The article covers the MFA exhibition at VCUarts, showcasing the work of graduate students in the visual arts program. It highlights the pressure on emerging artists to imbue their work with meaning and the diverse approaches taken by the exhibitors.
The New School in New York City plans to lay off 15 percent of its full-time faculty and staff by June. This follows a months-long conflict with faculty and a reported $48 million deficit, with the university previously offering voluntary separation packages to 40% of staff.
Maria Palmieri (Foggia, 1986) is a photographer who uses her camera as a tool for observation, understanding, and social improvement. After studying law, she turned to visual arts, blending reportage with vernacular photography to uncover truth amid the 'noisy horror' of contemporary life. In an interview with Artribune, she discusses her sociological approach to photography, her return to her hometown of Foggia, and her ongoing documentation of the region's fragilities, including the largest migrant ghetto in Europe.
È morto il filantropo e mecenate Emmanuele Emanuele. Fautore a Roma degli spazi museali di Palazzo Sciarra e Palazzo Cipolla
Emmanuele Francesco Maria Emanuele, a prominent Italian philanthropist, jurist, and patron of the arts, has passed away in Rome at the age of 86. Born in Palermo, Emanuele dedicated the latter half of his life to cultural promotion, most notably serving as the President of Fondazione Roma and the Fondazione Terzo Pilastro – Internazionale. His leadership was instrumental in transforming Rome's Palazzo Sciarra and Palazzo Cipolla into significant museum spaces, hosting both permanent collections and major temporary exhibitions.
Siamo stati al concerto di Torino dove i Marlene Kuntz festeggiavano i 30 anni del loro indimenticabile disco “Il vile”
Italian alternative rock band Marlene Kuntz recently performed two sold-out shows at the Hiroshima Mon Amour venue in Turin to celebrate the 30th anniversary of their seminal album, *Il vile*. The concert featured a near-complete performance of the 1996 record, which is widely regarded as a cornerstone of Italian noise rock. The anniversary celebration also includes a nationwide tour and a special vinyl reissue featuring new artwork by renowned illustrator Alessandro Baronciani.
An exhibit opening at the La Grua Center in Stonington, Connecticut, celebrates the work of local artists Dennis Sirrine and Tom Frohnapfel. The show, which runs through the end of February, features their representational and abstract paintings, mixed media, glass works, and furniture, reflecting over four decades of creative exploration. Both artists moved from the Midwest to New York City in the 1980s before settling in Stonington in the 2000s. Sirrine, who manages the Velvet Mill Gallery, presents works ranging from early cityscapes to recent abstractions, while Frohnapfel, a Pratt Institute graduate, showcases his design-and-build furniture, glass blowing, and paintings.
Peninsula School of Art (PenArt) is hosting a free open house at the Ingwersen Studio and Gallery in Sister Bay, Wisconsin, on October 11, 2025, to honor the late James Ingwersen and his wife Phyllis, who donated the 40-acre property to PenArt earlier this year. The event will include tours of the historic buildings and opportunities to meet staff and board members. Separately, PenArt has announced the return of its Family Art Days program for the fall season, featuring hands-on projects inspired by artists Jodi Rose Gonzales and Abigail Hedley, and has appointed four new members to its Board of Directors: Rebecca Carlton, Marsella Fults, Mynn Lanphier, and Monique McClean.
Hundreds of artists across Devon will open their studios to the public from September 6-21 as part of the Devon Open Studios event, with over 400 artists participating across 170 venues. Among them is Exmouth artist Ray Balkwill, who will open his Studio Gallery for three days (September 6-8) with a new exhibition titled 'Connections,' featuring his recent assemblages and ceramics alongside his traditional watercolours, pastels, and oils inspired by the Exe Estuary.
The Hailsham Festival in East Sussex, UK, announces the return of its Artist and Makers Trail from September 6th to 21st, featuring over 30 arts and culture events. The trail will showcase work by local artists and makers across eight business venues in and around Hailsham town centre, including Demelza, Haywards Carpets, Dippy Doodahs, Gallery North, Callenders, Angela Marden, Woodside Annexe, and Class in Glass. Participating artists include Kay Ford, Linda Mauldon, Linda Goldsmith, Jazz Dixon, Valerie Evans, David Armitage, Sarah Lawson, Graham Binks, Jodie Drew, Joan Guile, Maureen Bishop, Lesley Dromgoole, Janet Terry, Jennifer Bisset, Tina Applegate, Sylvia Huggair, and Jo Crittenden. Gallery North will also host free family events and a children's art exhibition sponsored by Lightning Fibre.
