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Henry Moore and Dorothea Tanning set records at Christie's triple-header sale in London

Christie’s London achieved a robust £197.4 million total across three evening sales, representing a 52% year-on-year increase for the season. The marathon auction was defined by a high 96% sell-through rate and record-breaking prices for major artists, most notably Henry Moore, whose sculpture "King and Queen" sold for £26.3 million. The evening demonstrated a strong appetite for "fresh to market" works and Surrealist masterpieces, even as some lots hammered at the lower end of their estimates.

Lawrence Abu Hamdan and Lydia Ourahmane among artists confirmed for new Qatar quadrennial

Qatar has announced details for its inaugural Rubaiya Qatar quadrennial, set to open in November across Doha and the wider state. The headline exhibition, 'Unruly Waters,' will feature over 50 artists, including Lawrence Abu Hamdan and Lydia Ourahmane, and more than 20 new commissions. It will be curated by a team led by Tom Eccles and Ruba Katrib, and will incorporate historic objects from Qatar Museums.

herzog & de meuron-designed memphis art museum takes shape ahead of 2026 opening

The Memphis Art Museum, designed by Herzog & de Meuron in collaboration with archimania and OLIN, is taking shape ahead of its December 2026 opening. The 11,475-square-meter building along the Mississippi River features a glass facade, a public plaza shared with the historic Cossitt Library, a shaded courtyard, flexible gallery spaces, and a rooftop sculpture garden. The museum is among the first major US museums to use laminated timber construction. Updated renderings and construction images by Houston Cofield have been released, along with details of a curatorial shift that will organize the collection into 18 exhibitions focused on lived experience rather than traditional art historical chronologies.

The Year Ahead 2026: the big exhibitions and the key museum openings—podcast

In the first episode of 2026, Ben Luke, Jane Morris, and Gareth Harris preview the year's major art events, including museum openings, biennials, and exhibitions. Highlights include the Guggenheim Abu Dhabi, V&A East, and the Lucas Museum of Narrative Art, along with the Venice Biennale, Whitney Biennial, and shows dedicated to artists like Gainsborough, Raphael, Zurbarán, and Matisse.

Cosmos: The Art of Observing Space Art and Science Symposium

A symposium titled "Cosmos: The Art of Observing Space Art and Science Symposium" will take place at the Royal Astronomical Society (RAS) headquarters in Burlington House, London, celebrating the major exhibition "Cosmos: The Art of Observing Space" at the Royal West of England Academy (RWA) in Bristol (24 January–19 April 2026). Curated by visual artist Ione Parkin RWA, the exhibition features over 30 contemporary artists alongside loan items from public collections, all inspired by astronomy, cosmology, astrophysics, and space exploration. The symposium includes talks by astronomers, archivists, and exhibiting artists, with a catalogue published by Sansom & Company featuring contributions from Professor Chris Lintott, Professor Amaury Triaud, Dr Sian Prosser, and Ione Parkin RWA.

Nightlife scenes and local lore abound at Nada Miami's busy opening

At the VIP preview of Nada Miami, dealers reported brisk sales of paintings, with galleries like Hawkins Headquarters, Shrine, Burnaway, the Locker Room, and Baker—Hall showing works by artists including Jackson Markovic, Angela China, Alex Hutton, Clare Torina, Eric Diehl, and Thomas Bils. Nightlife themes were prominent, with Markovic's fluorescent nightclub photographs and Raffi Kalenderian's painting of Mac's Club Deuce dive bar. The Pérez Art Museum Miami acquired works by Bils, Sheroanawe Hakihiiwe, and Pallavi Sen through its Nada Acquisition Gift programme.

Adrián Villar Rojas's new sculpture explores 'existential anxieties'

Argentine artist Adrián Villar Rojas unveiled a new untitled sculpture in Le Brassus, Switzerland, co-commissioned by Audemars Piguet Contemporary and the Aspen Art Museum. The bronze Triceratops skull, part of his series *The Language of the Enemy*, features a rendering of the Venus of Lespugue emerging from one horn and explores themes of communication, conflict, and prehistoric art. The work will travel to the Aspen Art Museum next spring for a solo exhibition.

