Local artist is set to present a new exhibition at Studio 2880 in Prince George, with nature as the central theme of the work. The exhibit will showcase the artist's creative response to the natural environment, reflecting local landscapes and ecological inspiration.
The Princeton Symphony Orchestra (PSO) has launched its annual “BRAVO! Listen Up!” exhibition at the Adriana Groza Art studio, featuring visual and written works by thirty-two middle school students. The participants created these pieces in response to composer Andreia Pinto Correia’s orchestral work "Ciprés," following a creativity workshop led by artist April Zay. The collection includes a diverse range of media, from traditional watercolors and acrylics to 3D sculptures made of rosewood and yarn.
Artists and curators in the UK are increasingly mobilizing to address the rapid integration of artificial intelligence in the creative sector. Following a public backlash against an AI-focused workshop at a local gallery in Hull, curator Lucy Brooke organized forums to discuss the ethical implications of machine learning, including copyright, plagiarism, and environmental impacts. While some creators are calling for stricter institutional policies and collective lobbying against AI exploitation, others, like illustrator Eleanor Tomlinson, view the technology as a transitional challenge similar to the invention of photography, focusing on public education rather than opposition.
The University of North Texas (UNT) abruptly shuttered a solo exhibition by Brooklyn-based artist Victor Quiñonez just nine days after its opening at the College of Visual Art & Design Gallery. The show, titled "Ni de Acquí," featured sculptures from the artist’s "I.C.E. Scream" series, which utilizes Mexican popsicle motifs to critique the enforcement tactics of U.S. Immigration and Customs Enforcement. Following the closure, university staff covered the gallery windows with brown paper and terminated the loan agreement with Boston University without providing a detailed public explanation.
Graduate students in the University of North Texas's MFA Studio Art program are withdrawing their upcoming thesis exhibitions in protest. Their action is a direct response to the unexplained cancellation of artist Victor "Marka27" Quiñonez's solo show, "Ni de Aquí, Ni de Allá," which addressed Mexican-American identity and violence by ICE. The school papered over the gallery windows and removed the exhibition page without providing a public rationale to the artist or the community.
Three Suffolk women—journalists Mai Noman and Nicola Gooch, and curator Mary George—organized a weekend art exhibition titled 'From Suffolk to Gaza with Love' at Noman Studio in Monks Eleigh, raising over £25,000 for the UK charity Medical Aid for Palestinians. The event featured paintings and sculptures donated by 70 artists, attracted 200 attendees on opening night, and included Palestinian cultural elements such as oud music by Reem Anbar, Arabic cakes, and a talk by a Suffolk aid worker.
A solo exhibition titled 'Drawn from Life' by local Eswatini artist Celumusa Khumalo will be held on December 5-6, 2025, at the Mbabane National Library. The show features paintings inspired by everyday landscapes, faces, and objects, with no formal opening or speeches—visitors are invited to wander and view the art at their own pace.
Richmond artists have come together for a group exhibition titled 'Fall of Freedom' at Antennae Gallery. The show features works by multiple local artists responding to themes of political and social change, reflecting on the concept of freedom in contemporary America. The exhibition is organized as a collective response to current events, with participating artists contributing paintings, sculptures, and mixed-media works that explore loss, resistance, and resilience.
The Tucson Artists Protest group has launched an unjuried exhibition titled "Expression Against Repression" at the Historic Y arts space in downtown Tucson. The show opened Sunday with a parade, film screening, and poetry reading, featuring 82 works including a paper mache effigy of President Donald Trump, a comic strip about healthcare, and a portrait of a father and child. Founder Betty Harris, also first vice-chair of the LD20 Democratic Committee, organized the exhibit to merge art and politics without campaign advertising, inspired by an earlier "Roots of Resistance" show at Raices Taller 222 Art Gallery and Workshop.
Miami University students explore intergenerational connections through art in the 10th Student Response Exhibition, titled "Bridging Generational Gaps," presented by the Richard and Carole Cocks Art Museum (RCCAM) in collaboration with the university's Department of Art. Inspired by Professor Megan Gerhardt's book "Gentelligence," the exhibition features works in ceramics, photography, textiles, drawing, and poetry from students across disciplines, responding to prompts about defining and bridging generational divides. Visitors can vote for their favorite pieces, with cash awards sponsored by the Art Museum's Members Association, and a reception and awards ceremony will be held on October 29.
