Art in the Berkshires, founded in 2024 as an online resource, has opened a physical gallery and studio space at 8 Castle Street in Great Barrington, Massachusetts. The venture is led by Shany Porras, an abstract painter and founder who serves as gallery director, aiming to make Berkshire creativity more accessible through artist directories, venue listings, and a weekly newsletter.
Georg Baselitz, the German Neo-Expressionist painter known for his provocative, upside-down figurative works, has died at age 88. Along with contemporaries like Anselm Kiefer, Baselitz led a frontal assault on the dominant Minimalist and Conceptualist art movements of the 1970s, reviving expressive, gestural painting in postwar Germany.
This week’s roundup of essential art reading highlights a diverse range of global initiatives, from the development of a new arts center in Compton by formerly incarcerated painter Mr. Wash to a mural project for displaced children in Lebanon led by artist Abed Al Kadiri. The report also covers a guerrilla projection protest at the Museum of Fine Arts, Boston, where activists criticized the institution for laying off staff members of color despite a massive endowment, and a poignant look at medical students graduating amidst the ongoing crisis in Gaza.
I 90 anni del mitico artista italiano Giorgio Griffa. Tutte le mostre per celebrare il compleanno del maestro
Giorgio Griffa, the Italian painter known for his radical and minimalist approach, turned 90 on March 29, 2026. A comprehensive program of celebrations includes the exhibition "Summer 69" at the Fondazione Giorgio Griffa in Turin (through July 2, 2026), which revisits his breakthrough summer of 1969 with photographs by Paolo Mussat Sartor alongside his early and recent works. The Castello di Rivoli Museo d’Arte Contemporanea has opened a monographic room with works from its permanent collection, and the Galleria Civica d’Arte Moderna e Contemporanea di Torino will dedicate a similar space in May. The MAXXI – Museo Nazionale delle Arti del XXI secolo has acquired six monumental works spanning over thirty years of Griffa's career, from the 1970s to the early 2000s.
German painter Georg Baselitz, known for his expressionist works that confronted the horrors of Nazi Germany, died on April 30, 2026 at age 88. Born Hans-Georg Kern in 1938, he grew up amid World War II rubble and became a pioneering, anti-conformist figure of the post-war era, famously inverting his images to force viewers to reconstruct meaning. A major exhibition, 'GEORG BASELITZ – AVANTI!', had just opened on March 25 at the Museo Novecento in Florence, focusing on his graphic works and his ties to the city. Another show, 'Georg Baselitz. Eroi d’Oro', was set to open May 6 at the Fondazione Giorgio Cini in Venice during the 61st Venice Biennale, featuring large recent paintings and portraits of his wife Elke.
Guida ai festival culturali in Italia di aprile 2026: PARMA 360, Torino Jazz, Scienze di Roma, Genova delle arti
The Italian cultural landscape in April 2026 features a diverse array of festivals, headlined by the 10th anniversary of PARMA 360. This contemporary creativity festival, themed 'LUX. Visions on Light,' transforms the city of Parma into a widespread laboratory with exhibitions across 22 locations. Other notable events include the Symeoni Festival in Ferrara, which celebrates the art of movie posters and the legacy of painter Sandro Simeoni, alongside various music and educational programs.
Annunciati i candidati al Festival di Cannes 2026 (pure qui niente italiani, come alla Biennale)
The 79th edition of the Cannes Film Festival has unveiled its official selection for 2026, scheduled to run from May 12 to 23. Led by President Iris Knobloch and General Delegate Thierry Frémaux, the festival will open with Pierre Salvadori’s 'La Vénus électrique,' a romantic comedy set in 1928 Paris centered on a painter who loses his inspiration. The competition lineup features a global array of heavyweights, including new works by Pedro Almodóvar, Ryusuke Hamaguchi, Hirokazu Kore-eda, and Asghar Farhadi.