Picasso Museum Malaga undergoes transformation to revisit artist's relationship with his father

The Picasso Museum Malaga (MPM) has opened a major exhibition titled "Memory and Desire," featuring 112 works from museums across Europe and the United States. The show centers on Picasso's 1925 painting "Studio with Plaster Head," on loan from MoMA in New York, and aims to rehabilitate the reputation of José Ruiz Blasco, Picasso's father and first art teacher. Curated by Eugenio Carmona, the exhibition challenges the long-held critical view that the father-son relationship was stormy, instead tracing the profound artistic influence José had on Picasso, from early academic works to surrealist masterpieces.

Art Basel Hong Kong announces new section dedicated to work made in past five years

Art Basel Hong Kong (ABHK) has announced a new section called Echoes, debuting at its 2026 edition (March 25–29), which will showcase works made within the last five years. The inaugural Echoes presentation will feature 10 booths by 13 galleries, including Flowers Gallery (Hong Kong/London) and a joint booth by Capsule Shanghai and Klemm’s (Berlin). The fair also revealed its full list of curators—all Asia-based for the first time—including Mami Kataoka (director of Mori Art Museum) heading the Encounters section, and Hong Kong video artist Ellen Pau curating the film programme. Additionally, the fifth annual M+ façade commission will be by Pakistani-American artist Shahzia Sikander, presenting a hand-painted animation titled "3 to 12 Nautical Miles." ABHK 2026 is expected to host 240 galleries from 41 countries and territories.

Children curate exhibition of Clyfford Still works inspired by their reservation

The Clyfford Still Museum in Denver has handed curatorial authority to 100 children from the Confederated Tribes of the Colville Reservation for the exhibition "Tell Clyfford I Said ‘Hi’" (on view until May 10, 2026). The show features works by Clyfford Still, who in 1936 traveled to the Colville Reservation with colleague Worth Griffin to document tribal members and landscapes. The museum collaborated with tribal youth from three schools—Nespelem School, Nespelem Head Start, and Hearts Gathered Montessori—who selected artworks from facsimiles of Still’s paintings and photographs, drawing connections between his abstract works and their own cultural experiences, such as a student noting that a painting resembled a pow wow blanket.

The Interview: Thelma Golden

Thelma Golden, director and chief curator of the Studio Museum in Harlem, is interviewed ahead of the museum's reopening in a new Adjaye Associates-designed building following a $300 million capital campaign. Golden reflects on her career, including curating the politically charged 1993 Whitney Biennial and the landmark exhibition "Black Male: Representations of Masculinity in Contemporary American Art" (1994–95), as well as her influential 2001 show "Freestyle," which introduced the concept of "post-Black" art. The article also highlights the museum's first exhibition in the new building, focusing on artist Tom Lloyd, whose work was featured in the museum's inaugural show in 1968.

World Economic Forum and J. Paul Getty Trust bring art world leaders together to find ‘Connection in Times of Division’

The World Economic Forum and the J. Paul Getty Trust co-hosted a "cultural table" dinner for art world leaders on 23 October at the Hotel Le Meurice in Paris, themed "Bridging Worlds: Culture as a Force for Connection in Times of Division." The event, held in the Pompadour Room—where Pablo Picasso celebrated his 1918 wedding—was co-hosted by Getty president Katherine Fleming and WEF arts head Joseph Fowler, and marked the first collaboration between the two organizations. Fowler described the initiative as a global movement to place culture at the heart of systemic change, while Fleming emphasized art's unifying power and its measurable health benefits.

