German artist Georg Herold has opened a new solo exhibition at the Capitain Petzel gallery in Berlin. The show, which runs from February 27 to April 11, 2026, features a significant body of new work, documented extensively through 33 images.
Mulberry Art Studios in Lancaster, Pennsylvania, has launched a posthumous exhibition titled "Is This Art?: The Collected Works of Donald Shoffstall." The show features a collection of photocopied signs and posters that Shoffstall, a local figure who experienced homelessness, stapled to telephone poles throughout the city during the late 20th century. Curated by Steve Sylvester and Jerry Greiner, the exhibition presents these stream-of-consciousness writings and abstract graphic works as significant pieces of outsider art.
The Maude Kerns Art Center is currently hosting two concurrent exhibitions, "Witness: Earth & Sky" and "Consume & Dispose," curated by Liberty Rossel. The shows feature the work of four artists—Rich Bergeman, Amanda Thomas, Rolf Huber, and Jennifer Bucheit—whose practices converge on themes of environmental stewardship, colonial history, and social justice. From Bergeman’s infrared photography documenting indigenous Kalapuya lands to Thomas’s use of toxic mine drainage in her ceramic glazes, the works utilize specific materials and historical research to challenge viewers' perceptions of the landscape and industrial impact.
The Gallery at Bowie House in Fort Worth is launching a new exhibition titled "Memory Lane," featuring abstract works by artists Carly Allen Martin and Erik Skoldberg. Since opening in December 2023 within the luxury Auberge Resorts Collection hotel, the gallery has integrated fine art into every guest room and public space, selling hundreds of works ranging from $30,000 to several hundred thousand dollars. The upcoming show marks a shift for the space, moving from its typical figurative Western aesthetic toward contemporary abstraction.
Artist Linda Colletta has transformed her studio practice within Bridgeport’s historic American Fabric Arts building, a former lace factory, by blending painting with labor-intensive weaving. Drawing inspiration from the site’s industrial history and the teachings of Bauhaus artist Anni Albers, Colletta repurposes drop cloths and tears apart her own canvases to weave them back together. Her recent work explores the materiality of paint and the concept of "Thought Forms," a visual language for emotions influenced by early 20th-century Theosophy.
Art on Main in East Dallas is hosting "Chicano," a massive group exhibition featuring 79 works by 58 artists from the Dallas-Fort Worth area and beyond. Curated by Junanne Peck and Ariel Esquivel, the show spans painting, photography, metal sculpture, and printmaking to explore themes of identity, resilience, and the lived experiences of the Mexican-American community. Highlights include Rodrigo Paredes’ tribute to street vendors and Lisa Batchelder’s surrealist explorations of her Oak Cliff upbringing.
German sculptor Stephan Balkenhol has unveiled two new hand-painted bronze editions, "Man in a White Shirt and Black Pants 2026" and "Venus 2026." Released in editions of 30 and standing 68 cm tall, the works are being showcased and sold through Frank Fluegel Galerie across its Nuremberg and Kitzbühel locations. The release coincides with the artist's participation in the Art Cologne Palma de Mallorca Fair and precedes his 70th birthday in 2027.
German artist and future astronaut Michael Najjar has partnered with the Samsung Art Store to feature his work "europa" (2016) as part of the Art Basel Hong Kong 2026 Collection. Najjar, who is scheduled to become the first contemporary artist in space via a 2027 Virgin Galactic flight, uses his practice to explore the intersection of technology, space exploration, and human ambition. The collaboration allows his large-scale digital constructions to be displayed on Samsung Art TVs, bridging the gap between the physical art fair and domestic environments.
López de la Serna CAC has launched a collective exhibition exploring the evolution of portraiture through the works of four major contemporary artists: Francesco Clemente, Alex Katz, David Salle, and Henry Taylor. The exhibition moves beyond traditional representation to examine how identity is constructed in the postmodern era, utilizing diverse approaches ranging from Clemente’s mystical pastels and Katz’s flat, vibrant aesthetics to Salle’s fragmented collages and Taylor’s socially conscious figuration.
Contemporary painter Vanessa Johansson recently debuted her solo exhibition at the Sky Garden Penthouse in Gramercy Park, New York. Curated by Jenny Mushkin Goldman of Agency Esta, the show featured Johansson’s large-scale acrylic on canvas works, which utilize fluid, transparent layers to evoke the spiritual and visual language of mid-20th-century Color Field abstraction. Pieces such as the triptych 'Windows' and the diptych 'Flow State' demonstrate her intuitive approach to motion, buoyancy, and orbital forms.
