Gaudí Attribution Confirmed for Xalet del Catllaràs

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A comprehensive architectural report commissioned by the Government of Catalonia has officially confirmed that Antoni Gaudí designed the Xalet del Catllaràs, a remote chalet in the Catalan mountains. Built between 1901 and 1908 for engineers working at coal mines owned by Gaudí’s patron Eusebi Güell, the building’s attribution was previously suspected but unverified. Researchers used structural analysis of the canted arches, room distribution, and specific lime plastering techniques to link the pyramidal structure to Gaudí’s signature modernist style.

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For 12 years, a one-acre community garden in Manhattan's Nolita neighborhood, Elizabeth Street Garden, has been locked in a battle with New York City officials over plans to build affordable housing on the site. The city, under former Mayor Eric Adams, had scheduled an eviction for March 2024 to make way for Haven Garden, a 123-unit senior housing development. After a last-minute impasse, the Adams administration abandoned those plans in June, instead rezoning three nearby sites. However, newly elected Mayor Zohran Mamdani, who campaigned on closing the garden for housing, has revived uncertainty. Just before Mamdani took office, the Adams administration permanently dedicated the land as public parkland, requiring state legislative approval for any future development.

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Maria Lai (1919–2013), a Sardinian artist who blended abstraction, Arte Povera, and craft, is receiving her first North American museum retrospective at Magazzino Italian Art in Cold Spring, N.Y. The exhibition, curated by Paola Mura, features nearly 100 works drawn from the personal collection of founders Nancy Olnick and Giorgio Spanu, the artist's foundation, and Italian museums. It includes a permanent installation of Lai's 1992 cement sculpture *Colombe di Cemento* on the museum grounds.

Barbados's slavery museum and memorial faces major delays

Barbados's Heritage District at the Newton Enslaved Burial Ground, a major project including a memorial, national museum, archives, and cultural complex, is facing significant construction delays more than four years after its 2021 announcement. The site, one of the largest known burial grounds of enslaved Africans in the Western Hemisphere, is being developed under the Road (Reclaiming Our Atlantic Destiny) Programme led by Prime Minister Mia Amor Mottley. While a temporary pavilion for the National Performing Arts Centre opened in August 2025, the overall completion—initially slated for 2024—has been pushed back due to expanded archival digitization, supply-chain disruptions, and a fire at the Barbados Archives Department in June 2024. The memorial, designed by Adjaye Associates, is conceived as a landscape intervention using teak sourced from Ghana.

Miami Advice: Mikhaile Solomon on the immersive Artists in Residence in Everglades programme

Mikhaile Solomon, founder of Prizm art fair, discusses the Artists in Residence in Everglades (Airie) program, which has hosted around 200 artists over 25 years. Founded in 2001 by artist Donna Marxer and park ranger Alan Scott, Airie invites about 14 artists per year to live and work for one month in Everglades National Park, producing work that responds to the subtropical wilderness. The program's exhibitions have traveled to venues like the Cooper Hewitt, Smithsonian Design Museum and the Venice Biennale, with recent projects including Miami-based artist Germane Barnes' sound installations.

A semester of SLAM

The St. Louis Art Museum (SLAM) hosted two special exhibitions during the past semester: the annual "Art in Bloom" floral exhibition from February 27 to March 1, 2026, and the solo show "Currents 125: Blas Isasi" opening February 6, 2026. "Art in Bloom" pairs 30 permanent collection pieces with ephemeral floral arrangements created by local designers, featuring a centerpiece by New York-based floral designer Rachel Cho. The exhibition has grown from an invitational event with 7,000 attendees to an open call drawing over 30,000 visitors. Isasi's exhibition, titled "The weight of a gaze (is to listen to the sound of a kilogram)," is part of SLAM's "Currents" series and the WashU Henry L. and Natalie E. Freund Teaching Fellowship, incorporating a Chincha Inka balance from the museum's collection alongside sandstone sculptures and aluminum foil pieces.

An underground art park by Mike Hewson opens beneath the Art Gallery of NSW

New Zealand-born engineer-turned-artist Mike Hewson has opened 'The Key’s Under The Mat,' an interactive social sculpture inside the subterranean Nelson Packer Tank at the Art Gallery of New South Wales in Sydney. The free exhibition, running from October 4, 2025 through 2026, transforms a former WWII oil reservoir into an art park featuring dozens of usable sculptures—including a functioning sauna, steam room, laundromat, playground, and barbecue—all made from thousands of salvaged objects. Visitors are encouraged to dwell, play, create, and even do laundry, with the artist describing the work as a 'handmade utopia.'

