Sharpsburg’s ZYNKA Gallery turns 5: reflecting on growth and future exhibitions

ZYNKA Gallery in Sharpsburg, Pennsylvania, celebrates its fifth anniversary. Founded by Jeff Jarzynka in November 2019, the gallery represents over 50 mostly regional artists. Its current exhibition, “Time Between Echoes,” features Dutch-born artist Hans Neleman and runs through June 8. The gallery faced an early challenge when it had to close just months after opening due to the COVID-19 pandemic, but it reopened in summer 2020 with timed visits. Jarzynka has since expanded his curatorial work, including curating exhibitions for The Portal Art Gallery at Bakery Square in East Liberty since February 2024.

MoMA acquires works featured in monumental Adam Pendleton installation

The Museum of Modern Art (MoMA) has acquired the 35 individual paintings, drawings, and video works that comprised Adam Pendleton's monumental installation *Who Is Queen?* (2019-21), which was on view in the museum's atrium from 2021 to 2022. The installation explored Pendleton's conceptual framework of "Black Dada," a term he first outlined in his *Black Dada Manifesto* (2008), and included works such as *Notes on the Robert E. Lee Monument, Richmond VA (Figure)* (2021), a film reflecting on the 2020 racial justice protests. The acquisition marks a significant institutional commitment to Pendleton's practice, which continues to evolve in his current exhibition at the Hirshhorn Museum and Sculpture Garden in Washington, DC.

One Fine Show: “In Creative Harmony, Three Artistic Partnerships” at the Blanton Museum of Art

Observer's "One Fine Show" column highlights "In Creative Harmony: Three Artistic Partnerships" at the Blanton Museum of Art in Austin, Texas. The exhibition examines three distinct artistic duos: José Guadalupe Posada and Artemio Rodríguez, Arshile Gorky and Isamu Noguchi, and mother-daughter team Nora Naranjo Morse and Eliza Naranjo Morse. Spanning different eras, geographies, and mediums, the show explores how creative kinship and mutual influence shape artistic output, from Posada's Day of the Dead imagery to Gorky and Noguchi's Surrealist-inspired abstraction and the Morses' work in Pueblo ceramic and graphic traditions.

This Month the Museum Will Open "Ann Craven | Painted Time: Moons (Laboratory)"

The Bowdoin College Museum of Art (BCMA) will open "Ann Craven | Painted Time: Moons (Laboratory)" on May 22, 2025, featuring Ann Craven's moon paintings created between 2020 and 2024. The exhibition highlights Craven's direct observation of the moon, with each work documenting the date, time, and place of creation. The show includes a "laboratory" of lunar studies stored in labeled cardboard containers, offering insight into her process. It will be presented in three rotations curated by Anne Collins Goodyear, Jay Sanders, and Adam Weinberg, with about 20 paintings per rotation selected from over 150 compositions. The exhibition runs until August 17, 2025, and is accompanied by a digital catalogue. It coincides with two concurrent solo shows of Craven's work in Maine: at the Farnsworth Art Museum and the Portland Museum of Art.

Editor’s Letter: Still, Listening

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opens in May 2026, shifting focus from Eurocentric narratives to quieter, relational, and improvisational voices from the Global South. ArtAsiaPacific's May/June issue honors Kouoh's vision with features on artists including Gala Porras-Kim (a 2025 MacArthur Fellow), Khaled Sabsabi (representing Australia), and others like Liang Yuanwei, Yuko Mohri, Mona Hatoum, Tadanori Yokoo, Gayane Umerova, Li Yi-Fan, Hyeree Ro, and Ei Arakawa-Nash, with contributions from a curatorial team that carried Kouoh's work forward after her death in 2025.

Inside the New Madison Avenue Flagship of the Powerhouse Gagosian Gallery

Larry Gagosian has opened a new flagship gallery at 974 Madison Avenue (preferring the address 980 Madison at 76th Street) after Bloomberg Philanthropies took over the building's upper floors, which had housed Gagosian's New York flagship since the late 1980s. The megadealer relocated to the street level, creating a 12,000-square-foot complex with exhibition spaces, offices, meeting rooms, and private viewing areas designed by Jonathan Caplan of Caplan Colaku Architects. The gallery launched with a double-header presentation of works by Marcel Duchamp and Robert Rauschenberg, and features ceilings just over 12 feet high, adaptable walls, and a vestibule display of art books.

