Tell Me About Love…

Yvon Lambert, the legendary French art dealer and collector, reflects on his lifelong relationship with art and literature in an interview for TLmag41: The Art of Collecting. He recounts buying his first painting at age 14, opening his Paris gallery in the 1960s, and later donating a major portion of his collection to the French State, now housed at the Collection Lambert in Avignon. After closing his gallery in 2014, he shifted focus to an artist's bookshop, now run by his daughter Eve Lambert. The conversation, led by Sibylle Grandchamp, explores Lambert's early influences, his father's passion for literature, and the family's shared love for art books.

From DJing club nights to gallery walls, Scots artist returns home for major show

Francis Dosoo, a self-taught Scottish artist now based in Vienna, is mounting his first solo show at Dundee Contemporary Arts (DCA) titled "Portrait Of Dorothy Gale." Dosoo began his career in nightlife, running club nights and DJ sets that blended into performance and installation art. His practice spans sound, film, and visual art, with past collaborations including Joanne Dawson, Aniela Piasecka, and Alberta Whittle, and commissions from the Glasgow Film Festival and Edinburgh Art Festival. The DCA exhibition draws on the 1978 film *The Wiz*, reimagining *The Wizard of Oz* with an African-American cast, focusing on star Diana Ross's career and personal life at the time.

America’s Museums Have a Building Problem

A new report from the Government Accountability Office, analyzed by The Art Newspaper, reveals that roughly 85 percent of American museums are dealing with deferred maintenance or major repair needs, and about 77 percent have at least one structural issue that could endanger their collections. Many of the country's 16,700 museums are small, under-resourced operations housed in aging or historic buildings, with half reporting over $100,000 in deferred maintenance. Basic repairs like roofs or HVAC systems can consume large portions of annual budgets, forcing some institutions to store artworks in makeshift spaces like garages or bathrooms.

No money, more problems: 85% of US museums in urgent need of building repairs

A recent survey by the US Government Accountability Office (GAO) found that approximately 85% of US museums face a costly backlog of maintenance or building repairs, with 77% having at least one structural issue that puts their collections at risk. Based on a survey of around 300 museums and 17 site visits, the report reveals that institutions across the country struggle to keep buildings updated and safe due to a lack of funding, with challenges especially pronounced in rural and remote locations where shipping materials and finding skilled workers is prohibitively expensive. Many museums are housed in historic homes or sites that are part of their collections, adding further complexity, and smaller museums often lack the budget to address major problems like new roofs or HVAC systems.

John Hitchcock’s sonic and cultural rhythms

The New Britain Museum of American Art in Connecticut will present "John Hitchcock: We are Defined by the Beat" from May 16 to November 29, 2026, marking the artist's first mid-career retrospective. John Hitchcock, an enrolled member of the Kiowa Tribe of Oklahoma with Comanche and Northern European ancestry, has spent over three decades transforming the sonic and cultural rhythms of his homeland into a distinct visual language. The exhibition explores his integration of visual and sonic forms across printmaking, neon, textiles, sound, video, and installation, featuring series such as "Flatlander" (2011-18), "Bury the Hatchet" (2019-2020), "Blanket Songs" (2022-2023), "Soundscapes" (2021-2024), and "Celebration" (2025). Hitchcock's work pays homage to his ancestors, confronts histories of Indigenous displacement and trauma, and celebrates community, resilience, and survival, drawing on the sounds and landscapes of his ancestral home in Medicine Park, Oklahoma.

Unsung modernist artist's work back in Christchurch after 45 years

A major exhibition of works by pioneering New Zealand modernist painter Edith Collier has opened at Christchurch Art Gallery Te Puna o Waiwhetū, marking the first time in 45 years that Christchurch audiences can see a wide range of her work. The show, titled 'Edith Collier: Early New Zealand Modernist,' features over 60 pieces including studies, sketches, watercolours, prints, and archival material, drawn from the permanent collection of Te Whare o Rehua Sarjeant Gallery in Whanganui. Collier, born in 1885, developed a bold post-impressionist style during a nine-year stay in London alongside artist Frances Hodgkins, but faced harsh criticism upon returning to conservative New Zealand, leading her father to destroy some of her paintings.