Michael Fullerton: The Politics of Portraiture

Glasgow-based painter Michael Fullerton is presenting a two-part exhibition that critically examines the politics of portraiture. The first section features 11 oil portraits of male asylum seekers he lived alongside while working as live-in staff at the Hilltop Hotel in Carlisle. These works, painted in a traditional style, depict the men with care against ambiguous landscapes, deliberately restricting personal information to names and origins, highlighting their status within systems of power.

Running from one image to another, from one time to another, from one hope to another: at Circolo, in Milan, an exhibition on the contemporary Lebanese scene

The article reviews "Shifting Crossroads. Beirut Contemporary," an exhibition at Circolo in Milan that surveys the contemporary Lebanese art scene. It features internationally recognized artists like Mona Hatoum and Simone Fattal alongside emerging talents, including works from the Saikalis Bay Foundation, founded in 2024 by Nicole Saikalis and Matteo Bay. The show spans historical-archival investigation, photography, installation, painting, and sculpture, with pieces such as Stéphanie Saadé's "Stage of Life" (2021), Catherine Cattaruzza's "I am Folding the Land" (2022), and Joana Hadjithomas & Khalil Joreige's "Waiting for the Barbarians" (2013) exploring themes of memory, fragility, and geopolitical instability.

From gunshots to gilded plates: Who are the real hooligans of the art world?

Alex Burchmore reviews 'The Hooligans,' an exhibition that explores the Maoist concept of hooliganism in the context of contemporary Chinese art. The show features works by artists like Xiao Lu, who famously fired a gun at her installation during the 1989 'China/Avant-Garde' exhibition, as well as Zhu Yu and He Yunchang, known for incorporating human body parts and surgical procedures into their art. The exhibition contrasts these transgressive acts with more market-friendly works, such as Zhu Yu's gilded plate paintings and Hu Yinping's commercial-style figurines, highlighting the tension between artistic rebellion and commercial success.

‘La Musée’: The history and challenges behind a landmark acquisition of works by women artists

The Museums of Poitiers in France have officially acquired 'La Musée,' a landmark collection of 523 works by women artists spanning the 17th to the 21st centuries. Assembled by artist and historian Eugénie Dubreuil since 1999, the collection includes paintings, sculptures, and decorative arts intended as a 'counterproposal' to the male-dominated art historical canon. The acquisition was finalized in March 2024 following a rigorous two-year review process and was accompanied by a €150,000 grant from the Les Beaux Yeux endowment fund to support a five-year project dedicated to women artists.

Oliver Jeffers: Artist's first Belfast exhibition in more than 20 years

Artist and author Oliver Jeffers is holding his first exhibition in his hometown of Belfast in over 20 years. The show, titled "Disasters and Interventions," is on view at the Naughton Gallery at Queen's University and features a series of works where Jeffers inserts calamitous scenes—such as an oil tanker spill or an airship crash—into tranquil vintage landscapes, transforming calm into catastrophe. The project began when he found a discarded print in New York's Chinatown and began painting into it, eventually building a collection over 14 years that balances tragedy with a wry, thoughtful humor.

Comment | Fine balance: fairs up the exclusivity while appealing to younger clients

Art Basel Paris in October introduced a new ultra-exclusive preview called Avant Première, catering to top-tier galleries with seven- and eight-figure works, while some emerging exhibitors felt sidelined. Meanwhile, the fair's organizers dropped the term "VIP," renaming its dedicated department to "collector and institutional relations," as CEO Noah Horowitz explained that the term could be off-putting to a new generation of buyers. Parallel events like Trauma, a curatorial platform founded by artist Adrian Ghenie, and the Basel Social Club offered more inclusive, youth-driven alternatives, though they still maintained guest lists.

Artistic discs

Kolkata Ink Studio presented a group exhibition of graphic art at Gallery Charubasona, featuring 18 artists who each contributed two disc-shaped copperplates and matching prints. The works ranged from Manik Kumar Ghosh's clever double-disc brassiere to Partha Pratim Deb's absurd clownish figures, Laxma Goud's restrained goddess imagery, and Rm. Palaniappan's three-dimensional illusions. Other highlights included Siddhartha Ghosh's identity-less human figures, Sukla Poddar's environmental themes, and Swapnesh Vaigankar's archaeological inspirations. The exhibition was described as neat but lacking in challenge, with most works in monochrome and only faint touches of color.

