At the GAM in Turin, the Fourth Resonance between drawing, paper and twentieth-century collections

From May 21 to November 1, 2026, the GAM—Galleria Civica d’Arte Moderna e Contemporanea in Turin—launches its new exhibition season titled "Fourth Resonance," a program dedicated to the languages of drawing, sign, and stroke. The season includes multiple exhibitions, notably "Un altro Novecento. Works on Paper from the GAM Collections," curated by Fabio Cafagna and Elena Volpato, which brings together over 600 works on paper spanning the 20th century, from Symbolism to the 1990s. Featured artists include Lucio Fontana, Giorgio Morandi, Filippo de Pisis, Max Beckmann, and many others, with monographic rooms and contemporary interventions woven into the museum's collections.

Chuck Connelly Masterpiece “Coliseum” Comes Out of Storage for First Time in 21 Years

Chuck Connelly's monumental 1994 painting "Coliseum" has been unveiled at One Art Space in Tribeca, New York, after spending 21 years in storage. The 90-by-108-inch oil on canvas, a signature work of the late American artist known for his fiercely expressive style, is now on public view for the first time since 2005. The May 2, 2026 unveiling was attended by family members including Adrienne Connelly, as well as notable figures such as MaryAnn Giella McCulloh, Mei Fung, and others.

Italy-based Chinese artist shares cross-cultural art journey in Beijing

The Italian Cultural Institute in Beijing hosted a lecture on May 12, 2026, featuring Zhou Zhiwei, a Chinese painter based in Italy, who shared his four-decade artistic journey. Zhou, born in Shanghai in 1954, studied under renowned oil painters Yu Yunjie and Liu Kemin before entering the Academy of Fine Arts in Venice in 1980, where he learned from masters like Bruno Saetti and Emilio Vedova. He also trained with Pietro Annigoni and Riccardo Tommasi Ferroni, mastering fresco and tempera grassa techniques. The event was chaired by Federico Antonelli, cultural counselor of the Italian Embassy in China, who recalled Zhou's first exhibition at the institute in 1984. Zhou discussed his solo exhibition 'Notes along the Way,' which explores the Mediterranean through an Eastern lens, blending classical Italian painting with Chinese tradition.

kazakhstan pavilion turns silence into a sensory landscape at venice biennale

Kazakhstan presents its third national pavilion at the Venice Biennale, titled 'Qoñyr Äulie: Immersion into Quiet Depths' by artist Ardak Mukanova. The exhibition, called 'Qoñyr: the Archive of Silence,' is housed at the Museo Storico Navale near the Arsenale entrance and transforms silence into a sensory landscape.

More than 200 Banksy art works will come to Texas this summer

More than 200 works by the elusive British street artist Banksy will go on display in Austin, Texas, this summer. The traveling exhibition, titled "The Art of Banksy Without Limits," opens at Fair Market on May 29 and runs through September 7. It features certified original prints, photos, sculptures, and reproduced murals, along with video mapping, an infinity room, and a hologram installation. A portion of ticket sales will support the Banksy-founded Louise Michel organization, which operates a rescue vessel in the Mediterranean.

From galleries to guest rooms: The best art-inspired stays in Europe

A number of European hotels are integrating art collections and museum-quality experiences into their accommodations, offering travelers the chance to stay within or adjacent to art spaces. Notable examples include MACAM in Lisbon, Portugal, which combines a contemporary art museum with a hotel featuring the private collection of founder Armando Martins, including works by Marina Abramović and Paula Rego; the Byblos Art Hotel Villa Amistà in Verona, Italy, blending Renaissance architecture with avant-garde art; and the Elizabeth Arthotel in Ischgl, Austria, which has showcased art and sculpture since 1976 and recently added a rooftop commission by the artist duo NONOS.

‘Broadening access to contemporary art’: The best art-inspired stays in Europe

A Euronews Travel article highlights several European hotels that integrate contemporary art into the guest experience, positioning themselves as destinations for cultured travelers. Featured properties include the MACAM Hotel in Lisbon, which opened in March 2025 and shares a building with the Museu de Arte Contemporânea Armando Martins, offering guests access to a private collection spanning Portuguese and international art from the 19th century to the present. Other hotels mentioned are the Byblos Art Hotel Villa Amistà in Verona, blending Renaissance architecture with avant-garde works by artists like Andy Warhol, and the Elizabeth Arthotel in Ischgl, Austria, which has showcased art and sculpture since 1976 and recently added a rooftop commission by the artist duo NONOS.