Christie’s concluded its Spring auction series in New York with a historic total of $1.79 billion, bolstered by the landmark sale of the Peggy and David Rockefeller Collection. The two-week marathon featured high-profile evening and day sales that attracted over 85,000 visitors and bidders from 52 countries. Significant results included record-breaking prices for artists such as Kazimir Malevich, Constantin Brancusi, and Joan Mitchell, alongside major works by Francis Bacon and Vincent van Gogh.
Four new art spaces have opened in Hong Kong in March 2026, expanding the city's gallery landscape. Antenna Space, a Shanghai gallery, debuts in Wong Chuk Hang with the group show "Horizons: South." GOLD, a cultural lab by Serakai Studio, opens nearby with "CERTAINLY." In Mid-Levels, the Cheng-Lan Foundation launches Cheng-Lan's Corner with a solo show by Filipino artist Cian Dayrit. In Central, curator Jims Lam inaugurates the curatorial platform Knotting Space at H Queen's with its first cycle, "KNOT I."
Le non renouvellement de Sébastien Allard confirme la métamorphose du Louvre
Christophe Leribault, the new president of the Louvre, has decided not to renew the contract of Sébastien Allard as director of the painting department, a position Allard held since 2014. This move is part of a broader shift in leadership style and institutional direction under Leribault, who is described as fostering genuine social dialogue and actively participating in meetings, in contrast to his predecessor.
Artibus et Historiae - An art anthologie - n°92, 2025
The latest issue of the academic journal 'Artibus et Historiae' has been published, featuring a collection of scholarly articles focused on European art from the Renaissance to the early 19th century. The volume includes research on topics such as the translation of classical imagery in colonial Peru, investigations into women artists in Bologna, new attributions and provenance studies for works by artists like Ludovico Carracci and Caravaggio, and analyses of drawings and artistic education.
The Social Practice CUNY (SPCUNY) initiative, a major program fostering the intersection of art and social justice across the City University of New York’s 25 campuses, will officially sunset in February 2027. Co-directed by artists Chloë Bass and Greg Sholette, the program will conclude following its final 2025–26 fellowship cohort. The decision to end the project stems from the directors' personal transitions, including Sholette’s upcoming retirement and Bass’s shift away from full-time teaching to focus on her studio practice.
Julien’s Auctions is hosting an online sale featuring over 500 items from the production of the HBO series "And Just Like That…," the sequel to "Sex and the City." The auction includes a wide array of fashion, accessories, and home decor associated with main characters Carrie Bradshaw, Miranda Hobbes, and Charlotte York-Goldenblatt, as well as new additions like Lisa Todd Wexley. Notable lots include Carrie’s hatbox suitcases, Miranda’s wine-red jumpsuit, and various furniture pieces from the characters' apartments, with a portion of proceeds benefiting the foster care charity You Gotta Believe.
Artist Veronica Fernandez opened a solo exhibition titled "Prey" at the Anat Ebgi gallery. The show features a notable shift in her practice, moving from typically monumental canvases to smaller-scale paintings that explore themes of claustrophobia, survival, and the uneasy tension between comfort and foreboding in domestic and communal spaces.
Artist Sarah Rosalena has completed a monumental 27-foot tapestry titled "Threading the Boundless: Omnidirectional Terrain" (2025), commissioned for the Los Angeles County Museum of Art’s (LACMA) new David Geffen Galleries. The work utilizes an industrial-scale jacquard-rapier loom to weave complex patterns that distort NASA satellite imagery of Earth and Mars. By blending her Wixárika maternal weaving traditions with computational craft, Rosalena transforms scientific data into a tactile, atmospheric landscape that challenges traditional methods of planetary mapping.
Archaeologists in northern Sinai have unearthed the ruins of a unique circular water temple at the site of ancient Pelusium, dating back to the second century. Initially mistaken for a political senate building, the structure features a 35-meter wide basin and brick walls characteristic of Roman construction, suggesting it was used for religious rituals linked to the local fertility god Pelusius.