FYI Calendar: Arkansas Living Treasure Longhua Xu’s exhibit at Fort Smith RAM continues through June 21

The article is a calendar of arts and community events in the Fort Smith, Arkansas area, compiled by features writer Dustin Staggs. It lists dance and theater performances, plant swaps, life drawing classes, historical society events, and multiple art exhibitions. Among the visual art highlights are "Soul Taking Shape," an exhibition by Arkansas Living Treasure Longhua Xu at the Fort Smith Regional Art Museum (RAM) running through June 21, along with other shows at RAM and Arts On Main featuring works by local artists and student artists.

New exhibition charts motherhood from the 15th century to today

The National Gallery of Victoria (NGV) has opened a new exhibition titled 'Mother,' curated almost entirely from its existing collection. The show traces the experience of motherhood from the 15th century to the present, beginning with a juxtaposition of Giovanni Toscani's Madonna and Child and a 1998 birth mat by Elizabeth Birritjama Ngalandjarri. Co-curators Sophie Gerhard and Katharina Prugger organized the exhibition around the 'life cycle' of a mother, covering themes from matrescence to loss. It features works by artists including Kate Just, Kyra Mancktelow, Destiny Deacon, and Hannah Brontë, with a strong emphasis on First Nations perspectives and fiber arts.

Marina Abramovic on bringing audiences inside art

Performance art pioneer Marina Abramović, now 80, has opened a major exhibition titled "Transforming Energy" at the Gallerie dell'Accademia in Venice, making her the first living woman to receive such a show at the institution. The exhibition, running until October, features interactive "transitory objects" like crystal structures and minerals, alongside re-enactments of her iconic works including a performance with her late partner Ulay. In an interview with Reuters, Abramović discusses her shift from being the subject of her work to focusing on audience participation, a realization she had after her landmark 2010 performance "The Artist Is Present" at MoMA.

How super-skinny red carpet trend at Met Gala clashes with own its body-positive Costume Art show

The Met Gala, organized by Vogue and themed around "costume art," was accompanied by an exhibition of the same name at New York's Metropolitan Museum of Art opening May 10, focusing on the dressed body. While the exhibition has been praised for using inclusive mannequins representing diverse body types—including variously abled, fat, thin, and pregnant forms—the red carpet was criticized for its overwhelming thinness and the involvement of honorary chairs Jeff Bezos and Lauren Sánchez Bezos, who reportedly sponsored the event for $10 million, sparking boycott calls. Fashion commentators like Diet Prada noted the Gala was more poorly received than ever, with some celebrities absent.

Currents of the 61st Biennale: Inside Venice’s Flow of Art and Power

The 61st Venice Biennale jury, composed of five curators—Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—resigned on April 30th amid internal tensions over decisions that conflicted with the late Koyo Kouoh's curatorial vision. The jury had previously stated it would refrain from considering countries whose leaders are charged with crimes against humanity by the International Criminal Court. Meanwhile, Filipino artist Jon Cuyson prepares to present his installation at the Philippine Pavilion, featuring works shipped 60 days before geopolitical conflict escalated, navigating unstable maritime routes. His project includes the film series "Sea of Love (Dagat ng Pag-ibig)" and a new fourth film, "Sea of Echoes," exploring themes of migration, queer experience, and ecological resilience through mussels as non-human protagonists.

In Bloom: How Plants Changed our World – a ‘consistently illuminating’ exhibition

The Ashmolean Museum in Oxford has opened a new exhibition titled "In Bloom: How Plants Changed our World," timed for spring. The show draws from Oxford University's collections, featuring 17th-century flower paintings, preserved plant specimens, and contemporary artworks to explore the role of plants in art and science.