The Top 10 Exhibitions to See Around the World This November

This article presents a curated list of the top 10 exhibitions to see around the world in November, highlighting key shows such as 'Project a Black Planet' at MACBA, which explores Pan-Africanism through art and culture, Sylvie Fleury's installation 'She-Devils On Wheels Headquarters' in New York, and Araya Rasdjarmrearnsook's survey at Jameel Arts Centre. Other featured exhibitions include Karolina Jabłońska's paintings of pickled beets and severed limbs, among others, each offering unique perspectives on identity, gender, and mortality.

Sotheby’s to sell painting from Jean-Michel Basquiat’s first solo show

Sotheby's will offer Jean-Michel Basquiat's early painting *Crowns (Peso Neto)* (1981) as the top lot in its Contemporary Evening Sale on 18 November, held at the auction house's new headquarters in the Breuer Building. The work, estimated at $35–40 million, was created in the basement of dealer Annina Nosei's gallery and featured in Basquiat's first solo show in 1982, marking a pivotal moment in his rise from street artist to market star. It comes from a European private collection and has never been auctioned before.

Is an auction house's loss a gallery's gain? Pilar Ordovas collaborates with former Sotheby's specialists for African and Oceanic art show

Pilar Ordovas opens an exhibition at her Mayfair gallery titled *Dialogues: European, American, African and Oceanic Art from the 20th and 21st Centuries*, running from 9 October to 12 December. The show is a collaboration with Jean Fritts, former international chairman of African & Oceanic Art at Sotheby’s, and Pierre Mollfulleda, formerly head of Sotheby’s African & Oceanic Art department in Paris. It pairs Modern and contemporary Western works with African and Oceanic objects that inspired them, including pieces from the landmark 1984 MoMA exhibition "Primitivism" in 20th Century Art.

Powerhouse Museum builds ‘tower to stars’ for $18 million opening show

The Powerhouse Museum in Parramatta is constructing a six-storey tower inside its largest exhibition hall for an $18 million opening show titled "Task Eternal," set for September 2026. The exhibition explores humanity's fascination with stars, flight, and space, featuring 290 loans from international institutions including the British Museum and NASA, as well as Australian astronaut Katherine Bennell-Pegg's spacesuit on public display for the first time. Designed by Beijing-based firm OPEN architecture, the show includes a steel tower inspired by Ted Chiang's novella "Tower of Babylon," with installations by Thai artist Torlarp Larpjaroensook and US artist James Turrell.

Picasso painting not seen in 80 years heads to auction in France

A Picasso painting unseen for over 80 years, *Buste de femme au chapeau à fleurs (Dora Maar)* (1943), will be auctioned at the Drouot salesroom in Paris on 24 October by Lucien Paris auction house. The work, depicting the artist's lover and muse Dora Maar, has been held in a private French collection since 1944 and carries an estimate of €8 million. The auction catalogue includes an authentication certificate from the Comité Picasso and notes the painting was documented in *Cahiers d’art* and photographed by Brassaï.

Van Gogh’s two pictures of the hospital in Arles—painted while he was recovering after cutting his ear—head to the Courtauld

Van Gogh's two paintings of the hospital in Arles, created after he mutilated his ear, are being lent from the Oskar Reinhart Collection in Winterthur, Switzerland, to the Courtauld Gallery in London for the exhibition "Goya to Impressionism: Masterpieces from the Oskar Reinhart Collection" (14 February–26 May). The works—"The Courtyard of the Hospital at Arles" and "The Ward in the Hospital at Arles"—were both acquired in the 1920s by Swiss collector Oskar Reinhart and have rarely been lent due to restrictions that have now been modified. The museum in Winterthur is temporarily closed for renovations, enabling this loan.

Vermeer’s vandal: the untold story of a vicious attack at London's National Gallery in 1968

In 1968, Vermeer's painting *Young Woman Seated at a Virginal* (1670-72) was vandalized at the National Gallery in London. An unidentified attacker used a sharp instrument, likely a razor blade, to cut around the woman's head, attempting to remove it entirely. The damage was discovered hours later by a visitor, and the painting was swiftly restored; previously unreleased photographs of the attack have now been supplied to The Art Newspaper. The vandal was never caught, and their motivation remains unknown.