5 mostre in Provenza per i 100 anni di Fragonard, la storica maison di profumi
The historic French perfume house Fragonard is preparing to celebrate its centenary in 2026 with a series of five exhibitions in Provence. Founded in 1926 by Eugène Fuchs and named in honor of the Rococo painter Jean-Honoré Fragonard, the maison has evolved into a significant cultural patron under the leadership of the Costa family. The upcoming celebrations highlight the family's extensive private collections, which span ancient perfume artifacts, traditional Provençal costumes, and fine art, housed across several free public museums in Grasse, Paris, and Arles.
Una mostra a New York riconfigura l’Espressionismo Tedesco. La curatrice ci spiega tutto
The Guggenheim Museum in New York has launched "Contours of a World," the first major U.S. retrospective of German Expressionist painter Gabriele Münter in nearly thirty years. Curated by Megan Fontanella, the exhibition features a significant selection of paintings and photographs produced between 1908 and 1920, including a rare loan from the Vatican Museums. The show follows a major 2025 retrospective in Paris and aims to present Münter as a primary figure of the avant-garde in her own right.
A new book titled "Walter Otero: un galerista tropical" is being published this March. It features an interview by curator Omar-Pascual Castillo with Puerto Rican gallerist Walter Otero, chronicling his journey from personal assistant to painter Arnaldo Roche Rabell to founding his influential San Juan gallery, Walter Otero Contemporary Art (WOCA). The book details the gallery's history, its roster of artists, and Otero's adaptation to the digital age and crises like Hurricane Maria.
The first-ever exhibition dedicated to Catharina van Hemessen, Europe's most important early female painter, will open at the Snijders&Rockox House in Antwerp (15 October 2026 – 31 January 2027) before traveling to the National Gallery in London (4 March – 30 May 2027). The show will reunite most of her surviving works for the first time in nearly 500 years, including her groundbreaking 1548 self-portrait at the Kunstmuseum Basel, which is the earliest known self-portrait by a female artist and the earliest surviving oil painting depicting an artist at work. Archival research on her family is underway, and the exhibition will also feature works by her father, Jan Sanders van Hemessen.
The article surveys five notable art exhibitions opening in the Hudson Valley region in January 2026, each exploring how artists connect to place, time, and memory. Shows include "Earth Endures, Stars Abide" at Carrie Haddad Gallery, featuring five painters interpreting local landscapes; "Notes from Here" at O+ Exchange, presenting intimate works by 15 O+ artists; "Wish You Were Here" at the Tremaine Art Gallery, pairing Fern Apfel and Colleen McGuire in a meditation on memory and observation; and "Connecting Emergence" at Lace Mill Galleries, showcasing Paul Keskey's layered oil paintings of nature and imagination.
The F.E. McWilliam Gallery & Studio in Northern Ireland has opened "100 Years of British and Irish Art: A Fermanagh Collection," a landmark exhibition showcasing the private art collection of the Earl and Countess of Belmore. Curated by William Laffan and Riann Coulter, the show spans five decades of collecting and features works by Irish painters such as Paul Henry, Norah McGuinness, and Basil Blackshaw, alongside British modernists including David Bomberg and Ceri Richards. The collection, rooted in the historic Castle Coole estate, was shaped by the Belmores' friendships with artists, particularly Enniskillen-born T.P. Flanagan. The exhibition runs until January 31, 2026, with free admission.
A new exhibition at Singapore's National Gallery, "City of Others: Asian Artists in Paris, 1920s-1940s," highlights the experiences of Asian painters who worked in Paris during the interwar period. These artists, including Le Pho, Sanyu, Tsuguharu Foujita, Liu Kang, and Georgette Chen, faced marginalization and exoticized expectations from European critics, who dismissed their work as either not "Asian" enough or insufficiently Western. Despite these challenges, they produced significant bodies of work blending Eastern and Western traditions.
