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Gallery Weekend Berlin took place during the city's spring bloom, featuring exhibitions like Alvaro Urbano's melancholic installation "September and Lions" at ChertLüdde and Pamela Rosenkranz's flesh-toned water bottles at KaDeWe. The event kicked off on May Day and included expanded public tours, artist talks at the Neue Nationalgalerie, and a 24-hour window project. Notable attendees included collector Frédéric de Goldschmidt and celebrity Usher, who collected art. The weekend was marked by a mood of resilience despite political turmoil.

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Artist Antonia Showering is making her long-awaited New York solo debut with the exhibition “In Line” at Timothy Taylor in Tribeca, on view from May 8 to June 21, 2025. The show follows her London solo debut “Mixed Emotion” with the same gallery in 2022. Showering, known for dreamy, richly colored figurative oil paintings that blend abstraction and figuration, has seen her works command high prices at auction, including a 2017 painting that sold for nearly $300,000 at Phillips London. She discusses the deeply personal nature of the new work, which reflects major life changes including moving to rural Somerset, becoming a mother, and losing both grandmothers.

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TEFAF New York is currently running at the Park Avenue Armory through May 13, 2025, drawing large crowds with its cross-category approach spanning fine art, jewelry, design, and antiquities. The article highlights six standout pieces from the fair, including Judy Kensley McKie's animal-motif furniture at Delorenzo Gallery, Zaha Hadid's 'Liquid Glacial' coffee table at David Gill Gallery, and Indigenous Australian artist Mantua Nangala's dot paintings at Salon 94. Other notable works include Camilla Moberg's glass sculpture 'Goldie' at Galerie Maria Wettergren, Etienne Henri Martin's mid-century lounge chairs at Demisch Danant, and Robert Cottingham's painting 'Meat Counter' at Galerie Georges-Philippe and Nathalie Vallois.

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Gordon Robichaux, a gallery located on the ninth floor of a high-rise in New York's Union Square, has opened two exhibitions dedicated to the late artist and curator Jenni Crain, who died suddenly from Covid-19 in 2021 at age 30. The shows feature an unrealized floor sculpture by Crain, completed by her foundation and collaborators, and an untitled exhibition including works by artists who influenced her, such as Tee Corinne, March Avery, and Kate Millett. The gallery is also dedicating its booth at Frieze New York to Crain, highlighting her role as a friend, curator, and salesperson during the gallery's early years.

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The article previews the 2025 Met Gala, which coincides with the Metropolitan Museum of Art's exhibition "Superfine: Tailoring Black Style." The gala's dress code will celebrate Black dandyism, inspired by Monica L. Miller's 2009 book *Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity*. Co-chairs include actor Colman Domingo, Formula 1 driver Lewis Hamilton, rapper A$AP Rocky, and musician Pharrell Williams. The exhibition, guest-curated by Miller, will feature historical and contemporary clothing, artworks, and photographs organized into 12 sections such as "Respectability," "Disguise," and "Cool." The article also highlights five art historical examples of Black dandyism, including a 1772 portrait of Julius Soubise.

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Dara Birnbaum, a pioneering video artist known for subverting mainstream media through her re-edited television clips, has died at age 78. Her longtime representative, Marian Goodman Gallery, confirmed her death but did not disclose a cause. Birnbaum rose to prominence in the late 1970s and 1980s by pirating TV programs and resequencing their images to disrupt passive viewing. Her most famous work, *Technology/Transformation: Wonder Woman* (1978–79), loops clips of Lynda Carter as the superhero, exposing hidden politics and questioning the show's brand of feminism. The piece is now regarded as a landmark in both feminist art and video art.

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Belgian billionaire Guy Ullens, a key figure in promoting Chinese contemporary art, died at age 90. His death was announced by the Ullens Center for Contemporary Art (UCCA) in Beijing, which he founded in 2007 as one of China's first privately run contemporary art centers. The article also covers Art Basel Hong Kong, Art Dubai's digital art sales, Gallery Weekend Beijing's new invitation-only system, Bluerider Art's expansion to Los Angeles, the appointment of Ho Tzu Nyen as artistic director of the 16th Gwangju Biennale, the Turner Prize 2025 shortlist, the opening of New Taipei City Art Museum, and Saudi Arabia's new typefaces.

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Artist Harry Gould Harvey IV and others are reclaiming the frame as an integral part of the artwork, using found wood and elaborate designs to embed narrative, memory, and place. Harvey, represented by P.P.O.W., began making frames from a fallen black walnut tree, while artists like Jenna Rothstein create ceramic frames with spiky thorns. The New Museum Los Gatos recently honored Holly Lane, a pioneer who milled Renaissance-style frames in the 1980s, challenging the minimalist norm.

