M’barek Bouhchichi: Hands That Remember

Moroccan artist M’barek Bouhchichi presents 'Les mains des poètes' at Foundation H in Antananarivo, Madagascar, running until 17 October 2026. The exhibition stems from a residency in Madagascar where Bouhchichi collaborated with local artisans—blacksmiths, weavers, ceramists, and musicians—to create works that resist singular authorship. Central to the show is the revival of sorabe, the Arabico-Malagasy script, treated as an embodied, gestural practice rather than fixed writing.

Echoes from the Margins: Guinea’s Debut Pavilion Resonates in Venice.

Guinea has presented its first-ever national pavilion at the 61st Venice Biennale. Titled 'Le Son de l’Art,' the exhibition is installed on the island of San Servolo and is curated by Koyo Kouoh, featuring a multidisciplinary group of artists exploring memory, materiality, and postcolonial identity.

NAFRICA–MASCHERE: The Mask Strikes Back

Curator Simon Njami discusses his exhibition 'NAFRICA–MASCHERE' at the Museo e Real Bosco di Capodimonte, which juxtaposes the fascist anthropological archives of Lidio Cipriani with contemporary artworks. The show utilizes the metaphor of the mask to explore the tension between how individuals are perceived and how they project themselves, specifically addressing the persistence of colonial logic in the modern world. By including artists from Africa, America, and Italy, Njami seeks to move beyond a binary 'colonizer vs. colonized' narrative toward a broader inquiry into human representation and power.

‘Washwasha’ (Whispers Across Water): Sonic Cartographies of the UAE at the Venice Biennale.

The National Pavilion UAE has announced its upcoming exhibition for the 61st Venice Biennale in 2026, titled ‘Washwasha’ (Whispers Across Water). Curated by Bana Kattan with assistant curator Tala Nassar, the presentation features six artists: Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition moves away from traditional visual spectacle to focus on sound, oral traditions, and 'sonic cartographies' that explore memory, migration, and the fluid identity of the UAE through an architectural environment designed by Büro Koray Duman Architects.

The Practice of Liberation and Sanctuaries of Becoming.

Michaela Yearwood-Dan has unveiled her first major UK institutional exhibition, 'The Practice of Liberation,' at the Whitworth. The immersive installation integrates fourteen new paintings with ceramic vessels and soundscapes, reimagining traditional religious motifs through a contemporary, secular lens. By deconstructing elements like stained glass and the Stations of the Cross into abstract forms, the artist creates a sanctuary that explores themes of ritual, memory, and personal identity.

Consequences of Being and the Process of Becoming.

Deborah Roberts’s solo exhibition, 'Consequences of Being,' at The FLAG Art Foundation showcases a significant evolution in her practice, featuring new large-scale paintings, works on paper, and her debut in ceramic sculpture. Her signature collage-based figures are presented as fragmented, composite bodies that challenge fixed notions of Black identity and subjecthood. By blending archival imagery with vernacular signage, Roberts explores how colonial legacies and historical narratives continue to influence the perception of Black bodies across the globe.

Sortilégios de desvio and the Politics of Image-Making

The Museu de Arte do Rio has launched 'Sortilégios de desvio,' the first solo institutional exhibition by Brazilian artist No Martins. Produced in collaboration with Galeria Almeida & Dale and curated by a five-person team led by Marcelo Campos, the show features a significant selection of Martins’ recent works that explore the intersections of urban experience and Afro-Brazilian cultural imaginaries. Through a variety of media, the exhibition highlights the artist's focus on gesture, memory, and the reconfiguration of traditional visual narratives.

Court Decision Ends Dispute Over Who Actually Bought Beeple’s Everydays: The First 5000 Days for $69.3 M.

A federal judge in New York has approved a final settlement in a lawsuit between the two pseudonymous figures behind the record-breaking $69.3 million purchase of Beeple's NFT "Everydays: The First 5000 Days." The agreement legally prohibits Anand Venkateswaran (Twobadour) from claiming any involvement in the 2021 Christie's purchase, confirming that Vignesh Sundaresan (Metakovan) was the sole buyer. Venkateswaran must also pay an undisclosed sum, dissociate from related online profiles, and correct third-party biographical information.

