Tanya Bonakdar Gallery is closing its Los Angeles location after seven years, with the final exhibition being a solo show for Ben Hyunjin that ends on August 29. The gallery, which opened on Highland Avenue in 2018, decided not to renew its lease, citing a natural pause to assess its accomplishments in the city. The closure follows recent shutdowns of other LA galleries, including Blum and Clearing.
The Art Dealers Association of America (ADAA) has canceled the 2025 edition of its annual New York art fair, The Art Show, which was scheduled to open at the Park Avenue Armory on October 28. The decision was communicated to members via email and confirmed by ADAA president Susan Sheehan, with the board citing a strategic pause to reimagine the fair for long-term sustainability. The fair has been a staple of the New York social calendar, with its VIP opening night serving as a fundraiser for the Henry Street Settlement, raising over $38 million for the nonprofit over three decades.
Les plus belles terrasses de musées parisiens pour profiter des beaux jours
Beaux Arts Magazine has published a guide to the best museum terraces in Paris for enjoying the sunny days of spring and summer. The article highlights five standout spots: Rose Bakery at the Musée de la Vie romantique, Joli at the Musée Carnavalet, the Grand Café at the Grand Palais, Corail at the Musée d'Art moderne, and Sama at the Institut du monde arabe. Each terrace is described for its unique atmosphere, from the bucolic garden of the Musée de la Vie romantique to the spectacular colonnade of the Grand Palais, with details on chefs, menus, and seasonal highlights.
The 16th Gwangju Biennale has revealed its theme, 'You must change your life,' a line from Rainer Maria Rilke's poem 'Archaic Torso of Apollo.' Artistic director Ho Tzu Nyen and curators Che Kyongfa, Park Gahee, and Brian Kuan Wood will lead an edition focused on art's transformative power during a time of multiple crises. The exhibition, running from September 5 to November 15, will feature the smallest number of artists in the biennale's history, emphasizing intensity over accumulation and tracking the evolution of individual artistic practices.
The Saatchi Gallery in London is hosting 'Textile Art Redefined,' a group exhibition featuring 15 artists who push the boundaries of fiber and fabric. Curated by Helen Adams, the show includes diverse works ranging from Ian Berry’s immersive installations made of recycled denim to Kenny Nguyen’s undulating silk wall pieces and Anne von Freyburg’s textile reinterpretations of Rococo paintings. The exhibition coincides with the release of Adams' new book, 'Textile Fine Art,' which explores the medium's evolution from functional craft to a celebrated pillar of contemporary art.
A coalition of Los Angeles’s leading art institutions, including the Getty, LACMA, MOCA, and the Hammer Museum, has officially pledged to adopt the Bizot Green Protocol. This collective commitment, which also includes the gallery Hauser & Wirth, establishes climate-minded guidelines for museum operations such as widening temperature and humidity parameters for galleries and reducing air travel for loans. The move was largely catalyzed by the devastating impact of recent wildfires on the region's cultural infrastructure.
The second edition of the Atlanta Art Fair took place at Pullman Yards, a historic 27-acre former rail works in the Kirkwood district. The fair, directed by Kelly Freeman, featured around 80 dealers and attracted a diverse crowd, including many high school and college students, with a casual atmosphere far removed from typical art fair elitism. Freeman emphasized teaching the city how to use an art fair, prioritizing accessibility and long-term engagement over immediate sales.
Zona Maco, one of Latin America's premier art fairs, will return to Mexico City from February 4–8, 2026, at Centro Banamex. The fair will feature 241 exhibitors across nine sections, including a new section called Forma, which blends contemporary art and design, and a revised Diseño Emergente section for emerging designers. Notable participants include Pace Gallery, Galleria Continua, Kurimanzutto, and OMR, with curated sections led by Aimé Iglesias Lukin and Manuela Moscoso. Founder Zélika García highlighted the fair's growth and its commitment to showcasing blue-chip galleries alongside emerging and mid-career talent.