In a risk-averse market, Paris Photo offers diversity

Paris Photo returns to the Grand Palais for its 28th edition, featuring 220 exhibitors from 33 countries, including 178 galleries and 42 publishers. The fair opens amid a risk-averse market where dealers report slower acquisitions, increased production costs, and reduced collector risk-taking, yet attendance reached 81,000 in 2024. Notable trends include a resurgence of Japanese galleries after a five-year absence, strong Latin American presentations from Buenos Aires, São Paulo, Santiago, and Mexico City, and a rise in women artists to 39% of practitioners, up from 20% in 2018. Highlights include MEM's exhibition of the August 6 Hiroshima Day student photography project and Claudia Andujar's Yanomami works shown by Galeria Vermelho.

The Big Review | Manet & Morisot at Legion of Honor, San Francisco ★★★½

The article reviews the exhibition "Manet & Morisot" at the Legion of Honor in San Francisco, which pairs works by Édouard Manet and Berthe Morisot to explore their artistic dialogue. It highlights how, contrary to the common assumption that Morisot was influenced by Manet, the show argues that Manet increasingly adopted Morisot's lighter palette, looser brushwork, and intimate subject matter in his later years, especially as his health declined. Key pairings include Manet's "Before the Mirror" (1877) and Morisot's "Woman at her Toilette" (around 1875-80), as well as their respective series of seasonal allegories, shown together for the first time.

L.A.’s AI art museum DATALAND is opening next spring—with a trippy infinity room

DATALAND, the world's first museum dedicated to AI art, has announced it will open in spring 2026 at the Grand L.A. complex in Downtown Los Angeles, a delay from its original 2025 target. Founded by artist Refik Anadol and his wife Efsun Erkılıç, the 25,000-square-foot venue will feature five galleries, including an Infinity Room that incorporates AI-generated scents drawn from the studio's Large Nature Model, trained on data from 16 rainforests. DATALAND will also partner with Google Arts & Culture for an artist residency program, selecting three artists for six-month collaborations culminating in public displays.

Shifting the dial: new fair Echo Soho celebrates women-run galleries

Echo Soho, a new art fair dedicated to female-led galleries, launched this week in London to address the underrepresentation of women in leadership roles within the art world. Conceived by gallerist India Rose James, the fair features 12 galleries, most of which are showing women artists, with works priced accessibly and participation costs kept low to encourage inclusivity. The fair takes place at Artists House, a Georgian townhouse owned by James's family's Soho Estates.

This Is What Happens When an Art Auction Bidder Changes Their Mind

Auction houses are grappling with a rise in bidders attempting to back out of winning bids, often citing flimsy excuses like cats jumping on keyboards. Richard Wright, CEO of Rago/Wright, describes a 'cat button' on their website that locks the bid button to prevent accidental clicks, but some buyers still renege by blaming spouses or pets. The problem has worsened with online bidding, as remote participants may not grasp the binding nature of a winning bid. Houses like Freeman | Hindman and Eldred's require deposits and registration to mitigate risks, but defaults persist, with Wright estimating 1% of sales become problematic.

Lord of the Rings artist joins fantasy exhibition on Dartmoor

An exhibition titled 'Widdershins 3' at Green Hill Arts on Dartmoor showcases fantasy art inspired by Devon folklore, featuring works by renowned artists Brian Froud, Wendy Froud, and Alan Lee, who have contributed to projects like 'Lord of the Rings', 'Labyrinth', and 'The Dark Crystal'. The show includes 19 artists and has drawn visitors from Europe, America, and Australia, with free admission to ensure broad accessibility.

The Sky High Farm Biennial Cultivates Something Special

The Sky High Farm Biennial, curated by former Downtown art star Dan Colen, opened in a cold storage warehouse in Germantown, N.Y., featuring over 160 works by 50 artists across two floors. The exhibition is loosely themed around humanity's relationship with the natural world, with immersive installations by Anne Imhof (a maze of cider crates) and Rudolf Stingel (a mirrored floor requiring paper booties). Highlights include works by Nan Goldin, Thiago Rocha Pitta, Stephen Lichty, Carrol Dunham, Pia Camil, and Ann Craven. The show balances informal and polished elements, offering a breezy summer experience while serving as a thesis on artist community.

Palo Alto gallery adds new artist to the fold whose layered pieces unite chaos and calm

Bryant Street Gallery in Palo Alto has added Louisiana-based painter Lynn Sanders to its roster, featuring her large-scale abstract works in a solo exhibition titled "Lessons in Patience," on view through August 30. Gallery owner Karen Imperial discovered Sanders while searching online for abstract contemporary art, bypassing traditional portfolio submissions. Sanders uses a layered process with acrylic paints, stains, and ink to create fluid, color-rich compositions that she describes as a diary of her life and emotions.

