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I was fed up with the lack of representation in art — so I opened my own London gallery

Aki Abiola, the son of Nigerian political icon Chief MKO Abiola, opened Hope 93 gallery in central London eight months ago to address the lack of diversity in the art world. After a career in finance and a personal art-collecting journey, Abiola founded the gallery to showcase underrepresented artists and create a welcoming space where people feel comfortable engaging with art. He also advises the Tate Gallery on African art.

Class Notes

Boston University's College of Fine Arts (CFA) published its 2025 alumni class notes, featuring updates from graduates spanning the 1950s to the 1980s. Notable entries include Mark Mobius (’58) releasing a book on wealth, Cynthia Close (’67,’69) completing a memoir about her time in an artists' commune, and Jane O’Hara (’78) exhibiting a 51-painting series on animal rights at the New Bedford Art Museum. Other alumni activities range from radio documentaries and theatrical performances to gallery shows, poetry albums, and consulting work.

Venice Biennale’s jury resigns

The entire jury of the 61st Venice Biennale, presided by Brazilian curator Solange Farkas and comprising four other curators, resigned just nine days before the exhibition's scheduled opening on 9 May 2026. The jury had announced it would not award prizes to countries whose leaders are charged with crimes against humanity by the International Criminal Court, a move widely understood to target Israel and Russia. In response, the Biennale's organisers cancelled the prize-giving ceremony and will instead award Golden Lions via a popular vote among ticketholders. The row escalated further when the Israeli representative, sculptor Belu-Simion Fainaru, accused the jury of discrimination and threatened legal action, prompting intervention from Italy's culture ministry.

Taipei Fine Arts Museum unveils 'Surrealism: The World in Dialogue'

Taipei Fine Arts Museum (TFAM), in collaboration with the Institute for Cultural Exchange in Tübingen, Germany, has launched its major spring exhibition "Surrealism: The World in Dialogue." Featuring over 120 works by nearly 60 international artists, the exhibition marks a century since André Breton's 1924 "Surrealist Manifesto." It juxtaposes historical avant-garde works with contemporary practices, organized into sections such as "Collective Dreams," "Body of Desire," and "Absurd Play." Highlights include Yves Tanguy's dreamscapes, Lauren Moffatt's augmented reality installation, Max Ernst's scraping-method works, Patricia Piccinini's hybrid sculptures, and works by Man Ray, Meret Oppenheim, Sarah Lucas, Luis Buñuel, and Salvador Dalí.

At this year's Venice Biennale, a clash of politics and art exposes the need for a rethink

The 2026 Venice Biennale is plagued by controversy and structural issues. Curator Koyo Kouoh died of cancer in 2025, leaving her team to execute the main exhibition "In Minor Keys" without her. The Biennale's jury resigned after refusing to judge entries from countries charged with war crimes, and media coverage during preview week focused on protests against the Israeli and Russian pavilions rather than the art. The sprawling exhibition features 96 national pavilions and 110 artists, with works ranging from Daniel Lind-Ramos's found-material figures to María Magdalena Campos-Pons's tribute to Toni Morrison and Kouoh.

Art Biennale: artists reject the popular jury

Fifty-two artists and curators, along with sixteen National Participants of the 61st Venice Art Biennale, have withdrawn from the newly introduced 'Lions of the Visitors' (People's Prizes) competition. The boycott follows the resignation of the jury appointed by artistic director Koyo Kouoh, who died in 2025, and is a protest against the inclusion of Russia and Israel in the prize—countries initially excluded by the international jury. The controversy escalated after Italian Minister of Culture Alessandro Giuli publicly opposed the Biennale president Pietrangelo Buttafuoco's decision to allow Russia's participation, drawing in the European Commission and even Ursula von der Leyen, who warned of potential sanctions violations. The signatories include artists and curators from France, Belgium, Luxembourg, Turkey, Switzerland, Spain, the Netherlands, and several other nations.

Flesh and Bones: The Exhibition Turning the Art of Anatomy Into a Cultural Conversation

The exhibition "Flesh and Bones: The Art of Anatomy" at Singapore's ArtScience Museum explores the history of anatomical representation as a cultural construct rather than a universal scientific truth. It juxtaposes Western anatomical atlases from the Renaissance with Chinese meridian (jingluo) systems, featuring works by artist Chiharu Shiota and other historical pieces that reveal how different cultures have visualized the human body through both scientific and spiritual lenses.