Artnet News profiles five ultra-contemporary artists working in China today, highlighting their practices amid shifting cultural narratives, economic pressures, and technological change. Featured artists include Xia Yu, known for tempera paintings of everyday life, and Ye Linghan, who creates monumental "data portraits" from smartphone screenshots. The article details their backgrounds, notable exhibitions, market prices, and upcoming projects, emphasizing their growing appeal to collectors and curators.
Congolese choreographer Faustin Linyekula is staging "The Galeazze Project," a performance commissioned by the Venice-based nonprofit Scuola Piccola Zattere (SPZ) in the 16th-century Galeazze shipyard complex, which has been inaccessible since World War II and never open to the public. The performance, a collateral event of the 2026 Venice Biennale, brings up to 500 people into the 32,291-square-foot open-air ruin for two nights, featuring local students, musicians from the Venetian label Cosmogram, and trumpeter Heru Shabaka-Ra, with a soundtrack composed collaboratively.
Cultured's spring gallery guide for New York highlights a curated selection of exhibitions across the city, with standout shows including Carol Bove's sculptural installation at the Solomon R. Guggenheim Museum, Joan Semmel's retrospective at the Jewish Museum, Jessi Reaves's furniture-based works at the American Academy of Arts and Letters, and the group show "Afterlives: Contemporary Art in the Byzantine Crypt" at the Metropolitan Museum. The guide also notes exhibitions by Paul Chan, Nicola Tyson, Doron Langberg, and Yuval Pudik that are closing soon, and extends coverage to shows in Philadelphia and Warsaw.
Michael Govan, director of LACMA, discusses the opening of the new $720 million David Geffen Galleries on April 19, designed by architect Peter Zumthor. The 110,000-square-foot space features concrete walls, natural light, and spans Wilshire Boulevard, replacing traditional white-cube galleries with a fluid, non-chronological layout organized around bodies of water. Govan, who has led the museum for two decades, describes the project as a once-in-a-century opportunity to rethink the encyclopedic museum model.
Fashion designer Dries Van Noten is opening the Fondazione Dries Van Noten in Venice's 15th-century Palazzo Pisani Moretta, which he and his partner Patrick Vangheluwe acquired last year. The foundation's inaugural exhibition, "The Only True Protest Is Beauty," curated with Geert Bruloot, will open on April 25, featuring over 200 works across 20 rooms. Van Noten, who handed over his brand's creative direction to Julian Klausner in 2024, remains involved in the beauty arm and store design while launching this new cultural venture.
The article is a gallery show guide for San Francisco timed to the FOG Design + Art Fair, highlighting five must-see exhibitions. Featured shows include Tara Donovan's "Stratagems" at the Institute of Contemporary Art San Francisco (now at the Transamerica Pyramid Annex Gallery), Samia Halaby's "Kinetic Paintings" at SFMOMA, Rose B. Simpson's "Lexicon" at the De Young, Heather Day's "Blue Distance" at Berggruen, and Christian Marclay's eponymous show at Fraenkel Gallery. Each entry provides dates, location, and a brief description of the artist's work.
Gallerists Christine Berry and Martha Campbell, founders of Berry Campbell gallery, have spent 13 years rediscovering and championing overlooked 20th-century female artists such as Ethel Schwabacher, Judith Godwin, Bernice Bing, and Lynne Drexler. They will present works by these artists at Art Basel Miami Beach for the second consecutive year, following a record-breaking $2 million sale of Drexler's painting at Christie's in 2025. The duo, who previously worked under Ira Spanierman, launched their gallery in 2013 and have since built a market for artists whose careers were marginalized by gender bias.
Artist Meg Webster, now 80, is receiving overdue recognition for her contributions to Land art and Minimalism. Nine of her sculptures—made from moss, beeswax, salt, and other natural materials—recently went on long-term view at Dia Beacon in Upstate New York. Webster, who worked as Michael Heizer's studio assistant in her late 30s, has spent decades creating intimate, urban-sited Land art in downtown Manhattan, challenging the movement's reputation as a macho, remote, monumental practice. She will also feature prominently in a Minimal art group exhibition at the Bourse de Commerce in Paris this October.
