A major exhibition titled "The Great Camouflage" is on view at the Rockbund Art Museum in Shanghai, curated by X Zhu-Nowell and Kandis Williams. The show explores 20th-century Afro-Asian revolutionary alliances and Black feminist thought through contemporary art, featuring works by artists like Pope.L, Tuan Andrew Nguyen, and Onyeka Igwe that process these histories from feminist perspectives.
The 2026 Whitney Biennial features artists using technology to explore themes of surveillance, data extraction, and the unsettling blur between human and machine. Works like Cooper Jacoby's AI-generated piece, which scrapes data from deceased individuals' social media, and Isabelle Frances McGuire's 3D-scanned witch figures, confront the ethical and existential implications of biometrics and digital quantification.
A truck driver named Joe Macken spent 21 years building a massive, 50-by-27-foot miniature model of New York City from humble materials like balsa wood and cardboard. His daughter's suggestion to post it on TikTok led to the project going viral, which subsequently caught the attention of the Museum of the City of New York. The museum has now mounted a dedicated exhibition, "He Built This City: Joe Macken's Model," featuring the sprawling 1:2400-scale creation.
Artist Ding Shilun's career is accelerating, marked by a major auction record for his 2021 work 'The Adoption of the Maiden' at Phillips London and a current solo exhibition, 'Spectres in Rehearsal,' at Bernheim Gallery in Zurich. His large-scale paintings blend theatrical compositions, Goya-esque and manga influences, and narrative structures from Chinese zhiguai tales to create accessible yet complex scenes.
Jack Kerouac's original 120-foot scroll manuscript for 'On the Road' sold for $12.1 million at Christie's, setting a record for a literary manuscript. The scroll, part of the late Indianapolis Colts owner Jim Irsay's collection, was purchased by country singer-songwriter Zach Bryan, who plans to create a Jack Kerouac Center in Lowell, Massachusetts.
Bergen Kunsthall has launched "Iter Subterraneum," a group exhibition inspired by Ludvig Holberg’s 1741 satirical novel about a man who falls through a cave in Bergen into a subterranean world. The show features ten international artists, including Robert Gabris, Anicka Yi, and Cecilia Fiona, whose works span video, sculpture, and performance. By pairing historical editions of Holberg’s book with contemporary installations, the exhibition explores themes of displacement, collective existence, and the blurring of lines between human and non-human life.
Clémentine Bruno’s artistic practice explores the tension between presence and absence, treating the canvas as a site of temporal layers rather than a flat surface for representation. Her work emphasizes the preparatory stages of painting—the laying of gesso and the construction of supports—allowing images to emerge reluctantly through processes of sanding, veiling, and partial erasure. Recent exhibitions, such as "Educational Complex" at Tonus and "Vision of Fading" at Mendes Wood DM, highlight her interest in how institutional structures and memory maps dictate what is retained and what is forgotten.
The Frist Art Museum in Nashville has announced the upcoming exhibition "Anila Quayyum Agha: Interwoven," scheduled to run from May 22 through August 30, 2026. This career-spanning survey features two decades of the Pakistani American artist's work, including her signature immersive light installations, drawings, and sculptures. The exhibition highlights major pieces such as "All the Flowers Are for Me (Red)" and the poignant installation "A Flood of Tears (Gathering Storms)," which reflects on the catastrophic 2010 Pakistan floods.
The acclaimed Venezuelan electronic musician Arca, born Alejandra Ghersi, is transitioning into the visual arts with her first institutional exhibition at the Institute of Contemporary Arts (ICA) in London. Titled "Angels," the body of work consists of visceral, heavily textured paintings created using a chaotic mix of oils, acrylics, melted plastic, and latex. Ghersi turned to the physical medium as a therapeutic response to professional burnout, using the permanent nature of painting to process personal trauma and reconnect with the raw creative enthusiasm she felt before her music career became a global profession.