Praise Shadows’s New Sales Director and Para Site Names Executive Director: Industry Moves for March 18, 2026

Several key personnel changes occurred in the art world this week. Boston gallery Praise Shadows hired Rebecca Hayes as its new Sales Director, while Hong Kong's Para Site appointed curator James Taylor-Foster as its Executive Director. Concurrently, galleries Lehmann Maupin and Jessica Silverman announced a co-representation agreement for artist Guimi You, and London's Timothy Taylor gallery revealed it will close its New York outpost after ten years.

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The Oakland Museum of California (OMCA) will host a major retrospective for Bay Area artist Mildred Howard, titled “Poetics of Memory,” opening in June 2025. The exhibition spans five decades of Howard’s work, including new pieces, and will be accompanied by a fully illustrated catalog with plans for a national tour. Howard, a 2025 Guggenheim Fellow, has a long history with OMCA, which owns her 1989 installation *TAP: Investigation of Memory*. Senior curator Carin Adams, who worked with Howard on reinstalling *TAP* in 2019, proposed the retrospective to honor Howard’s legacy in the Bay Area arts scene.

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Elizabeth Denny has been appointed as the new director of the Outsider Art Fair, which was founded in 1993 and specializes in art brut, folk art, and self-taught art. Denny previously served as director at Eric Firestone Gallery and founded her own gallery in 2013 with locations in New York and Hong Kong. She holds degrees from the Courtauld Institute of Art and Columbia University, lectures at Columbia and Sotheby’s Institute, and is a founding board member of Less Than Half, an organization supporting underrecognized women artists. The fair's next edition is scheduled for March 2026 in New York.

Art Dubai Downsizes Dramatically as War Reshapes Plans

Art Dubai has announced a significantly scaled-back 20th-anniversary edition, reducing its exhibitor list by 57 percent following regional conflict and logistical disruptions. Originally scheduled for April, the fair has been postponed to May 15–17 at Madinat Jumeirah and will now feature only 50 galleries, with a heavy emphasis on regional participants. To support dealers during this period of uncertainty, organizers have implemented a "risk-sharing" booth fee model where galleries pay a percentage of sales capped at their original fee.

Rising Artist Veronica Fernandez’s Uneasy Monument to Childhood Imagination

Artist Veronica Fernandez opened a solo exhibition titled "Prey" at the Anat Ebgi gallery. The show features a notable shift in her practice, moving from typically monumental canvases to smaller-scale paintings that explore themes of claustrophobia, survival, and the uneasy tension between comfort and foreboding in domestic and communal spaces.

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NADA Miami has announced its 23rd edition, taking place December 2–6, 2025, at Ice Palace Studios. The fair will feature 140 exhibitors from 30 countries and 65 cities, including 47 first-time participants such as Foundry Seoul, Post Times, and Brigitte Mulholland. The Curated Spotlight program, now in its sixth year and supported by TD Bank, will be organized by Vancouver-based curator Kate Wong, who selected seven galleries and artists—including Devin N. Morris, Ana Alenso, Alessandro Balteo-Yazbeck, Faith Icecold, Huey Lightbody, Mahari Chabwera, and Marissa Delano—to present works exploring power structures, identity, and collective histories. The fair will also host the ECOLOGIES public programming series.

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The Eames House, designed by Charles and Ray Eames in the late 1940s in Los Angeles's Pacific Palisades, has reopened after a six-month closure due to smoke damage from the January 2025 wildfires. The property was saved from destruction partly because hundreds of surrounding trees were removed in 2024. The restoration has expanded visitor access, opening the studio for the first time, which will host exhibitions on the house's evolution and contemporary design influences. The first exhibition may focus on community rebuilding after the fires.

Angela de la Cruz review – wonky chairs and busted pianos are monuments to resilience

Angela de la Cruz's solo exhibition "Upright" at Birmingham's Ikon gallery presents a collection of broken and mended artworks. Her canvases are crumpled, folded, and snapped, while sculptures are assembled from precarious junk like a three-legged chair on a stool and a piano stacked atop another. The works, though appearing on the verge of collapse, are all repaired and propped back up, reflecting a state of post-collapse resilience.

When the Ukraine War Continues

A major exhibition titled 'Looking into the Gaps' at the Jam Factory in Lviv, Ukraine, curated by artist Nikita Kadan, explores the complex psychological and social landscape of Ukraine during the ongoing war. The show features Vladislav Plisetskiy's pivotal documentary film 'What Will You Do When the War Continues?' (2023), which traces his journey from Kyiv's queer anarchist scene to fighting on the front lines, alongside works by artists like Bohdana Kosmina that memorialize attacks on Ukrainian Roma communities.

