렘브란트 등 거장들의 뉴암스테르담(구 뉴욕) 풍경전 'Old Masters, New Amsterdam" 뉴욕역사협회(5/1-8/30)

The New York Historical will present 'Old Masters, New Amsterdam' from May 1 to August 30, 2026, a first-of-its-kind exhibition using 17th-century Dutch paintings by Rembrandt van Rijn, Frans Hals, Jan Steen, and their contemporaries to envision life in the Dutch settlement that became New York. Featuring over 60 paintings, including works from the Leiden Collection and loans from institutions such as the Museum of Fine Arts Boston, National Gallery of Art, and Virginia Museum of Fine Arts, the exhibition marks the 400th anniversary of New Amsterdam's founding and the U.S. 250th anniversary.

Meet Vanessa Liem, The Singaporean Artist Exploring The Surreal And Dreamlike

Singaporean artist Vanessa Liem, a 23-year-old recent graduate of the University of the Arts, London, creates surreal, dreamlike paintings that explore themes of performance, vulnerability, and the impact of the outside gaze on the human body. Her works, characterized by humanoid figures with smooth faces and unusual light effects, have been exhibited at the ArtScience Museum and won the top prize in the Emerging Category for UOB's 2019 Painting of the Year. She is preparing for a solo exhibition titled 'The Third Person in the Room' at Cuturi Gallery in Singapore, her first show in the city in three years, marking a homecoming and artistic maturation.

Ed Ruscha | Ed Ruscha Records 1971 (1st edition) (1971) | Art & Prints

This article presents Ed Ruscha's artist book "Records" (1971), a photographic survey of thirty vinyl records from his personal collection, offered by Lot 180 Gallery New York. It describes the work as a first edition offset printed book in good vintage condition, measuring 7 x 5.5 inches, from an edition of approximately 2,000 unsigned copies published by Heavy Industries Publications in Los Angeles.

Why the New Orleans Museum of Art Is One of the City’s Must-visit Cultural Gems

The New Orleans Museum of Art (NOMA), housed in a Beaux-Arts building within City Park, is profiled as a cultural cornerstone of the city. Founded in 1911 as the Isaac Delgado Museum of Art, it now holds over 50,000 works spanning global artifacts, Japanese ceramics, Egyptian relics, and modern pieces by artists such as Pablo Picasso, Edgar Degas, and Wangechi Mutu. The museum also features the Sydney and Walda Besthoff Sculpture Garden, a 12-acre free-admission outdoor space with works by Rodin, Moore, and Oldenburg. Upcoming 2026 programming includes Japan Fest, an Edo-period Rinpa exhibition, and a long-term show of French porcelain from the Thomas B. Lemann collection.

Ruminations on Rashid Johnson’s “A Poem for Deep Thinkers”

The article is a reflective review of Rashid Johnson's exhibition "A Poem for Deep Thinkers" at the Modern Art Museum of Fort Worth. The author describes standing before Johnson's work "Falling Man" (2016), a piece incorporating broken mirrors, burned wood, and personal objects like a copy of Harry Haywood's "Black Bolshevik" and shea butter, which prompts meditations on visibility, identity, and Frantz Fanon's "Black Skin, White Masks." The review also examines Johnson's large-scale installation "Antoine's Organ" (2016/2026), which fills a gallery typically reserved for Ellsworth Kelly's minimalist canvases, transforming the space with scaffolding, plants, books, and video monitors.

Exhibition | Haegue Yang, 'Leap Year' at Hayward Gallery, London, United Kingdom

The Hayward Gallery in London is presenting 'Leap Year', the first major UK survey of internationally celebrated artist Haegue Yang. The exhibition spans Yang's career from the early 2000s to the present, featuring key works from her Light Sculptures and Sonic Sculptures series alongside three new commissions. Yang's practice incorporates a vast range of media—from paper collage and performative sculpture to immersive sensory installations—using household and industrial objects such as drying racks, light bulbs, metal-plated bells, and hanji (Korean paper) to explore themes of labour, migration, and displacement.