Everything to Know About Christie’s Modern Middle Eastern Art Auction

Christie’s has opened an online auction of Modern and Contemporary Middle Eastern Art, running through May 8th and featuring 69 works from across the Gulf, Levant, North Africa, Iraq, and Iran. The sale is led by pioneering artist Samia Halaby’s 2013 painting 'Water Lilies', estimated at $100,000–$150,000, and includes a dedicated 'Saudi Now!' section with 12 pieces by Saudi artists such as Ahmed Mater and Manal AlDowayan. Over a third of the lots are by women artists, including Etel Adnan, Helen Khal, Huguette Caland, Tala Madani, and Tagreed Darghouth, alongside North African figures like Mohamed Melehi and Hassan Hajjaj.

At Kunsthalle Praha, Anna-Eva Bergman and Hans Hartung are reunited in art, as they were in life

Kunsthalle Praha has opened a dual exhibition, "Anna-Eva Bergman & Hans Hartung: And We’ll Never Be Parted," reuniting the two artists in art as they were in life. The show traces their youthful infatuation, creative partnership, divorce, and reunion, highlighting Bergman's neglected contributions to abstract art inspired by nature and Hartung's prominence in the Art Informel movement. Featuring paintings, sketches, archival material, and mutual gifts, it is billed as the first major museum exhibition to place the two in dialogue.

Catalan Museum Has Yet to Follow Through on Court Order to Return Contested Murals to Aragon Monastery

The National Art Museum of Catalonia (MNAC) in Barcelona has failed to comply with a May 2025 Spanish Supreme Court ruling ordering the return of 13th-century Romanesque murals to the Sijena Monastery in Aragon. Despite the legal mandate ending a decade-long dispute, the museum continues to house the works, citing significant technical and conservation risks associated with transporting the delicate canvases.

Dizzy, Nauseous Columbus Art Museum Workers Issue Complaints About Chemical Fumes

Workers at the Columbus Museum of Art have filed a complaint with OSHA, reporting symptoms like headaches, nausea, and dizziness believed to be caused by fumes from a chemical floor sealant used during renovations. The sealant, GT 275, is intended for outdoor or well-ventilated use and carries warnings about inhalation risks, with a former employee expressing concern over potential long-term health effects from exposure.

Carmen Reviriego on Art Patronage in Spain and the Callia Foundation

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Carmen Reviriego, founder and president of the Callia Foundation, recently hosted the 11th edition of the International Patronage Awards at Madrid’s Royal Collections Gallery. The event honored significant figures in the art world, including ARTnews Top 200 collector Batia Ofer, while highlighting the foundation's broader mission of funding restorations and fostering collaboration between private donors and Spain’s public institutions. Reviriego, who transitioned from a career in finance to art philanthropy, utilizes a business-minded approach to advocate for a more balanced model of cultural funding in Spain.

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The Museum of Fine Arts, Boston announced layoffs affecting approximately 30 staff members, a 6.3% reduction of its workforce, effective this Friday. The decision was communicated via an internal email obtained by WBUR, citing an unsustainable deficit and the need for financial restructuring. The MFA, Boston Union, which represents 16 of the affected employees, expressed concern and called for negotiations to avert layoffs and preserve workforce diversity. This follows a previous round of layoffs and early retirements in 2020.

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On December 11, the National Museum of Asian Art (NMAA), part of the Smithsonian Institution in Washington, D.C., announced it is returning three Khmer period sculptures to Cambodia. The works—a 10th-century Uma, a 10th-century Harihara, and a circa-1200 Prajnaparamita—were determined to have been likely looted during Cambodia’s civil war (1967–1975), based on research with Cambodian authorities, lack of export documentation, and links to dealers known for trafficking looted antiquities.

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Egyptian Member of Parliament Freddy Elbaiady publicly criticized the Grand Egyptian Museum's ticketing system, which imposes separate quotas for foreign tourists and Egyptian nationals. The controversy erupted after overcrowding on a single day saw over 27,000 tickets sold—exceeding the daily limit of 20,000—leading to thousands of frustrated visitors being denied entry. Elbaiady submitted a formal request to remove the quota, calling it discriminatory, and demanded a briefing from the Prime Minister and Minister of Tourism. In response, the museum announced a shift to a pre-booking system with designated entry times, implemented last week, and starting December 1, online booking will be the only method for purchasing tickets.