Angela de la Cruz's solo exhibition "Upright" at Birmingham's Ikon gallery presents a collection of broken and mended artworks. Her canvases are crumpled, folded, and snapped, while sculptures are assembled from precarious junk like a three-legged chair on a stool and a piano stacked atop another. The works, though appearing on the verge of collapse, are all repaired and propped back up, reflecting a state of post-collapse resilience.
Edward Weston senza veli. Il fotografo americano in mostra a Torino
CAMERA – Centro Italiano per la Fotografia in Turin is hosting a major retrospective of the American photographer Edward Weston. The exhibition explores Weston’s mastery of 'straight photography,' showcasing his iconic nudes, still lifes of organic forms like peppers and shells, and sweeping Californian landscapes. Through absolute precision and tonal control, the show highlights how Weston transformed physical matter into timeless, sculptural images that defined a new visual language of the 20th century.
Conceptual artist Ann Hamilton has debuted a new series of large-scale scanner photography installations at the Cleveland Museum of Art. Moving from her signature immersive environments to high-resolution digital captures, Hamilton utilizes a flatbed scanner to document the tactile qualities of various objects and figures, enlarging them to billboard proportions to emphasize the intimacy of touch.
A major exhibition at the Metropolitan Museum of Art is dedicated to the work of Senegalese modernist painter Iba Ndiaye. The show, "Iba Ndiaye: The Studio of the World," presents a comprehensive look at his career, tracing his journey from Senegal to Paris and his unique synthesis of global artistic traditions.
The Centre Pompidou Hanwha is set to open in Seoul this June, housed in a renovated four-story former aquarium in the Yeouido district. Designed by French architect Jean-Michel Wilmotte, the new outpost is the result of a four-year partnership between the Hanwha Foundation of Culture and the Parisian institution. The museum will launch with the exhibition "The Cubists: Inventing Modern Vision," which explores the evolution of Cubism and its specific intersections with Korean art history.
The Repatriates Collective has launched 'Tide of Returns' at Ocean Space in Venice, an exhibition that redefines repatriation as a continuous process of spiritual and communal repair rather than a singular legal transaction. Set within the historic Church of San Lorenzo, the installation features immersive works such as 'From My Mother’s Country,' which utilizes thousands of handmade dolls from Namibia, and Verena Melgarejo Weinandt’s textile and video works exploring the symbolic power of water and braiding.
The Centre Pompidou is expanding its global footprint with the opening of a new satellite museum in Seoul this June. Housed in a former aquarium within the Hanwha Group's headquarters in the Yeouido financial district, the Centre Pompidou Hanwha is the result of a four-year partnership between the French institution and the Hanwha Foundation of Culture. The renovated 108,000-square-foot space, designed by architect Jean-Michel Wilmotte, will debut with an exhibition titled "The Cubists: Inventing Modern Vision," which explores the evolution of Cubism and its intersections with Korean art.
The Brooklyn Museum has named photographer and multimedia artist Keisha Scarville the winner of its sixth annual UOVO Prize. She will receive a $25,000 unrestricted grant, a public exhibition titled "Where Salt Meets Black Water" at the museum's Iris Cantor Plaza opening May 8, and a commission for a large-scale work on the façade of UOVO's Bushwick storage facility.
Laura Phipps has been appointed director of the Gochman Family Collection, a private collection focused on contemporary Indigenous art. She joins from the Whitney Museum of American Art, where she was an associate curator, and will oversee the collection's strategic direction and the opening of its new 10,000-square-foot exhibition space in Katonah, New York this fall.
Norwegian artist Siri Aurdal, known for her pioneering use of industrial materials to create socially-driven sculptures, has died at the age of 88 in Oslo. Born into a prominent artistic family, Aurdal rose to prominence in the late 1960s by repurposing materials like reinforced fiberglass and plexiglass—often sourced from Norway’s oil industry—into modular, interactive installations. Her work frequently bridged the gap between fine art and public utility, manifesting in monumental playground structures and politically charged pieces that responded to global events like the Vietnam War.