A powerful photo project became a love letter to the workers who built L.A. Metro's D Line

Photographer Ken Karagozian, who began documenting L.A. Metro construction workers in 1995, has collaborated with historian India Mandelkern on a photo book titled "Wilshire Subway: The Making of the D Line Subway Extension." The book chronicles the history, conflicts, and the workers behind the D Line extension along Wilshire Boulevard, ahead of its May 8 opening. A related exhibition, "Wilshire Subway: Photographed by Ken Karagozian," is on view at the 1301PE art gallery through May 14.

MARILYN BOROR BOR, SEBA CALFUQUEO, JULIETH MORALES. PERFORMANCE Y DISIDENCIAS

On April 18, 2026, the performance cycle "Atravesar el lago" (Crossing the Lake) took place in open spaces of Casa del Lago UNAM in Chapultepec Park, curated by Adonay Bermúdez. Artists Marilyn Boror Bor, Seba Calfuqueo, and Julieth Morales activated performances that destabilize dominant knowledge frameworks and confront narratives imposed by colonial modernity. Boror Bor's "Lo que el cemento no puede cubrir" turned the body into a living archive summoning ancestral memories; Calfuqueo's "Guardo mis semillas para el futuro" opened fissures in imposed borders; and Morales's "Enchumbarnos: Cuerpo, Norma y Territorio. Ritual para dos cuerpos" configured a threshold of listening and transformation. The article includes a curatorial text fragment exploring water as a dissident force, drawing on Silvia Rivera Cusicanqui's thought.

AT A LOW FLAME. CLAY AND NATURAL FIBERS IN THE WORK OF IBERO-AMERICAN ARTISTS

A MEDIA LUMBRE. BARRO Y FIBRAS NATURALES EN LA OBRA DE ARTISTAS IBEROAMERICANOS

The exhibition 'A media lumbre' presents a collection of works by Ibero-American artists that engage with materials and knowledge historically considered minor arts, such as ceramics, clay, wool, textiles, embroidery, and natural fibers. The show integrates sound and oral tradition as tools for transmitting memory, drawing inspiration from communal gatherings like the 'filandones.' It unfolds across four autonomous exhibitions in Valencia, Mallorca, Aragon, and Catalonia, connecting urban museums like the IVAM with rural contexts.

The Procession as a Form of World: Latin American Artists at the Diriyah Biennale

LA PROCESIÓN COMO FORMA DE MUNDO: ARTISTAS LATINOAMERICANOS EN LA BIENAL DE DIRIYAH

The third Diriyah Contemporary Art Biennale, titled 'In Interludes and Transitions,' is open until May 2nd in Saudi Arabia's historic Diriyah district. Curated by Nora Razian and Sabih Ahmed, the exhibition features 68 artists from over 37 countries and frames the world as a multitude of processions, using movement as its central theme and methodology. The exhibition design by Formafantasma encourages a fluid, nomadic journey through four thematic movements and site-specific 'arenas' within the repurposed industrial halls of the JAX creative district.

Resonances from the Abyss: Uruguayan Artists

Resonancias Desde El Abismo Artistas Uruguayos

The exhibition 'Resonancias desde el abismo. Prácticas artísticas entre presiones y frecuencias extrañas' (Resonances from the Abyss. Artistic Practices Between Pressures and Strange Frequencies), curated by Fabiana Puentes, opened at the Centro Cultural de España in Montevideo. It features works by eight Uruguayan artists—including Guadalupe Ayala, Karina Flores, and Sofía Córdoba—working across sculpture, video, sound, and installation. The show uses the extreme, dark, and high-pressure ecosystem of the ocean abyss as a conceptual framework to explore artistic practices that resist immediate interpretation and conventional systems of reference.

art brick hamza walker curator

Hamza Walker, the renowned curator and director of the Los Angeles nonprofit art space the Brick, is featured as a 2026 CULT100 honoree. He was a key driver behind the ambitious exhibition “Monuments,” which places decommissioned Confederate monuments alongside contemporary art at a time when American cultural history is increasingly politicized. The article includes a brief Q&A with Walker, touching on his personal tastes, work philosophy, and reflections on his career.

film mohamad abdouni michael bailey gates cold cuts

Lebanese photographer, filmmaker, and Cold Cuts magazine creative director Mohamad Abdouni has released a new documentary titled "Treat Me Like Your Mother," which documents the lives of trans women in Lebanon. The film, drawn from an Arabic expression asking for mercy, reframes motherhood as an ethical position rooted in responsibility for the trans community. Rather than extracting trauma, Abdouni allows the women to tell their own histories in personal, nonlinear, and surprising forms. The documentary evolved from a book project featuring oral histories of ten women, and the film centers Abdouni's own reflections on what these women represented to him growing up. In a dialogue with photographer Michael Bailey-Gates for CULTURED, Abdouni discusses the importance of letting trans women define the terms of their own visibility.

