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adjaye-designed studio museum in harlem opens as new home for black art and culture

The Studio Museum in Harlem officially opens its purpose-built new home on West 125th Street on November 15, 2025, marking the first time the institution has had a building designed specifically for its program. Designed by Adjaye Associates with architect Pascale Sablan, the 82,000-square-foot museum features a double-height street-level window, a 'reverse stoop' entrance, expanded exhibition and public spaces, artist-in-residence studios, and a roof terrace. The facade uses dark-grey precast concrete and bronze-toned glass to reference Harlem's masonry architecture while signaling a refined contemporary presence.

New documentary gives E.J. Hughes, painter of lyrical Canadian landscapes, his due

A new documentary titled *The Painted Life of E.J. Hughes*, directed by Vancouver filmmaker Jenn Strom, premieres at the Vancouver International Film Festival. The film explores the personal and professional life of the reclusive Canadian landscape painter E.J. Hughes (1913-2007), known for his dreamlike depictions of British Columbia's coastal life. It features interviews with art historians, curators, and locals, and includes footage of major works, such as *Entrance to Howe Sound* (1949), which is set for auction at Heffel with an estimate of C$1.25m–C$1.75m. The documentary was inspired by books by artist-author Robert Amos and took several years to complete due to the pandemic.

Artist Lindsay Adams explores Black experience and artistry in her latest exhibition

The Frary Gallery at the Johns Hopkins University Bloomberg Center in Washington, D.C., will host its first solo exhibition, titled "Ceremony," by award-winning painter Lindsay Adams, opening October 29. The show features paintings and drawings that explore Black histories, movement, and world-building, including a large diptych titled "Kind of Blue (1959)" inspired by Miles Davis' iconic album. Archival materials by Billie Holiday, Josephine Baker, and other Black artists from the Johns Hopkins Sheridan Libraries will also be on view to provide historical context.

Uptown and downtown, re-imagined museums in New York prepare to reopen

Two of New York City's most influential contemporary art institutions, the Studio Museum in Harlem and the New Museum on the Bowery, are set to reopen this autumn after major architectural transformations. The Studio Museum will unveil its first purpose-built facility, an 82,000 sq. ft seven-story building on West 125th Street designed by Adjaye Associates with Cooper Robertson, featuring expanded exhibition space, artist studios, and a "reverse stoop" for public programming. The New Museum will debut a seven-story expansion to its flagship building at 235 Bowery, doubling its exhibition space and reinforcing its role as a hub for experimental art.

Jamea Richmond-Edwards: Another World and Yet the Same September 13, 2025 — June 14, 2026 - Wellin Museum

The Ruth and Elmer Wellin Museum of Art at Hamilton College will present "Jamea Richmond-Edwards: Another World and Yet the Same" from September 13, 2025, to June 14, 2026. Curated by Alexander Jarman, the exhibition features a large body of newly created work alongside mixed-media paintings from the past seven years, exploring race, class, and identity. Richmond-Edwards draws on her Detroit roots, incorporating music genres like jazz, soul, Motown, techno, and hip hop, as well as imagery from school marching bands. The title references a 17th-century dystopian novel by Joseph Hall, and the artist adapts its narrative through a fictional character, Iceberg, who leads a voyage to Antarctica to establish an egalitarian society, addressing themes of climate change and self-determination.

Buffalo AKG Art Museum's new 'Northern Lights' exhibit brings Arctic landscapes to Buffalo

The Buffalo AKG Art Museum has opened a new exhibition titled 'Northern Lights,' featuring over 70 paintings of Nordic and Canadian landscapes created between 1880 and 1930. The show includes works by Edvard Munch, best known for 'The Scream,' and was curated by Helga Christoffersen. The exhibition opened on a First Friday with pay-as-you-wish admission and will run through January 2026. Consuls general of Canada and Finland joined museum staff at a press conference to highlight the cross-border significance of the collection.