The article is a first-person diary chronicling the author's experiences during Armory Art Week in New York City in September. It begins at the Fulton Transit Center for the launch of artist Chloë Bass's public sound work "If you hear something, free something," presented by Creative Time and MTA Arts & Design, which features recorded announcements in five languages playing across 14 subway stations. The author then visits galleries in Chinatown, including Matthew Kirk's show at Fierman and Ohad Meromi's exhibition at 56 Henry, encountering notable art-world figures like Jerry Saltz, Issy Wood, and Naomi Fry along the way.
The article, published by Cultured, serves as a curated guide to September's art exhibitions in New York, highlighting both ongoing and closing shows. It recommends balancing the frenzy of fair week with slower, more meaningful experiences, pointing to specific exhibitions like EJ Hill's silent kneeling performance at 52 Walker, Lisa Yuskavage's drawing show at the Morgan Library, the Stettheimer Dollhouse at the Museum of the City of New York, and MoMA's presentation of Hilma af Klint's nature notebooks. It also notes upcoming must-see shows, including a Cady Noland exhibition at Gagosian, and mentions the Gaza Biennial, Nancy Holt, Raúl de Nieves, and Kahlil Robert Irving, along with future features on Ambera Wellmann and Sophie Calle.
Cady Noland, the reclusive American sculptor known for her critical works on the American dream, will open a major exhibition of new work at Gagosian’s 24th Street gallery in Chelsea on September 10, running through October 18. The show marks her first major New York gallery presentation in over two decades and will feature new pieces alongside paintings by the late Steven Parrino. The exhibition follows a gradual return to the art world that began with a small show at Galerie Buchholz in 2021 and a survey at Glenstone in 2024. A new book, *Cady Noland: Polaroids 1986–2024*, will be published concurrently.
Photographer Sally Mann discusses her new book "Art Work," a follow-up to her National Book Award finalist memoir "Hold Still." In the interview with Cultured, Mann reflects on her career, her black-and-white imagery of family and the Southern landscape, and her shift to digital photography. She shares insights on the changing photography landscape, the melding of art and commerce, and her hopes for the next generation of artists.
Cultured magazine's Hamptons issue features an interview between designer Robin Standefer and Charlie Marder, the East End horticulturalist known as the 'tree whisperer.' Marder, who co-founded an eponymous Bridgehampton nursery with his wife Kathleen—dubbed 'a horticultural MoMA' by the New York Times—has assembled a sprawling field of massive geological specimens across from the nursery. The rocks, some weighing 10 tons, are salvaged from development sites and quarries. Standefer, who purchased one of Marder's boulders for her birthday, discusses with Marder the ethics of placement, the personalities of stones, and the human urge to give new life to ancient matter.
Lisa Yuskavage is set to have a major exhibition of her works on paper at the Morgan Library and Museum in New York, running through January. The show features dozens of drawings spanning over three decades, many of which have never been publicly shown before, discovered in her flat files by her registrar. The exhibition places her provocative figurative work—known for its vulgar, humorous, and desire-laden imagery—in dialogue with the museum's renowned Old Master drawing collection.
A wave of new creative energy is reshaping Manhattan's Upper East Side, as artists, gallerists, and tastemakers migrate uptown. Notable newcomers include White Cube's gallery outpost (opened 2023), fashion brands like Khaite and Toteme, and fresh eateries such as Chez Fifi and Maxime's. Artist Margaret Lee, who co-founded a downtown gallery, notes the special feeling of crossing Park Avenue. Playwright Matthew Gasda observes an influx of young people while the neighborhood retains its multigenerational character. The article features nine local residents—including designer Leandra Medine Cohen and Instagram documentarian Joshua Kamei—sharing their perspectives on the area's evolution.
