'Cigars!' exhibit at Florida Museum of Photographic Arts captures a fading history

The Florida Museum of Photographic Arts has launched "Cigars! Photography, Industry and Identity," a new exhibition by local photographer Zack Wittman. The show documents the architectural remnants of Tampa’s historic cigar industry, which once boasted over 200 factories but has dwindled to approximately 25 standing brick buildings. Through a collaboration with the J.C. Newman Cigar Company, Wittman captured both preserved and derelict structures that define the unique personality of Ybor City.

Three exhibitions opening April 18 at Annapolis Royal gallery

Artsplace Gallery in Annapolis Royal, Nova Scotia, is launching three new exhibitions on April 18, headlined by a major community art initiative titled "AfterBurn: Stories from a Season of Fire." This central exhibition features a diverse range of media—including photography, film, and performance—created by artists from across the province in response to the devastating 2025 wildfire season that destroyed homes and displaced residents in the Annapolis region.

Three exhibitions opening April 18 at Annapolis Royal gallery

Artsplace Gallery in Annapolis Royal is set to launch three new exhibitions on April 18, headlined by a community-focused project titled "AfterBurn: Stories from a Season of Fire." This central exhibition features a diverse range of media—including visual art, photography, and film—created by artists from across Nova Scotia in response to the devastating 2025 wildfire season. The initiative also incorporates personal reflections and archives from local residents, particularly those from West Dalhousie who were directly impacted by the fires.

Museum exhibit on L.V. Hull’s art and life is a visual ‘sensation’

The Mississippi Museum of Art has launched "L.V. Hull: Love Is a Sensation," the first major museum retrospective dedicated to the late self-taught African American artist L.V. Hull. The exhibition showcases Hull’s vibrant, immersive practice of transforming her Kosciusko home and everyday found objects—ranging from sneakers and fan blades to television sets—into a dense, kaleidoscopic art environment. The show is presented in partnership with the L.V. Hull Legacy Center and features individual artworks, archival ephemera, and documentary footage.

Trinity Professor’s Art Installation Comes to Connecticut Museum

The New Britain Museum of American Art has opened "The Museum of the Old Colony," a site-specific installation by Trinity College Professor Pablo Delano. The exhibition uses archival photography, sculptural objects, and text to examine the enduring impact of U.S. colonial rule in Puerto Rico since 1898. For this iteration, Delano has expanded the work to include new materials specifically documenting the history and experiences of the Puerto Rican community within Connecticut.

Ackland Art Museum to Open Two Major Exhibitions Exploring Identity and Color

The Ackland Art Museum in Chapel Hill will open two new exhibitions on January 30, 2026. "Bill Bamberger: Boys Will Be Men" presents introspective portraits of male students from Durham School of the Arts, exploring masculinity through photography and audio interviews. "Color Concentrated: A Salon-Style Show from the Robertson Collection" reimagines modernist works from the museum's collection in a dense, single-wall installation inspired by 19th-century Parisian Salons.

Still Glasgow

The article reviews the exhibition 'Still Glasgow' at the Gallery of Modern Art in Glasgow, running from November 29, 2025, to June 13, 2026. Curated from the Glasgow Life Museums collection, it features around 80 photographic works from the 1940s to the present, including pieces by Bert Hardy, Oscar Marzaroli, Alan Dimmick, Iseult Timmermans, Joseph McKenzie, and Eric Watt. The show documents Glasgow's people and urban change, moving from earlier male documentary photographers to contemporary perspectives, and includes both still and moving images.

Louvre acquires first-ever video work

The Musée du Louvre has acquired its first-ever video work, a piece titled *Les 4 temps (The 4 Seasons)* by Algeria-born artist Mohamed Bourouissa. The work documents the Tuileries Gardens over the course of a year, originally created as 52 weekly videos for the Louvre’s Instagram channel between February 2024 and February 2025. It will be displayed in the Salle de la Chapelle from 22 October to 19 January 2026. Bourouissa also composed the music for the piece by recording the vibrations of the garden’s plants.

Book Honors for Art Museum’s Monhegan Show Publication

A book produced by Bowdoin College faculty, highlighting artistic portrayals of ecological change on Maine's Monhegan Island, has won a 2025 Historic New England Book Prize as one of two Honor Books. The interdisciplinary project, led by Frank Goodyear (codirector of the Bowdoin College Museum of Art), plant scientist Barry Logan, and Jennifer Pye (director of the Monhegan Museum of Art & History), accompanied an exhibition that ran at the Monhegan Museum after its Bowdoin showing. The book and exhibition examine ecological shifts on the island—such as pastureland formation, forest recovery, and land conservation—through visual art, historical documents, and artifacts.

Is Vermeer’s ‘The Art of Painting’ in fact a lost work?

Paul Taylor, a curator at London’s Warburg Institute specializing in 17th-century Dutch art, argues that Vermeer’s celebrated painting *The Art of Painting* (1666-68), housed at Vienna’s Kunsthistorisches Museum, may not be the work referenced in a 1676 legal document by the artist’s widow, Catharina. Taylor tracked 25 period descriptions of “de schilderconst” (the art of painting) and found they all depict allegorical personifications of painting, not studio scenes like Vermeer’s composition. He believes the document refers to a now-lost Vermeer that could still resurface.