Harmonic Chaos, a new exhibition featuring artists Martha Thorn and Tonya Solley Thornton, has opened at Block Gallery in Raleigh, North Carolina. The show runs from May 7 through August 15, 2025, with an opening reception on May 8. The exhibition presents Thorn's layered paintings and Thornton's collage-driven sculptures, highlighting their contrasting yet complementary approaches to contemporary art.
The Gallery at the Attucks, located within Norfolk’s historic Attucks Theatre, is launching its second major exhibition titled "Rhythm of the Stage." Curated by Nyree Dowdy, the show features over 40 original works by 25 artists from the Hampton Roads region, exploring the intersection of visual art, music, and dance. A public opening reception is scheduled for April 17, 2026, marking a significant milestone for the city's newest dedicated art space.
The Claremont Lewis Museum of Art is presenting the 15th annual "ARTstART: StART It Up!" exhibition from May 8-10, featuring artwork created by elementary school students from all seven Claremont elementary schools. The show, curated by high school participants in the museum's Project ARTstART program, includes collages, sculptures, paintings, and works on paper, and will be held at the Ginger Elliott Exhibition Center in Memorial Park. The exhibition also includes hands-on art-making activities for visitors.
The National Centre for Contemporary Arts (NCCA) in Minsk, Belarus, has announced that its venue on Niakrasava Street will cease exhibition activities from June 22, 2026. The institution is set to be liquidated, with its premises and collections transferred to the National Art Museum, while the Niakrasava Street space will be taken over by the Belarusian State Academy of Arts. The closure is linked to the newly appointed chairman of the Union of Artists, Andrei Vasileuski, and reportedly supported by the Culture Ministry.
On the First Friday of May 2026, ten local galleries and studios in Chattanooga, Tennessee, will participate in the monthly First Friday Art Crawl, with extended evening hours from 5-8 PM. Participating venues include River Gallery, HART Gallery, In-Town Gallery, ICA @ UTC, BFA Open Studios @ UTC, Wavelength Space, Society of Work Northshore at The Velvet Lounge, ClearStory Arts, Stove Works, and AVA – Association for Visual Arts. Several galleries are hosting opening receptions and artist meet-and-greets, featuring artists such as David Boyd, Jim Felder, Steve Loucks, Rick Sanders, Angie To, and Kathleen Thum.
The Taube Museum of Art in Minot, North Dakota, is calling for artists of all mediums to submit original artwork for a new exhibit titled "Art in Motion." Artists from across the state can submit up to four entries for a $15 fee, with additional entries at $5 each. Submissions are due by May 6, 2026, and the exhibit will run from May 8 through May 30, 2026.
McLean Project for the Arts (MPA) has announced the opening of its 2026 Spring Solo Exhibitions, featuring three distinct solo presentations by Sabine Carlson, Zsudayka Nzinga, and Darlene R. Taylor. The exhibitions include Nzinga’s exploration of American labor and diaspora through mixed media, Taylor’s textile-based portraits honoring Black motherhood, and Carlson’s paintings depicting environmental rescue efforts between humans and water birds. The shows will run from April 30 through June 13, 2026, at the McLean Community Center.
The Art Gallery of Burlington (AGB) has announced its upcoming spring gala, "Seeds of Change," scheduled for May 7th. The event features a farm-to-table dinner helmed by Executive Chef Matteo Paonessa, a silent auction, and a preview of a new solo exhibition by Argentine artist Celina Eceiza titled "A material called Earth, Vol 1: The life of corners." The gala also highlights the gallery's new Community & Medicine Garden, an initiative where artists-in-residence will harvest natural materials for pigments and textiles.
The Columbus Museum of Art is launching the 'Greater Columbus: 2026 Visual Arts Fellowship Exhibition' on April 15, featuring the work of six local artists. This annual showcase, organized in partnership with the Greater Columbus Arts Council, highlights the recipients of the 2025 Visual Arts Fellowship, including artist Dana Lynn Harper.
The Thunder Bay Art Gallery is hosting a series of exhibitions featuring the work of students from local high schools and Lakehead University. The shows include a senior high school exhibition and a display of work by Lakehead University Visual Arts students, highlighting a diverse range of media and artistic approaches.