The Hammer Museum in Westwood will host the seventh edition of 'Made in L.A.,' a free biennial exhibition running from October 5, 2025, through March 1, 2026. The show features 28 regional artists, with a focus on emerging and under-recognized talents, and includes paintings, photographs, video works, sculptures, and dance. Notable works include Na Mira's 'Sugungga (Hello)' 2024 and a recreation of Alonzo Davis's 'Eye on '84' by Patrick Martinez.
NEXTpittsburgh's July gallery guide highlights a range of new exhibitions and events across Pittsburgh. Featured shows include Nathan Van Patter's 'Medieval Pittsburgh' at Irma Freeman Center for Imagination, which reimagines the city's modern figures and landmarks in a medieval fantasy style; 'Five on Five' at Spinning Plate Gallery presenting new works by five local painters; Ben Schonberger's 'Hi-NRG' at 707 Penn Gallery, drawing from gay underground visual culture and disco music; and Ashley Andrykovitch's 'LAN Party' at UnSmoke Systems Artspace, inspired by 1990s local area network gaming gatherings.
This article lists top art exhibitions to see in Chicago during June 2025. Highlights include "Hokusai and Ukiyo-e: The Floating World" at the Cleve Carney Museum of Art, featuring seventeenth-century Japanese art with immersive experiences; Elsa Muñoz's "Dreamwork" at Goldfinch Gallery; "A Beautiful Experience: The Midwest Grotto Tradition" at the John Michael Kohler Arts Center, showcasing Madeline Buol's monumental grotto; Yvette Mayorga's "Pu$h Thru" at moniquemeloche; and "Nuth’n to Hyde: Gertrude Abercrombie and the Hyde Park Ethos 1935-1975" at Corbett vs. Dempsey.
NEXTpittsburgh's June gallery guide highlights a packed month of art events across Pittsburgh, including the Dollar Bank Three Rivers Arts Festival (June 5-8) with 191 artists, a Juried Visual Arts Exhibition at SPACE Gallery, and a rare photography exhibit by May Pang documenting John Lennon's "lost weekend" at Atithi Studios. Other openings include ceramicist Philip Soucy's solo show, painter Caroline Heckman's portraits at Revel, Stephanie Gonzalez's cosmic "Nebulas" at BoxHeart Gallery, the Fiberart International 2025 triennial at Contemporary Craft and Brew House Arts, and Natalie Westbrook's "Corners of My Mind" at ZYNKA Gallery.
Un Rosso pour le Metropolitan
The Metropolitan Museum of Art in New York has acquired a painting by Rosso Fiorentino, a master of Italian and French Mannerism, after restoration revealed an earlier overpaint that had obscured the composition. The work, a Virgin and Child, now shows Saint John the Evangelist in the foreground at right, confirming it as an original by the artist.
Un nouveau Luis Paret pour le Prado
The Museo del Prado in Madrid has expanded its 18th-century Spanish collection with the acquisition of a painting by Luis Paret y Alcázar titled 'María and Ludovica, the Painter’s Daughters'. The oil-on-copper work, dated 1783, depicts the artist's young daughters in a style reminiscent of nymphs. This acquisition was made possible through the significant bequest of Juan José Luna, which also recently funded the purchase of works by François Boucher.
The Bank of England has decided to replace historical figures, including painter J.M.W. Turner, with depictions of native UK wildlife on its next generation of banknotes. This follows a public consultation where 'Nature' was the most popular theme, selected by 60% of respondents. A panel of six wildlife experts will now create a shortlist of species for a further public vote this summer.
Lumin Wakoa, a rising painter known for her hazy, memory-based works that blurred abstraction and figuration, has died at 43 after battling brain cancer. Her death was announced by her gallery, Harper’s, on Monday. Wakoa had solo shows last year at Various Small Fires in Seoul and Harper’s in New York, and her work was featured at Frieze art fair. She studied at the North Carolina School of the Arts, the University of Florida, and earned an MFA from the Rhode Island School of Design.
