The new chief curator of Uzbekistan’s Centre for Contemporary Art is bringing insights from London to the youth of Tashkent

Sara Raza has been appointed as the first artistic director and chief curator of Uzbekistan’s Centre for Contemporary Art Tashkent (CCA), a restored 1912 tram depot that is currently undergoing expansion by French architecture firm Studio KO. Raza, who was born in London and grew up in New York, is a former curator at the Guggenheim Museum in New York and has curated festivals in Uzbekistan and Azerbaijan. She took up the post in January and has already launched a programme of artist residencies in refurbished traditional Uzbek mahallas, while the CCA’s reopening has been delayed from 2025 to 2026.

BOX 13 ArtSpace in Houston Announces Open Call for Exhibition Proposals

BOX 13 ArtSpace, an artist-run studio and gallery venue in Houston’s East End neighborhood, has announced an open call for exhibition proposals for its 2026 season. The call invites self-directed artists to submit proposals for four gallery spaces within the building: the Front Gallery, Back Gallery, Window BOX Gallery, and Upstairs Gallery. Applicants must be prepared to install their own work or arrange for local assistance, as the space has no staff or budget for shipping, travel, or equipment. The deadline for proposals is September 30, 2025, with notifications by October 28, 2025. Virtual and in-person information sessions are scheduled for September 17 and 20, respectively.

UK artist defends pro-Palestine drawings after show cancellation

UK artist Matthew Collings has condemned the cancellation of his art exhibition "Drawings Against Genocide" in Margate, England, after UK Lawyers for Israel (UKLFI) accused the show of being antisemitic. The exhibit featured 130 drawings depicting Israeli military, political officials, and business leaders, which Collings describes as artistic metaphors for Zionism, brutality, and violence. Collings insists the work is against genocide, not against Jews, and criticizes the conflation of antisemitism with pro-Palestine activism.

Pepperdine Closes Exhibit Featuring “Overtly Political” Art

Pepperdine University in Malibu, California, closed the exhibition “Hold My Hand In Yours” at the Frederick R. Weisman Museum of Art on October 6, after artists discovered their works had been removed or altered for being “overtly political.” The show, curated by museum director Andrea Gyorody, explored the imagery of hands in relation to labor and care. One artist found her video turned off at the university’s request, and a sculpture was modified to hide text reading “Save the Children” and “Abolish ICE.” The affected artists requested their pieces be removed, and others withdrew in solidarity. University officials cited a policy to avoid overtly political content consistent with its nonprofit status, and offered apologies while honoring compensation agreements.

German Provocateur Artist Sentenced to 8.5 Years in Prison in Russia After Mocking Putin

German carnival float artist Jacques Tilly has been sentenced in absentia to 8.5 years in a Russian prison. A Moscow court convicted him on charges of spreading false information about the Russian military and insulting religious feelings due to his satirical floats depicting President Vladimir Putin, including one showing Putin in a blood-filled bathtub painted like the Ukrainian flag.

Statue Removed from Delaware During Black Lives Matter Protests to Be Reinstated in Washington D.C.

A statue of Caesar Rodney, a signer of the Declaration of Independence who enslaved over 200 people, is set to be reinstated in Washington D.C.'s Freedom Plaza. The National Park Service plans to place the statue as part of the nation's 250th birthday celebrations, six years after it was removed from Wilmington, Delaware, during Black Lives Matter protests.

UNT Leaders Canceled Anti-ICE Show, Texts Reveal

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Internal communications from the University of North Texas (UNT) reveal that administrators canceled an exhibition featuring anti-ICE (Immigration and Customs Enforcement) artwork due to concerns over political backlash and potential funding threats. The text messages and emails show leadership discussing the "political sensitivity" of the work and the risk of alienating state legislators, leading to the abrupt closure of the show before its scheduled run.

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The Smithsonian’s National Museum of African American History and Culture (NMAAHC) will remove a significant timber fragment from the São José-Paquete de Africa slave ship on March 22. The artifact, which has been a centerpiece of the "Slavery and Freedom" exhibition since the museum's 2016 opening, is being returned to the Iziko Museums of South Africa following the expiration of a long-term loan agreement. It will be replaced by a cargo manifest documenting the enslaved individuals forced onto the vessel.