‘Drift’ Invites Reverie at the Parrish

Sanford Biggers's first major solo exhibition on the East End, "Drift," opens at the Parrish Art Museum on Sunday and runs through September 13. The show features new works and site-responsive installations, including the monumental "Unsui (Cloud Forest)" (2025), a series of illuminated cloud sculptures suspended from the museum's arched ceiling. Co-curated by Corinne Erni and Scout Hutchinson, the exhibition spans Biggers's multidisciplinary practice—painting, sculpture, video, performance, and textile works—drawing on influences from Buddhism to graffiti culture and Gee's Bend quilts. Highlights include examples from his "Codex" series, made from repurposed antique quilts with spray-painted cloud forms, and a new sand installation inspired by prayer rugs and Japanese Buddhist mandalas.

Sandra Gamarra: “Réplica” Is Not a Copy

Sandra Gamarra Heshiki's exhibition "Réplica" at MASP in São Paulo opens with an unplanned replica of Francisco Laso's "Habitante de las cordilleras del Perú" (1855), which could not travel from Lima due to bureaucracy. Gamarra produced an inverted, altered version, establishing a critical distinction between copying and responding. The exhibition is organized into sections that parody the classical chronology of encyclopedic museums—"Pre-colonial," "Colonial," "Post-independence," "Modern," and "Contemporary"—transforming the museum into an object of analysis. Gamarra's paintings engage with colonial iconographies, such as the pinturas de castas, by inscribing racial classifications directly onto the figures, making the colonial verdict inseparable from the bodies depicted.

City of the Arts? Costa Mesa called out for not having official arts budget

Costa Mesa’s Arts Commission delivered a report to the City Council on Tuesday, calling for a significant increase in arts funding as the city updates its arts and culture master plan. Currently, arts programs are primarily funded by a portion of cannabis tax revenue—about $230,000 annually—but actual expenditures are nearly double that, forcing the city to use general fund revenue to cover the gap. Commissioners recommended establishing a public art fund, increasing the cannabis tax allocation, imposing a 1% public art fee on capital projects over $500,000, and potentially using hotel-stay tax revenue to support the arts. They also proposed expanding the arts grants program, funding a consultant to update the master plan, and creating a dedicated arts specialist position.

Kengo Kuma & Associates to expand campus of Pennsylvania’s Brandywine Conservancy & Museum of Art

Kengo Kuma & Associates has been selected to design an expansion of the Brandywine Conservancy & Museum of Art in Pennsylvania. The project will add new gallery spaces, educational facilities, and improved visitor amenities to the institution, which is known for its collection of American art and its conservation work along the Brandywine River.

How the Arts Club of Chicago Stays Contemporary in its Second Century

The Arts Club of Chicago, founded in 1916, continues to balance its historic legacy with contemporary relevance under executive director and chief curator Janine Mileaf. The club, which gave Pablo Picasso his first solo institutional exhibition in the U.S. in 1923 and hosted figures like Gertrude Stein and John Cage, now operates as both a public space and a private membership club. Mileaf’s programming emphasizes Dada and surrealist roots while showcasing experimental, site-specific works, including a recent installation by Korean artist Haegue Yang. The club maintains a close relationship with Chicago’s arts community, aiming to expose audiences to challenging and surprising art.

Robert Longo: Angels of the Maelstrom | Pace Gallery | Art in Tokyo

Robert Longo, the New York-based artist known for monumental charcoal drawings, returns to Japan after thirty years with the solo exhibition 'Angels of the Maelstrom' at Pace Gallery Tokyo, on view until June 17. The show presents recent drawings and sculptures that juxtapose allegorical images of crashing waves, whales, tigers, and peonies with portraits of 20th-century American icons, centered on a large-scale depiction of Japanese baseball star Shohei Ohtani titled *Untitled (American Samurai)*, which Longo frames as a symbol of cultural convergence.

Nick Cave’s “Mammoth” Collection of Objects Is a Public Deep Dive Into Personal History

Nick Cave's immersive solo exhibition "Mammoth" is on view at the Smithsonian American Art Museum through January 3, 2027. The show features a vast, illuminated table covered with hundreds of everyday objects—faux fruits, bejeweled vegetables, wooden canes, glass fish, toy trucks, and leather slippers—arranged with deliberate purpose. Alongside these collected items, Cave has constructed mammoth hides and bones, and a video projection brings the ancient creatures to life. The exhibition draws deeply on Cave's personal history growing up in Missouri, with memories of his grandparents' farm and his family's traditions of making, quilting, and craftsmanship informing the assemblage.