Multi-disciplinary artist Jordan Roth staged a performance on May 7 at Palazzo dei Fiori in Venice during the Biennale preview week, where he tore apart vinyl prints of Renaissance painter Irene di Spilimbergo and reassembled them into collages within a gilt frame. The event, presented with Performance Space New York’s Visionaries Circle, was attended by Whitney Museum director Scott Rothkopf and dealer Kristin Hjellegjerde, following Roth's earlier appearance as a "living sculpture" at the Met Gala.
The National Gallery in London is opening a major survey exhibition of Spanish painter Francisco de Zurbarán (1598-1664), the first on this scale since 1987. The show expands beyond his famous austere saints to include intimate still-lifes, late private devotional works, and large-scale altarpiece reconstructions. Curator Daniel Sobrino Ralston highlights two newly discovered paintings, including *Alcarraza on a Plate*, and a rare reconstruction of the second tier of the Charterhouse of Jerez de la Frontera altarpiece, reuniting works from museums in Grenoble and Poznań.
A new book, 'Holbein: Renaissance Master' by Elizabeth Goldring, published by Yale University Press and the Paul Mellon Centre, offers a comprehensive scholarly examination of the 16th-century German painter Hans Holbein the Younger. The review focuses on Holbein's masterful portraiture, particularly his depictions of opposing Tudor-era figures like Sir Thomas More and Thomas Cromwell, which are highlighted as embodying the era's complex political and religious tensions through their visual presentation at the Frick Collection in New York.
The Museo Reina Sofía in Madrid has opened a major retrospective of Spanish painter Juan Uslé, titled "That Ship on the Mountain." The exhibition features approximately 100 works spanning four decades, tracing the artist's journey from his childhood in Cantabria to his established career in New York City. It notably uses the traumatic shipwreck of the Elorrio, which Uslé witnessed as a boy, as its conceptual starting point.
A previously unaccounted-for self-portrait by 18th-century French artist Adélaïde Labille-Guiard sold at Tajan auction house in Paris for €843,800 ($988,785), far exceeding its estimate of €300,000–€500,000. After the hammer fell, a representative of the Palace of Versailles invoked France's droit de préemption law to claim the 1782 pastel work for the national collection, preventing its private sale.
Austrian artist Tobias Pils presents a new body of pencil and ink drawings at Galerie Eva Presenhuber in Vienna, in an exhibition titled "Blende zum Morgen / Fade to Morning. Zeichnungen / Drawings." The show features works that are finished pieces rather than preparatory sketches, highlighting the dynamism of drawing as a medium. Pils, known for his monochromatic paintings blending figuration and abstraction, here eschews color entirely, allowing the raw qualities of ink and pencil to reveal the core of his creative vision. The exhibition runs through December 19, 2025.
A new biography by art historian Elizabeth Goldring, titled "Holbein: Renaissance Master," traces the journey of German painter Hans Holbein the Younger from his humble beginnings in Augsburg to becoming the official painter of King Henry VIII in Tudor England. The book, already released in the U.K. and hitting U.S. bookshops on January 6, examines how Holbein's portraits—including the iconic image of Henry VIII and rival courtiers Thomas More and Thomas Cromwell—defined the visual legacy of the Tudor dynasty. Goldring highlights Holbein's ability to confer power through paint, with his works still shaping global perceptions of the Tudors centuries later.
Federico Zuccaro, a 16th-century Italian Mannerist painter, was banished from Rome in 1581 after presenting a satirical drawing at a feast in the church of Saint Luke. The 13-foot work, 'Porta Virtutis (The Gate of Virtue),' depicted King Midas with donkey ears as a thinly veiled attack on papal steward Paolo Ghiselli, who had rejected Zuccaro's altarpiece. Zuccaro explicitly identified Ghiselli as the foolish Midas and labeled Bologna the 'Reign of Ignorance,' leading Pope Gregory XIII to sentence him for 'excesses' and banish him from the city. He avoided prison by paying a 400 scudi bail.