See exhibition by Erin Jane Nelson, ‘Living and Working,’ at UAB’s AEIVA through Sept. 26

The Abroms-Engel Institute for the Visual Arts (AEIVA) at the University of Alabama at Birmingham presents “Living and Working,” a survey exhibition of artist Erin Jane Nelson, running through September 26. This is Nelson’s largest solo exhibition to date and her first survey, spanning a decade of her practice across photography, textiles, and ceramics. The exhibition will travel to the Knoxville Museum of Art in August 2027, and AEIVA is co-publishing an exhibition catalog with Institute 193. The opening reception is May 21, and free community programming includes summer drop-in tours, a pinhole camera workshop, Science Nights in partnership with the Birmingham Zoo, and a chamber music event.

LR Vandy tells stories of labor, movement, and collective resistance through rope sculptures

British artist LR Vandy presents 'Rise' at Yorkshire Sculpture Park's Weston Gallery, featuring rope sculptures that appear caught mid-motion. The exhibition includes works like 'A Call to Dance,' a monumental maypole form, and explores themes of tension, labor, and movement through maritime fibers sourced from her studio at Chatham Dockyard. The sculptures climb walls, loop through pulleys, and collapse onto the floor, evoking both architectural strength and delicate fragility.

Carole A. Feuerman | Miniature Serena (with Blue-Green Tube) (2021) | For Sale

Carole A. Feuerman's sculpture "Miniature Serena (with Blue-Green Tube)" (2021) is being offered for sale. The work is an oil on resin piece with 24K gold leaf cap, table-top scale, measuring 10 x 17 x 8 inches, from a variant of 10. Feuerman, born in 1945, is an American sculptor and author credited with co-founding the Hyperrealist movement in the late 1970s, known for figurative works of swimmers and dancers. Her public sculptures have been displayed globally, including at Central Park, the National Portrait Gallery of the Smithsonian Institution, the Venice Biennale, and the State Hermitage Museum. She has received multiple awards, including the Medici Award, and her works are in the permanent collections of 31 museums and owned by notable figures such as Steven A. Cohen, former President Bill Clinton, and Dr. Henry Kissinger.

Studio Visit: Ding Yi on his major Venice exhibition ‘Cosmotechnics’

Artist Ding Yi, known for his decades-long dedication to the cross motif in abstraction, is preparing for his major Venice exhibition 'Cosmotechnics' at the Fondazione Querini Stampalia. The show, running from 9 May to 22 November 2026, features key archival works alongside a new series of twelve black-and-white basswood relief paintings and two stone steles carved with his signature cross pattern. Ding Yi reflects on his artistic journey, which began in 1988 at the Shanghai Academy of Fine Arts, and his shift from strict geometric grids to more intuitive, cosmic-inspired compositions.

Hotel Room Transforms into Media Art Exhibition Space

South Korea's only media art fair, Loop Plus, was held from April 23 to 26 at the Grand Josun Busan Hotel in Haeundae, Busan. The fair transformed 26 hotel rooms on the 13th floor into exhibition spaces, featuring media artworks from 19 international galleries including Tang Contemporary Art, Esther Schipper, Chiwen Gallery, and Baek Art. Highlights included a 38-minute video installation by Russian artist group AES+F titled *‘Inverso Mundus’*, presented by Tang Contemporary Art, which humorously subverts societal absurdities. The event also included artist booths for Kang Lee-yeon and Lucia Levolino, and institutional booths for the Justice Foundation and Gwangju Media Art Platform. A related festival, Loop Lab Busan 2026, runs until June 28 across multiple venues in Busan.

Ruth Pastine | Violet (Yellow), Color Space Series (2021) | For Sale

Ruth Pastine's painting "Violet (Yellow), Color Space Series" (2021) is being offered for sale through Louis Stern Fine Arts in West Hollywood, listed on Artsy. The work is an oil on canvas on beveled stretcher, measuring 30 × 60 inches, and is part of her Color Space Series. Pastine, an American artist born in 1964, holds a B.F.A. from The Cooper Union and an M.F.A. from Hunter College, and has exhibited widely, including a museum survey at MOAH Museum of Art and History and a show at CAM Carnegie Art Museum. Her work is held in major collections such as SFMOMA, MCASD, and the Achenbach Foundation.