Tate Modern announces regular late openings

Tate Modern has announced it will extend its evening opening hours to 21:00 on Fridays and Saturdays, starting 26 September 2025. The decision follows the success of the Tate Modern Lates series, launched in 2016, which has attracted over 750,000 visitors and demonstrated strong demand for after-hours access, especially among young Londoners. Director Karin Hindsbo described the Lates as a cornerstone of London's nightlife, and Mayor Sadiq Khan welcomed the move as a boost to the city's night-time economy.

Once upon a time in New Mexico: 12th Site Santa Fe International focuses on the art of visual storytelling

The 12th Site Santa Fe International, titled "Once Within a Time," has opened at Site Santa Fe in New Mexico, running until January 12, 2026. Guest curated by Cecilia Alemani, director of New York's High Line, the biennial centers on visual storytelling, featuring over 70 artists and 27 historical figures. Highlights include Helen Cordero's Cochiti-inspired storyteller figurines, a film by Lebanese artist Ali Cherri at the New Mexico Military Museum, and works by literary figures D.H. Lawrence and Vladimir Nabokov. The exhibition extends beyond the main building to a dozen locations across Santa Fe, including museums, a former foundry, and storefronts.

Texas-born Artist to be Featured in Solo Exhibition at Frieze London

Portrait painter Amy Sherald has selected Kingsville-born artist René Treviño to present a solo exhibition at Frieze London this October. Treviño's presentation, titled "Moscas en la Pared (Flies on the Wall)," will debut in the fair's Artist-to-Artist section, a curated program launched in 2023 that invites renowned artists to nominate emerging talents. Treviño, who is represented by Erin Cluley Gallery in Dallas, adapts Mayan and Mexíca symbology in his multimedia work, which often incorporates vibrant colors, queer sensibilities, and restorative storytelling. His exhibition record includes shows at the Wadsworth Athenaeum, the Baltimore Museum of Art, and a 2024 career survey at The Wellin Museum of Art.

Climate protester splashes pink paint on Picasso work at Montreal Museum of Fine Arts

On Thursday morning, a supporter of the environmental activist group Last Generation Canada splattered pink paint on Pablo Picasso's 1901 painting *L'hétaïre* at the Montreal Museum of Fine Arts (MMFA). The painting, on loan from the Pinacoteca Agnelli in Turin and featured in the exhibition *Berthe Weill: Art Dealer of the Parisian Avant-garde*, was behind protective glass and showed no immediate damage. The activist, identified only as Marcel, was arrested and charged with mischief under $5,000. The museum reopened the rest of the exhibition after about an hour.

Julian Charrière: ‘The deep sea is a phantasmagorical space’

French Swiss artist Julian Charrière presents 'Midnight Zone' at Museum Tinguely in Basel, an exhibition that plunges viewers into the oceanic abyss through four new commissions and earlier works. The show features video installations, sculptural works, and acoustic pieces that explore deep-sea ecologies, including a film set in the Clarion-Clipperton Zone targeted for deep-sea mining, and a rotating Fresnel lens installation that translates low-frequency noise pollution into vibration. Charrière’s multidisciplinary approach draws on fieldwork in extreme geographies like the Arctic and deep ocean.

Design Miami announces 2025 international events and exhibitions programme

Design Miami has announced its 2025 international events and exhibitions programme, dubbed Design Miami.In Situ, in celebration of its 20th anniversary. The initiative includes a one-day design event in Aspen with Range Rover on July 31, a 14-day exhibition in Seoul titled 'Illuminated: A Spotlight on Korean Design' in September, the third edition of its Paris fair at L'hôtel de Maisons in October, and the 21st edition of its flagship Miami Beach fair in December. The programme expands beyond the fair's traditional model, with events curated by Ashlee Harrison, Hyeyoung Cho, and Glenn Adamson.