World-renowned glass artist returns to Frederik Meijer Gardens & Sculpture Park

World-renowned glass artist Dale Chihuly returns to Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Michigan, with a new exhibition opening Saturday, his first at the venue since 2010. The show spans nearly 50 years of his career, divided into outdoor installations across the park's 158-acre property and a new indoor exhibit titled CHIHULY: Radiant Forms, featuring a massive glass garden centerpiece. The indoor galleries were custom-built to showcase different series of his work, creating dramatic transitions between spaces.

Intermezzo: revisiting Helmut Newton

The Helmut Newton Foundation at Berlin's Museum für Fotografie is overhauling its permanent exhibition after more than 20 years, introducing a cinematic installation called "Intermezzo" that uses eight video projectors across four screens to present a film portrait of Helmut Newton. The film incorporates previously unreleased material, including personal recordings by his wife June Newton, and features interviews with figures from Newton's world such as Philippe Garner, Carla Sozzani, and Matthias Harder. Alongside the immersive film, the ground-floor gallery displays nearly 100 of Newton's exhibition posters and launches a new curatorial series, "Spotlight: behind the frame," which will focus on iconic photographs by Helmut Newton or Alice Springs, starting with Newton's 1975 "Rue Aubriot" and Alice Springs' 1970 Gitanes advertisement.

Janet Werner Is Distorting Fashion’s Beauty Ideals Through Painting

Janet Werner, an artist with a nearly four-decade career, has created a new body of work titled "Landscape with Legs" that distorts fashion imagery from Vogue archives and vintage campaigns by Marc Jacobs. Her paintings transform archetypal fashion models—thin, blonde, and emblematic of privilege—into unsettling, complex figures that expose a tension between glamor and the grotesque. The exhibition runs from May 1 to June 12, 2026, at Anat Ebgi Gallery in New York, marking her second solo show there. In an interview, Werner discusses her background as a dancer, her creative process of collaging photographic images with art historical references like Watteau and Caspar David Friedrich, and the political moment that makes the show feel urgent.

Bertil Vallien celebrates 60 years of glass art with Brooklyn solo exhibition

Swedish glass artist Bertil Vallien, now 88, has opened a major solo exhibition titled "Starman: Sixty Years of Exploring Glass Art" at the Robert Lehman Gallery in Brooklyn. The show features 35 works spanning his 64-year career, highlighting his mastery of sand-casting and his long collaboration with the heritage brand Kosta Boda. Notable pieces include the *Resting Head* series, *Idun’s Magical Apples*, and the *Ships* series, which draw on Norse mythology and themes of life cycles.

MKFA Awards Grants: Supporting innovation and community engagement

The Mike Kelley Foundation for the Arts (MKFA) has announced the recipients of its 2026 Infinite Expansion Grants (IEG), awarding funding to nine contemporary arts organizations across Los Angeles County. This year marks the tenth anniversary of the grant program, with six of the nine organizations receiving MKFA funding for the first time. The grantees include Art in the Park, Clockshop, and Color Compton, among others, each undertaking projects that explore themes of place, memory, diaspora, and community resilience through exhibitions, installations, and public programming. The grants were selected by a jury of five arts professionals including Tiffany Barber, Jibz Cameron, Justen Leroy, Jenny Lin, and Rodrigo Valenzuela.

88-Year-Old “Father of a Lost Technique” Exhibits Over 60 Years’ Worth of Amazing Glass Art

88-year-old Swedish glass artist Bertil Vallien, known as the "father of a lost technique" for perfecting glass sand-casting, presents his first solo exhibition in Brooklyn at the Robert Lehman Gallery. Titled "Starman: Sixty Years of Exploring Glass Art," the show features 35 works spanning his 64-year career, including his signature glass heads, transparent boats, surreal sculptures, and colorful vases. Vallien has worked with the Swedish heritage brand Kosta Boda since 1963 and is credited with popularizing black glass and pushing the boundaries of the medium.