Treasures from the worlds of fashion and art collide at an extraordinary new exhibition in Lisbon

A new exhibition titled 'Art & Fashion' has opened at Lisbon's Calouste Gulbenkian Museum, curated by Eloy Martínez de la Pera Celada. It juxtaposes masterpieces from the museum's permanent collection—spanning ancient Egyptian artifacts to Rembrandt and Impressionist works—with historic and contemporary fashion pieces, including garments from Charles Frederick Worth, Yohji Yamamoto, Dries Van Noten, Alexander McQueen, and Sarah Burton's debut at Givenchy. The show is organized by regional provenance and temporarily replaces the museum's usual display while its Brutalist building undergoes renovation.

The World's First Museum of A.I. Art Will Open in Los Angeles as the Art World Ponders Questions of Ethics and Sustainability

Dataland, billed as the world's first museum dedicated to A.I.-generated art, will open on June 20 in downtown Los Angeles. Founded by digital artists Refik Anadol and Efsun Erkiliç, the 35,000-square-foot museum is located in the Grand LA complex designed by Frank Gehry. Its inaugural exhibition, "Machine Dreams: Rainforest," features immersive, multisensory installations powered by an open-access A.I. model called the Large Nature Model, trained on millions of nature images. The exhibition includes soundscapes incorporating oral histories of the Yawanawá people and the last recorded call of the extinct Kaua‘i ‘ō‘ō bird.

First Comprehensive Museum Retrospective For Detroit Artist And ‘Bead Man’ Olayami Dabls

The Museum of Contemporary Art Detroit (MOCAD) will present "Olayami Dabls: Detroit Cosmologies," the first comprehensive museum retrospective for Detroit artist Olayami Dabls, running from April 25 to July 12, 2026. Dabls, who began his career as a curator at the Afro-American Museum in Detroit (now the Charles H. Wright Museum of African American History), traces his artistic journey to a transformative moment in the 1970s when he opened a box of African masks that his colleagues feared to handle. This experience led him to investigate how Hollywood and popular culture had demonized African material culture, associating it with horror movies and voodoo, and inspired decades of work as an artist, storyteller, cultural historian, and civic champion.

The Los Angeles County Museum of Art's new central building is a 'machine of discovery'

The Los Angeles County Museum of Art (LACMA) has opened its new central building, the David Geffen Galleries, to the public. Designed by Swiss architect Peter Zumthor at a cost of $724 million, the 347,600-square-foot structure reorients the museum with a single, flowing second-story floor plan, eschewing a traditional main entrance or atrium to encourage wandering and serendipitous encounters with art. The galleries are named for major oceans and are designed to blend cultures and artworks from different eras.

Ackerman Midcentury Art Show at Craft Contemporary

Craft Contemporary in Los Angeles is presenting 'Material Curiosity by Design: Evelyn & Jerome Ackerman,' an exhibition showcasing the mosaics, tapestries, wood carvings, and other works of the late midcentury design duo. The show, which runs through May 10, juxtaposes their vintage pieces with contemporary works by artists Porfirio Gutiérrez, Jolie Ngo, and Vince Skelly.

How Digital Animation Can Help Audiences Understand Installation Art Before They Experience It in Person

The article examines the inherent limitations of traditional photography in documenting installation art, arguing that static images fail to convey the experiential qualities of scale, sequence, and audience interaction central to the medium. It uses Olafur Eliasson's iconic 'The Weather Project' as a prime example of a work whose atmospheric and social dimensions are lost in photographic reproduction.

The Norton’s new public art park may feature piece by iconic sculptor

The Norton Museum of Art is in negotiations to acquire a monumental sculpture by the late Richard Serra to serve as the centerpiece of a new public art park in West Palm Beach. The proposed Norton Cultural Park would transform a two-acre waterfront site into a series of 14 landscaped "garden rooms" featuring world-class artworks. City commissioners have granted preliminary approval for a lease agreement that allows the museum to manage the land, which was formerly a pioneer cemetery.

Picasso and Africa in dialogue at Beijing museum - China Daily

The National Art Museum of China in Beijing has launched "Wood and World," an exhibition that juxtaposes Pablo Picasso’s 1970 painting "Man and Woman with a Vase of Flowers" with dozens of traditional African wooden sculptures. By placing these works side-by-side, the show highlights how the exaggerated and deconstructed forms of African art served as a foundational influence for Picasso’s African period and the eventual birth of Cubism.