design aspen home dana garman jim jacobson

Dana Garman Jacobsen and Jim Jacobsen purchased a 1970s West End house in Aspen, Colorado, after Dana felt an irresistible pull toward the property during a ski trip. The home, previously owned by Chicago philanthropist Joan Harris, features a post-and-beam structure reminiscent of their Richard Neutra house in Los Angeles, with a swimming pool integrated into the living space and architectural details that frame mountain views. The couple furnished the interiors with pieces from Dana's collection, including Børge Mogensen sofas and a Biedermeier chaise lounge, and crafted bed frames from a 150-year-old walnut tree.

parties kid cudi documentary screening

Filmmaker Joshua Charow premiered his short documentary *Echoes of the Past* at the Miami Beach Edition, offering an intimate look at Kid Cudi's painter alter ego, Scotty Ramon, as he prepares for his first solo exhibition in Paris in 2026. The screening, attended by collector Larry Warsh and other art-world figures, showcased Cudi's experimental paintings and marked a new creative chapter for the musician-turned-visual artist.

art brian oakes young artist

Cultured magazine profiles Brian Oakes, a 30-year-old New York-based artist featured in their 2025 Young Artists list. Oakes creates intricate works that resemble a mad scientist's lab, including a miniature sorting machine exhibited at Blade Study in 2024 that rhythmically sorts diorama-like tableaux. Their practice also involves circuit boards, synthetic gemstones (opals, rubies, emeralds, and now sapphires), and magnetic core memory modules, exploring themes of value, automation, desire, and divination as a systematized asset.

art yasmin anlan huang young artist

Cultured magazine profiles 29-year-old artist Yasmine Anlan Huang, who is featured in the 2024 Whitney Biennial with her video poem "Her Love is a Bleeding Tank." The Guangzhou-born, New York- and London-based artist explores themes of girlhood, melodrama, fetish, and techno-capitalism through cross-media work. Her second book, "Becoming Everyone, Everywhere," is set for publication in early 2026. In the profile, Huang discusses her desire to create a medium-length film about a rosette cataract, a project requiring CGI and significant funding.

design david webster anthony ross costanzo new york

Architect David Webster's preserved High-Tech design home and office in New York, completed in 1981, has been purchased by countertenor and Opera Philadelphia general director Anthony Roth Costanzo. The apartment, located near the Chelsea Hotel, features an industrial, off-the-shelf aesthetic with repurposed vanity lightstrips, custom iron windows, and a sliding door. Webster and Costanzo discuss the home's history, design details, and the legacy of gatherings that once included writer and AIDS activist Larry Kramer.

design cultured at home magazine

CULTURED magazine has launched a new special edition titled "CULTURED at Home," which explores how artists and designers create expressive, non-neutral domestic spaces. The issue features intimate explorations of homes, ruined gardens, and interiors, with contributions from critics, novelists, filmmakers, performers, and designers, aiming to capture the improvisational magic and sensory richness of everyday life.

art young photographer ashley mclean

Ashley McLean, a young photographer recognized by Dior and Aperture, is entering the second year of her MFA program at Columbia University. Her intimate, introspective portraiture explores themes of Black identity, dignity, fragility, and homecoming, as seen in works like her "Ringin" series (2025) and "Doney & Solomon (I)" (2020). She describes her practice as resisting the culture of urgency by creating conditions for subjects to surrender into themselves.

art young photographer michael wolever

Cultured magazine profiles Pennsylvania-born photographer Michael Wolever, nominated by David Brandon Geeting as part of its "28—NEW YORK" series. Wolever creates images that evoke surrealist ’90s filmmaking, exploring themes of shame, attraction, and melodrama through soft lighting, monsters, and woodland scenes. His work draws heavily on his own "pretty weird life" and memories, using photography as a "funhouse mirror" and "shame ritual." The article includes several of his titled works—Big Flirt, Evidence, Tove, and Untitled—and quotes Wolever reflecting on the culture of picture-taking, mass self-awareness, and his critical approach to intention in photography.