LOOK25 Gala supports Contemporary Calgary and Butterfly Ball raises funds for Boost Child & Youth Advocacy Centre

The LOOK25 Gala in Calgary, held on May 31 and presented by MAWER, raised over $1.2 million for Contemporary Calgary. Themed “Noir Nouveau” after textile artist Simone Elizabeth Saunders, the event featured a VIP dinner by Holt Renfrew, performances by Justine Tyrell and Timothonius, and a live auction led by Heather Edwards that included works by Saunders, June Clark, Evan Penny, and a circa-1960 Jean-Paul Riopelle. An after party sponsored by Masters Gallery drew 600 guests. Separately, the Butterfly Ball in Toronto, now in its 26th year, raised $1.27 million for Boost Child & Youth Advocacy Centre, with co-chairs Claire MacNamara and Trish Del Sorbo, and an auction handled by Christie’s consultant Brett Sherlock.

Introducing CULTURED’s Inaugural Young Dealers List

CULTURED magazine has launched its inaugural Young Dealers List, highlighting 23 galleries under five years old that are reshaping the art world. Selected from over 100 recommendations gathered from more than 40 collectors, advisors, and curators, the list features ambitious new spaces in cities from Accra to Berlin. One featured gallerist, Adora Mba of ADA \ Contemporary Art Gallery in Accra, comes from a family of collectors and opened her gallery after working as a cultural news producer; she has dedicated her 2025 program to women artists and curators.

Arkansas Museum of Fine Arts exhibition highlights the art of conservation

The Arkansas Museum of Fine Arts (AMFA) in Little Rock is opening an exhibition titled "The Long View: From Conservation to Sustainability: Works From the Bank of America Collection" on June 13, running through August 31. The show features paintings, photographs, prints, and sculptures from the mid-19th century to the present, highlighting artists who advocated for conservation and sustainable habitats. A free family event, "Family Fest: Into the Wild," will be held on June 14 with activities led by the Arkansas Game and Fish Commission, including artmaking, live animals, and outdoor demonstrations.

Review: Guadalupe Rosales crafts an analog Wayback Machine for a vibrant show at Palm Springs Art Museum

Guadalupe Rosales presents a solo exhibition titled "Tzahualli: Mi memoria en tu reflejo" at the Palm Springs Art Museum, centered on a checkerboard dance floor with a makeshift DJ booth, motorized blue spotlights, and mirrored disco fixtures. The show gathers ephemera from the 1990s—magazines, snapshots, lowrider bicycle parts, bandannas, street signs, and more—used in assemblage sculptures and display cases. Four thematic sections include a dance room, an entryway, a nighttime space, and a car culture gallery, with imagery referencing Chicana culture, Los Angeles' Eastside, and historic clubs like Arena and Circus.

From Origin to Future. Opening Exhibition for the Naoshima New Museum of Art by Tadao Ando

Architect Tadao Ando has designed the Naoshima New Museum of Art, the latest addition to the Benesse Art Site Naoshima project in Kagawa Prefecture, Japan. This marks Ando's tenth contribution to the site and the first museum to bear the island's name. The museum will open on May 31, 2025, with an inaugural exhibition featuring works by twelve artists and groups, including both longtime collaborators and newer voices. The building, which includes one above-ground floor and two basement levels, features a large roof integrated with the hills and a cafe overlooking the Seto Sea.

Mbare Art Space: a colonial beer hall in Zimbabwe has become a vibrant arts centre

Moffat Takadiwa, a leading figure in Zimbabwe's artist-run spaces movement, has transformed a former colonial-era beer hall in the Mbare township of Harare into the Mbare Art Space. Opened in 2019 under a long lease from the Harare City Council, the nonprofit hub now houses studios, an exhibition hall, a digital hub, and office space, serving as a vibrant center for artistic and community revival. The beer hall was originally built by British colonial authorities as a tool of social control and segregation, but Takadiwa has repurposed it into a site of creative freedom and empowerment, inspired by global precedents like Theaster Gates' Stony Island Arts Bank in Chicago.