The Gemäldegalerie Alte Meister in Dresden has received the Tefaf Museum Restoration Fund award for its ongoing restoration of Peter Paul Rubens's 17th-century painting 'The Boar Hunt'. The project involves removing discolored 19th-century varnish and undoing damaging 19th-century stabilization attempts that caused cracks in the wooden panel, aiming to reveal the work's original dynamism and palette.
V&A East Museum is launching its inaugural exhibition, 'The Music is Black: A British Story,' a comprehensive exploration of Black British music spanning over a century. Curated by Jacqueline Springer, the show features more than 200 objects—including instruments, fashion, and personal artifacts—alongside significant artworks by figures such as Sonia Boyce and Frank Bowling. The exhibition traces the evolution of genres from early 20th-century compositions to contemporary grime and drill, framing them as vital expressions of migration, resistance, and cultural identity.
Vanessa German has unveiled a major new installation at the Speed Art Museum titled '…do you remember when you were the sky?', marking the inaugural project of the Sam Gilliam Visiting Artist Program. The exhibition features German’s signature assemblage sculptures, which utilize diverse materials like cowrie shells, quilts, and skateboards to create hybrid figures representing young girls in states of transformation. The body of work is the result of months of community engagement and research into local histories, specifically focusing on the narratives of the Colored Girls Dormitory in Louisville.
New York City’s First Lady, Rama Duwaji, provided an exclusive look into her creative life during a studio visit at Gracie Mansion. The interview explores her dual identity as a ceramicist and illustrator and her transition into the political spotlight, showcasing the personal practice behind her public role.
Artist Katya Granova discusses her creative practice within her studio at the Spinnerei, a massive former yarn factory in Leipzig, Germany. Granova details her daily routine, which is dictated by natural light and a soundtrack of rock and metal music, and explains how the industrial scale of the space allows her to create large-format works that blend painting with physical movement akin to dance.
The Museo Reina Sofía in Madrid has opened a major retrospective of Spanish painter Juan Uslé, titled "That Ship on the Mountain." The exhibition features approximately 100 works spanning four decades, tracing the artist's journey from his childhood in Cantabria to his established career in New York City. It notably uses the traumatic shipwreck of the Elorrio, which Uslé witnessed as a boy, as its conceptual starting point.
The article is a critical review of Daniel Heller-Roazen's new book, 'Far Calls: On Omens, Slips, & Epiphanies.' It examines the book's central thesis, which explores the historical and philosophical concept of a 'spiritual ear'—the interval between speaking and hearing where language escapes its intended meaning, giving rise to omens, slips of the tongue, and epiphanies. The review traces Heller-Roazen's genealogical investigation from ancient divinatory practices to modern psychoanalysis, highlighting his argument that linguistic accidents hold prophetic potential.
The article is a critical essay analyzing Henrike Kohpeiß's new book, 'Bourgeois Coldness,' which examines the concept of coldness as an affective strategy of the bourgeois subject. Kohpeiß traces this subjectivity from its mythological roots in Homer's Odyssey to its modern manifestations, arguing that it is forged in and sustained by structures of racial exploitation and colonial power, despite claims of abolition.
The article presents the 1977 "Manifesto for a Radical Femininity for an Other Cinema" by artists Maria Klonaris and Katerina Thomadaki. The manifesto, published in connection with a rare screening of their films at e-flux Screening Room, calls for a feminist rupture with dominant cinematic language and images, advocating for a "cinema of the body" that challenges patriarchal hierarchies in both sexuality and authorship.
FUNDACIÓN CARTIER. UNA DELGADA LÍNEA ENTRE EXTRACTIVISMO Y REIVINDICACIÓN CULTURAL
The Cartier Foundation inaugurated its new Paris headquarters on October 25 with the exhibition "Exposition Générale." The curatorial approach and, most notably, the labyrinthine architectural design by Jean Nouvel have drawn criticism from the specialized press, described as disappointing and patchwork. The new space, a dense black cube in central Paris, represents a radical departure from the foundation's previous luminous, glass-walled hall, forcing a complete rethinking of how to present its 40-year collection.
TODO ES COMÚN
The exhibition 'Todo es común' (Everything is Common) is on view until June 21, 2026, at the Sala Europa in Badajoz, Spain. Curated by Adonay Bermúdez, it brings together works by fifteen international artists to examine the agricultural landscape as a space where practices, memories, and political tensions intersect, moving beyond its purely material condition.