louis vuitton osaka japan

Louis Vuitton is honoring its long-standing creative dialogue with Japan through a series of cultural initiatives timed to the 2025 World Expo Osaka Kansai. The LVMH-sponsored French Pavilion features an immersive narrative designed by OMA architect Shohei Shigematsu, including Rodin's *The Cathedral* among 85 wardrobe trunks and a video work by artist Daito Manabe. At the Nakanoshima Museum of Art, the exhibition "Visionary Journeys," curated by Florence Müller, presents archival materials tracing the Japanese influence on Louis Vuitton's monogram canvas. Two new publications—*Fashion Eye Osaka* by Jean-Vincent Simonet and *City Guide Osaka* with contributions from food critic François Simon and artist Verdy—further celebrate the connection.

pride penthouse moss stonewall inn manhattan

Social club Moss hosted its inaugural Pride celebration in partnership with the Stonewall Inn Gives Back Initiative at its temporary Moss Studio in Midtown Manhattan. The event brought together a mix of artists, tastemakers, and fashion figures, including Luar designer Raul Lopez, artist Roberto Maria Lino, gallerist Cierra Britton, and art advisor Jonathan Gardenhire, for an evening of cocktails, dancing, and community celebration ahead of Moss's official opening this fall at 520 Fifth Avenue.

Gallery openings and exhibits in Central Oregon this week

This article lists numerous gallery openings and ongoing exhibits in Central Oregon for the current week. Venues include Amejko Artistry, Art Adventure Gallery, Artists’ Gallery Sunriver, ArtHouse LTA, Belknap Exhibit Center, Canyon Creek Pottery, Deschutes Historical Museum, Dry Canyon Community Arts Center, High Desert Museum, Hood Avenue Art, Jeffrey Murray Fine Art Photography, John Paul Designs, Kreitzer Art Gallery and Studio, Lubbesmeyer Fiber Studio, Makin’ It Local, Nancy McGrath Green Gallery, and Nashwood Gallery, featuring works by artists such as Anna Amejko Peterson, Jana Charl, Kenneth Merrill, Jesica Carleton, Jeffrey Murray, Lori and Lisa Lubbesmeyer, Kara Frampton, and Will Nash.

New gallery celebrating craftmanship and art opens

The historic Hopton Hall Estate has opened a new gallery in Ashbourne, England, called the Hopton Hall Gallery. The gallery, housed in an 18th-century building that previously served as a butcher's, clockmaker's, and draper's shop, is the creation of estate owners Chris and Andi Harvey. Its inaugural exhibition, 'Brushed Light: Atmospheric Watercolours,' features works by local artists, and the gallery will host a rotating program of exhibitions and events through at least May 2027.

Collapse Finance, Part 1: Introduction

The global financial landscape is undergoing a structural shift toward "collapse finance," where institutions designed to manage risk are increasingly profiting from and accelerating systemic instability. Amid geopolitical turmoil and the abandonment of green initiatives, traditional concepts of market security are unravelling, replaced by a system that monetizes uncertainty through instruments like catastrophe bonds and volatile cryptocurrencies.

Special Private Tour and Luncheon Hosted by the Hiram Blauvelt Art Museum

On April 25, 2026, the Hiram Blauvelt Art Museum in Oradell, New Jersey, hosted a private tour and luncheon led by wildlife artist Dwayne Harty, whose exhibition "Bison Legacy" had recently concluded at the museum. The event welcomed over thirty guests, including friends of the artist and Foundation Board President James Bellis Jr. Harty, trained at the Art Students League of New York under Bob Kuhn, Robert Lougheed, and Clarence Tillenius, is known for his accurate and expressive wildlife depictions. The museum will present its Permanent Collection starting at the end of May 2026.

オノ・ヨーコ「A statue was here　一つの像がここにあった」@ 小山登美夫ギャラリー六本木／天王洲

Yoko Ono's solo exhibition "A statue was here" is being held simultaneously at Tomio Koyama Gallery's Roppongi and Tennozu spaces from June 10 to July 5, 2025. The show features conceptual objects and participatory works spanning Ono's career, including early pieces like *Mind Object I* (1960/1966) and *Mind Object II* (1966/1967), as well as *Mend Piece* using porcelain fragments damaged in the Noto Peninsula earthquake, and the debut of *Three Lives* (2019). The Roppongi space focuses on conceptual objects, while Tennozu emphasizes audience participation and performance.