Hunt Slonem's painting "Me" (2022), a small oil-on-wood work from his signature Bunnies series, is listed for sale at $8,000 through OA Fine Art in Paris and Hong Kong. The piece measures 10 × 8 inches, is hand-signed and dated by the artist, and comes with a certificate of authenticity. Slonem, born in 1951, is known for Neo-Expressionist paintings featuring repeated birds, bunnies, and butterflies, influenced by Andy Warhol's Pop art seriality.
Eli Klein Gallery in New York is presenting "Bùi Thanh Tâm: Here on and after," the Hanoi-based artist's first solo exhibition in the United States. The show features 13 new and recent paintings that explore Vietnam's colonial history, the aftermath of war, and the persistence of memory. Tâm, a leading Vietnamese painter of the postwar generation, incorporates traditional folk woodblock prints—Đông Hồ, Hàng Trống, and Kim Hoàng—into layered, collaged works. The sunflower emerges as a central symbol of resilience and rebirth, influenced by Anselm Kiefer and Francis Bacon, while addressing trauma from French colonialism to Agent Orange. The exhibition includes series such as "Searching for the Sunflower," "Hello. God is here," "Utopia," and "Mutant," each examining themes of healing, endurance, and cultural transformation.
Goodman Gallery presents Carlos Garaicoa's first solo exhibition at its New York viewing room, titled 'Rituals and Liberty.' The show features eight works, including five reliefs that blend painting and photography, and sculptural models incorporating 19th-century French engravings. The exhibition precedes Garaicoa's solo show at Museo La Tertulia in Cali, Colombia, in May. Garaicoa, a Cuban-born artist based in Madrid, explores urbanism and how architecture reflects and shapes society, continuing his long-standing interest in decoding urban infrastructures.
Andrew Kreps Gallery in New York is presenting 'Leaves of the World,' an exhibition of works by Eileen Agar (1899–1991) spanning seven decades of her career, from 1927 to 1980. The show highlights Agar's enduring engagement with collage and her unique blend of surrealism, cubism, and abstraction, featuring pieces such as 'Leaves of the World' (c. 1940) and 'Personnage' (1949). A parallel exhibition of Agar's work will open at Alison Jacques in London this June.
Galerie Templon in Brussels is presenting a solo exhibition of Claude Viallat, celebrating the 60th anniversary of his signature bone-shaped motif. The show features around thirty recent experimental canvases and objects from 2024 to 2026, exploring his practice of repetition and variation on diverse fabrics and found materials.
Yoko Ono's first solo museum exhibition in Southern California, 'Yoko Ono: Music of the Mind,' opens at The Broad in Los Angeles on May 23, 2026. The exhibition, organized with Tate Modern, features interactive works from the 1950s onward, including the outdoor Wish Tree installation, text-based pieces from her book 'Grapefruit,' and collaborative anti-war works with John Lennon like 'Bed Peace.'
The Museum of Contemporary Art San Diego (MCASD) has opened the exhibition "Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys." Featuring over 130 works drawn from the music power couple's private collection, the show spotlights Black American and diasporic artists and is on view from April 18 through August 9, 2024.
San Francisco's Asian Art Museum and San Francisco Museum of Modern Art will host major exhibitions of Korean art this fall. The Asian Art Museum will present the first North American museum retrospective of monochrome master Ha Chonghyun, featuring over 50 works spanning six decades. SFMOMA will debut a special exhibition showcasing the personal art collection of BTS leader RM, juxtaposing over 150 pieces from his holdings with works from the museum's own collection.
Pilar Corrias, a London gallerist, opened her eponymous gallery in 2008 during the global financial crisis, defying the trend of closures. She commissioned architect Rem Koolhaas to design the space and built a program with a strong intellectual focus and a diverse roster of artists.
American sculptor Alma Allen, a self-taught artist with an unconventional background, has been selected to represent the United States at the 2025 Venice Biennale. His selection was made by the American Arts Conservancy, a new nonprofit with no art-world track record, which was awarded the commission through a State Department process that removed diversity requirements and emphasized art reflecting "American values."
Ha Chong-Hyun, a leading figure of the Korean Dansaekhwa (monochrome painting) movement, will receive his first North American museum retrospective at the Asian Art Museum of San Francisco. The exhibition, titled 'Ha Chong-Hyun: Retrospective,' opens on September 25 and will feature approximately 50 paintings spanning over 60 years of his career, including new works and pieces showcasing his signature 'Back Pressure Technique.'
Monochrome painting master Ha Chong-Hyun will have his first North American museum retrospective at the Asian Art Museum of San Francisco (AAM) from September 25, 2026, to January 25, 2027. The exhibition, titled "Ha Chong-Hyun: Retrospective," will feature about 50 works spanning over 60 years, including his early Art Informel experiments, his politically charged works, and his iconic "Conjunction" series created with his signature Back Pressure Technique.