Artist Shana Moulton to speak at Humanities Decanted

Artist Shana Moulton is set to discuss her multidisciplinary practice at the "Humanities Decanted" event on April 21. The talk will focus on her long-running 'Whispering Pines' series and her recent site-specific installation at MoMA’s Kravis Studio, which features her iconic alter ego, Cynthia. Developed in collaboration with composer Nick Hallett, the project utilizes performance and video to explore a multi-chapter narrative centered on themes of wellness and consumerism.

How US museums are adapting to a new era for technology-based art

American art institutions are undergoing a structural shift to accommodate the rapid evolution of technology-based and time-based media. The opening of Canyon, a 40,000-square-foot space in Manhattan’s Lower East Side founded by Robert Rosenkranz, exemplifies this trend. Led by former Mass MoCA director Joe Thompson, the venue aims to provide a permanent, hospitable home for moving-image, sound, and performance works that often struggle to find long-term exhibition space in traditional New York museums.

Denver Art Museum digs into its closet for fun fashion show

The Denver Art Museum has unveiled "Conversation Pieces: Stories from the Fashion Archives," an exhibition composed entirely of works from its permanent collection. Featuring approximately 60 mannequins, the show highlights high-fashion garments from the past century, many of which have never been publicly displayed. The curation includes iconic pieces by legendary designers such as Coco Chanel, Yves Saint Laurent, and Elsa Schiaparelli, alongside contemporary works by Alexander McQueen and Carla Fernández.

Visit the Frist Art Museum to learn about the Frist Art Museum

The Frist Art Museum in Nashville is celebrating its 25th anniversary with a special exhibition titled "A Landmark Repurposed: From Post Office to Art Museum." Located in the Conte Community Arts Gallery, the show utilizes archival images, architectural drawings, and historical documents to chronicle the building's transformation from a 1930s Art Deco post office into a premier non-collecting art institution.

The Big Review | The Woman Question 1550-2025 ★★★★½

The Museum of Modern Art in Warsaw has launched "The Woman Question 1550-2025," a massive survey featuring nearly 200 works by 140 women artists spanning five centuries. Curated by Alison M. Gingeras, the exhibition uses the medieval concept of "la querelle des femmes" to explore how women have asserted their status as "citizen artists" against patriarchal structures. The show juxtaposes historical masterpieces by figures like Artemisia Gentileschi and Sofonisba Anguissola with contemporary provocations by Miriam Cahn and Lubaina Himid, focusing heavily on figurative painting and sculpture.

Pulitzer Arts Foundation throws a 25th anniversary party — a show curated by founder Emily Pulitzer

The Pulitzer Arts Foundation is celebrating its 25th anniversary with a landmark exhibition titled “Dialogues and Conversations,” curated by its founder, Emily Rauh Pulitzer. The show features 70 works spanning from the late 19th century to the present, including pieces from Pulitzer’s personal collection, loans from the Museum of Modern Art, and works she previously handled during her tenure at the Fogg Art Museum and the St. Louis Art Museum. The exhibition juxtaposes familiar site-specific masterpieces by artists like Richard Serra and Ellsworth Kelly with unfamiliar works to spark new thematic connections.

Is it finally time for the Guerrilla Girls to remove their masks?

The Getty Research Institute is hosting "How to Be a Guerrilla Girl," its first major exhibition drawn from the extensive archives of the anonymous feminist activist collective. The show features early drafts, posters, and archival materials that trace the group's 40-year history of using humor and data to combat misogyny and racism in the art world. Despite the institutional spotlight, the Getty has chosen to maintain the group's secrecy, even redacting names from public documents and keeping boxes of unmasked photographs sealed until the members' deaths.

The Met to Present a Major Exhibition Dedicated to the Careers of Lee Krasner and Jackson Pollock

The Metropolitan Museum of Art has announced a major exhibition titled "Krasner and Pollock: Past Continuous," scheduled to run from October 2026 to January 2027. This landmark show will trace the parallel careers of Lee Krasner and Jackson Pollock, marking the first significant New York presentation for either artist in over two decades. The exhibition aims to examine their distinct yet interconnected practices as artistic peers and life partners, featuring galleries that both juxtapose their works and present them independently to highlight their individual evolutions in abstraction.