At the Raising Hope conference in Rome, Pope Leo XIV blessed a 20,000-year-old piece of Greenland glacial ice brought onstage by artist Olafur Eliasson. The ice, transported from Nuup Kangerlua fjord with geologist Minik Rosing, had already broken away from the Greenland ice sheet and was melting. Eliasson documented the event on Instagram, calling it a striking moment that underscored the connection between nature and humanity.
Collector Sasan Ghandehari has filed a lawsuit against Christie’s in the High Court of England & Wales, alleging the auction house failed to disclose that a Picasso painting he guaranteed was owned by a man convicted of drug-related charges. The work, Picasso’s *Femme dans un rocking-chair* (1956), was offered in a February 2023 London evening sale with a third-party guarantee from Ghandehari’s company, Brewer Management Corporation (BMC). Ghandehari claims Christie’s told him the owner was José Mestre Jr., but the painting actually belonged to his father, José Mestre Sr., who was sentenced to nine years in prison after 202 kilos of cocaine were found on a cargo ship in 2010. The lawsuit seeks to cancel the guarantee contract and recover a £4.8 million partial payment.
Casa Batlló, Antoni Gaudí’s iconic Barcelona landmark, has completed a €3.5 million ($4 million) restoration of its long-neglected back façade and courtyard. The project involved stratigraphic paint analysis to uncover original colors—revealing that the now-cream stucco was once deep gray and the windows originally green—along with restoration of trencadís mosaics, ironwork, wooden elements, and an 85,000-piece Nolla mosaic. The courtyard’s custom planters and parabola-shaped pergola were also rebuilt, returning the rear of the house to Gaudí’s original vision for the first time in over a century.
The former San Francisco Art Institute (SFAI) campus has been transformed into a privately funded nonprofit arts center called the California Academy of Studio Arts (CASA). Backed by philanthropist Laurene Powell Jobs, who purchased the Chester Street campus for $30 million last year, CASA will host 30 emerging artists annually in an unaccredited studio program. Artists will have access to private studios, shared workspaces, and professional mentors, with no tuition fees. The center is led by director Abbye Churchill and plans seminars for participants. SFAI, one of the oldest art schools in the U.S., suspended operations in 2022 and filed for bankruptcy after a failed merger with the University of San Francisco.
Wayne Thiebaud's 1961 painting *Pie a la Mode* will headline Bonhams' 20th and 21st century sale in New York on May 14, with an estimate of $1.2 million to $1.8 million. The work, which depicts a lone slice of pie with melting ice cream against a stark black background, is making its auction debut after six decades in a private collection. The 25-lot sale also includes works by Willem de Kooning, Alexander Calder, Fernando Botero, Joel Shapiro, and Ernie Barnes.
Artist Barbara Kruger has created a new typographic installation, *Untitled (Another Again)*, for the exterior of a Ukrainian Railways Intercity train. The work will be unveiled on May 1 before the train's maiden voyage from Kyiv-Pasazhyrskyi to Darnytsia Station, with a future route spanning Ukraine including stops in Lviv, Kharkiv, and Kramatorsk. Commissioned by the nonprofit RIBBON International in collaboration with Ukrzaliznytsia, the text appears in Ukrainian and English, reflecting Kruger's signature style of bold, critical messaging.
Russian-born, New York-based artist Sanya Kantarovsky presents his new exhibition "Basic Failure" at Venice's Institute of Sciences, Letters and Arts, timed to coincide with the Venice Biennale. The show features his signature dishevelled, otherworldly figures—including a pallid boy with a cigarette, a child spinning in innocence, and a glass bust of a young boy with a dead spider under its eye—that explore tension, alienation, and the supernatural. Kantarovsky describes his process as listening to the painting like a Ouija board, and the exhibition includes works that confound narrative expectations, such as a scruffy toy panda and a recreation of Antonello Gagini's 16th-century sculpture.
South Korean ceramic artist Jongjin Park has won the 2026 Loewe Foundation Craft Prize for his piece "Strata of Illusion" (2025), a partially-collapsed seat-like form made from paper and coated in porcelain slip. The award comes with a €50,000 ($58,700) prize, and Park's work will be exhibited alongside other shortlisted entries at the National Gallery Singapore, opening tomorrow and running through June 14.
Lubaina Himid's installation at the British pavilion of the Venice Biennale presents monumental paintings and a wall of painted oars depicting tailors, cooks, architects, gardeners, and sailors—figures who shape Britain. The work is accompanied by an audio piece of bucolic country sounds, but the black figures in the paintings exchange sideways glances of discomfort, questioning whether they truly belong. The exhibition is anchored by 26 philosophical questions on the wall, such as "Can flies settle here?" and "Can poison taste delicious?"