A new art exhibit titled "Mountain Memories" has opened at the Asheville Regional Airport, created in collaboration with the River Arts District. The exhibition features works by eleven artists—including Chrys Corn Goodman, Davis Perrott, Beth Elliott, and others—using mediums such as oil, cold wax, graphite, charcoal, photography, mixed media sculpture, and textile installation. Each piece reflects on the catastrophic impact of Hurricane Helene and the community's resilience, with personal stories tied to the storm's aftermath. The exhibit is located in the airport's new North Concourse and will run until October 30.
An exhibition titled 'Against the Machine: art in the age of A.I., fascism, and climate disaster' is on view at the People's Solidarity Hub campus in Durham, North Carolina, curated by local artists Cassandra Rowe and charla rios. The show features works by ten multi-disciplinary artists, including Hiva Kadivar's piece incorporating ink and natural fibers, Derrick Beasley's sculpture 'Conduit,' and Rowe's painting 'the wayback machine / you can't take my memories.' The exhibition opened in May and runs through August 22, with an artist talk scheduled for July 16. The curators were inspired by connections between A.I., fascism, and climate disaster, particularly after Hurricane Helene and the Los Angeles wildfires.
Two exhibitions raising funds and awareness for Palestinians open in London this week. The main show, titled 'GAZAGAZAGAZA', features over 400 donated works by more than 200 artists from 35 countries, organized by Studio 1.1 and the artist-led activist community Artists Supporting Palestine (ASP). Proceeds from sales, including postcard-sized works priced at £20, will benefit Medical Aid for Palestinians (MAP). Additional fundraising initiatives include prints by Gaza-based artists and a badges project supporting children in Gaza.
The Palmer Museum of Art at Penn State has opened a new exhibition titled “Shaping American Histories, Dreaming American Futures,” on view through July 27. The show features works that explore diverse American histories, including Billy Morrow Jackson's lithograph “The Tattooed Man,” which references the 1963 Birmingham church bombing. Visitors are invited to contribute reflections on a community response wall, answering questions about the nation's past, present, and future via sticky notes.
The 58th annual Newport Beach Art Exhibition took place on June 30, 2025, at the Newport Beach Civic Center, drawing about 2,000 attendees. The one-day event featured over 240 artworks including paintings, sculptures, photography, and mixed media, displayed in the Community Room and Civic Green. Notable participants included Joyce Cox, whose oil on linen painting "Soaking Up The Zen" attracted attention; Jeff Guzzetta, who won third place in 3-D art for a stained glass mosaic surfboard titled "Sol"; and Elena Kealy, who received the Juror's Choice Award for her oil on canvas work "Bliss." Other award winners included Kevin Avery, who took second place in Photography for "Rich Strike." The exhibition was organized by the Newport Beach Library and supported by the Newport Beach Arts Foundation.
A surprise art exhibition in Gourock, Scotland, brought together 18 artists from Inverclyde in a pop-up shop on Kempock Street. Organized by local painter Catriona Reid on just a week's notice, the show featured paintings, sculptures, photography, and illustrations, including works like Linda Ross's oil painting 'Rain Storm' and Andrew King's sunset photography. The event drew many visitors and received an overwhelmingly positive response.
The City of Kingston has announced the opening of Part 2 of the Kingston Artists’ Showcase, a community-focused exhibition at the Market Wing Cultural Space inside Kingston City Hall. Opening May 21, 2025, and running through November 2025, this second installment features works by over 30 new local artists, including renowned artist Joanne Gervais and quilled artist Loreen Hynes. The showcase spans prints, paintings, textiles, and stained glass, selected through an open call, and follows Part 1 (October 2024–April 2025) which featured 31 artists. A free opening reception will be held May 28, 2025.
OCEAN AND MEMORY MAC PANAMA PRESENTS TWO NEW EXHIBITIONS
The Museo de Arte Contemporáneo de Panamá (MAC Panamá) has opened two exhibitions. The first, 'otras montañas, las que andan sueltas bajo el agua,' features artists Nadia Huggins and Tessa Mars and is part of the international research program The Current IV. It uses video and audio installations to explore an oceanic perspective. The second is a retrospective of pioneering Panamanian surrealist artist Beatrix 'Trixie' Briceño, which includes a digital art response by contemporary artist Ix Shells.
Artist and pottery teacher Fiona Sandover is holding an exhibition titled "Here, Now" in the Creative Space at Brightwells Yard in Farnham, running from May 13 to 29. The show features her paintings, sculpture, and ceramic homeware, created over nearly 30 years in her studio near Woodlarks. Sandover has worked at Creative Response in Farnham for nearly 25 years.
