Art Movements: Meet The Met's New Photography Curator

The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as its new curator of photographs, bringing her expertise in African and Black diasporic histories from MoMA. This announcement leads a series of industry shifts, including Melissa Chiu’s move from the Hirshhorn to direct the Guggenheim, and the relocation of the influential gallery 47 Canal to Chelsea. Additionally, the New York Foundation for the Arts distributed nearly $500,000 in grants to 129 artists and organizations in Queens.

Elucidating the Esoteric with Hilma's Ghost

The feminist art collective Hilma’s Ghost, founded by artists Dannielle Tegeder and Sharmistha Ray, is reclaiming the role of alternative spiritualities and the occult within art history. Sparked by the 2018 Hilma af Klint retrospective at the Guggenheim, the collective emerged during the COVID-19 pandemic as a research-based project that bridges artmaking with esoteric practices like tarot, witchcraft, and neo-tantric cosmologies. Through workshops and collaborative paintings, the duo explores how women and queer artists have historically been erased from the canon due to their unconventional, mystical methods.

Refik Anadol’s AI Art Museum DATALAND Will Open in Los Angeles in June

Refik Anadol and Efsun Erkılıç will open DATALAND, a museum dedicated to AI art, in Los Angeles on June 20, 2026. Located in the Grand LA complex designed by Frank Gehry, the 25,000-square-foot venue will feature five gallery spaces plus 10,000 square feet for supporting technology. Its inaugural exhibition, "Machine Dreams: Rainforest," created by Refik Anadol Studio, uses AI trained on ecological datasets to generate sensory experiences, including a version of Anadol's Infinity Room with a 1987 recording of an extinct Hawaiian bird and AI-generated scents. Membership starts at $350 per year.

gagosian rewrites art basel paris rulebook by bringing old master to modern and contemporary fair 1234757896

Gagosian has secured special permission from Art Basel Paris to exhibit a rediscovered Old Master painting by Peter Paul Rubens, titled "The Virgin and Christ Child, with Saints Elizabeth and John the Baptist" (c. 1611–14), at a fair that typically restricts its main sector to works created between 1900 and 2025. The painting, last sold at Sotheby’s New York in 2020 for just over $7 million, will be shown alongside modern and contemporary works by artists such as John Currin, Jenny Saville, and Pablo Picasso. The exception was granted by Art Basel’s management and Selection Committee due to the work's exceptional quality and its resonance with the gallery's booth.

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Tanya Bonakdar Gallery is closing its Los Angeles location after seven years, with the final exhibition being a solo show for Ben Hyunjin that ends on August 29. The gallery, which opened on Highland Avenue in 2018, decided not to renew its lease, citing a natural pause to assess its accomplishments in the city. The closure follows recent shutdowns of other LA galleries, including Blum and Clearing.

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The Art Dealers Association of America (ADAA) has canceled the 2025 edition of its annual New York art fair, The Art Show, which was scheduled to open at the Park Avenue Armory on October 28. The decision was communicated to members via email and confirmed by ADAA president Susan Sheehan, with the board citing a strategic pause to reimagine the fair for long-term sustainability. The fair has been a staple of the New York social calendar, with its VIP opening night serving as a fundraiser for the Henry Street Settlement, raising over $38 million for the nonprofit over three decades.

state of the art market an analysis of global auction sales in the first five months of 2022 2136208

Artnet News, in collaboration with Morgan Stanley and the Artnet Price Database, analyzed global auction sales from January through May 20 for the years 2018 to 2022. The total auction sales for the first five months of 2022 reached $5.7 billion, just barely exceeding the previous high set in 2018. The sell-through rate was 73.4%, the second highest in the period examined. The average price of a work sold surged 180% from 2020 and 26% from 2021, driven by pent-up supply of high-value works. Sales of works priced at $10 million and above grew nearly 50% year-over-year, fueled by major consignments from the estates of Thomas and Doris Ammann, Anne Bass, and Harry and Linda Macklowe. Meanwhile, sales of works under $10,000 increased 43% since 2018, partly due to the rise of online auctions during the pandemic.