No, the courts have not cleared the way for contemporary stained-glass windows at Notre-Dame

Non, la justice n'a pas laissé la voie libre aux vitraux contemporains de Notre-Dame

The article clarifies that legal challenges against installing contemporary stained-glass windows in Notre-Dame Cathedral are still ongoing, contrary to misleading headlines. Two judicial procedures remain active: an appeal by the heritage association Sites & Monuments after losing a first-instance ruling on procedural grounds, and a separate case contesting the legitimacy of the works themselves. Although an emergency injunction was denied because the judge found no urgency, the core legal arguments—that replacing Viollet-le-Duc's windows is not conservation or restoration—remain strong. The author warns that if the windows are installed before the appeals are resolved, they may later have to be removed at great expense.

The Burlington Magazine - n°1478 vol CLXVIII - May 2026

The May 2026 issue of The Burlington Magazine (n°1478, vol. CLXVIII) presents a rich array of scholarly articles, exhibition reviews, and book reviews covering European art from the medieval period to the 20th century. Highlights include Laure Boyer's study of two photographs of Victorine Meurent linked to Manet's 'Le Déjeuner sur l'herbe' and 'Olympia', Axel Moulinier's analysis of Watteau's copies after old masters, and Richard Thomson's essay on a century of Monet in print. Exhibition reviews cover shows on Monet's Étretat coast, Orazio Gentileschi, Cornelius Jonson van Ceulen, Gainsborough, Seurat, Italian Symbolism, and Iliazd. Book reviews range from medieval art and Pietro Bellotti to Helene Schjerfbeck, Roberto Matta, and contemporary jewelry at the Dallas Museum of Art.

Un grand dessin de Beckmann pour Stuttgart

The Staatsgalerie Stuttgart has acquired a monumental drawing by Max Beckmann titled *Resurrection*, measuring nearly five meters long and three and a half meters high. Executed between 1916 and 1918, it is the largest painting by the artist and a key work in his oeuvre, created after his traumatic experience as a volunteer medical orderly in World War I. Beckmann described the piece as expressing 'the terrifying cry of pain of deceived poor humanity,' marking a shift toward a new formal vocabulary influenced by the war.

Expansion plans for Rome's Galleria Borghese draw fierce response

Rome's Galleria Borghese, a 17th-century villa museum housing masterpieces by Caravaggio, Bernini, and Canova, is facing controversy over a privately funded feasibility study for a potential expansion. Sponsored by Italian engineering firm Proger, the €900,000 initiative would fund an international architecture competition to explore adding exhibition and visitor space to the Villa Borghese Pinciana grounds. Museum officials cite operational constraints: the historic interiors limit access to 360 visitors per two-hour slot (about 4,000 daily), reservations require weeks of waiting, many works remain in storage, and accessibility is poor. Visitor numbers hit a record 630,760 in 2025, up from 506,000 a decade earlier. Preservation groups including Italia Nostra Roma and Amici di Villa Borghese have objected to any new construction in the sensitive historic landscape. Director Francesca Cappelletti emphasized at a May 18 press conference that no project exists yet and the museum is only beginning a study process, with a winner possible by year's end.

Finnish museum creates a new and radical support model for artists

Finland's largest art museum, the Espoo Museum of Modern Art (Emma), has launched a radical new artist support model under director Krist Gruijthuijsen. The program commits to four artists—P. Staff, Tarik Kiswanson, Jenna Sutela, and Eglė Budvytytė—over several years, providing financial backing through acquisitions, production support, a part-time stipend, and health insurance. It will culminate in mid-career survey exhibitions in 2029 and 2030, which the museum plans to tour with partner institutions. Three of the artists are currently showing at the Venice Biennale with Emma's support.