Sylvain Amic, ‘open spirited’ head of Musée d'Orsay, has died aged 58

Sylvain Amic, the director of the Musée d'Orsay in Paris, has died suddenly at age 58. His death was announced by French Culture Minister Rachida Dati, with President Emmanuel Macron expressing shock. Amic died of natural causes while on holiday in southern France. He had been appointed to lead the museum in 2024, fulfilling a long-held dream, but had not yet completed his main mission of rehanging the collection after renovations.

Caravaggio’s ‘Judith Beheading Holofernes’ coming to Kimbell Art Museum from Rome

The Kimbell Art Museum in Fort Worth announced on August 29, 2025, that it will display Caravaggio’s monumental painting *Judith Beheading Holofernes* (1599–1600) as a Guest of Honor loan from the Gallerie Nazionali di Arte Antica in Rome, where it normally hangs in the Palazzo Barberini. The canvas, approximately six feet wide and five feet tall, will be on view in the Louis I. Kahn Building from September 14, 2025, through January 11, 2026. The painting depicts the biblical moment of Judith decapitating the Assyrian general Holofernes, showcasing Caravaggio’s signature bold realism and dramatic chiaroscuro. The loan follows the museum’s 2022 Focus Exhibition “SLAY,” which featured Artemisia Gentileschi’s and Kehinde Wiley’s interpretations of the same subject.

Ancient marble bust returned to Italy following seven-year legal battle

A first-century CE marble bust, known as the "Head of Alexander," was returned to the Italian government on August 5, ending a seven-year legal battle. The bust, believed stolen from an Italian museum decades ago, was seized in 2018 by the Manhattan District Attorney's Antiquities Trafficking Unit from Safani Gallery in New York. The gallery filed multiple lawsuits against Italy and the Italian Ministry of Culture, claiming unlawful taking and seeking compensation, but all claims were dismissed. The bust, excavated in the early 1900s along Rome's Via Sacra, had passed through multiple cities and auctions, including sales at Sotheby Park Bernet and later for $150,000 by Safani Gallery in 2017.

‘It was absolutely terrifying’: Thom Yorke on his long journey back to becoming a visual artist

Thom Yorke, the Radiohead frontman, reflects on his journey back to visual art in an exclusive interview with The Art Newspaper. Having left art school in the late 1980s, Yorke felt resistant to calling himself a visual artist, a discomfort compounded by his music career. He and his bandmate Stanley Donwood, whom he met at Exeter University, are now opening their first institutional exhibition, "This is What You Get," at the Ashmolean Museum in Oxford. The show spans 30 years of record covers, sketchbooks, and recent paintings, marking a significant return to Yorke's artistic roots.

Christie’s celebrates the late Syrian artist Marwan with non-selling London show

Christie’s is presenting a non-selling exhibition titled "Marwan: A Soul in Exile" at its London headquarters this summer, featuring over 150 works by the late Syrian artist Marwan (1934-2016). The show draws from major private and institutional collections including the Barjeel Art Foundation, the Ramzi and Saeda Dalloul Art Foundation, the Pinault Collection, and the Berlinische Galerie. This marks Christie’s third such non-selling exhibition of Arab art in London over the past three summers, following shows focused on Arab artists from the Barjeel collection and Saudi artist Ahmed Mater. The exhibition coincides with Christie’s 25th anniversary in the UAE and a broader surge in the Middle Eastern art market, including a recent white-glove sale for its online Modern and contemporary Middle Eastern art auction in Dubai.