The Hammer Museum in Los Angeles presents "Several Eternities in a Day: Form in the Age of Living Materials," a spring 2026 exhibition running from April 5 to August 23. Curated by Jill Spalding, the show features works by artists including Edgar Calel, Guadalupe Maravilla, Carmen Argote, and others, exploring the concept of "Brownness"—a fluid identity rooted in ancestral memory, animal kinship, and a profound connection to living materials. The exhibition is organized into three acts: large-scale installations, paintings and works on paper, and ceramics, offering a visceral and immersive experience that draws on precolonial traditions across the Americas.
Poly Auction Hong Kong concluded its modern and contemporary art sale on April 6, achieving a total of HK$76.4 million (US$9.8 million) with a 67% sell-through rate. The auction was headlined by Liu Wei’s 1995 masterpiece "You Like Pork?", which sold for HK$27.6 million (US$3.5 million) to a phone bidder. Other top performers included Zao Wou-Ki’s "15.07.67" from his Hurricane period and Wu Dayu’s "Rhymes of Beijing Opera," both of which surpassed the HK$10 million threshold.
Robert Rauschenberg (1925-2008), described by critic Robert Hughes as "the most important American artist of the last century," spent four decades in Florida, where materials and collaborators from the state fueled breakthroughs like his scrap-metal sculptures and the Rauschenberg Overseas Cultural Interchange (Roci). As Miami Art Week unfolds, two projects mark his centennial: "Robert Rauschenberg: Real Time" at NSU Art Museum Fort Lauderdale (through April 2026) and the forthcoming book "Out of the Real World: Robert Rauschenberg at USF Graphicstudio." However, the Robert Rauschenberg Foundation announced it will end its Captiva Island residency and sell the artist's home and studio, prompting reflection on how Florida shaped his legacy.
Artsy's December 2025 edition of "Artists on Our Radar" highlights five emerging visual artists who have gained attention through new gallery representation, exhibitions, auctions, or art fairs. Featured artists include British painter Imogen Allen, known for gauzy, nature-inspired works with a Gerhard Richter-like blur effect; Brazilian painter Elian Almeida, who reimagines marginalized figures in Brazilian visual culture through vibrant, narrative paintings; and nomadic American artist ektor garcia, who works with unconventional materials like wire, clay, and leather. The article details their recent exhibitions, gallery affiliations, and career milestones.
Christie’s New York concluded its 20th and 21st Century Art sales week on November 21, 2025, generating a total of $964.5 million, the auction house’s highest in three years. The sales included the Collection of Robert F. and Patricia G. Ross Weis, which alone brought in $218 million, led by Mark Rothko’s *No. 31 (Yellow Stripe)* at $62.1 million. Other top lots included works by Claude Monet, Pablo Picasso, and David Hockney, each exceeding $40 million. Fifteen artist records were broken, including for Beauford Delaney, Leonor Fini, Firelei Báez, and Olga de Amaral. Bidding was active across all platforms, with the highest online bid ever placed at a live Christie’s auction.
Maurizio Cattelan's solid-gold toilet sculpture, *America* (2016), will be auctioned at Sotheby's New York on 18 November 2025 as part of the Now & Contemporary Evening Auction. The work, weighing 223 pounds of 18-karat gold, has a raw material value of around US$10.2 million based on current gold prices. In a first for auction history, the starting bid will fluctuate with live gold prices until bidding begins. The sculpture was previously installed at the Guggenheim Museum, where over 100,000 visitors used it, and later made headlines when the Guggenheim offered it to the Trump White House as a loan alternative to a Van Gogh painting. One edition was stolen and never recovered, making this the only surviving example.
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London-based ceramic artist Holly Stevenson discusses her recent and upcoming projects in an interview with Studio International. She had a joint exhibition, "A Hyena Wore My Face Last Night," at C+N Gallery Canepaneri in Milan, with works titled after Leonora Carrington's short story "The Debutante," and a solo exhibition, "Tracing the Irretraceable," at the Freud Museum in London in collaboration with the Jane McAdam Freud Estate. Stevenson reflects on the resurgence of surrealism, particularly feminist perspectives, and the influence of psychoanalysis on her work, noting coincidental timing with a major Carrington exhibition at Palazzo Reali in Milan.