Lee ShinJa's Handwoven Portals

Hyperallergic profiles the work of South Korean textile artist Lee ShinJa, whose handwoven artworks are described as 'portals' that bridge traditional craft and contemporary abstraction. The article highlights her use of traditional Korean weaving techniques to create layered, ethereal pieces that evoke both physical and metaphysical spaces.

How Does an Art Fair Stand Apart? TEFAF NY Has an Answer.

TEFAF New York returns to the Park Avenue Armory from May 15-19, featuring 88 dealers and galleries from 14 countries across four continents. The fair distinguishes itself from competitors like Frieze, NADA, and Independent by offering an unusually broad range of works—from Modernist paintings and contemporary sculpture to ancient artifacts, fine jewelry, and design. Notable exhibitors include Gagosian showing Kathleen Ryan’s bejeweled fruit sculptures, Thaddaeus Ropac presenting newcomer Eva Helene Pade, and Belgian dealer David Lévy pairing Keith Haring with Willem de Kooning. Design is a particular highlight this year, with galleries such as Sarah Myerscough, Gomide&Co, and Modernity Stockholm showcasing everything from Shaker-inspired chairs to Brazilian modernist furniture and Scandinavian classics.

The Strange Coincidence Behind Ivy Getty’s Ludovic de Saint Sernin Met Gala Dress

Ivy Getty, an American model and philanthropist, collaborated with Parisian designer Ludovic de Saint Sernin to create her Met Gala dress, inspired by the 1926 illustration *L’Eclat de l’Or* by Russian artist Erté. The sketch, originally for the show *The Golden Fables*, was chosen from Getty’s mood board; the pair later discovered it is held in the Metropolitan Museum of Art’s archive, coinciding with its 100th anniversary. The final fringed gown debuted on the Met Gala red carpet, and the duo discussed the creative process in an interview.

An Abandoned Shipyard in Venice Is Getting a New Life Thanks to This Congolese Choreographer

Congolese choreographer Faustin Linyekula is staging "The Galeazze Project," a performance in a 16th-century shipyard complex in Venice that has been inaccessible since World War II and never open to the public. Commissioned by the nonprofit Scuola Piccola Zattere, the work will bring up to 500 people into the 32,291-square-foot open-air ruin for two nights during the 2026 Venice Biennale preview week. The rental fee from the performance will help stabilize and restore the floors of the historic Galeazze site.

fashion ivy getty met gala ludovic de saint sernin

Ivy Getty, an American model and philanthropist, collaborated with Parisian designer Ludovic de Saint Sernin on her 2025 Met Gala look. The design was inspired by a 1926 illustration titled *L’Eclat de l’Or* by Russian artist Erté, originally created for the show *The Golden Fables*. Getty's mood board included vintage sketches and imagery from the 1920s, and the pair discovered that the original artwork is held in the Metropolitan Museum of Art's archive, which they visited in person. The final dress features a fringe-lined reinterpretation of the historic design, and the article includes an interview with the duo about their creative process and the experience of preparing for the event.

‘A watershed moment’: Major Brisbane art exhibition opens at prestigious London museum

The Queensland Art Gallery | Gallery of Modern Art (QAGOMA) has exported a major exhibition, "Rising Voices: Contemporary Art from Asia, Australia and the Pacific," to the Victoria & Albert Museum in London. The show, which runs until January 10, 2027, features works collected over 30 years through QAGOMA's Asia Pacific Triennial of Contemporary Art, including pieces by Australian artists Michael Cook, Naomi Hobson, Shirley Macnamara, Ken Thaiday Sr, and Judy Watson, as well as artists from China, Japan, New Zealand, Sri Lanka, Papua New Guinea, and beyond.

Your guide to Christie's 20/21 auction week in New York

Christie's is holding its 20/21 auction week in New York from May 9–22, 2026, featuring seven live auctions and two online sales at its Rockefeller Center galleries. Highlights include the dedicated sale "MASTERPIECES: The Private Collection of S.I. Newhouse" (led by Constantin Brancusi's *Danaïde* and Jackson Pollock's *Number 7A, 1948*), the Impressionist and Modern Art Day Sale, and "Defined Space: The Collection of Henry S. McNeil, Jr.," which focuses on Minimalist works by Donald Judd and Dan Flavin. Other consignors include prominent collectors Agnes Gund, Marian Goodman, and Joanna Carson. The public can view works for free from May 9–21.