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University of North Texas (UNT) Dean Karen Hutzel revealed in leaked transcripts that the cancellation of artist Victor “Marka27” Quiñonez’s exhibition was an "institutional directive" driven by political pressure. The show, titled “Ni de Aquí, Ni de Allá,” featured art critical of U.S. Immigration and Customs Enforcement (ICE) and was abruptly shut down shortly after opening. Hutzel warned faculty that the university is "vulnerable" to retaliation from Texas state officials who have previously targeted academic programs and funding at other state institutions over ideological disagreements.

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The Trump administration has withdrawn the United States from 66 international organizations, conventions, and treaties, including 31 UN-affiliated bodies, as announced in a presidential memorandum. Among the cultural organizations dropped are the International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM), the International Federation of Arts Councils and Culture Agencies (IFACCA), the Freedom Online Coalition, and the UN Alliance of Civilizations. The withdrawal follows a review ordered by President Trump in February 2025, with Secretary of State Marco Rubio asserting that many of these groups are "dominated by progressive ideology."

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The University of Leicester has updated its guidance on trans-inclusivity for museums and galleries, despite facing litigation threats from the campaign group Freedom in the Arts (FITA). The 44-page document, originally published two years ago by the university’s Research Center for Museums and Galleries (RCMG), offers a framework for creating inclusive public spaces and workplaces, addressing legal and ethical questions about trans inclusion. FITA sent two letters threatening legal action, arguing the guidance is “misleading” and “unlawful,” particularly objecting to bathroom etiquette that states trans visitors should use the bathroom they feel most comfortable using. The university is reviewing the latest correspondence and declined further comment.

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Tenured University of South Dakota art professor Michael Hook, who faced termination for social media comments about the killing of conservative activist Charlie Kirk, has been reinstated after dropping his lawsuit. Hook posted remarks on September 10 calling Kirk a "hate-spreading Nazi" after the activist was shot dead, then apologized and deleted the post. South Dakota political leaders including Governor Larry Rhoden called for his firing, and USD placed Hook on administrative leave on September 12. Hook sued the university and the South Dakota Board of Regents on September 23, arguing his comments were protected by the First Amendment. Students organized a petition with nearly 22,000 signatures supporting his reinstatement. On October 3, USD president Sheila Gestring withdrew the termination notice, citing Hook's apology and employment record. Hook then dismissed the lawsuit as moot.

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A campaign group called Freedom in the Arts (FITA) has threatened to sue the University of Leicester in the UK over its “Trans-Inclusive Culture” guidelines for museums and galleries, demanding their removal. The guidelines, published two years ago by the university’s Research Center for Museums and Galleries (RCMG), aim to help cultural institutions create inclusive spaces for transgender people. FITA, co-founded by choreographer Rosie Kay and former Arts Council England staffer Denise Fahmy, argues the guidance misrepresents the legal definition of “sex” under the Equality Act 2010, following a UK Supreme Court ruling that “woman” and “sex” refer only to biological women and biological sex. The group claims the guidelines could encourage unlawful policies, such as allowing toilet access based on gender identity, and discriminate against staff with gender-critical beliefs.

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A French nonprofit, For Ukraine, For Their Freedom and Ours!, has filed a complaint with the International Criminal Court (ICC) accusing Russia of the systematic and organized looting of Ukrainian cultural heritage since the 2022 invasion. The complaint, submitted on July 11, calls for arrest warrants for Vladimir Putin and eight senior Russian officials, alleging that the plunder was planned at the highest state level and constitutes war crimes under international law. The group identified a modus operandi involving Russia's Ministry of Culture, museum directors, and intelligence chief Sergei Naryshkin.

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ICOM Russia president Vasilij Pankratov has denounced calls for Russia's expulsion from the International Council of Museums (ICOM) as "political libel." The controversy follows an open letter published in Le Monde on May 5, in which a group of art experts—including art historian Konstantin Akinsha, Francesca Thyssen Bornemisza, and Vitalit Tytych—accused Russia of systematically erasing Ukraine's cultural identity since the 2022 invasion. The signatories threatened to take ICOM to court in France if it failed to oust Russia for violating the organization's code of ethics. Pankratov dismissed the accusations as unfounded, arguing that Russian museum workers operate within the country's constitution and local ethical criteria, and denied claims that Ukrainian cultural property has been appropriated by Russian museums.