Six artists: Always in the heart, my homeland

An exhibition titled "Sown by the Traveler: Women and Migrants in Philippine Art" has opened at UPV MACH (UP Visayas Museum of Art and Cultural Heritage) in Iloilo City, featuring 16 paintings by six Filipino artists who lived abroad: Fernando Zobel, Alfonso Ossorio, Macario Vitalis, Juvenal Sanso, Anita Magsaysay-Ho, and Nena Saguil. Curated by Patrick D. Flores from the collection of the Lopez Museum and Library, the show runs until May 8, 2026, and explores themes of migration and longing for home, with its title drawn from Jose Rizal's poem "To the Flowers of Heidelberg."

And the (Senior Show and URECA Art Exhibition) Winners Are …

The Paul W. Zuccaire Gallery at Stony Brook University hosted the opening reception of the ninth annual combined Senior Show and URECA Arts Exhibition on April 29, drawing about 300 attendees including students, faculty, staff, university leaders, and local museum curators. The Senior Show, a nearly 50-year tradition, features works by senior studio art majors and minors, while the URECA exhibition highlights undergraduate research-based art selected by faculty. This year's exhibition is noted for its diversity in subject matter and materials, from chalk painting to digital media, and runs through May 22.

“Not for Sale”: Jingyi Yu’s New Exhibition Questions What Happens When Art Stops Trying to Be Useful

Photographer and curator Jingyi Yu, who earlier this year served as sole juror for the group exhibition "New Year, New [Me]ntal Issues" at A Space Gallery, now presents a new exhibition titled "Not for Sale," co-curated with Qi Ling and opening May 24. The show features work selected from an international open call that received nearly one hundred submissions from artists across the United States, China, Korea, and Europe, including London-based artist and animator Marian Obando. The exhibition centers on pieces made without strategic intention or commercial ambition—private, impulsive, or emotionally driven works that were never intended for public circulation.

Pinakotheke Cultural Opens Spacious New Gallery in São Paulo

Pinakotheke Cultural, founded by Max Perlingeiro in Rio de Janeiro in 1979, will open a new, significantly larger gallery space in São Paulo on May 16. Located on Rua Minas Gerais in the Higienópolis neighborhood, the venue nearly doubles the size of the gallery's previous São Paulo outpost. The inaugural exhibition, "Surrealisms: Art Beyond Reason," curated by Max Perlingeiro and Tadeu Chiarelli, will feature approximately one hundred works by sixty artists from Europe, Latin America, North America, and the Caribbean, offering a comprehensive overview of the surrealist movement.

❤️ Atlanta, with love

This article from Rough Draft's Sketchbook newsletter highlights two Atlanta-focused art stories. Painter Carlos Solis, who left Venezuela for Kennesaw nearly two decades ago, curates "In the Beginning," a group exhibition opening May 9 at the Hudgens Center's Fowler Gallery in Duluth, featuring 15 artists from around the world who now call Georgia home. Separately, designer and illustrator George F. Baker III, originally from Nebraska and shaped by Detroit, was commissioned by the Mayor's Office of Cultural Affairs to create the key art for the 49th annual Atlanta Jazz Festival, and he discusses how the musical souls of both Detroit and Atlanta influenced his design.

At the 2026 Biennale, the Bulgarian Pavilion Transforms into a Political Laboratory to Explore the Present

Alla Biennale 2026 il Padiglione della Bulgaria si trasforma in laboratorio politico per esplorare il presente

The Bulgarian Pavilion at the 2026 Venice Biennale, housed in the Sala Tiziano of the Centro Culturale Don Orione Artigianelli, has been transformed into a speculative political laboratory by The Federation of Minor Practices. Curated by Martina Yordanova, the project features an all-female group of artists—Veneta Androva, Gery Georgieva, Maria Nalbantova, and Rayna Teneva—whose four films serve as "signals" exploring tensions around ecology, media systems, disinformation, and collective responsibility. The pavilion is conceived as a research headquarters from the near future, open until November 22, 2026.

The Italian Way of Symbolism in the Exhibition at the Fondazione Magnani-Rocca

La via italiana del Simbolismo nella mostra alla Fondazione Magnani-Rocca

The Fondazione Magnani-Rocca in Mamiani di Traversetolo, Parma, recently made headlines due to a dramatic theft targeting its permanent collection. Despite the incident, the museum's temporary exhibition spaces remain unaffected, and the show "Simbolismo in Italia" (Symbolism in Italy), curated by Francesco Parisi, continues without disruption. The exhibition aims to update critical discourse on Symbolism, a movement that spread across Europe from the 1880s to the early 1900s and arrived in Italy with a distinct, often tradition-rooted character. It features works by artists such as Cesare Saccaggi, Giulio Aristide Sartorio, and Adolfo Wildt, organized into thematic sections exploring literary sources, mythological landscapes, and the dual nature of femininity.