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This week's art industry roundup covers major developments across art fairs, auction houses, galleries, and museums. At Expo Chicago, emerging artist Auudi Dorsey sold her painting *Rumble* (2025) for $14,000 on opening day at Palo Gallery, while the fair featured 170 exhibitors including 20 from South Korea amid tariff concerns. Vienna Contemporary appointed Abaseh Mirvali as artistic advisor for 2025-2026. Sotheby's was selected by Barbara Gladstone's estate trustees to sell her collection, starting with a May 15 single-owner sale of 12 works estimated at over $12 million. Nine artworks from the Anne and Sid Bass collection head to Christie's New York, and Sotheby's secured a $70 million Alberto Giacometti sculpture for its May 13 evening sale. Philipp Kaiser departed Marian Goodman Gallery after six years. Customs backlogs from President Trump's import policy changes are causing shipping headaches, with DHL halting business-to-consumer shipments over $800 to the U.S. Air de Paris withdrew from Art Basel. Mexico City gallery OMR hired Agustina Ferreyra as director. Angelica Jopling is expanding her London gallery Incubator to New York. Alexander Gray Associates now represents Donald Moffett. In museums, the National Endowment for the Humanities, following DOGE staff cuts, is offering grants up to $600,000 for statues for Trump's National Garden of American Heroes. CCS Bard appointed Lauren Cornell as artistic director and Mariano Lopez Seoane as graduate program director. The New York Academy of Art named Paul R. Provost president. The Artists' Legacy Foundation appointed Daisy Murray Holman executive director. The Speed Art Museum named Diallo Simon-Ponte assistant curator. The Garage Museum of Contemporary Art in Moscow appointed Daria Kotova director. The Nasher Sculpture Center named Carlos Basualdo director. The Cultural Infrastructure Index reported a 17% drop in completed cultural projects in 2024.

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An inquest has ruled that the death of London-based artist Sarah Cunningham, 31, was accidental. She went missing in the early hours of November 2 in Camden, and her body was later found on the tracks at Chalk Farm Underground Station. On April 9, London’s Poplar Coroner’s Court determined that Cunningham jumped down onto the northbound train track and walked into the tunnel, where a train hit her 18 minutes later, but the coroner found she did not intend to take her own life. Cunningham was a rising artist represented by Lisson Gallery.

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US artists Spencer Finch and Lindsay Adams have been commissioned to create new installations for the Obama Presidential Center in Chicago, which is set to open in early 2026. Finch will produce a 70-foot-long tiled mural for the Forum building's lobby, inspired by Barack Obama's memoir *Dreams from My Father*, while Adams will adapt a 2024 painting into fabric panels for the center's public café. The commissions are led by museum director Louise Bernard and curator Virginia Shore, who are building a collection of approximately 20 public artworks for the campus, including pieces by Julie Mehretu, Richard Hunt, and Maya Lin.

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Tony Bechara, a Puerto Rican-born artist known for his intricate multicolored grid paintings and his long tenure as board chair of El Museo del Barrio, died on his 83rd birthday. His death was confirmed by the museum, though no cause was given. Bechara spent decades creating labor-intensive canvases built from thousands of hand-painted quarter-inch squares, exploring randomness and controlled chaos. Beyond his studio practice, he served as board chair of El Museo del Barrio for 18 years, was a trustee at the Brooklyn Academy of Music and the Brooklyn Rail, and championed the work of painter Carmen Herrera, helping to secure her a Whitney Museum survey in 2016.

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The Cooper Hewitt, Smithsonian Design Museum has opened "Making Home," the seventh installment of its Triennial, featuring 25 newly commissioned projects that explore the concept of home through memory, construction, and rupture. Co-curated by Alexandra Cunningham Cameron, Christina L. De León, and Michelle Joan Wilkinson, the exhibition is organized across three themes—Going Home, Seeking Home, and Building Home—and marks the first partnership between Cooper Hewitt and another Smithsonian museum, the National Museum of African American History and Culture. The show is on view through August 10.

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The San Francisco Museum of Modern Art (SFMOMA) will host "KAWS: Family," the first West Coast museum solo exhibition for the artist KAWS (Brian Donnelly). The traveling show, organized by the Art Gallery of Ontario, is currently on view at Crystal Bridges Museum of American Art in Bentonville, Arkansas, and will bring KAWS's signature cartoon-like characters—including Companion, BFF, and Chum—to the Bay Area.