WHEN FASHION MEETS ART QUOTES BODIES AND POWER AT THE MET GALA

The 2026 Met Gala took place on the first Monday of May, opening the Costume Institute's spring exhibition 'Costume Art' at the Metropolitan Museum of Art. The dress code 'Fashion is Art' prompted celebrities to treat the body as a canvas, with attendees like Hunter Schafer, Madonna, Rachel Zegler, Angela Bassett, Kendall Jenner, Troye Sivan, and Emma Chamberlain referencing specific artworks—from Gustav Klimt's *Mada Primavesi* to the *Winged Victory of Samothrace*—and historical fashion pieces.

In 2025, new ‘independent and nimble’ art fairs began redrawing the market map

In 2025, several established art fairs were cancelled or postponed, including the Art Dealers Association of America's Art Show in Manhattan, Taipei Dangdai, Photofairs Hong Kong, and the India Art Fair's Mumbai expo. Amid these retrenchments, a wave of smaller, alternative art fairs emerged in cities like New York, Paris, and the Berkshires, organized by gallerists and curators seeking new formulas focused on coalition, affordability, and intimacy. Examples include Esther in Manhattan (co-founded by Margot Samel and Olga Temnikova), the Arrival Art Fair in North Adams (co-founded by Yng-Ru Chen, Crystalle Lacouture, and Sarah Galender Meyer), 7 rue Froissart in Paris (organized by Sara Maria Salamone and Brigitte Mulholland), and Post-Fair in Santa Monica (founded by Chris Sharp).

U-Haul Gallery’s Mobile Model Takes Art to the Streets

U-Haul Gallery, founded by James Sundquist, is a nomadic art initiative that uses rented U-Haul trucks as mobile exhibition spaces. During New York art week, the gallery parked outside major fairs and openings, drawing crowds into its cargo bay for shows like Ben Nuñez's video work "Today, Last Year." The gallery operates on a budget of $29.99 per day for truck rental, bypassing the high costs of traditional brick-and-mortar spaces. Sundquist, along with head of global strategy Jack Chase, curates collaborative, adaptable exhibitions that respond to their surroundings.

Urgent Request from Participating Artists and Curators of the 61st Venice Biennale

第61回ヴェネツィア・ビエンナーレ参加アーティストおよびキュレーターによる緊急要請

A group of 73 artists and curators participating in the 61st Venice Biennale, including Yoshiko Shimada and Bubu de la Madeleine, have issued an urgent demand to the Biennale's board to revoke Israel's participation. The collective specifically objects to the decision to relocate the Israeli pavilion to the Arsenale, arguing that its presence contradicts the curatorial vision of Artistic Director Koyo Kouoh, which emphasizes the dignity of all life. They contend that the military and police presence required for the pavilion introduces an atmosphere of violence and fear that undermines the exhibition's integrity.

Art Dubai announces details for revised 2026 edition

Art Dubai has unveiled the details for its 2026 "special edition," which features a significantly reduced scale in response to ongoing regional conflict. The fair will host 50 galleries—a sharp decline from the 120 participants in 2025—with a strategic focus on regional representation, as nearly two-thirds of the exhibitors hail from the Middle East. To compensate for the smaller commercial footprint, the event will deepen its ties with local institutions like the Sharjah Art Foundation and Alserkal Avenue through expanded collaborative programming.

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Margaret Keane, the American painter known for her iconic "Big Eyed Waif" portraits, died on June 26 at age 94 in her Napa Valley home due to heart failure. For years, her second husband Walter Keane fraudulently claimed credit for her work, a deception that unraveled in the 1970s when she challenged him to a public paint-off and later won a courtroom showdown in 1986. Her story gained renewed attention with Tim Burton's 2014 film *Big Eyes*, starring Amy Adams.

Same is More: Parisian Architecture à l’identique by Octave Perrault

Paris is undergoing a wave of architectural preservation and renovation that prioritizes the "à l’identique" (identical) approach, most notably seen in the reconstruction of Notre-Dame Cathedral following its 2019 fire. This trend extends to other major cultural landmarks, including the renovation of the Bourse de Commerce by Tadao Ando and the upcoming multi-year closure of the Centre Pompidou for technical upgrades. The author uses the critical lens of 19th-century writer Joris-Karl Huysmans to question whether this obsession with restoring buildings to a previous state stifles contemporary architectural evolution.