Working in Art: Opportunities from Museo Novecento, Giudicesse 2030, Premio Combat and Fondazione Club Silencio

Lavorare nell’arte: opportunità da Museo Novecento, Giudicesse 2030, Premio Combat e Fondazione Club Silencio

This article from Artribune compiles five current job and grant opportunities in the Italian art world. It highlights a crowdfunding campaign by Museo Novecento for Agnese Galiotto's artwork "Sogni" in Empoli, an open call for the fourth edition of the Giudicesse 2030 residency for filmmakers and video artists in Sant'Antioco, a call for artists using AI from Associazione culturale 360° Creativity Events for PARMA 360 Festival, a paid internship at Blob Art ETS for Premio Combat in Livorno, and a search for a project manager by Fondazione Club Silencio ETS.

In Tuscany a new festival brings contemporary art to agricultural estates with exhibitions and artist residencies

In Toscana una nuova rassegna porta l’arte contemporanea nelle aziende agricole con mostre e residenze d’artista

The first edition of CARMI.CO 2026 – Carmignano Contemporanea will take place from May 15 to 24, 2026, in the Carmignano area near Prato, Tuscany. The festival features five exhibitions and five artist residencies hosted by local wineries and agricultural estates, alongside talks, workshops, and studio visits. Exhibitions are staged at venues including the Rocca di Carmignano, Museo Archeologico di Artimino, and Museo delle Maioliche di Bacchereto, with works by artists such as Marco Bagnoli, Qiu Yi, Gola Hundun, Rachel Morellet, Fargo, Marco Ulivieri, Serena Fineschi, and others. Residencies take place at Tenuta di Capezzana, Colline San Biagio, Tenuta Le Furre, Tenuta di Artimino, and Fattoria Il Grumolo, involving artists Max Magaldi, Ronaldo Fiesoli, Vittorio Cavallini, Graziano Riccelli, and Gola Hundun.

The Paradox of Contemporary Art: The World Is Violent, but the Works Are Correct and Inoffensive

Il paradosso dell’arte contemporanea: il mondo è violento, ma le opere sono corrette e inoffensive

The article examines a paradox in contemporary art: as the world grows more violent and chaotic, art has become increasingly 'correct,' morally irreproachable, and inoffensive. The author argues that over the past fifteen years, artworks have been judged primarily by their moral and identity credentials, with curators acting as moral gatekeepers and censors. This shift coincides with a period when geopolitics, history, and public behavior have spiraled out of control, creating a strange compensatory dynamic where art is expected to be perfectly controlled and polite while reality grows brutal.

Nesting Seagull Becomes Unexpected Star of Venice Biennale

A seagull nesting near the Polish pavilion at the Venice Biennale has become an unexpected attraction, drawing bemused visitors and media attention. The bird laid eggs in the Giardini grounds, and a fence with a warning sign in English and Italian was erected around the nest. Organizers say this is the first known instance of a seagull nesting in such a prominent area of the exhibition. The Polish pavilion was closed on May 8 as part of a historic strike protesting the inclusion of aggressor states in the Biennale, with a sign supporting the Ukrainian Pavilion.

L’antica certosa vicino Siena dove il disegno è diventato una performance condivisa. Il report

The third edition of the De Linea Art Festival took place on May 2-3 at the Certosa di Pontignano near Siena, Italy. Curated by Matteo Marsan and Riccardo Guasco, the event transformed the historic monastery into a living laboratory of drawing, illustration, and performance. Nine illustrators—including Marina Marcolin, Francesco Poroli, Elisa Macellari, Gianluca Folì, Ale Giorgini, Gloria Pizzilli, Matteo Berton, Giovanna Giuliano, and Daniele Caluri—participated in a week-long residency, producing works inspired by the site and the festival's theme "Crepe e spiragli" (Cracks and Glimmers), a contemporary interpretation of a Leonard Cohen quote. Over 500 visitors attended workshops, talks, and shared creative sessions, including a workshop by Fondazione Il Bisonte and performances by actress Daniela Morozzi and graphic poet Alessandro Valenti (Alvalenti).