Prize commemorates Henrike Naumann – MMK takes over estate

Preis erinnert an Henrike Naumann – MMK übernimmt Nachlass

A new prize named after the late artist Henrike Naumann has been established by the Institut für Auslandsbeziehungen (ifa) and the Zeit Stiftung Bucerius, coinciding with her posthumous presentation at the German Pavilion of the Venice Biennale. The €15,000 Henrike-Naumann-Preis für Bildende Kunst, plus €5,000 in production funds, will be awarded regularly starting this year to early- to mid-career artists whose work engages with social transformation, political fault lines, or transnational contexts. Meanwhile, the Museum für Moderne Kunst Frankfurt (MMK) has acquired Naumann's estate, which will be catalogued and made publicly accessible to ensure her work receives long-term scholarly and curatorial attention.

DHM main building likely closed until 2031

DHM-Hauptbau wohl bis 2031 dicht

The German Historical Museum (DHM) in Berlin will remain without its main building, the Zeughaus on Unter den Linden, until at least 2031 due to further delays in its renovation. Museum director Raphael Gross announced that a binding timeline from the property owner and the federal construction authority is not expected until 2027, and a reopening before 2031 is unrealistic. In the meantime, the museum is using its modern Pei-Bau wing to host a new exhibition titled "Objekte. Geschichte. Geschichten," featuring around 200 highlights from its collection of one million objects, including a samurai armor once gifted to Adolf Hitler and objects from a refugee shelter.

Francisco de Zurbarán: Paintings So Real, You Can Hardly Resist Believing

An exhibition of works by Spanish Baroque painter Francisco de Zurbarán has opened at London’s National Gallery, showcasing his strikingly realistic still lifes and religious scenes. The show highlights Zurbarán’s masterful use of light, texture, and dramatic composition to create paintings that feel almost tangible, drawing viewers into their intimate, contemplative worlds.

An Iranian museum holds a rare exhibit of American art, reflecting on war

The Tehran Museum of Contemporary Art is hosting a rare exhibition of American art, featuring works from its collection that were acquired before the 1979 Islamic Revolution. The show includes pieces by artists such as Andy Warhol, Jackson Pollock, and Mark Rothko, and is presented as a reflection on the complex history of U.S.-Iran relations, including themes of war and cultural exchange.

Beyond the Sagrada Família: These 6 Surprising Places in Barcelona Reveal a Lesser-Known Gaudí

Au-delà de la Sagrada Família, ces 6 lieux étonnants à Barcelone qui révèlent un Gaudí méconnu

Beaux Arts Magazine highlights six lesser-known architectural works by Antoni Gaudí in Barcelona, beyond his famous Sagrada Família. The article features Casa Vicens (1883–1885), his first private commission; Torre Bellesguard (1900–1909), a medieval-inspired tower with panoramic views; Casa Calvet (1897), a residential building with textile-themed details; and the Finca Güell and Palau Güell, experimental projects for his patron Eusebi Güell. These sites showcase Gaudí's organic style, fusion of nature and architecture, and influences from Japanese, Arabic, and Catalan Gothic traditions, with several recently opened to the public.

LILIA CARRILLO IN NEW YORK THE MEXICAN PAINTER WHO WAS AHEAD OF HER TIME

Americas Society in New York has opened "Lilia Carrillo: Ruptures and Premonitions," curated by Tobias Ostrander. The exhibition presents 24 paintings by Mexican artist Lilia Carrillo (1930–1974), created between 1961 and 1974, alongside archival materials. It introduces Carrillo to New York audiences as a key figure of the Generación de la Ruptura, a postwar movement that broke with Mexican muralism in favor of abstraction. The show highlights her experimental techniques—carving and scraping paint, embedding fabric and paper—and her engagement with mortality, Surrealism, and political turmoil, including the 1968 Tlatelolco massacre.