How Sacramento artists are turning away from traditional markets to sell their work

Veteran Sacramento artist Tony Natsoulas, whose ceramic sculptures are held in 18 museum collections including SFMOMA, has shifted away from traditional commercial galleries to sell directly through his mailing list, newsletter, and biannual open studios. The article examines Sacramento's shrinking commercial gallery scene, where only a handful of spaces like Barry Sakata's b. sakata garo remain after 27 years, while venues such as Kennedy Gallery, Jay Jay, and Brickhouse Gallery have closed. Sakata reports declining sales due to political uncertainty, though a city grant of $10,000 has helped sustain his gallery.

Lawren Harris leads the way in Heffel’s all-Canadian marquee spring auctions in Toronto

Heffel Fine Art Auction House held its spring sales in Toronto on May 22, featuring an all-Canadian lineup of 85 lots with an estimated value of C$18m to C$22m. Despite rain and economic concerns, the two-session sale achieved C$22m total, led by Lawren Harris's *Northern Lake* (1926) at C$3.1m. Other highlights included record-breaking prices for Franklin Carmichael, Arthur Lismer, and A.Y. Jackson, plus strong results for Emily Carr and Tom Thomson works.

A rebuke to Modernism: the Venice Architecture Biennale imagines new ways of building to cope with climate change

The 2025 Venice Architecture Biennale, curated by Carlo Ratti, opens with immersive installations that confront climate change, including a film on civilizations rising and collapsing, a reflective pool installation by Michelangelo Pistoletto symbolizing humanity-nature reconciliation, and a non-functional air conditioner display by Transsolar Klima Engineering. Ratti issued the Biennale's first open call, selecting over 300 multidisciplinary teams—engineers, scientists, artists, and architects—to explore new building methods that reject Modernist materials like steel and concrete in favor of natural and Indigenous approaches.

Expanded and Expansive: How the Intuit Art Museum Used A Transformative Renovation to Reinvent Itself

The Intuit Art Museum (IAM) in Chicago reopens on May 23 after a $10 million renovation that began in September 2023, partially funded by a $5 million grant from the City of Chicago. The expansion triples the museum's exhibition and education space, adds ADA-compliant features, and includes new galleries, a Center for Learning and Engagement Opportunities (CLEO) named after co-founder Cleo Wilson, and a reinstalled room dedicated to outsider artist Henry Darger. The museum, originally founded in 1991 as the Society for Outsider, Intuitive and Visionary Art by figures including artist Roger Brown and gallerists Carl Hammer and Ann Nathan, has long championed self-taught and visionary artists.

Adam Lindemann opens exhibition of 19th-century African sculpture and contemporary Black abstraction

Collector and dealer Adam Lindemann has opened a non-selling exhibition titled 'Urhobo + Abstraction' at his David Adjaye-designed home near the Metropolitan Museum of Art in New York. The show, running until June 13, pairs 19th-century Urhobo sculptures from the Niger Delta with works by Black American abstractionists including Ed Clark, Norman Lewis, Richard Mayhew, Merton D. Simpson, and Alma Thomas. It is the first time Urhobo sculptures have been shown together in the US, and the exhibition is anchored by five wood carvings of warriors and royalty, one from Lindemann's private collection.

"Trevor Yeung: Courtyard of Detachments", a new configuration of the artist's solo exhibition representing Hong Kong in the 60th International Art Exhibition – La Biennale di Venezia, opens at M+ on Saturday, 14 June 2025

A new configuration of Trevor Yeung's solo exhibition "Courtyard of Detachments," originally representing Hong Kong at the 60th Venice Biennale, will open at M+ museum in Hong Kong on June 14, 2025. The presentation reimagines the artist's acclaimed Biennale project for the museum context.

The best museum shows to see during Tefaf New York 2025

The article highlights several major museum exhibitions opening during Tefaf New York 2025. At the Brooklyn Museum, "Solid Gold" (through July 6) traces the material's historical and cultural significance across fine art, fashion, jewelry, and design, featuring works from ancient Coclé gold plaques to pieces by Agnes Martin, Louise Nevelson, and Alexander Calder. The Metropolitan Museum of Art presents "Sargent and Paris" (through August 3) for the centenary of John Singer Sargent's death, reuniting his scandalous "Portrait of Madame X" with preparatory sketches and exploring his formative decade in Paris. The Jewish Museum offers "The Book of Esther in the Age of Rembrandt" (through August 10), examining the biblical story's influence on 17th-century Dutch art through works by Rembrandt and his contemporaries.