Ana Viladomiu, a 70-year-old writer, is the last remaining tenant of Antoni Gaudí’s Casa Milà (La Pedrera) in Barcelona, a UNESCO World Heritage site that receives about a million visitors annually. She has lived in the luminous apartment since 1988, originally moving in with her then-husband Fernando Amat, owner of the iconic design store Vinçon. Viladomiu holds a rare renta antigua (fixed-rent contract) that allows her to stay until she or Amat dies, after which the not-for-profit foundation managing the building will take ownership. The rest of the building now houses offices and cultural event spaces.
A rediscovered portrait by Sofonisba Anguissola, a pioneering female artist of the Italian Renaissance, has gone on public display for the first time in over a century at the Winter Show in New York. The painting, *Portrait of a Canon Regular* (1552), is Anguissola's earliest signed and dated work and was long considered lost until it was found in a private collection in North Carolina after being referenced in a 2019 monograph. It is being presented by Robert Simon Fine Art.
The Metropolitan Museum of Art has announced the opening of the Condé M. Nast Galleries, a 12,000-square-foot exhibition space designed by the New York-based architecture firm Peterson Rich Office (PRO). The galleries, located adjacent to the museum's Great Hall, will be inaugurated in May 2026 by The Costume Institute's spring exhibition titled "Costume Art," which explores the dressed body by juxtaposing garments from the Institute's holdings with treasures from the museum's broader collections. The project is part of a larger renovation that also includes a redesign of the Fifth Avenue and 83rd Street entrance to improve visitor flow.
This article presents a visual survey of works by Camille Pissarro, a key figure in Impressionism, featuring paintings such as "The Garden of Les Mathurins, property of the Deraismes Sisters, Pontoise" (1876), "The Pont-Neuf, Afternoon, Sunlight" (1901), and "Self-Portrait" (1873). The images are drawn from major museum collections including the Nelson-Atkins Museum of Art, the Philadelphia Museum of Art, the Musée d'Orsay, and the National Gallery of Art, among others. The article also promotes a members-only experience of a Pissarro exhibition.
A permanent gallery dedicated to the work of artist Ruth Asawa will open in San Francisco this spring. Located within the Minnesota Street Project in the Dogpatch neighborhood, the gallery's inaugural exhibition, "Ruth Asawa: Untitled," is scheduled to open on May 9th, managed by her family foundation, Ruth Asawa Lanier Inc.
The contemporary art fair Art Collaboration Kyoto (ACK) has announced a major leadership change, transitioning from a single director to a seven-member leadership committee. The new committee, effective April 1, includes Doi Miho, Hattori Yoko, Mine Keiko, Ohishi Masako, Suzuki Hidenori, Takamura Miwa, and Tezen Wakako. Current director Yamashita Yukako will step down and assume the role of chair of ACK Ambassadors. The fair's sixth edition is scheduled for November 7–9 at the Kyoto International Conference Center.
Art Basel has announced the thirty-three winners of its 2026 Art Basel Awards, recognizing individuals and institutions across nine categories. The winners include prominent artists like Arthur Jafa, Julie Mehretu, and Barbara Kruger, as well as institutions such as The Brick in Los Angeles and the Diriyah Biennale Foundation. A new jury member, Prof. Dr. Bonaventure Soh Bejeng Ndikung, was also added for this edition.
The inaugural Medina Triennial has announced its artist lineup for its debut edition running from June to September in Western New York. Featuring 39 participants, the walkable exhibition will showcase site-specific works by international and local figures including Tania Candiani, Lina Lapelytė, and Asad Raza. Installations and performances will be integrated into the town's civic fabric, utilizing non-traditional venues such as a railroad museum, local churches, hospital corridors, and a century-old high school.
Bethannie Newsom Steelman will host a studio tour at 415 Park Ave. in Hot Springs on Saturday and Sunday, starting at 11 a.m., as part of Arts and the Park. The event features live painting by Steelman, musical performances by Ricko Donovan, DJ Schaeffer, Gino Del Ray, and the band Inoculated Log, as well as New Orleans-style snowballs from Spa City Snowballs. Steelman, who creates murals for businesses, began renting her studio in April and is excited to share her creative process with the public.
Casa Batlló in Barcelona will open its second floor as a contemporary art gallery starting January 2026. The space, previously used as apartments, offices, and a maintenance workshop, has been redesigned by Barcelona-based studio Mesura with a curved metal ceiling echoing Gaudí’s forms, while preserving original woodwork and stained glass. The gallery extends the Casa Batlló Contemporary program, which commissions artists for two exhibitions per year, accessible with general admission or a standalone ticket.