‘Prince laughed like a kid as I painted “Free” on his stomach’: Steve Parke’s best photograph

Photographer Steve Parke recounts the story behind his iconic 1999 photo shoot of Prince for Notorious magazine. The singer rejected the magazine's initial concept of painting "1999" on his stomach, instead insisting on the word "Free" to reflect his ongoing battle for artistic freedom from record labels. Parke, who was Prince's in-house art director, ended up painting the word on the singer's stomach himself with gold paint, causing Prince to laugh like a child from the cold sensation.

Fort Worth African American Museum to officially open in June with joint exhibition

The Fort Worth African American Museum and Cultural Center will officially open on June 12 with its inaugural exhibition, "All ’N All: Artists Embracing Community," in partnership with Kinfolk House and the National Juneteenth Museum. The show features paintings, photographs, and mixed-media works by 11 North Texas artists exploring memory, culture, and the Black experience, and is part of the larger Freedom Vibes festival running June 11-20. The museum, which has been in development since 2020, secured its final funding from the Fort Worth City Council in January and purchased a 5,000-square-foot building on East Rosedale Street last summer.

Artists strike to protest Israeli participation ahead of Venice Biennale

A group of artists has announced a strike to protest Israel's participation in the upcoming Venice Biennale. The action is intended to draw attention to the Israeli-Palestinian conflict and to pressure the Biennale organizers to exclude Israel from the event, reflecting growing tensions around cultural boycotts in the art world.

As the South African Pavilion Sits Empty, Gabrielle Goliath Continues a ‘Life-Work of Mourning’

South African artist Gabrielle Goliath inaugurated an off-site Venice exhibition with a public poetry reading after her official presentation at the South African Pavilion was canceled. The performance, part of her ongoing series *Elegy* (2015), features seven singers sustaining a single tone for an hour as a mourning ritual. The work addresses femicide, rape culture, and the killing of Palestinian civilians, and includes new video and sound installations lamenting specific victims: South African teenager Ipeleng Christine Moholane, Nama women killed during Germany’s colonization of Namibia, and Palestinian poet Hiba Abu Nada. The South African Department of Sport, Arts and Culture rescinded Goliath’s invitation in January, deeming the work “related to an ongoing international conflict that is widely polarising.” Goliath unsuccessfully challenged the decision in South Africa’s high court, and the exhibition now runs throughout the Venice Biennale outside the official program before traveling to London in October.

How the Venice Biennale imploded over Israel

The 61st Venice Biennale, scheduled to open on May 9, has been thrown into turmoil after its International Jury announced that national pavilions and artists representing countries whose leaders are charged with crimes against humanity by the International Criminal Court will not be eligible for prizes. This excludes Israel, represented by sculptor Belu-Simion Fainaru, and Russia from competing for the Golden Lion. The decision follows an open letter signed by hundreds of artists and curators demanding Israel's exclusion over the war in Gaza, and comes amid ongoing geopolitical tensions, including Russia's absence from previous editions after its invasion of Ukraine. The Biennale's theme, 'In Minor Keys,' curated by the late Koyo Kouoh, aimed to focus on dignity and listening to marginalized voices, but the prize ban has sparked accusations that identity politics are overshadowing artistic merit.

Venice Biennale jury resigns amid row over Russian entry

The international jury of the Venice Biennale resigned en masse just nine days before the opening of the world's oldest contemporary art fair, amid a dispute over Russia's participation and the panel's decision to bar prizes for countries accused of crimes against humanity by the International Criminal Court. The jury, comprising president Solange Farkas and members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, stepped down without explanation, following tensions that also involved Italy's Culture Ministry cutting €2 million in EU funding over Russia's presence and sending inspectors to the Russian Pavilion.

Rare documents from National Archives’ Freedom Plane tour draw history buffs and more to USC Fisher Museum

The USC Fisher Museum of Art is hosting the "Freedom Plane National Tour: Documents That Forged a Nation," a traveling exhibition of rare founding-era documents from the U.S. National Archives. The show, which runs through May 3, includes items such as a rare engraved copy of the Declaration of Independence, the Treaty of Paris (1783), and a Senate markup of the Bill of Rights (1789). USC is the only university stop on the eight-city national tour, and the documents arrived in Los Angeles on a special Boeing 737. The exhibition has drawn history students, faculty, and the public, with USC Distinguished Professor Peter C. Mancall bringing his class to study the documents up close.