Dealers express concern over Singapore fair merger

During Singapore Art Week, the merger of the boutique fair S.E.A. Focus into the larger Art SG fair sparked quiet concern among some participants. Dealers worry the move is a precursor to S.E.A. Focus being absorbed entirely, potentially sidelining its regional focus and making participation more expensive for Southeast Asian galleries. The future of the Singapore Biennale was also debated after a local newspaper article called for its termination.

Who are the members of the Venice Biennale jury?

Qui sont les membres du jury de la Biennale de Venise ?

The 61st Venice Biennale, opening May 9, 2026, has announced its international jury, which is composed entirely of women. The five members are Solange Oliveira Farkas (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, hailing from Brazil, Thailand, Spain, the United States, and Switzerland. Their backgrounds span the Global South, feminist studies, and transnational curatorial practices.

American Rousseaus Return to Paris

Les Rousseau américains de retour à Paris

The Musée de l’Orangerie in Paris is hosting a landmark exhibition titled "Henri Rousseau, l’ambition de la peinture," featuring 50 works by the self-taught master. The show is distinguished by a historic loan from the Barnes Foundation in Philadelphia, which has sent nine paintings to France for the first time since they were acquired a century ago by Albert Barnes. A highlight of the exhibition is the rare gathering of three "manifesto paintings"—The Sleeping Gypsy, Unpleasant Surprise, and The Snake Charmer—displayed together in a dedicated gallery.

The National Gallery expands with Kengo Kuma

La National Gallery s'agrandit avec Kengo Kuma

The National Gallery in London has commissioned renowned Japanese architect Kengo Kuma to lead a significant expansion and redesign project. The initiative aims to modernize the museum's infrastructure and create more fluid, accessible spaces for its world-class collection of European paintings.

In Geneva, John M Armleder’s Stunning Lesson in Art History

À Genève, la renversante leçon d’histoire de l’art de John M Armleder

The Musée d’Art et d’Histoire (MAH) in Geneva has unveiled its sixth "carte blanche" exhibition, curated by the influential Swiss artist John M Armleder. Following in the footsteps of figures like Ugo Rondinone and Wim Delvoye, Armleder was invited by museum director Marc-Olivier Wahler to mine the institution's vast collection of 800,000 objects. The resulting show defies traditional museum hierarchies by juxtaposing fine art with decorative objects, such as silver-topped corks and musical instruments, alongside Armleder's own prolific output of multiples.

15 Artists Explore the Potentiality of Fabric and Fiber in ‘Textile Art Redefined’

The Saatchi Gallery in London is hosting 'Textile Art Redefined,' a group exhibition featuring 15 artists who push the boundaries of fiber and fabric. Curated by Helen Adams, the show includes diverse works ranging from Ian Berry’s immersive installations made of recycled denim to Kenny Nguyen’s undulating silk wall pieces and Anne von Freyburg’s textile reinterpretations of Rococo paintings. The exhibition coincides with the release of Adams' new book, 'Textile Fine Art,' which explores the medium's evolution from functional craft to a celebrated pillar of contemporary art.

Auctioneer Kimberly Pirtle Leaves Sotheby’s to Launch Hybrid Art-Philanthropy Advisory

Kimberly Pirtle, a fast-rising auctioneer at Sotheby’s, has left the company to launch Gabriel Advisory Group, a hybrid art advisory and cultural philanthropy firm. The new practice works across primary and secondary markets, advising collectors on acquisitions while also guiding philanthropic strategy and institutional engagement, drawing on Pirtle’s experience in Sotheby’s collectors group and her work with benefit auctions for organizations including the Pratt Institute, the Bronx Museum of the Arts, the Queens Museum, and the Gordon Parks Foundation. Pirtle is also maintaining a role as a VIP consultant with Frieze.

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The 2026 Whitney Biennial features a wave of artists grappling with the unsettling intersection of human identity and advanced technology. Works by Cooper Jacoby and Isabelle Frances McGuire highlight a shift away from the sleek, optimistic 'Y2K' tech aesthetic toward a 'techno-horror' that explores data extraction and biometric surveillance. Jacoby’s 'Estate' series uses AI-generated scripts derived from the social media data of deceased individuals, while McGuire’s sculptures utilize 3D medical scans to create distorted, ghostly figures that blur the line between the organic and the digital.