Israeli Pavilion Artist Made Legal Threats Before Venice Biennale Jury Resigned

New reports reveal that Israeli Pavilion artist Belu-Simion Fainaru issued legal threats against the Venice Biennale, alleging antisemitism and discrimination after the awards jury decided to exclude Israel and Russia from consideration due to human rights charges. The jury, which included Elvira Dyangani Ose, Zoe Butt, Marta Kuzma, Giovanna Zapperi, and Solange Farkas, initially stated on April 22 it would not consider nations whose leaders are charged with crimes against humanity by the International Criminal Court. Fainaru filed legal warnings with the Biennale, the Italian Ministry of Culture, and the Prime Minister's office. The jury abruptly resigned eight days later, leading the Biennale to scrap the Golden Lion awards and institute "Visitor Lions" decided by public vote. Reports indicate the Biennale's legal department warned jurors could be personally liable for damages, and Italian Culture Minister Alessandro Giuli promised to promote Fainaru's work.

Alphabet of bread and love for animals. Uri Aran's exhibition at the Museo Madre in Naples

Alfabeto di pane e amore per gli animali. La mostra di Uri Aran al Museo Madre di Napoli

Uri Aran's solo exhibition at the Museo Madre in Naples, curated by director Eva Fabbris, explores language, communication, and connection through a range of works including video, sculpture, and an edible alphabet made of bread. The show, titled "Untitled (I love love)" after a video work, invites viewers into a space where meaning is fluid and inclusive, challenging rigid linguistic structures. Key pieces include the video "Untitled (I love you)" (2012), where Aran addresses plastic animals, and "Untitled (Bread Library)" (2025), a bread alphabet that visitors can rearrange to create new messages.

Il Padiglione Italia alla Biennale? “Deve essere uno spazio di possibilità”. Intervista alla curatrice

The article announces Chiara Camoni's project "Con te con tutto" for the Italian Pavilion at the 61st Venice Biennale in 2026, curated by Cecilia Canziani. The project emphasizes relational and communal practices, rejecting the identity-driven rhetoric of national representation. It stems from a fifteen-year dialogue between artist and curator, incorporating workshops, shared readings, and collaborative works like "La Giusta Misura." The pavilion is conceived as an ecosystem of artworks, texts, and activations rather than a linear exhibition, with a catalog designed as a critical reader.

The Works of Alfredo Pirri for the Very First Exhibition of the Polytropon Arts Center in Tuscany

Le opere di Alfredo Pirri per la primissima mostra del Polytropon Arts Center in Toscana

The Polytropon Arts Center, founded by Greek-born architect Maria Papadaki Badanjak, opens its inaugural exhibition "Quello che avanza" featuring works by Italian artist Alfredo Pirri. The venue, a converted former spinning mill located between Pelago and Pontassieve near Florence, hosts the show through June 21, 2025. The exhibition includes 144 cyanotypes created between 2014 and 2017, along with Pirri's "Arie" series in plexiglass, crystal, feathers, and colors. The show is accompanied by a musical program curated by artistic director Andrea Cavallari, with concerts scheduled for May 17 and June 21. Pirri and Cavallari previously collaborated in 2019 at the Museo Novecento in Florence as part of the "Firenze Suona Contemporanea" festival.

At the 2026 Venice Biennale, Spain transforms its Pavilion into a museum of accumulation with artist Oriol Vilanova

Alla Biennale Arte 2026 la Spagna trasforma il suo Padiglione in museo dell’accumulo con l’artista Oriol Vilanova

Spain has announced its participation in the 61st Venice Biennale Arte 2026, selecting Catalan artist Oriol Vilanova to represent the country in its newly renovated national pavilion. The project, titled "Los restos," transforms the pavilion into a pseudo-museum of accumulation, featuring Vilanova's vast personal archive of postcards collected over twenty years from flea markets and secondhand circuits. The installation presents these ephemeral fragments as an infinite, non-narrative mural, exploring themes of accumulation and loss. Curated by Carles Guerra, the project also includes a performative intervention titled "Il fantasma della libertà" (2026), which will unfold across the Giardini and Arsenale during the Biennale.