Phoebe Boswell’s ‘Art on the Underground’ dives into why the majority of Black British adults don’t swim

Artist Phoebe Boswell has unveiled a major public art commission for Art on the Underground, installed across the escalators of Bethnal Green and Notting Hill Gate stations in London. The immersive photographic series features Black subjects moving underwater, captured in a stop-motion style that responds to the physical movement of commuters. The project was inspired by the statistic that 95 per cent of Black British adults do not swim, a reality Boswell links to generational trauma and structural inequality.

Gallery: New women's artist collective opens joint show in Tallinn

The newly formed Estonian women’s contemporary art collective, Phoenix, has launched its latest group exhibition titled "Quintessence" at the Vabaduse Gallery in Tallinn. Curated and designed by Eveli Varik, the show features works from 17 members of the collective, including Marina Aleksejeva, Lylian Meister, and Tiiu Rebane. The exhibition explores the Aristotelian concept of the "fifth essence," or ether, serving as a metaphor for the distilled core of creative power and the spiritual immersion required for artistic rebirth.

USC Fisher Museum welcomes the National Archives’ Freedom Plane National Tour

The USC Fisher Museum of Art has welcomed the "National Archives’ Freedom Plane National Tour," a traveling exhibition featuring foundational American documents. Arriving via a specially branded Boeing 737 at Van Nuys Airport, the collection includes rare items such as a 1823 Stone engraving of the Declaration of Independence, the Treaty of Paris, and a secret printing of the Constitution. USC is the only university selected as a stop on this eight-city tour, which commemorates the upcoming 250th anniversary of the United States.

Bohol artist Jjawzip debuts solo exhibit “April’s Fool” at Dajon Art Gallery Bohol

Boholano mixed-media artist Joseph “Jjawzip” Ingking has launched his debut physical solo exhibition, “April’s Fool,” at Dajon Art Studio & Gallery in Baclayon, Bohol. The showcase features a series of paired paintings and toy sculptures that explore the recurring character "Energy Kid," a figure shaped by the artist’s personal history. Utilizing vibrant colors and recycled materials, the works—such as “Fragile Freedom” and “Radiance Reimagined”—blend fantasy with social commentary on themes ranging from the fragility of peace to the vitality of creative discovery.

Antisemitic art may upset British Jews, but is it illegal? - analysis

British artist and critic Matthew Collings has sparked intense legal and ethical debate with his exhibition "Drawings Against Genocide" at Joseph Wales Studios in Margate. The show features graphic imagery, including depictions of Jewish figures consuming infants and denials of sexual violence committed on October 7, 2023. Despite calls from Israeli officials and Jewish community members for legal intervention, Kent Police have stated that no criminal offenses were identified, as the work is currently classified as political criticism rather than a direct incitement of racial hatred.

Antisemitic art may upset British Jews, but is it illegal? - analysis

British artist and art critic Matthew Collings has sparked significant legal and ethical debate with his exhibition 'Drawings Against Genocide.' The collection, which features imagery and text critical of Israel, has been labeled as antisemitic by various community groups and observers, leading to questions about where the line is drawn between political artistic expression and illegal hate speech under UK law.

Artist Gabrielle Goliath’s attempt to reinstate cancelled Venice Biennale pavilion dismissed by court

A South African high court has dismissed an urgent application by artist Gabrielle Goliath and curator Ingrid Masondo to reinstate their cancelled pavilion for the 2026 Venice Biennale. The project was scrapped by Sport, Arts and Culture Minister Gayton McKenzie after Goliath refused to remove a segment of her work 'Elegy' that referenced Hiba Abu Nada, a Palestinian poet killed in an Israeli airstrike. The minister labeled the content "highly divisive" and "polarizing."

Texas University Closes Exhibition With Anti-ICE Artwork

The University of Texas at Austin abruptly closed an exhibition at its Visual Arts Center after a single day because it included a piece critical of U.S. Immigration and Customs Enforcement (ICE). The artwork, a neon sign reading "Fuck ICE" by artist Tammie Rubin, was part of a group show curated by the university's own art faculty. The administration cited concerns about the work's "vulgarity" and potential to distract from the university's educational mission as reasons for the closure.