Weekly News Roundup: July 7, 2025

The Sharjah Architecture Triennial announced its third edition theme, "Architecture Otherwise: Building Civic Infrastructure for Collective Futures," opening in November 2026, curated by Vyjayanthi Rao and Tau Tavengwa. The Noguchi Museum appointed Hitomi Iwasaki as head curator, while London nonprofit YDP announced an inaugural Duan Jianyu exhibition and permanent commissions by Christine Sun Kim and Danh Võ. Australia's Mordant family gifted major artworks to the Newcastle Art Gallery.

‘My bank account is the only thing that slows me down’: Arlene Shechet on trusting her instincts

Artist Arlene Shechet discusses her dual role as creator and collector in an interview with The Art Newspaper ahead of Art Basel. She is installing her welded aluminum sculpture *Midnight* (2024) in the fair's Unlimited section, a work originally commissioned for her show at Storm King Art Center. Shechet reveals that she uses a portion of her sales to buy works by other artists, citing pieces by Fred Sandback, Barry Le Va, Joan Jonas, Kinke Kooi, and Marlon Mullen in her collection. She also mentions a regret over not purchasing a Louise Bourgeois drawing for $5,000 and names a medieval Book of Hours as her dream museum acquisition.

Rachel Whiteread in a West Sussex woodland: UK’s Goodwood Art Foundation opens

The Goodwood Art Foundation, a new non-profit contemporary art center, has opened on the Goodwood Estate in West Sussex, UK, launched by Charles Richmond, 11th Duke of Richmond. The 70-acre site, reimagined by landscape designer Dan Pearson, features refurbished pavilions, a new restaurant by Studio Downie Architects, and a launch season curated by Ann Gallagher. The headline exhibition includes sculptures and photography by Turner Prize-winning artist Rachel Whiteread, alongside works by Rose Wylie, Veronica Ryan, Susan Philipsz, Amie Siegel, Lubna Chowdhary, Isamu Noguchi, and Hélio Oiticica. The foundation opened on 31 May.

Jean-Michel Othoniel Opens His Paris Studio Ahead of a Citywide Exhibition in Avignon, France

French artist Jean-Michel Othoniel is preparing for his most ambitious project yet, a citywide exhibition titled "Othoniel Cosmos or the Ghosts of Love" in Avignon, France, opening June 28, 2025. The exhibition will feature some 250 works—including sculptures made of glass bricks and beads, plus paintings—displayed across ten museums and historical sites, including the Palais des Papes, Pont d’Avignon, Couvent Sainte-Claire, and the Lambert Collection. The project celebrates the 25th anniversary of Avignon being named a European Capital of Culture. Othoniel's Paris studio, a 40,000-square-foot former metal workshop in Montreuil that he shares with partner and artist Johan Creten, serves as the production hub for the works, with a team of 20 people on-site daily.

European art weeks join forces for new ‘spider network’

European art weeks across cities including Amsterdam, Berlin, London, Lisbon, and Antwerp are joining forces to form a new collaborative network called the 'Spider network.' The initiative, spearheaded by directors such as Martina Halsema of Amsterdam Art Week and Mona Stehle of Berlin Art Week, aims to share ideas, expertise, sponsorship strategies, and press coverage. Amsterdam Art Week runs until 25 May 2025 with 220 events across 70 venues, featuring artists like Melanie Bonajo, Kimsooja, and Pamela Rosenkranz. Berlin Art Week, scheduled for 10–14 September 2025, attracted 130,000 visitors last year and has grown from 11 partners in 2012 to over 100 this year.

‘It’s a dream vessel for me’: Defne Ayas appointed new director of the Van Abbemuseum

Defne Ayas has been appointed director of the Van Abbemuseum in Eindhoven, Netherlands, replacing Charles Esche, who held the post for two decades. Ayas, previously director of Kunstinstituut Melly in Rotterdam and co-curator of major biennials including the 13th Gwangju Biennale, will take over ahead of the museum's 90th anniversary in 2026. She describes the role as a "dream vessel" and emphasizes the museum's commitment to decolonization, social engagement, and accessibility.