Blanca de la Torre, director of the Institut Valencià d’Art Modern (IVAM), discusses her concept of the "Museo Anfibio" (Amphibious Museum) in an interview for Artishock Revista's series on Ibero-American museum leaders. She proposes reimagining the museum as a relational institution that mediates between physical and symbolic territories, communities, and ecosystems, structured around two axes: Territories-Earth and Aquatic Environments. The interview is part of a series leading up to International Museum Day, with previous entries including Nicolás Gómez Echeverri of the Banco de la República de Colombia.
Cultured magazine invited seven MFA students from CalArts, Columbia, RISD, the School of the Art Institute of Chicago, and Yale to share recent works and discuss their artistic concerns. The students—Sascha Huth, Martha Estrella, Wenqing Zhai, Yehwan Song, Ricky Vasan, Virginia Hanusik, and Khidr Joseph—work in painting, photography, and sculpture, addressing themes such as commodity culture, Mexican American identity, China's one-child policy, digital inequality, personal yearning, ecological collapse, and grief.
The Museum of Modern Art in New York is launching its latest New Photography exhibition, “Lines of Belonging,” on September 14, marking the series’ 40th anniversary. The show features 13 international artists and collectives from four cities, including Sandra Blow, L. Kasimu Harris, and Prasiit Sthapit, who each reflect on their contributions. Blow captures Mexico City’s queer nightlife, Harris documents Black Masking Indian traditions in New Orleans, and Sthapit photographs the changing landscape of Susta, Nepal.
Two new art critics join the fold at Cultured, with Johanna Fateman reviewing Sanya Kantarovsky's first New York solo show since 2019, "Scarecrow," at Michael Werner Gallery's two Upper East Side locations. The exhibition features paintings, monotypes, and a glazed stoneware vase centered on Hera, a whippet belonging to artists Mark Dion and Dana Sherwood, alongside works like *Stage (Watteau)* that engage with historical painting. Mary Simpson covers Rosemarie Trockel's acerbic conceptualism, and Jeanette Bisschops reviews a posthumous exhibition of Chloe Dzubilo's intimate and irate drawings, "The Prince George Drawings," at Participant Inc., curated by Alex Fleming and Nia Nottage.
Gordon Hall's exhibition "Hands and Knees" at the Kitchen in New York features sculptures made from chrome cantilevered chairs with seats and backs removed, arranged in configurations that evoke bodies on all fours. The show includes unannounced performances where performers are carried in on stretcher-like sculptures and placed on the chair forms, exploring themes of submission, rest, and bodily interaction. Separately, the article reviews Martha Diamond's posthumous exhibition "After Image" at David Kordansky Gallery, highlighting her 1986 painting "White Light" and her abstract depictions of New York City.
A petition signed by Greta Thunberg, Hugh Bonneville, and other prominent figures defends Misan Harriman, the photographer and chair of London's Southbank Centre, against what the letter calls a "dishonest smear campaign." The controversy stems from two incidents: Harriman shared a social media post about a stabbing attack in Golders Green, noting that a Muslim victim received less press coverage than two Jewish victims, and later posted a video reflecting on the rise of the right-wing Reform party, citing a conversation about the Holocaust. Right-wing outlets like The Daily Telegraph accused him of equating Reform's electoral success to the Holocaust, leading to widespread backlash. Harriman denies making such equivalences, and nearly 70,000 people have filed complaints with the press regulator IPSO—the largest campaign in its history.
The 1-54 Contemporary African Art Fair in Marrakech saw a significant contraction in 2026, with participation dropping by over 25 percent to just 22 galleries. This decline coincides with the recent arrival of Art Basel in Doha, which is intensifying competition for galleries and collectors' attention across the MENASA region, forcing dealers to make strategic choices about which fairs to support.
British-Algerian artist Lydia Ourahmane has created a new exhibition in Venice, opening alongside the Venice Biennale, that is deeply rooted in the city itself. Rather than shipping in materials, she built a pier for the island of Poveglia in collaboration with a local cooperative that saved the island from development, and she acquired a coin-operated light machine from the church of San Giovanni Crisostomo, which visitors must feed with a euro to illuminate the show. The exhibition is presented at the Nicoletta Fiorucci Foundation.
Photographer Yamamoto Masao is presenting a solo exhibition titled 'Ten Owls' at Yancey Richardson gallery in New York. The show features intimate, small-scale gelatin silver prints of owls, creatures that inhabit the forests near his Japanese home, with the works intended for close viewing to foster a connection with the elusive birds.