Sharpsburg’s ZYNKA Gallery turns 5: reflecting on growth and future exhibitions

ZYNKA Gallery in Sharpsburg, Pennsylvania, celebrates its fifth anniversary. Founded by Jeff Jarzynka in November 2019, the gallery represents over 50 mostly regional artists. Its current exhibition, “Time Between Echoes,” features Dutch-born artist Hans Neleman and runs through June 8. The gallery faced an early challenge when it had to close just months after opening due to the COVID-19 pandemic, but it reopened in summer 2020 with timed visits. Jarzynka has since expanded his curatorial work, including curating exhibitions for The Portal Art Gallery at Bakery Square in East Liberty since February 2024.

MoMA acquires works featured in monumental Adam Pendleton installation

The Museum of Modern Art (MoMA) has acquired the 35 individual paintings, drawings, and video works that comprised Adam Pendleton's monumental installation *Who Is Queen?* (2019-21), which was on view in the museum's atrium from 2021 to 2022. The installation explored Pendleton's conceptual framework of "Black Dada," a term he first outlined in his *Black Dada Manifesto* (2008), and included works such as *Notes on the Robert E. Lee Monument, Richmond VA (Figure)* (2021), a film reflecting on the 2020 racial justice protests. The acquisition marks a significant institutional commitment to Pendleton's practice, which continues to evolve in his current exhibition at the Hirshhorn Museum and Sculpture Garden in Washington, DC.

One Fine Show: “In Creative Harmony, Three Artistic Partnerships” at the Blanton Museum of Art

Observer's "One Fine Show" column highlights "In Creative Harmony: Three Artistic Partnerships" at the Blanton Museum of Art in Austin, Texas. The exhibition examines three distinct artistic duos: José Guadalupe Posada and Artemio Rodríguez, Arshile Gorky and Isamu Noguchi, and mother-daughter team Nora Naranjo Morse and Eliza Naranjo Morse. Spanning different eras, geographies, and mediums, the show explores how creative kinship and mutual influence shape artistic output, from Posada's Day of the Dead imagery to Gorky and Noguchi's Surrealist-inspired abstraction and the Morses' work in Pueblo ceramic and graphic traditions.

This Month the Museum Will Open "Ann Craven | Painted Time: Moons (Laboratory)"

The Bowdoin College Museum of Art (BCMA) will open "Ann Craven | Painted Time: Moons (Laboratory)" on May 22, 2025, featuring Ann Craven's moon paintings created between 2020 and 2024. The exhibition highlights Craven's direct observation of the moon, with each work documenting the date, time, and place of creation. The show includes a "laboratory" of lunar studies stored in labeled cardboard containers, offering insight into her process. It will be presented in three rotations curated by Anne Collins Goodyear, Jay Sanders, and Adam Weinberg, with about 20 paintings per rotation selected from over 150 compositions. The exhibition runs until August 17, 2025, and is accompanied by a digital catalogue. It coincides with two concurrent solo shows of Craven's work in Maine: at the Farnsworth Art Museum and the Portland Museum of Art.

Editor’s Letter: Still, Listening

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opens in May 2026, shifting focus from Eurocentric narratives to quieter, relational, and improvisational voices from the Global South. ArtAsiaPacific's May/June issue honors Kouoh's vision with features on artists including Gala Porras-Kim (a 2025 MacArthur Fellow), Khaled Sabsabi (representing Australia), and others like Liang Yuanwei, Yuko Mohri, Mona Hatoum, Tadanori Yokoo, Gayane Umerova, Li Yi-Fan, Hyeree Ro, and Ei Arakawa-Nash, with contributions from a curatorial team that carried Kouoh's work forward after her death in 2025.