Is Vermeer’s ‘The Art of Painting’ in fact a lost work?

Paul Taylor, a curator at London's Warburg Institute and specialist in 17th-century Dutch art, argues that Vermeer's celebrated painting 'The Art of Painting' (1666-68), housed at Vienna's Kunsthistorisches Museum, may not be the work referenced in a 1676 legal document by Vermeer's widow Catharina. Taylor tracked down 25 period descriptions of 'de schilderconst' (the art of painting) and found they all depict allegorical personifications of painting, not studio scenes like the Vienna canvas, which shows an artist painting a model as the muse Clio. He suggests the document refers to a now-lost Vermeer that could still surface.

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London's Victoria and Albert Museum (V&A) has acquired a reconstructed version of YouTube's 2006 interface, including its first-ever uploaded video, 'Me at the zoo.' The interactive display, built using archived code and Adobe Flash, is now on view in the museum's 'Design 1900-Now' gallery, representing a significant effort to preserve the look and feel of early internet culture.

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Newly released documents from the Jeffrey Epstein case reveal the financier's intense personal interest in the Frick Collection, the museum located across from his Manhattan mansion. Epstein drafted letters opposing the museum's proposed expansion, criticizing plans as "brutish" and a "travesty," and claimed to have insider knowledge about the institution and its founder, Henry Clay Frick. He was joined in his opposition by other powerful neighbors, including billionaire Howard Lutnick.

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Egypt has recovered two ancient artifacts from Belgium after a decade-long effort, announced on December 2 by the Egyptian Ministry of Tourism and Antiquities. The objects—a painted and gilded Ptolemaic sarcophagus (305–30 B.C.E.) and a wooden beard from a Middle Kingdom statue—were seized by Belgian authorities in 2015 following an Interpol alert, as they were displayed in a Brussels antiques gallery without legal documentation. After a drawn-out diplomatic and legal process, the artifacts were returned in a ceremony at the Royal Museums of Art and History in July, attended by senior Egyptian culture ministers.

Protect ya neck! Wu-Tang Clan as they’ve never been seen before – in pictures

Photographer Eddie Otchere has released a new photozine, "Wu-Tang 4 + 1 More," featuring a decade's worth of previously unseen portraits of the Wu-Tang Clan and other hip-hop artists. The images, captured between 1994 and 2004, document intimate and candid moments with members like RZA, Method Man, and Ghostface Killah, chronicling the group's early years and Otchere's determined mission to photograph each member.

Recalling When Lower Manhattan Was New Amsterdam

The New-York Historical Society has launched a major exhibition exploring the 17th-century origins of New York City during its era as the Dutch settlement of New Amsterdam. The show utilizes a diverse array of artifacts, maps, and historical documents to trace the colony's development from a fur-trading outpost to a diverse maritime hub, highlighting the complex interactions between Dutch settlers, Indigenous populations, and enslaved Africans.

Lost Page From Archimedes Palimpsest Reappears In French Museum

A researcher has identified a long-lost page from the Archimedes Palimpsest, a 10th-century manuscript containing copies of the Greek mathematician's treatises. The page, held at the Musée des Beaux-Arts in Blois, France, was matched to a leaf documented in 1906 photographs and contains diagrams from "On the Sphere and the Cylinder" on one side and a later-added religious illustration on the other.

Warhol Foundation supports UK Art Museum research on pioneering photographers

The University of Kentucky Art Museum has received a $38,000 Curatorial Research Fellowship Grant from the Andy Warhol Foundation for the Visual Arts. The grant will fund research on two African American photographers, Maurice W. Strider and William S. Dotson, who documented the Civil Rights Movement in Lexington during the mid-twentieth century. Curator Rachel Hooper will lead the research for a planned 2029 exhibition.

Ravi Jackson at PAGE (NYC) and Dracula's Revenge, New York

Artist Ravi Jackson opened a solo exhibition titled "Handholders" at two New York galleries, PAGE (NYC) and Dracula's Revenge. The show ran from March 6 to April 11, 2026, and was documented with 27 images on the Contemporary Art Daily platform.

Tania El Khoury’s Soothing “Revenge Art”

Lebanese artist and Bard College professor Tania El Khoury discusses her multidisciplinary practice and her recent experience living through the escalation of conflict in Beirut. The interview highlights her interactive performance piece, "The Search for Power," which uses her own 2018 wedding blackout as a jumping-off point to investigate the colonial roots of Lebanon's systemic infrastructure failures. Originally set for a Beirut run in March, the production was postponed due to the outbreak of war.

The artist who blocked an Ice projectile with her drawing board during protests

Artist Isabelle “Izzy” Brourman narrowly escaped serious injury while documenting protests against Immigration and Customs Enforcement (ICE) in Minneapolis. While sketching the scene for her project Starring America News, a masked federal agent fired pepper balls at her at point-blank range; Brourman managed to block the projectile with her wooden drawing board, which was left with a jagged hole. The incident, captured on video by her collaborators Peter Hambrecht and Jeannette Berlin, occurred on the same day a nurse was killed by federal agents during the unrest.