Open Call for Artists: Gallery A3’s 11th Annual Juried Show

Gallery A3 in Amherst, Massachusetts, has announced an open call for its 11th Annual Juried Show, scheduled for August 6–29, 2026. Submissions will be accepted online from May 10 to June 7, 2026, with an entry fee of $38 for three entries. The theme for this year's show is 'Everyday Sublime,' inviting artists to explore how awe and wonder manifest in daily life. The juror is Andrew S. Yang, a professor at the School of the Art Institute Chicago whose work has been exhibited internationally, including at the 14th Istanbul Biennial and the Museum of Contemporary Art Chicago.

Met Inaugurates ‘Costume Art’ for the Spring 2026 Exhibition

The Metropolitan Museum of Art will open 'Costume Art' in spring 2026, a major exhibition that positions fashion as a lens for examining the human body across cultures and history. Housed in a new 12,000-square-foot gallery adjacent to the Great Hall, the show pairs garments from The Costume Institute with ancient statues, artworks, and paintings, organized around thematic body types such as idealized, distorted, exposed, and reclaimed. The exhibition design by Peterson Rich Office uses sheer scrims and varied ceiling heights to create an immersive, interconnected experience.

Sara Shamma brings Syria’s cultural renewal to Venice Biennale

Sara Shamma, the first female artist to lead Syria's national pavilion at the Venice Biennale, presents her immersive installation *The Tower Tomb of Palmyra* at Iuav University of Venice's Cotonificio campus. The full-scale, nine-sided chamber features paintings, light, sound, and scent inspired by Palmyra's ancient funerary towers, which Shamma first encountered as a student at the National Museum of Damascus. The project, originally planned for Cambridge before the pandemic, gained new significance after the fall of the Assad government in December 2024, as Shamma returned to Damascus and was approached by Syria's Ministry of Culture to represent the country's cultural renewal on the world stage.

Bvlgari enters the inner circle of the Venice Biennale

Bvlgari has become the first Exclusive Partner of La Biennale di Venezia, a landmark agreement that extends through 2030. The Roman jeweler will inaugurate its role at the 2026 Venice Biennale with two major initiatives: a newly created Bvlgari Pavilion at the Giardini featuring Canadian artist Lotus L. Kang, and an exhibition at the Biblioteca Nazionale Marciana curated by Fondazione Bvlgari, presenting works by Italian artists Lara Favaretto and Monia Ben Hamouda.

'Greater New York' Exhibit Gets Real at MoMA PS1

MoMA PS1 opened the sixth edition of its quinquennial exhibition 'Greater New York,' featuring over 50 artists from the New York area. The show, which debuted in 2000 as the first joint project between the Museum of Modern Art and P.S.1 Contemporary Art Center, fills all floors of the Queens museum with works addressing local themes such as immigration, taxi drivers, massage parlors, rats, and bodega cats. Notable installations include 'Unfree Free Time' by fields harrington, which pays a delivery driver minimum wage for each hour his bike is displayed, and a mural by the Cevallos Brothers, known for their posters for local businesses.

Six environmental artists win this year’s Rewilding Art Prize

Six Canadian artists have been awarded the 2026 Rewilding Arts Prize, established in 2023 by the David Suzuki Foundation and Rewilding Magazine. The winners include Nicole McDonald-Fournier, whose project EmballeToi! repurposes old winter coats as plant-growing pots, and the Montreal/Toronto duo Masumi Rodriguez and Elena Kirby, who run community papermaking workshops using invasive plant species. The prize awards $2,000 to each artist and plans to feature their work in a future exhibition, following the inaugural winners' show at the Canadian Museum of Nature in Ottawa.

