David Zwirner’s New York gallery is hosting "VACATION," a solo exhibition by the influential German artist Isa Genzken. Curated by Ebony L. Haynes, the show features a series of new works that continue Genzken’s career-long exploration of urban architecture, consumer culture, and the complexities of modern life. The presentation is supported by Galerie Daniel Buchholz, the artist's long-time representative in Cologne.
German artist Kerstin Brätsch has opened a comprehensive solo exhibition titled "MƎTAATEM" at Kunstmuseum Bonn. The presentation features a vast array of works that document her experimental approach to painting, including her signature use of glass, marbling, and collaborative processes that challenge the traditional boundaries of the medium.
South African artist Cinga Samson is currently presenting a series of large-scale oil paintings in a solo exhibition titled "Ukuphuthelwa" at White Cube in New York. The works feature dreamlike, nocturnal tableaux characterized by deep pigments, spectral figures with all-white eyes, and symbolic animals that bridge the earthly and divine. The title, which translates from isiXhosa as "unable to sleep," frames sleeplessness as a state of heightened spiritual alertness rather than a medical condition.
The Dalí Museum in St. Petersburg, Florida, has acquired Salvador Dalí's largest known work, the monumental 1939 ballet set 'Décor de théâtre pour Bacchanale,' for €254,400 at a Bonhams auction. The work, over 20 meters high and 30 meters wide, consists of thirteen panels painted by Dalí as a backdrop for the Surrealist ballet 'Bacchanale' choreographed by Léonide Massine for the Ballets Russes de Monte-Carlo.
"Weil das Ego sich plötzlich auflöst"
The art world is facing significant structural and political shifts, highlighted by the merger of Artnet and Artsy which has resulted in mass layoffs, particularly within the Artnet News editorial team and its Berlin operations. Simultaneously, tensions are rising in German cultural policy as gallery owner Rupert Pfab raises concerns over government interference in the Stiftung Kunstfonds jury selection, reflecting a broader climate of unease that includes recent controversies at the Berlinale.
Was taugt die Mallorca-Ausgabe der Art Cologne?
The Art Cologne has launched a new satellite edition in Palma de Mallorca, returning to the island 19 years after a previous attempt failed. Held at the modern Palau de Congressos, the fair adopts a 'boutique' format designed to tap into the local market of wealthy European expatriates and second-home owners. Unlike the high-stakes environment of major fairs like Art Basel, this iteration features an innovative pricing model that allows smaller, younger galleries to showcase curated, riskier presentations at more affordable entry points.
"Die zeitgenössische US-Kunst ist von Problemen krank"
Artist Josh Kline has sparked a heated debate with a scathing critique of the American art scene, particularly targeting New York City as an unsustainable hub driven by market logic and inequality. Kline argues that contemporary art is "sick with problems" and urges young artists to abandon the city, calling for a shift from institutional critique to a broader industry-wide analysis of class and power. Meanwhile, the German art world sees significant movement with the upcoming auction of Georg Kolbe’s "Tänzerinnen-Brunnen" following a Nazi-looted art settlement, and the Berlin State Museums announcing a phased reopening of the Pergamon Altar starting in 2027.
Die Wiederentdeckung der Alten Meisterinnen
The Museum of Fine Arts Ghent (MSK) has launched a major exhibition titled "Unforgettable: Women Artists from Amsterdam to Antwerp, 1600–1750," showcasing over 40 female Baroque artists who were once highly successful but later faded into obscurity. The show highlights figures like Michaelina Wautier, who defied gender norms by painting large-scale history scenes and male nudes, and Rachel Ruysch, whose floral still lifes commanded prices rivaling those of Rembrandt. These women were not merely exceptions but active participants in the art market, running workshops and securing royal patronage across the Low Countries.
In London geht es Tracey Emin um Tod und Auferstehung
Tracey Emin has opened a major exhibition at the Tate Modern in London. The show, which follows her battle with an aggressive bladder cancer diagnosed in 2020, presents a new chapter in her work, focusing on themes of trauma, triumph, and the body.
Jo Ractliffe au Jeu de Paume : « Je ne suis pas une photographe militante, mais quand on travaille en Afrique du Sud on ne peut échapper aux histoires de violence »
South African photographer Jo Ractliffe discusses her upcoming retrospective at the Jeu de Paume, reflecting on her career path that began during the isolation of the apartheid era. Eschewing traditional photojournalism, Ractliffe developed a singular poetic language focused on landscapes and animals to address the heavy histories of violence, ownership, and displacement in Southern Africa.