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Georgian-Russian artist Zurab Tsereteli has died at age 91. He served as the chief artist of the USSR’s Ministry of Foreign Affairs and headed Russia’s Academy of Arts, and was a known supporter of Vladimir Putin. His monumental sculptures, favored by Russian elites, were controversial in his native Georgia.

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Pacita Abad, a Filipino artist who fled political persecution in 1970 and went on to create over 5,000 works, is finally receiving her first career retrospective. Organized by the Walker Art Center in Minneapolis, the exhibition is now on view at the San Francisco Museum of Modern Art (SFMOMA), featuring roughly 40 pieces that showcase her vibrant trapunto paintings—quilted canvases embellished with materials like buttons, beads, and shells. The show will travel to MoMA PS1 in New York and the Art Gallery of Ontario in Toronto next year.

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Christie’s will sell nine works from the Bass House, a Fort Worth, Texas home designed by architect Paul Rudolph for collectors Sid and Anne Bass, in its 20th century evening sale this May in New York. The group, with estimates totaling over $60 million, includes pieces by Mark Rothko, Alexander Calder, Ellsworth Kelly, Frank Stella, Agnes Martin, Gino Severini, and Morris Louis, with the top lot being Rothko’s *No. 4 (Two Dominants) [Orange, Plum, Black]* (1950–51) estimated at around $35 million. The works were carefully placed throughout the house, which was custom-built to prioritize art display, and most remained in their original positions after installation.

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Alserkal Avenue in Dubai's Al Quoz Industrial district has transformed from a cluster of warehouses and auto shops into a major cultural hub, now housing around 90 creative businesses including 17 contemporary art galleries. Founded in 2008 by Emirati patron Abdelmonem Bin Eisa Alserkal, the Avenue began with a single gallery, Ayyam, and has since expanded through a $13.6 million investment to replace a marble factory with purpose-built spaces. Key galleries include Carbon 12, The Third Line, and Green Art Gallery. The centerpiece is Concrete, an exhibition hall designed by Rem Koolhaas's OMA, currently hosting Imran Qureshi's solo show 'Vanishing Points,' curated by Nada Raza. Other notable exhibitions include Michael Sailstorfer's 'Air Electric' series at Carbon 12.

‘Surfers say, that board is so sick!’ The French artist redesigning the surfboard like you’ve never seen before

French designer and musician Lucas Lecacheur is creating wildly unconventional yet functional surfboards and skateboards, including a split board resembling crab pincers, a stingray-like shape, and a Brutalist board. Currently in Australia for Melbourne Design Week, Lecacheur is living and working out of At The Above gallery in Fitzroy, where he is crafting new boards like the cowboy boot-nosed Château Rouge. His designs, made with traditional materials like fiberglass, push the boundaries of surfboard norms while remaining rideable.

From Normal to Ania Magliano: your complete entertainment guide to the week ahead

The Guardian's weekly entertainment guide includes a section on art exhibitions, highlighting two shows opening in the UK. Godfried Donkor's solo exhibition at Firstsite in Colchester runs from 22 May to 30 August, weaving stories of resistance from Boudicca to Yaa Asantewaa through collage, painting, and textile. Delcy Morelos's installation at the Barbican in London, running until 31 July, fills the space with huge mounds of earth, clay, and spices to create immersive environments based on Andean and Amazonian knowledge. The guide also mentions Phantasmagoria at the Henry Moore Institute in Leeds, exploring video games and digital art.

‘I couldn’t believe we weren’t falling over ourselves for it’: Asia-Pacific art finally conquers Britain

The Victoria and Albert Museum (V&A) in London has opened "Rising Voices: Contemporary Art from Asia, Australia and the Pacific," a major exhibition produced in partnership with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane. Featuring over 70 works never before exhibited in the UK, the show draws from QAGOMA's Asia Pacific Triennial of Contemporary Art (APT), which began in 1993. Highlights include Michael Parekōwhai's sculpture of a Māori bouncer, Montien Boonma's terracotta bell installation, and Takahiro Iwasaki's intricate wooden model. The exhibition is the first APT survey to be held outside Australia and Chile, arriving after years of planning by V&A exhibitions director Daniel Slater.

Renowned feminist artist and film-maker Valie Export dies aged 85

Valie Export, the Austrian performance artist and film-maker known for her provocative feminist works that challenged the male gaze, has died at age 85. Her foundation announced she died in Vienna on Thursday, three days before her 86th birthday. Export gained notoriety in the late 1960s for low-budget performances such as "Tapp und Tastkino" (1968), where she invited shoppers to touch her bare breasts through a tiny curtain strapped to her chest. She also co-founded the Austrian Filmmakers Cooperative, participated in documenta (1977, 2007) and the Venice Biennale (1980), and was a professor of multimedia and performance at the Academy of Media Arts in Cologne.