David Kordansky Gallery in Los Angeles is presenting a two-person exhibition featuring the work of Elizabeth Murray and Betty Woodman, on view from March 19 to April 25, 2026. The show brings together paintings and ceramic sculptures from 1982 to 2015, highlighting the artists' shared exploration of the space between two and three dimensions, shaped canvases, and wall-mounted forms.
Alpha 137 Gallery has listed a unique 1955 work on paper by American modernist Dorothy Dehner titled "Drawing for Sculpture." The piece, executed in brown marker on found stationery from a New York manufacturer’s agent, represents a pivotal moment in Dehner’s career when she transitioned from painting to the abstract sculpture for which she became famous. The work is hand-signed and dated, reflecting her early exploration of three-dimensional forms through graphic media.
Everlyn Nicodemus presents 'Without History' at Goodman Gallery in Cape Town, marking her first solo exhibition with the gallery and a rare return to the African continent since the 1980s. The show, organized in partnership with Richard Saltoun Gallery, features major bodies of work including the 'Woman in the World' cycle and the 'Wedding' series. These works, created while Nicodemus lived across Europe, explore themes of trauma, gender, and spiritual survival through a practice that blends painting with deep archival research and social anthropology.
Manhattan District Attorney Alvin L. Bragg, Jr., has returned 17 rare books, collectively valued at nearly $3 million, to the heirs of John Hay and Betsey Cushing Whitney. The books were stolen from the couple's Long Island estate in the 1980s and include a bound collection of John Keats's love letters, a signed James Joyce volume, and an illustrated Brothers Grimm book. The recovery followed a tip from Manhattan book dealers in 2015, leading to search warrants executed in 2025 and 2026.
Hakim Bishara, editor-in-chief of Hyperallergic, reflects on the 61st Venice Biennale after returning to New York, describing it as historical, political, and thrilling. He counters critics who claimed the Biennale imploded due to boycotts and resignations, arguing it was more alive than ever. The late Koyo Kouoh's main exhibition "In Minor Keys" is praised for reflecting global woes and joys. The article also highlights a major strike by artists and cultural workers that disrupted the pre-opening, the first cultural strike in the Biennale's 131-year history, with 54 artists in the international exhibition and 22 national pavilion teams withdrawing from awards consideration in solidarity with the jury's resignation.
Art Busan's 15th edition, taking place May 21–24, 2026 at BEXCO Exhibition Center, will feature over 110 galleries from 18 countries, with expanded programming including craft and design sections, curated exhibitions, and a new section called LIGHTHAUS that reframes gallery booths as curated environments. Data from the 2025 edition indicates an art market reorganization rather than contraction, with increased pre-sale activity, repeat attendance, and purchases across a wide price spectrum, suggesting a shift away from speculation toward sustained engagement.
The article reviews "Sophie Rivera: Double Exposures" at El Museo del Barrio, the first survey of the late Nuyorican photographer Sophie Rivera, who died in 2021. The exhibition spans her career, including her feminist conceptual series "Rouge et Noir" and "Bowl Study" (c. 1976–78), which depict intimate bodily waste like used tampons and feces, and her socially engaged "Latino Portraits" series from the late 1970s, which countered negative media stereotypes of Puerto Ricans with affectionate, mythologizing portraits. The review highlights a moment where the critic misidentifies abstract toilet photographs as pinhole or double exposures before learning their true subject.
Counterpublic, a St. Louis-based non-profit that reimagines public art, is bringing its mission to New York ahead of its third triennial, titled "Coyote Time." The organization will kick off New York art week with a party celebrating the triennial's curators and artists, including Stefanie Hessler, Jordan Carter, and Wanda Nanibush. It has partnered with Frieze New York to present a new commission and performance by Oglála Lakȟóta artist Kite at The Shed, offering a preview of the triennial. The third edition, "Coyote Time," runs from September 12 to December 12 across five main sites in St. Louis, featuring nearly 50 artists, duos, and collectives. The title derives from artist Alice Bucknell's video game-inspired commission about suspended moments, and the exhibition will explore themes of migration, identity, climate, and technology through ambitious new works and historical reinterpretations.
New York Art Week is set to test the art market's momentum with half a dozen fairs and major auctions. Frieze New York opens at the Shed on May 13 with 68 galleries, while Sotheby's leads auction sales starting May 14, featuring a Mark Rothko painting estimated at $70–$100 million from Robert Mnuchin's collection. The total low estimate for Sotheby's week is $690.4 million, roughly 70% higher than last year's hammer total. Alternative fair Esther, co-founded by Margot Samel and Olga Temnikova, kicks off May 12 at the Estonian House for its third and final edition, emphasizing intentionality and community over scale.
Hyperallergic asked 15 artists to share the best advice they received from their mother or a maternal figure, in honor of Mother's Day. The article features reflections from artists including Pat Oleszko, Maddy Inez, Nathaniel Mary Quinn, and Shahzia Sikander, who recount maternal wisdom ranging from encouragement to pursue art to life lessons about empathy and resilience. Each anecdote is accompanied by images of the artists' works or personal photos.