Près de Paris, ce mythique restaurant nous transporte dans un chef-d’œuvre de Renoir
The historic Maison Fournaise in Chatou, a legendary riverside restaurant and inn near Paris, has been meticulously restored to its 19th-century glory. Once a central hub for the Impressionist movement, the site served as the specific setting for Pierre-Auguste Renoir’s 1881 masterpiece, "Luncheon of the Boating Party." The restoration, led by the Ludéric group and featuring a menu by Michelin-starred chef Christian Le Squer, coincides with major Renoir exhibitions at the Musée d’Orsay.
Tout ce qu’il faut savoir sur Lee Miller à l’honneur au musée d’Art Moderne de Paris
The Musée d’Art Moderne de Paris is hosting a major retrospective dedicated to Lee Miller, the surrealist icon who transitioned from a high-fashion model for Vogue to a fearless war correspondent. The exhibition traces her multifaceted career, from her early days as a muse in New York and Paris to her harrowing documentation of the liberation of Saint-Malo, the Normandy beaches, and the liberation of concentration camps.
La « Tavolo con ruote » de Gae Aulenti : une icône radicale comme sur des roulettes
Gae Aulenti’s 1980 'Tavolo con ruote' (Table with wheels) remains a definitive icon of postmodern design, characterized by its radical simplicity. Created during Aulenti's tenure as artistic director of FontanaArte, the piece features a thick glass slab bolted to four industrial trolley wheels, a concept inspired by the factory carts used to transport glass. The table's enduring popularity is highlighted by its recent corporate history, as FontanaArte was acquired by Nemo Lighting in 2024 and subsequently integrated into the Spanish group Kettal in early 2026.
À Paris, les Catacombes dévoilent un parcours métamorphosé après cinq mois de travaux
The Catacombs of Paris have reopened to the public following a comprehensive five-month renovation aimed at modernizing the visitor experience. The upgrades include a completely redesigned lighting scheme, a more welcoming entrance hall capable of hosting small exhibitions, and a high-tech spatialized audio guide that utilizes radio-style storytelling to narrate the site's history.
4 détails pour comprendre « La Vierge au buisson de roses » de Martin Schongauer actuellement au Louvre
The Musée du Louvre is hosting a major exhibition dedicated to the Rhenish master Martin Schongauer, featuring his 1473 masterpiece, 'Madonna of the Rose Bower.' On loan from the Dominican Church in Colmar, the painting is a rare survivor of Schongauer’s small extant painted corpus and is making a significant journey to Paris despite its extreme fragility. The work is celebrated for its intricate detail and grace, qualities that earned the artist the nickname 'Handsome Martin' and influenced successors like Albrecht Dürer.
Auguste Renoir en 2 minutes
Pierre-Auguste Renoir remains a cornerstone of Impressionism, celebrated for his transition from porcelain painting to becoming a master of figure and light. While he initially pioneered plein air techniques alongside Claude Monet, Renoir eventually pivoted toward a more classical study of 18th-century masters, focusing on portraits, domestic scenes, and nudes. His career was marked by iconic works like 'Bal du moulin de la Galette' and a persistent drive to paint even as severe rheumatism physically debilitated him in his final years at Cagnes-sur-Mer.
Giverny avant les nymphéas : un Monet méconnu et intime se dévoile au musée des Impressionnismes
The Musée des Impressionnismes in Giverny is presenting an exhibition focused on Claude Monet's first seven years in the village, a period before he created his famous water lily pond. The show, assembled for the centenary of his death, features lesser-known works from private collections and small museums, revealing a Monet grappling with financial instability, family scandal, and artistic doubt as he transitioned to stability and fame.
L’orientalisme, contes et histoire au Louvre-Lens
The Louvre-Lens has launched "Beyond the Arabian Nights," an ambitious exhibition exploring the evolution of Orientalism in France. Moving past simple clichés of odalisques and flying carpets, the show features over 300 items, including masterpieces by Delacroix, Ingres, and Gérôme, alongside popular culture objects like porcelain figurines and film clips. The exhibition traces cultural exchanges from medieval trade and the Crusades to the 19th-century obsession with Islamic art, utilizing a scenography that emphasizes the construction of fictional narratives.
De l’art de paraître
The Musée Cognacq-Jay in Paris is hosting an exhibition titled "Révéler le féminin," which explores the intersection of 18th-century fashion and portraiture. Curated in collaboration with the Palais Galliera and the Musée d’arts de Nantes, the show features works by prominent portraitists like Élisabeth Louise Vigée Le Brun and Maurice Quentin de La Tour alongside rare period textiles. The exhibition examines how the rising bourgeoisie used clothing as a visual language of prestige and social standing during the Enlightenment.