Meet the artist turning Venezuelan protest music into art

Nadia Hernández, a Venezuelan-born artist now based in Melbourne, has created a multidisciplinary installation titled "Para verte mejor, en todo tiempo" (To see you better, at all times) currently on view at the Art Gallery of New South Wales. The work traces the history of Venezuelan protest music, incorporating a textile collage, a soundscape, and a site-specific mural. Hernández, who won the Grace Cossington Smith Art Award in 2021 and was a finalist for the Ramsay Art Prize and Sulman Prize in 2023, began this project two years ago as an evolving archive of protest songs, building on earlier iterations shown at the Oslo Freedom Forum, TarraWarra Biennial, and Art Basel Hong Kong.

N.Y.'s Met museum to add Japanese designer Tamae Hirokawa to collection

The Metropolitan Museum of Art in New York will add garments by Japanese designer Tamae Hirokawa to its permanent collection. Seven bodysuits from her signature "Skin Series" line, which explores the concept of seamless knitwear as a "second skin," will be displayed in the spring 2026 Costume Art exhibition. Hirokawa joins fellow Japanese designers Issey Miyake, Rei Kawakubo, and Hanae Mori in the museum's Costume Institute collection. The exhibition, held in new galleries adjacent to the Great Hall, pairs garments with artworks to highlight the relationship between clothing and the body.

Margot Robbie Returns to Met Gala 2026 in Stunning Gold Chanel Couture After 3-Year Break

Margot Robbie made a return to the Met Gala 2026 after a three-year absence, wearing a custom gold Chanel couture gown designed by new creative director Matthieu Blazy. The dress featured nearly 1,100 pieces of embroidery, required 761 hours of craftsmanship, and aligned with the evening's theme 'Fashion Is Art.' The event, held at the Metropolitan Museum of Art, also previewed the museum's spring 2026 exhibition 'Costume Art,' curated by Andrew Bolton.

The Met's New 'Costume Art' Exhibition Is All About Real Bodies

The Metropolitan Museum of Art has opened a new exhibition titled "Costume Art," curated by Andrew Bolton, which aims to collapse the historical hierarchy between fine art and fashion by focusing on the act of dressing and real bodies. The show features nine new mannequin forms representing pregnant, trans, disabled, and larger bodies, largely absent from traditional fashion displays. Models including musician Yseult, Jade O’Belle, Charlie Reynolds, and designer Michaela Stark were 3D-scanned and translated into physical figures by sculptor Frank Benson, with mirrored faces added by Samar Hejazi to reflect viewers. The exhibition also highlights voices and designers outside the European sphere, and the mannequins will become part of the museum's permanent collection.

INSIDE THE 2026 MET EXHIBITION ON FASHION AS ART

The Metropolitan Museum of Art's 2026 exhibition 'Costume Art' explores how standards of form, modesty, and exposure have evolved across history and cultures. The show is organized into sections examining the classical body, distorted bodies through corsets and bustles, and reclaimed bodies by designers like Rei Kawakubo, Duran Lantink, and Michaela Stark. Another section focuses on the 'Anatomical' and 'Mortal' bodies, highlighting universal experiences such as aging and mortality. Mannequins represent diverse body types—pregnant, plus-size, disabled, and non-conforming—modeled after real people including Sinéad Burke, Aariana Rose Philip, Aimee Mullins, and Yseult, with reflective steel faces designed by artist Samar Hejazi.

PHOTOS: Celebrities interpret 2026 Met Gala theme ‘Fashion is Art’

On May 4, 2026, celebrities including Emma Chamberlain, Anna Wintour, Nicole Kidman, Kylie Jenner, and Janelle Monae attended the Met Gala at The Metropolitan Museum of Art in New York, celebrating the opening of the "Costume Art" exhibition. The event featured arrivals at the museum and departures from The Mark Hotel, with performances by Joshua Henry, and was captured by photographers Evan Agostini, Andy Kropa, and Jamie McCarthy.