NEXT in the Gallery: Psychic visuals, alchemy and shrines to matriarchs in Pittsburgh

NEXTpittsburgh's monthly art roundup highlights a packed schedule of openings and events in Pittsburgh from late January through May. Key shows include the Pittsburgh Cultural Trust Downtown Gallery Crawl on Jan. 30, featuring artists like Ben Schonberger and Stamatina Gregory; "Stuck in Saṃsāra" (Feb. 6–March 22), a group exhibition of 10 Asian American & Pacific Island artists curated by Brent Nakamoto; and "Lewis Hine Pictures America" (Feb. 21–May 17) at the Frick Museum & Gardens, showcasing the documentary photographer's iconic images of American workers. Additional exhibitions span ceramics, hand-colored photographs, and community shows at venues such as Concept Art Gallery, Bottom Feeder Books, and the John A. Hermann Memorial Art Museum.

An exhibition in Milan tells the story of the legendary Elisabetta Catalano, the great photographer and friend of artists

A Milano una mostra racconta la mitica Elisabetta Catalano, grande fotografa amica degli artisti

The Viasaterna gallery in Milan is hosting a comprehensive exhibition titled "Elisabetta Catalano: Cinema, Moda e Performance," curated by Laura Cherubini. The show explores the prolific career of the Roman photographer, featuring her iconic portraits of film stars on the sets of Federico Fellini and Luchino Visconti, her high-fashion photography for Vogue, and her deep collaborations with avant-garde artists like Fabio Mauri and Michelangelo Pistoletto.

Even exhibition catalogues can become manga: The case of Yuko Mohri

Pure i cataloghi delle mostre possono diventare manga. Il caso Yuko Mohri

The Pirelli HangarBicocca has released a unique exhibition catalogue for Japanese artist Yuko Mohri following her solo show, 'Entanglements,' in Milan. The publication distinguishes itself by including a 24-page manga titled 'Yuko and the Unnamed' by artist Ran Kurumi, tucked into the book's jacket. This graphic insert serves as a biographical narrative, tracing Mohri’s journey from her formative years in Tokyo’s Akihabara electronics district to her recent representation of Japan at the 2024 Venice Biennale.

Goro Kakei at Taka Ishii Gallery, Tokyo and Taka Ishii Gallery, Kyobashi

Japanese artist Goro Kakei is presenting a solo exhibition across two locations of Taka Ishii Gallery in Tokyo: the Kyobashi and Roppongi spaces. The exhibition is documented with 57 images, showcasing Kakei's work in a significant gallery presentation.

Through Reverie: Love and Memory | A Duo-solo Exhibition by Clasutta and C.K.Koh

Whitestone Gallery Singapore will present a duo-solo exhibition titled "Through Reverie: Love and Memory" opening on 9 May 2026. The show features Indonesian artist Clasutta and Malaysian artist C.K. Koh, each presenting a solo component: Clasutta's "Roommates?" explores the emotional stages of a relationship through fragmented, intimate gestures, while Koh's "Folded Glimpses" draws from his personal photographic archive to evoke memory as impression rather than documentary record.

Kid Cudi Debuts ‘Echoes of the Past’ Documentary Spotlighting His Visual Art Journey

Kid Cudi announced the debut of his documentary 'Echoes of the Past' on Instagram, revealing his transition into visual art under the painting persona Scotty Ramon. The film, directed by Joshua Charow and produced by MADSOLAR, explores Cudi's fine art journey and features an original score by the artist. A corresponding exhibition, also titled 'Echoes of the Past,' will open at Ruttkowski;68 in Paris on January 30, running through early March.

‘I want people to see nature as a wondrous work of art’: Jon McCormack’s best phone picture

Photographer Jon McCormack captured a striking image of the Remarkable Rocks on Kangaroo Island, Australia, framing the Southern Ocean through a naturally eroded granite hollow. The photograph, taken at sunset, emphasizes the graphic simplicity and sculptural quality of the ancient rock formations, which have been shaped by wind and salt over 10,000 years of isolation.

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A major investigation has revealed that UK museums and universities hold more than 263,000 human remains, including at least 37,000 sourced from overseas and former British colonies. The findings indicate that many institutions lack proper documentation, with thousands of items stored anonymously in cardboard boxes or mixed together, often in violation of government guidelines regarding respectful handling and transparency.

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A marble bust of Jesus Christ located in Rome’s Basilica of Sant’Agnese fuori le mura has been reattributed to Michelangelo. Independent researcher Valentina Salerno, a member of the Vatican committee for Michelangelo’s 500th anniversary, used archival records and inventories to trace the sculpture back to the Renaissance master, reversing a 19th-century dismissal of its origins. Simultaneously, a private owner in Belgium is claiming a recently acquired Pietà painting is also a work by Michelangelo, supported by carbon dating and stylistic analysis from art historian Michel Draguet.