L’art baroque hispanique en majesté
The Musée Jacquemart-André in Paris is hosting an exhibition of masterpieces from the Hispanic Society of America, marking the first time this specific selection has been shown to the French public. The show features approximately forty works, including iconic paintings by El Greco and Diego Velázquez, alongside recently acquired studies and colonial-era pieces that have rarely traveled due to previous legal restrictions and the New York institution's ongoing renovations.
Art Paris, un bilan meilleur que prévu
The 28th edition of Art Paris concluded with stronger-than-expected sales despite a sluggish start and a volatile global climate. Featuring 165 galleries, the fair solidified its position as a key regional event for French collectors, offering a price range typically between €10,000 and €40,000. While mega-galleries like Almine Rech participated with accessible works, the fair also welcomed newcomers like Esther Schipper and In Situ-Fabienne Leclerc, who reported positive results across various media including ceramics, photography, and painting.
Réouverture du Palais de la Découverte
The Palais de la Découverte in Paris has officially reopened its doors to the public following an extensive renovation period. The institution returns with a refreshed program that bridges the gap between scientific inquiry and artistic expression, featuring a series of new installations and collaborative projects.
La bibliothèque de l’INHA restera ouverte en août
The National Institute for Art History (INHA) has announced that its library, located in the Labrouste Room in Paris, will remain open throughout the month of August. This decision breaks from the traditional summer closure common among major French academic and research institutions, ensuring uninterrupted access to one of the world's largest collections of art history resources.
Museion in Bolzano has launched a major retrospective titled "Feedback. The Environments of Franco Vaccari," focusing on the influential Italian conceptual artist. The exhibition marks the first comprehensive institutional survey to prioritize Vaccari’s "environments"—immersive spaces that utilize photography, video, and archival materials to engage the viewer in a process of real-time feedback.
Fondation Opale in Lens, Switzerland, has unveiled "ROOTS," a major exhibition that bridges Australian Aboriginal art with Western contemporary masterpieces. Curated by Samuel Gross, the show juxtaposes works by Aboriginal artists like Keith Stevens and Clifford Possum Tjapaltjarri with global icons including Olafur Eliasson, Sheila Hicks, and Niki de Saint-Phalle. The exhibition utilizes the unique alpine setting to explore themes of materiality, ancestral territory, and the universal human creative impulse across different geographies and epochs.
The Peabody Essex Museum is hosting "Said in Stone," the first-ever comprehensive retrospective dedicated to Edmonia Lewis, a pioneering 19th-century sculptor of Black and Ojibwe heritage. The exhibition assembles a significant body of her marble works, including the landmark sculpture "Forever Free" (1867), which is recognized as the first formal visual representation of emancipation by a Black American artist. The show traces her journey from her upbringing with her Ojibwe family and her traumatic years at Oberlin College to her eventual success as an expatriate artist in Rome.
Somalia's inaugural pavilion at the Venice Biennale has sparked significant backlash from the nation's domestic art community. Four major Somali art spaces and nine local artists issued a joint statement criticizing the pavilion for failing to include or consult artists currently living and working within Somalia. The controversy centers on the selection of three diaspora artists based in Europe and the appointment of a Venice-based co-curator, which critics argue ignores the cultural workers who have rebuilt the country's art scene under difficult conditions.
Archaeologists conducting salvage work for a new passenger train line between Querétaro and Mexico City have unearthed a 1,000-year-old Toltec stone altar. Located within the Tula Archaeological Monument Zone in Hidalgo, the three-level structure was found alongside four human skulls, long bones, a black ceramic bowl, and obsidian blades. Preliminary assessments by the National Institute of Anthropology and History (INAH) suggest the remains belong to individuals offered as ritual sacrifices.
The long-running television series Law & Order has adapted the recent high-profile Louvre Museum jewel heist into a new episode titled "Beyond Measure." Filmed at the Brooklyn Museum—serving as the fictional Atlas Museum of Art—the plot follows detectives investigating the theft of the bejeweled Crown of Popoyan, a fictionalized version of the real-world $102 million heist involving a cherry picker escape. The episode weaves in a complex subplot regarding the repatriation of Indigenous Colombian artifacts held by the Vatican.
The Hole, a prominent New York-based contemporary art gallery, is facing multiple lawsuits and allegations of financial instability. Legal filings from landlords at both its Bowery and Tribeca locations indicate significant rent arrears totaling over $180,000, alongside unpaid real estate taxes. Founder Kathy Grayson confirmed the closure of the gallery’s Los Angeles outpost, attributing the crisis to a sharp decline in sales starting in late 2023 and a destabilizing period of rapid expansion.