The Antwerp fashion museum MoMu is launching the first major exhibition dedicated to the Antwerp Six, the legendary group of Belgian fashion designers who rose to international fame in the 1980s. The show, titled "The Antwerp Six," marks the 40th anniversary of their pivotal debut at London Fashion Week and features never-before-seen archival material, including drawings, collages, and photographs, to trace their individual yet interconnected creative journeys.
British artist Simon Fujiwara has opened a major career survey, 'A Whole New World,' at Mudam Luxembourg. The exhibition features a reinterpretation of Picasso's *Guernica* using his cartoon character Who the Baer, alongside works addressing his personal experience with syphilis and a commemorative installation for Japanese gay porn star Koh Masaki. The show is structured as a thematic 'theme park' exploring contemporary issues.
Gertrude Abercrombie, a self-taught Chicago painter dubbed the "bop artist" by jazz legend Dizzy Gillespie for translating the spirit of bebop into visual art, is receiving her largest-ever traveling retrospective. The exhibition, "Gertrude Abercrombie: The Whole World Is a Mystery," organized by the Milwaukee Art Museum, highlights her dream-inspired, surrealist paintings and celebrates her role as a bohemian salon hostess who brought together iconic jazz musicians and writers in her home.
Art21 hosted an advance screening of Sophie Calle's segment from the upcoming Season 12 of "Art in the Twenty-First Century" at the SAG-AFTRA Robin Williams Center in New York. Following the first public showing of the documentary, which follows Calle preparing exhibitions in Paris, Arles, and Minneapolis, the artist participated in a conversation with filmmaker Bette Gordon. They discussed the influence of 1980s New York and themes of identity and vulnerability in her work.
A new exhibition of Frank Bowling's work traces the artist's early struggle to find his voice within the rigid artistic categories of the 1960s. The show features paintings from his student days in London, where he grappled with expectations to be either a political 'Black artist' or a formalist 'artist' free from identity constraints, resulting in works that felt derivative of figures like Francis Bacon.
Choreographer Michael Clark's 2003 work *Satie Studs* was revived as part of the live event programme for Peter Doig's exhibition *House of Music* at London's Serpentine Galleries. Dancer Jules Cunningham performed the minimalist solo, set to Erik Satie's piano preludes, showcasing controlled, precise movements that distilled ballet and yoga poses into a stark, deliberate sequence.
The Chicago art scene takes center stage with a curated guide to six essential exhibitions coinciding with the EXPO Chicago 2026 art fair. Highlights include Josh Brainin’s immersive two-channel video installation at Tala and a thematic exploration of Chicago’s urban infrastructure hosted at the Chicago Cultural Center, showcasing a diverse range of media from digital video to architectural critique.
Akinsanya Kambon’s work is featured as a highlight in a curated guide of six must-see exhibitions during the EXPO Chicago 2026 art fair. The selection spans a diverse range of media and venues, including Josh Brainin’s frantic two-channel video installations at Tala and a thematic exploration of urban infrastructure hosted at the Chicago Cultural Center.
The 2026 Whitney Biennial features a notable contingent of artists who first gained significant attention through their presentations at Frieze art fairs. Artists like Precious Okoyomon and Jordan Strafer, whose work was showcased at Frieze events, are now included in this prestigious survey of contemporary American art.
Artist Steve DiBenedetto presents a new body of work in his solo exhibition, "Spiral Architect," at Derek Eller Gallery. The show features 17 paintings ranging from large-scale canvases to intimate works, all characterized by a restless movement between abstraction and figuration. DiBenedetto utilizes a process-heavy technique of adding, scraping, and reworking oil paint to create dense, visionary landscapes filled with octopi, cellular forms, and Rube Goldberg-esque machinery.
Expo Chicago and its satellite fairs serve as a complex barometer for the Midwestern arts ecosystem, highlighting both the successes of local representation and the tensions of institutional growth. While galleries like Andrew Rafacz and Corbett vs. Dempsey demonstrate viable career paths for Chicago-based artists like Melissa Leandro and Gabrielle Garland, the fair's shifting structure reveals a narrowing field for smaller nonprofits.