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A coalition of Los Angeles’s leading art institutions, including the Getty, LACMA, MOCA, and the Hammer Museum, has officially pledged to adopt the Bizot Green Protocol. This collective commitment, which also includes the gallery Hauser & Wirth, establishes climate-minded guidelines for museum operations such as widening temperature and humidity parameters for galleries and reducing air travel for loans. The move was largely catalyzed by the devastating impact of recent wildfires on the region's cultural infrastructure.

laura phipps named director gochman family collection opening new exhibition space katonah fall 2026 1234775678

Laura Phipps has been appointed as the director of the Gochman Family Collection, a significant private collection primarily focused on contemporary Indigenous art. Phipps joins the organization following a distinguished 15-year tenure at the Whitney Museum of American Art, where she most recently served as an associate curator. In her new role, she succeeds Zach Feuer and will oversee a collection of over 750 works while managing the development of a new 10,000-square-foot public-facing exhibition space in Katonah, New York.

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The European Alliance of Academies has launched 'Re:Create Europe,' a four-year, $2 million initiative designed to safeguard artistic freedom and cultural autonomy across the continent. Funded largely by the European Union, the program will provide financial aid, residencies, and digital resources to artists and institutions facing political censorship, economic precarity, and the impacts of war. Notable beneficiaries include Madrid’s Círculo de Bellas Artes, which will receive funding to offset recent politically motivated local budget cuts.

the first gulf quinquennial in the uae argues for a less is best approach to group shows 1234739146

NYU Abu Dhabi Art Gallery has launched its first Gulf Quinquennial, titled "Between the Tides," featuring around 30 artists from the Gulf Cooperation Council countries. The exhibition presents a coherent selection of videos, installations, paintings, and traditional record-keeping practices, aiming to deepen and complicate the cultural narrative of the Arabian Peninsula by highlighting its diversity, linguistic interactions, and migrant labor.

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Robert Wiesenberger has been appointed as the new senior curator of contemporary art at the Brooklyn Museum. The position had been vacant since 2023, following the departure of Eugenie Tsai after 15 years. Wiesenberger is moving from his current role as a curator of contemporary art at the Clark Art Institute in Massachusetts.

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The second edition of the Atlanta Art Fair took place at Pullman Yards, a historic 27-acre former rail works in the Kirkwood district. The fair, directed by Kelly Freeman, featured around 80 dealers and attracted a diverse crowd, including many high school and college students, with a casual atmosphere far removed from typical art fair elitism. Freeman emphasized teaching the city how to use an art fair, prioritizing accessibility and long-term engagement over immediate sales.

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The Barnes Foundation has promoted Will Cary to Executive Vice President and Chief Operating Officer, where he will oversee new revenue initiatives, the Calder Gardens partnership, and a newly formed Brand department. Bukia Vakhania Gallery (formerly Gallery Artbeat) is opening a Berlin location on January 15 with a solo show by Nina Kintsurashvili. Heritage Auctions reported $2.2 billion in sales for 2025, its highest-ever annual total, driven by coins, comics, sports memorabilia, and illustration art. Antenna Space will open a Hong Kong outpost in March 2026, directed by Jeff Li. A Deloitte Private and ArtTactic report reveals that 50% of non-bank art lenders experienced loan defaults in 2024, up from 17% in 2023.

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Lucia Di Luciano, an Italian painter associated with the 1960s Arte Programmata movement, has died at age 93. Her death was announced by her Milan gallery, 10 A.M. Art, without specifying a cause. Di Luciano was known for her hand-painted, gridded black-and-white abstractions that mimicked computer-generated patterns, made with house paint and acrylic. Despite painting for nearly eight decades, she only gained wider international recognition in 2022 when her work was included in the main exhibition of the Venice Biennale, curated by Cecilia Alemani. Her career saw a late surge, with appearances at Tate Modern's "Electric Dreams" exhibition, art fairs like Frieze Masters and Independent 20th Century, and a solo show at Herald St. in London. The Maxxi museum in Rome is organizing a retrospective set to open in 2027.