Frida Kahlo: Auction Record and Gender Gap in the Contemporary Art Market

Frida Kahlo's self-portrait *El sueño (La cama)* (1940) sold for $54.7 million at a Sotheby’s auction in New York, setting a new record for the artist and the highest price ever paid for a work by a female painter. The sale, which exceeded pre-auction estimates of $40–50 million, briefly appeared to signal progress in the art market's gender dynamics.

The Opening Gambit: Generative Alterities and the Paradigm of the Salon

The Opening Gallery has opened a new space at 41 Division Street in New York with the exhibition "Generative Alterities," curated by director Sozita Goudouna. The show features artists from the Global South and Global North, including Lloyd Foster, Nan Goldin, Max Blagg, Annu Yadav, Victoria Bartlett, Jamie Martinez, and others, with works ranging from suspended sculptural portraits to mixed-media installations and photography. The gallery aims to create a contemporary salon atmosphere that encourages active dialogue rather than passive viewing.

Japan’s art islands gain a new attraction with museum designed by Tadao Ando

The Benesse Art Site Naoshima, a globally acclaimed art destination across three Japanese islands, will open the Naoshima New Museum of Art (NNMA) on May 31. Designed by architect Tadao Ando, the one-story building with two underground floors sits on a hilltop near Honmura village. Its opening exhibition, centered on wellbeing, features works by 12 artists including Takashi Murakami, Aida Makoto, Do Ho Suh, Cai Guo-Qiang, and Martha Atienza. The museum shifts focus to contemporary art from Asia with rotating exhibitions, according to director Akiko Miki.

The colorful world of Takashi Murakami comes to Cleveland Museum of Art

The Cleveland Museum of Art has opened "Stepping on the Tail of a Rainbow," a major exhibition of works by Japanese artist Takashi Murakami. The show, which originated at the Broad Museum in Los Angeles, features vibrant paintings, sculptures, and an immersive recreation of the Yumedono (Dream Temple) from Nara, Japan, built in collaboration with designers from the TV series "Shōgun." The exhibition traces Murakami's career from early characters like Mr. DOB to large-scale works addressing grief and trauma, including the 82-foot-long painting inspired by the 2011 Tohoku earthquake and tsunami.

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The Philadelphia Museum of Art has rebranded itself as the Philadelphia Art Museum, a change announced on Wednesday. The museum worked with branding studio Gretel, known for clients like the Museum of Modern Art and Crystal Bridges Museum, to develop a new name, logo, custom typography, website, and visual identity. Director and CEO Sasha Suda stated the rebrand aims to place Philadelphia front and center and make the institution more collaborative and future-focused.

The Art Gallery Doing Urban Regeneration South of Milan (After Doing It in New York)

La galleria d’arte che fa rigenerazione urbana a sud di Milano (dopo averla fatta a New York)

Scaramouche Gallery has opened a new space in Milan's Scalo Romana district, marking its third location after establishing itself in New York's Chelsea and Lower East Side neighborhoods. The gallery, founded by gallerist Daniele Ugolini, is part of a wave of cultural institutions, including Fondazione Prada and Fondazione ICA, driving the urban regeneration of this former agro-industrial zone near the 2026 Winter Olympic Village.

The evolution of agriculture tells the story of the world in an unmissable exhibition at Fondazione Prada

L’evoluzione dell’agricoltura racconta il mondo in un’imperdibile mostra alla Fondazione Prada

The Fondazione Prada in Milan is hosting "Dash," a comprehensive solo exhibition by Chinese artist Cao Fei that explores the intersection of ancient agricultural rituals and cutting-edge technology. The exhibition features installations like 'Land Ceremony,' where an agricultural drone is treated as a ritualistic rice dragon, alongside VR experiences and documentary films that investigate the automation of farming in China and Southeast Asia.

Frieze London diary: a Mick Jagger meeting, a movie night and punk fair style

Frieze London 2025 is underway with a series of off-site events and colorful encounters. Highlights include a Prada Mode installation by Elmgreen & Dragset at Camden Town Hall, where the duo transforms a former council chamber into an auditorium filled with mannequins and a looping abstract film. At Nahmad Projects, artist Michelangelo Pistoletto met Mick Jagger at an exhibition pairing his new Mirror Paintings with Cubist works by Picasso. Belgian collector Alain Servais turned heads in a blazer emblazoned with British rock band names and the slogan "Anarchy in the UK." Russian performance artist Petr Davydtchenko displayed his Pfizer-forehead tattoo as part of his archive piece "Skin in the Game" (2025), acquired by the A/POLITICAL collection. Meanwhile, Victoria and Albert Museum director Tristram Hunt published a Financial Times op-ed defending London and the UK as a cultural destination.