrastructure shapes human consciousness. Gormley also discusses his ongoing collaboration with Japanese architect Tadao Ando at Museum SAN, where their permanent installation *Ground* (2025) is on view, and reflects on past unrealized projects in Korea, including a utopian proposal with the Kim Dae-jung Foundation.

Australian Aboriginal artist Emily Kame Kngwarreye exhibition at Tate Modern

The Tate Modern in London is hosting a landmark retrospective of Australian Aboriginal artist Emily Kame Kngwarreye (c. 1914–1996), running from July 10 to January 11, 2026. The exhibition features 70 works spanning her career, from early batik designs to her final acrylic paintings, and is organized in collaboration with the National Gallery of Australia, the Utopia Art Centre, and Kngwarreye's descendants. It is the first major solo exhibition of her work in Europe, highlighting her deep connection to her ancestral country and culture.

‘Slowing the process down’: how a bohemian Somerset art gallery is forging its own path

Close gallery, founded in 2009 by curator and art advisor Freeny Yianni in the grounds of her 17th-century home near Hatch Beauchamp, Somerset, is expanding its operations. Yianni, who previously worked at Lisson Gallery and helped Grenville Davey win the Turner Prize, recently hired sales director Richard Scarry, formerly of Coates and Scarry in Bristol. The gallery's current exhibition features previously unseen works by British abstract artist Jane Harris (1956–2022), shown both in Somerset and at a new London project space in Marylebone. Upcoming plans include presenting a monumental sculpture by Simon Hitchens at Frieze Sculpture in Regent's Park.

National Museum of African Art

The article is a visitor's guide to the Smithsonian's National Museum of African Art in Washington, D.C., describing its hidden, underground location behind the Smithsonian Castle and its extensive collection of ancient and modern African art. It highlights specific works on display, including a mixed media piece by Mary Sibande titled *Sophie-Merica* (2009), a sculpture by Ghada Amer titled *The Blue Bra Girls* (2012), and *Untitled* (2009) by El Anatsui, along with numerous masks, textiles, and photography exhibits by artists such as Lalla Essaydi.

Sea State: restored Norfolk mansion puts on water-themed exhibition by Maggi Hambling and Ro Robertson

Wolterton Hall, an 18th-century Palladian country house in Norfolk, England, has reopened to the public after a restoration completed by its new owner Richard Ellis. The estate is launching a water-themed exhibition titled "Sea State," featuring site-specific works by artists Maggi Hambling and Ro Robertson. Robertson's outdoor steel sculpture "The Swell" will be the first permanent outdoor artwork on the grounds, while Hambling presents new pieces from her "Wall of Water" series and an installation called "Time" dedicated to her late partner. The exhibition is co-curated by Simon Oldfield and Gemma Rolls-Bentley.

Blood, skeletons and syphilis: the story of Edvard Munch’s obsession with health

An exhibition at the Munch Museum in Oslo, titled "Lifeblood," explores Edvard Munch's lifelong obsession with health and medicine by juxtaposing his paintings, drawings, and prints with historical medical objects. The show opens with Munch's painting "On the Operating Table" (1902-3), inspired by a bullet removal surgery after a dispute with his fiancée Tulla Larsen, paired with an early x-ray of his injured hand. It features works like "The Sick Child" (1885-6) alongside tuberculosis-related artifacts such as stethoscopes, sputum bottles, and a jar of arsenic, drawing from Munch's personal experiences with illness and his family's medical background—his father and brother were doctors.

A brush with Cezanne in Aix-en-Provence, France: a blockbuster retrospective comes to town

Paul Cezanne's hometown of Aix-en-Provence is staging a major retrospective at the Musée Granet, bringing together over 130 works including still lifes, portraits, and landscapes. The exhibition coincides with the reopening of two key sites after an eight-year restoration: the artist's atelier in Les Lauves and the Bastide du Jas de Bouffan, the family estate where Cezanne painted for 40 years. The Bastide, acquired by Cezanne's banker father in 1859, had fallen into disrepair and closed in 2017; it reopens on 28 June with guided tours and grounds open to visitors.

In The Mastermind, an art heist’s aftermath unfolds against the backdrop of Vietnam War-era America

Kelly Reichardt's new film *The Mastermind* premiered at the Cannes Film Festival, following J.B. Mooney (Josh O'Connor), a carpenter who orchestrates an art heist targeting four Arthur Dove paintings from a fictional Massachusetts museum. The heist is inspired by a real 1972 robbery at the Worcester Art Museum, and the film explores the tension between artistic value and monetary worth against the backdrop of Vietnam War-era America.

Chile to get a new contemporary art museum

A new contemporary art museum, the New Museum of Santiago (NuMu), is set to break ground in Chile's capital in August 2025. Led by businessman and philanthropist Claudio Engel and his four children through the Engel Foundation, the museum will be built around the family's collection of over 1,000 works by more than 200 artists, including Alfredo Jaar, Paz Errázuriz, and Pilar Quinteros. Designed by architect Cristián Fernández, the 2,000 sq. m facility will feature exhibition spaces, a sound-art room, an auditorium, a library, a restaurant, and a museum shop. It will be the first large-scale contemporary art museum in Chile housed in a new structure, located in Vitacura's Bicentennial Park.

Groundbreaker Private Tour of Seattle Art Museum

On June 2, 2025, Asia Society Seattle will host a private tour of the Ai Weiwei exhibit at the Seattle Art Museum (SAM), led by Dr. Foong Ping, the Foster Foundation Curator of Chinese Art and an affiliate professor at the University of Washington. The event is exclusive to the society's Advisory Council, Groundbreaker and Innovator members, and donors, requiring advance registration.

Illustrative Artist: Anthony Bartley’s Journey From Science into the Gallery

Anthony Bartley, a 27-year-old artist from Chicago's South Side, is presenting twenty acrylic paintings from 2023 to the present in his solo exhibition “Words I’ve Never Said: A Community Healing and Art Exhibition” in Hyde Park. The show explores themes of love, grief, and mental health, doubling as a creative space for community engagement. Bartley’s journey began with childhood interests in anime, Pokémon cards, and video games like Kingdom Hearts and Halo Reach, later influenced by his mother Jeanette, a dean at Triton College, who exposed him to science. He initially majored in molecular biology at Washington University in St. Louis before turning to art as a form of journaling, developing a style he calls “illustrative painting” that blends pop art and street art elements.

Celebrating the 2024–25 Academic Year Interns

The Bowdoin College Museum of Art (BCMA) celebrates its 2024–25 academic year intern cohort, highlighting the contributions of six student interns: Audrey Fillion, Pilar Saavedra-Weis, Karime Borrego, Neiman Mocombe, Julia Smart, and Chris Zhang. Interns worked on projects ranging from co-curating the exhibition "John McKee: As Maine Goes" to developing campus engagement surveys, leading gallery tours, and organizing community events. Emily Jacobs, Curatorial Assistant and Manager of Student Programs, authored the piece, noting the interns' diverse academic backgrounds—from art history and English to biochemistry—and their collaborative work with museum staff.

James Taylor-Foster to Lead Hong Kong’s Para Site

Para Site, a prominent Hong Kong art organization, has appointed James Taylor-Foster as its new executive director. The British Swedish curator and writer succeeds Billy Tang, concluding a leadership transition period managed by deputy director Junni Chen. Taylor-Foster will relocate from Stockholm, where he worked at ArkDes and Moderna Museet, to assume the role this summer.