LJ Bergren has opened Collected Gallery in Northeast Minneapolis, a small house-turned-gallery that prioritizes affordability and accessibility. The gallery sells a range of mediums including prints, ceramics, jewelry, and lithography, with artists on six-month contracts to ensure a rotating selection. Bergren, an artist and collector herself, aims to make art available to all budgets, offering shipping nationwide and planning extended summer hours as many employees are students at Minneapolis College of Art and Design. The grand opening in April drew a wide community response, with visitors praising the approachable atmosphere and accessible prices.
Giuria o pubblico? La Biennale non è un algoritmo, ma neppure una liturgia
The article critically examines the proposal for "Visitor Lions" (Leoni dei Visitatori) at the Venice Biennale, arguing that the idea is a fragile, quick-fix response to a deeper crisis. It questions whether replacing expert juries with public voting would truly improve the selection process, noting that both systems have significant flaws: juries are not necessarily neutral, often rushed and filtered, while public voting risks favoring accessible, easily consumable works and reinforcing existing hierarchies.
Leoni d’Oro della Biennale votati dal pubblico? 7 motivi per cui non possono funzionare
On April 30, 2026, the International Jury of the Venice Art Biennale resigned en masse. In response, the Biennale Foundation hastily announced a new initiative called the "Visitor Lions" (Leoni dei Visitatori), where paying visitors would vote to award the Golden Lions for best artist and best national participation. The voting system would rely on ticket tracking to verify attendance at the main venues, the Giardini and the Arsenale. However, just a week before the public opening, no further details had been released, raising numerous practical concerns about the mechanism's feasibility.
L’arte ti emoziona? L’Università di Pisa ti cerca per fare l’osservatore di opere
The University of Pisa's Department of Biology is recruiting adult volunteers to participate in a study on emotional responses to visual art. Participants will observe images of artworks on a computer and describe their emotional reactions, with the aim of gathering a diverse sample to understand the processes behind emotion and perception.
Nella Milano della Design Week in un giardino i designer emergenti possono esporre gratis. “Abbiamo ricevuto quasi 100 richieste alla call”
During Milan Design Week, the venue enoteca/naturale launched the initiative "Entra pure," offering its garden and interior space for free to emerging designers under 35. The open call received nearly 100 applications, with eight selected projects being displayed and utilized within the space from April 21-26, providing an alternative platform during the city's major design event.
Limerick City Gallery of Art (LCGA) has announced an open call for its annual Test Space Residency programme for 2026, now in its sixth year. The residency offers two awards: one for early-career art practitioners and one for those at a more advanced stage. Selected artists will receive an 8-week studio residency with a €5,000 stipend, curatorial support, promotion, and the opportunity to engage with LCGA's audiences and community. The programme was established in 2020 in response to the Arts Council's EDI Policy and prioritizes projects involving public engagement, workshops, talks, or community inclusion events. Applications are open to writers, filmmakers, dancers, performers, academics, and visual artists across all disciplines.
Hangar – Centro de Investigação Artística in Lisbon has launched an open call for its Longitudes Residency programme. The call invites artists, writers, curators, researchers, and musicians from diverse disciplines to apply for stays of one to three months. The programme is process-based and non-prescriptive, encouraging participants to develop projects in response to Lisbon's environment or to pursue research within its cultural context.
Iranian-born artist Omid Asadi has been appointed as the new artist-in-residence at the University of Salford’s Energy House 2.0 research facility. Running from Spring 2026 through the end of the year, the residency will see Asadi collaborate with researchers at the world-leading climate laboratory, which features two massive chambers capable of simulating extreme global weather conditions. The artist plans to create new installations and sculptures in response to the facility's pioneering retrofit research, specifically focusing on a recreated 1930s-era house.
The New Museum in New York has unveiled a sensory-driven installation that utilizes scent as a primary medium, challenging the traditional ocular-centric experience of contemporary art spaces. Visitors are greeted by a distinct, musky aroma that permeates the galleries, part of a curated effort to explore the intersection of olfaction, memory, and physical space.
Soshi Asai's solo exhibition "Metamorphosis" is being presented by Japan Osaka Art Gallery TIME from April 23 to April 27, 2025, at a venue in Minoh, Osaka. The show features copperplate engravings that use dense monochrome gradations to explore the boundary between fantasy and reality, reflecting themes of solitude, anxiety, tenderness, and fragile human connections shaped by the pandemic and today's chaotic world.
The London Jesuit Centre is hosting "Paintings of Prayer and Protest," an exhibition featuring the works of artists Helen Elwes and Martin Jarvis. The show coincides with a special Mass for the Care of Creation at Farm St Church in Mayfair, marking the anniversary of Pope Francis' death. Both artists, members of Christian Climate Action and the Laudato Si' Movement, present works that blend ecological activism with spiritual devotion, including painted banners used in climate marches and contemporary icons addressing rainforest devastation.