Lauren Sánchez Bezos unveils Met’s new exhibit amid gala backlash

Lauren Sánchez Bezos appeared alongside Anna Wintour at a press conference in New York to unveil the Metropolitan Museum of Art's new Costume Art exhibit, which opens May 10 ahead of the Met Gala. Sánchez Bezos and her husband Jeff Bezos are primary sponsors of this year's gala and exhibit, a role that has sparked backlash and a boycott campaign from the activist group Everyone Hates Elon. The exhibit explores themes of the dressed body through garments paired with ancient artifacts, featuring categories like "the naked body," "classic body," and "disabled body."

First Look at the Met’s ‘Costume Art’ Where Every Body Matters, Really

The Metropolitan Museum of Art has unveiled its spring exhibition "Costume Art" in the Condé M. Nast Galleries, featuring around 200 pairings of garments and artworks that trace connections across centuries. The show prioritizes fashion over art, displaying dresses, jeans, body stockings, and bustiers to explore the human form through sections like "Naked and Nude Body," "Corpulent Body," and "Disabled Boy." Chief curator Andrew Bolton emphasizes celebrating body diversity amid threats from AI and politics, with nine individuals—including fashion designer Michaela Stark—scanned to create more realistic mannequins.

Discover The Met Store’s Special-Edition Products in Celebration of “Costume Art” for the 2026 Met Gala

The Met Store has launched a range of special-edition products to commemorate the 2026 Met Gala and its accompanying exhibition "Costume Art" at The Metropolitan Museum of Art. The collection includes bespoke items from designers such as Tory Burch, Thom Browne, Michael Kors, John Derian, Elif Uras, and Jean Paul Gaultier, as well as an exhibition catalogue by Andrew Bolton. The products are available online and in-store starting May 5.

New Flagship Space for SAMoCA Announced As Part of Saudi Vision 2030

The Saudi Arabia Museum of Contemporary Art (SAMoCA) will receive a new flagship space as part of the government-backed Diriyah Company's Saudi Vision 2030 initiative. The museum, financed by a $490 million grant from the Diriyah Company (owned by the Public Investment Fund), will be designed by British architecture firm Godwin Austen Johnson and built by Albawani Company and Hassan Allam Construction – Saudi Arabia. Spanning 77,000 square meters, the project is part of the $63.2 billion Diriyah giga-project aimed at transforming the city into a premier cultural destination.

Stockholms Auktionsverk Presents: The Modern Art Sale and The Contemporary Art Sale

Stockholms Auktionsverk is holding two live auctions, The Modern Art Sale and The Contemporary Art Sale, on May 20 and 21, 2026, at Nybrogatan 32 in Stockholm. The sales feature a curated selection of Swedish and international artists from the early 20th century to the present day, including works by Andy Warhol, Jasper Johns, Tony Cragg, Lena Cronqvist, and a newly discovered painting by Gösta Adrian-Nilsson. The Modern Art Sale highlights modernist masterpieces by Otte Sköld, Sigrid Hjertén, and Ragnar Sandberg, while The Contemporary Art Sale pays tribute to Ola Billgren and includes works by David LaChapelle, Cindy Sherman, and Britta Marakatt-Labba.

The Intimate Correspondence Between Artist Maria Lai and Stylist Antonio Marras Is on Show in Milan

L’intima corrispondenza tra l’artista Maria Lai e lo stilista Antonio Marras è in mostra a Milano

The exhibition "Paso Doble" at Galleria M77 in Milan brings together over 200 works by artist Maria Lai (1919–2013) and fashion designer Antonio Marras, curated by Francesca Alfano Miglietti. The show explores the deep creative and personal dialogue between the two, rooted in a transformative encounter that Marras describes as a turning point in his artistic language. Works range from historical pieces by Lai—including textile books, thread installations, and stone-embedded works—to Marras's own mixed-media creations using humble materials like cardboard, fabric scraps, and pastry trays. The exhibition culminates in collaborative installations such as "Llencols de aigua" (Water Sheets) and "Janas," immersive environments where viewers become part of a silent choreography of memory and imagination.