Artist Kader Attia, known for his work addressing colonial violence and a winner of France's Prix Marcel Duchamp, has been selected to curate the 2027 edition of the Kochi-Muziris Biennale, India's premier biennial. Attia, who previously curated the 2022 Berlin Biennale, was chosen by a committee led by prominent Indian artist Jitish Kallat. His appointment continues the biennial's tradition of artist-curators, following Nikhil Chopra (2024) and Anita Dube (2018).
Il Padiglione del Kirghizistan alla Biennale di Venezia getta un ponte tra due culture
Alexey Morosov presents "BELEK" at the Kyrgyzstan Pavilion of the 61st Venice Biennale, a project inspired by the mountainous landscapes, glaciers, and brutalist dams of Kyrgyzstan. Combining video, sculpture, painting, and sound, Morosov explores water as a key resource for the future and a deep cultural memory of Central Asia, linking the region's hydro-engineering transformations with the nomadic heritage of the Kyrgyz people. The project centers on the traditional equestrian game Kok-Börü, which Morosov describes as constitutive of Kyrgyz identity, and features centaur-like figures made from raw earth used in local dwellings.
Workers at the American Folk Art Museum in New York City, represented by UAW Local 2110, picketed the museum's annual gala at the Mandarin Oriental in Manhattan on May 6, 2026. They demanded higher wages and better benefits after contract negotiations stalled for nearly two years. Frontline workers earn $19 per hour, about $12,000 below the city's living wage, while the museum's CEO Jason Busch earned $321,882 in 2024. The union requested a three-year contract raising wages to $30 per hour, but management offered only $21.50 and refused to guarantee existing benefits, leading to the protest.
Hyperallergic's weekly 'In Memoriam' column honors seven figures from the art world who recently passed away, including German Neo-Expressionist painter Georg Baselitz, feminist cartoonist Nicole Hollander, and arts patron Doris F. Fisher, co-founder of The Gap. Other notable figures remembered are photographer Stephanie Chernikowski, West Coast assemblage artist George Herms, Spanish artist and designer José María Cruz Novillo, and Bay Area muralist Dan Fontes. The article provides brief biographies and highlights of their contributions to visual art, photography, comics, and public art.
On Wednesday morning, Pussy Riot and FEMEN led a protest outside the Russian Pavilion at the 2026 Venice Biennale, chanting slogans like “Russia kills! Biennale exhibits!” and “Blood is Russia’s art!” Dozens of protesters, some in pink balaclavas and others bare-chested with floral crowns, gathered in the Giardini under light rain, carrying guitars and blasting punk rock and hip-hop. The action was organized by Nadya Tolokonnikova and other Pussy Riot members alongside FEMEN, a Ukrainian-founded women’s movement. They released pink, yellow, and blue smoke, and Tolokonnikova criticized the Biennale for allowing Russian participation while artists who oppose the war in Ukraine are imprisoned. She proposed an alternative exhibition, “Resistance Imprisoned,” currently on view in Strasbourg, featuring incarcerated artists.
On May 4, 2026, a small but spirited protest organized by the advocacy group Rise and Resist erupted near the Metropolitan Museum of Art during the Met Gala. Dozens of costumed demonstrators gathered on a makeshift "Resistance Runway" to denounce billionaire Jeff Bezos, who co-chaired the event with his wife Lauren Sánchez Bezos. Participants held signs addressing trans rights, fascism, and wealth inequality, and danced to ABBA's "Money, Money, Money." The protest highlighted Bezos's role as co-chair, with activists criticizing his company Amazon's profits from immigration crackdowns and layoffs at the Washington Post. Bezos reportedly did not attend the gala, while his wife walked the red carpet alone.
The 58th Carnegie International at the Carnegie Museum of Art in Pittsburgh looks back at its own 130-year history, featuring a gallery dedicated to past iterations. The exhibition includes Chris Ofili's "The Adoration of Captain Shit and the Legend of the Black Stars" (1998), which was originally shown in the 53rd International in 1999, the same year Ofili's more notorious "The Holy Virgin Mary" sparked controversy at the Brooklyn Museum. The article reviews how the current iteration captures the excitement of earlier exhibitions while providing commentary on authoritarianism and militarism.
Christopher Payne's exhibition "Made in America: The Industrial Photography of Christopher Payne" at the Cooper Hewitt, Smithsonian Design Museum showcases 72 large-format photographs documenting active American factories and manufacturing processes. The trained architect turned photographer spent a decade visiting dozens of production sites across the United States, from the New York Times printing plant in Queens to the Bollman Hat Company in Pennsylvania, capturing workers' craftsmanship and the intricate steps involved in making everything from Peeps candies to jet engines. The exhibition is organized into three sections—traditional handcraft, large-scale production, and cutting-edge technologies—and coincides with the Smithsonian's celebration of the nation's 250th anniversary.