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Hong Kong will send two artists, Angel Hui and Kingsley Ng, to represent the special administrative region at the 2026 Venice Biennale, marking the first time a duo has been selected. The Hong Kong Museum of Art (HKMoA) and the Hong Kong Arts Development Council (HKADC) are collaborating for the first time on the presentation, which will take place at the Campo della Tana as a collateral event. Hui, a gongbi ink painter born in 1991, and Ng, a media artist and associate professor born in 1980, will explore "the poetic rhythms of daily life" in dialogue with the Biennale's main exhibition theme, "In Minor Keys." The selection follows HKADC's decision in April to oust M+ museum as the exhibition's organizer, a role it had held since 2013, without citing a reason.

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The Virginia Museum of Fine Arts (VMFA) in Richmond has repatriated 41 terracotta relief fragments valued at approximately $400,000 to Turkey. The works, acquired by the museum in the 1970s from Summa Galleries and antiquities dealer Harlan J. Berk, were determined to have been illegally excavated from a 6th-century B.C.E. Phrygian temple. The repatriation followed an investigation by the Antiquities Trafficking Unit of the Manhattan District Attorney’s Office, which presented evidence of illicit excavation and illegal export to the museum.

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MoMA PS1 has announced details for the 2026 edition of Greater New York, its quinquennial survey of art made in and around New York City, coinciding with the institution's 50th anniversary. Unlike previous editions that brought in outside curators, this iteration will be organized entirely by PS1's in-house curatorial team, led by director Connie Butler, chief curator Ruba Katrib, and associate curators Jody Graf and Elena Ketelsen González, with support from assistant curator Kari Rittenbach, curatorial assistant Sheldon Gooch, and curatorial coordinator Andrea Sánchez. The exhibition, featuring more than 50 artists, opens on April 16, 2026, though a specific theme has yet to be announced.

va east opens with gen z in mind calls for us museums to return nazi looted artworks grow louder sothebys selling manny davidson collection morning links for november 5 2025 1234760244

The V&A East, a new museum complex in London's Olympic Park, will open on April 18, 2025, with director Gus Casely-Hayford aiming to engage Gen Z audiences. The museum spans two sites: the V&A Storehouse, which opened in May and exceeded visitor targets, and the V&A East Museum, a five-story building by Irish architects O'Donnell & Tuomey. Casely-Hayford, who felt excluded from museums as a Black British child, wants the institution to spark creative passion in young people. Separately, Gideon Taylor of the World Jewish Restitution Organization calls for US museums to return Nazi-looted artworks, highlighting the case of Paul and Alice Leffmann's Picasso painting *The Actor* (1904), now at the Metropolitan Museum of Art, and urging passage of the 2025 HEAR Act to remove legal barriers to restitution.

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The editor's letter for the 2025 ARTnews Top 200 Collectors issue recounts a cinematic moment at Art Week Riyadh in Saudi Arabia, where a government-affiliated collector described their role as "everyone and no one," reflecting the behind-the-scenes, museum-focused art acquisitions under Vision 2030. The issue features a report by Melissa Gronlund on the Gulf art scene, noting that Saudi Arabia is prioritizing museums and noncommercial programming before an independent market can emerge, while private collectors and foundations are also gaining ground. The article also highlights the cooling art market in Europe and the US, with collector Christen Sveaas criticizing blue-chip galleries for over-commercial pricing strategies.

yan du project billy tang artistic director 1234753246

London-based nonprofit Yan Du Project (YDP) has appointed Billy Tang as its artistic director, effective this month, ahead of the opening of its new home in a Grade I-listed townhouse on Bedford Square this October. Tang, who was born in London to Vietnamese refugee parents, returns to the city after serving as executive director and curator at Para Site in Hong Kong, and previously held curatorial roles at Magician Space in Beijing and Rockbund Art Museum in Shanghai. YDP is the second nonprofit founded by ARTnews Top 200 Collector Yan Du, following the Asymmetry Foundation launched in 2019.

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A group of officials overseeing major UK cultural institutions, including the British Museum, the Victoria and Albert Museum, and the National Gallery, have signed a public letter defending corporate sponsorship. Published in the Financial Times, the letter calls for an end to "relentless negativity" around private sector partnerships and is backed by ten organizations, including the Science Museum Group. It follows protests over Baillie Gifford's sponsorship of literary festivals due to its ties to fossil fuels and Israel, which led nine festivals to end partnerships in 2023.