‘I paint the kind of people I’m attracted to’: Hernan Bas on hiding from the world in Venice

Cuban-American artist Hernan Bas has been living in Venice, painting tourists while reflecting on the ironies of mass tourism and his own status as a visitor. His new series, titled "The Visitors," comprises 30 paintings that will be exhibited at Ca' Pesaro, Venice's modern art museum, alongside the Venice Biennale. The works range from bleak to satirical, depicting young white men in tourist scenarios—such as a grinning youth at Holi in India or another cradling a koala—and explore themes of alienation, innocence, and the uncanny. Bas, who is gay, acknowledges that his subjects are often the kind of people he is attracted to, and he emphasizes narrative as central to his practice, aiming to be a conceptual artist who happens to paint.

From Mother Mary to Foo Fighters: your complete entertainment guide to the week ahead

This article is a weekly entertainment guide from The Guardian, covering cinema, gigs, art, stage, streaming, games, albums, and brain food. In the art section, it highlights two exhibitions: "Handpicked: Painting Flowers from 1900 to Today" at Kettle's Yard in Cambridge, featuring artists like Henri Rousseau and Lubaina Himid; and a show of South African photographer George Hallett's work at the John Lennon School of Art and Design in Liverpool, documenting black resistance in 1970s Britain. It also mentions an open house for Lonnie Holley's new works at Edel Assanti gallery in London.

‘They accomplished so much, even as they were dying’: the groundbreaking gay art of Peter Hujar and Paul Thek

Author and Frieze Magazine editor-in-chief Andrew Durbin has released a dual biography titled 'The Wonderful World That Almost Was,' chronicling the lives and creative partnership of Peter Hujar and Paul Thek. The book focuses on their relationship from the mid-1950s through the 1970s, detailing their collaborative influence and the development of their respective practices in photography and sculpture before both died of AIDS-related complications in the late 1980s.

Nature by the uncool YBA, armoured ceramics and dizzying Aussie abstraction – the week in art

The article is a weekly art roundup highlighting several major exhibitions opening in London and Cambridge. It spotlights a new show of nature-themed paintings by Cecily Brown at the Serpentine Gallery, ceramics by Phoebe Collings-James at Pitzhanger Manor, a career survey of Turner Prize-winner Veronica Ryan at the Whitechapel Gallery, a Frank Bowling retrospective at The Fitzwilliam Museum, and a presentation of Aboriginal Australian art at Edel Assanti. The piece also features a powerful war photograph from Iraq and includes brief news items on topics ranging from a Matisse retrospective to potential museum entry fees.

The 17 Gallery Shows to See During Frieze Week in New York

Frieze New York has drawn collectors, curators, and art enthusiasts to the city, but this article highlights 17 gallery shows across Manhattan that are worth seeing during the fair week. Featured exhibitions include Katharina Fritsch's return to Matthew Marks with monumental sculptures, Kim Dacres' tire-based busts at Charles Moffett, Sasha Brodsky's debut solo show at Margot Samel, Jasper Johns' "Copy/Trace" at David Zwirner, and Lucia Hierro's packing-box sculptures at Marc Straus, among others.

A Launchpad for the Future

"Eine Startrampe für die Zukunft"

The article is a media roundup covering several stories from the art world. It includes an interview with Jeff Koons discussing his artistic process and philosophy, a portrait of artist Jorinde Voigt, a report on the robust Art Düsseldorf fair, a news piece about two valuable Gerhard Richter paintings on loan to a museum, and a review of the new LACMA building's non-linear curatorial approach.

Matisse Is a Crowd-Pleaser. Here’s What the Crowds Rarely Get to See

Acquavella Galleries in Manhattan has unveiled a major exhibition featuring over 50 works by Henri Matisse, many of which are rarely seen pieces drawn from private collections. This comprehensive survey includes paintings, drawings, and sculptures that span the artist's prolific career, offering a unique glimpse into works that typically remain behind closed doors.

VALIE EXPORT, pioneering artist who centred the female body, 1940–2026

VALIE EXPORT, the pioneering Austrian feminist artist known for her provocative performances centered on the female body, has died at age 85. Born in Linz in 1940, she adopted the name VALIE EXPORT in 1967 and quickly rose to prominence with iconic actions such as *TAP and TOUCH Cinema* (1968) and *Action Pants: Genital Panic* (1968), which challenged passive representations of women. Her work spanned photography, film, and expanded cinema, and she participated in major international exhibitions including documenta 6 and 12, and the Venice Biennale, where she and Maria Lassnig became the first women to represent Austria in 1980.