Seattle’s visual arts scene is offering several high-profile exhibitions accessible to the public for free throughout April. Highlights include a major outdoor installation at the Frye Art Museum by Cornish College of the Arts graduate Chloe King, whose work investigates the construction of cultural memory, alongside five other curated presentations across the city's museum and gallery network.
Laredo College has opened submissions for its 'Out of the Box' juried art exhibit, inviting local artists to submit unconventional, experimental, and bold works across all mediums. The submission period runs from December 29 to January 16, with artist notifications on January 20, and an opening reception scheduled for February 6 at the Martha Fenstermaker Memorial Visual Arts Gallery. Up to 30 artworks will be selected for the final show.
Howard D. Moon, a longtime benefactor of the Heights community, partnered with Houston Christian University (HCU) and Heights Church to establish the Moon Gallery, a new exhibition space dedicated to showcasing local artists. The gallery was officially dedicated on December 4 with an opening ceremony inside Heights Church (formerly Baptist Temple), honoring Moon's late wife Jeanette, a passionate arts supporter. The inaugural exhibition featured works by HCU faculty and MFA students, including artist Julia Marcucci Wood and assistant professor Hillaree Hamblin, who spoke about the gallery's mission to foster community engagement and inclusivity.
Absa Group has announced that Eric Joe Gayi, an Absa L’Atelier 2023 Ambassador, will open his solo exhibition *Breaking the Norm* on November 1, 2025, at The Summit Residences in Naguru, Kampala, in collaboration with Amasaka Gallery. The show features intricate ballpoint pen drawings exploring Afro hair as a symbol of identity, resistance, and cultural pride, using blue figures to represent conformity and black figures with honeycomb textures to symbolize authenticity and resilience against Eurocentric beauty standards.
Chashama, a nonprofit founded by Anita Durst in 1995, transforms vacant real estate into affordable studio and gallery spaces for artists. The article highlights the Matawan, New Jersey location, which has 11 studios rented at below-market rates to painters, sculptors, photographers, and other creatives. Artists like Justin DeMattico and Konrad Korzunowicz have found essential workspace and community there, with 24-hour access and opportunities to exhibit. Chashama has repurposed $100 million worth of unused space across New York and New Jersey, hosting over 350 events annually.
The Spencer Museum of Art at the University of Kansas has opened a new exhibition that explores the relationship between art and the sea. The show brings together works from the museum's collection and loans to examine how artists have depicted, interpreted, and engaged with oceanic themes across different periods and cultures.
A new experimental art gallery, the Founders Room, is launching in Brighton in May 2026 as part of the Brighton Festival. The inaugural exhibition, titled Act 0, is organized by The Adelaide Salon in collaboration with Brighton Dome & Brighton Festival. It features works by two artist couples—Isobel Smith and The Baron Gilvan, and Lucy Newman and Bob Dixon—exploring process-led, relational, and interdisciplinary practices. The exhibition questions the boundary between artist and artwork, presenting painting, drawing, and performance-led works that blur authorship and lived experience.
The Quincy Art Center has announced the launch of Quincy Art Gallery on 6th, a new satellite exhibition space in downtown Quincy. Scheduled for a soft opening on April 1 followed by a grand opening on April 25, the gallery will feature rotating quarterly exhibitions of work by local and regional artists, all of which will be available for purchase.
A long-vacant warehouse on Stathem Avenue in Westwood, Ohio, is being converted into the Apropos Art Society, a visual arts center. The project will include eight artist studios, a classroom for public workshops, and an art gallery, with the owners collaborating with an architect and contractor to transform the former plumbing warehouse. The center is expected to open by the end of the year.
Penn State Altoona will present "Unmuting the Noise," an exhibition of work by visual arts senior Makenzie Kunkle, from April 30 to May 7 in the Sheetz Gallery. A public reception will be held on April 30 in the Titelman Study.
Leaked transcripts from the University of North Texas (UNT) reveal that Dean Karen Hutzel attributed the abrupt cancellation of artist Victor “Marka27” Quiñonez’s exhibition to fears of political retaliation. The show, titled “Ni de Aquí, Ni de Allá,” was shuttered shortly after opening at the CVAD Gallery without an initial public explanation. The transcripts indicate that administrators feared the provocative nature of the work—specifically pieces addressing incarceration and deportation—could lead Texas Republican lawmakers to slash university funding or eliminate programs, following a pattern of ideological clashes at other state institutions.